2. The Nature of Texts (Text Structure)
• The Nature and Elements of Narrative Texts
• Using Story Grammar and Graphic Organizers in
Understanding Narrative Texts
3. 1.Explain the nature of text structure.
2.Identify the elements of narratives as found in story grammar.
3. Use story grammar in applying organizational and critical reading
skills.
4. Use graphic organizers appropriate for narratives as aid for and
assessment of comprehension.
OBJECTIVES
4. Text Structure
Gunning (2002) defines text structure as the way a piece
of writing is organized, either narration or exposition (more
recently termed as information or informative).
One way to improve students’ comprehension is to
raise their awareness of text structure because this will
serve as guide in processing information and focusing
their attention when reading.
5. For narrative text, teachers can use
Story Grammar. This strategy requires
explicit instruction on the major elements of
story: protagonist, problem, response,
consequence, resolution, and theme.
For expository text, top-level structure
may be applied. This strategy guides readers
to process the text from the superordinate
(main idea), coordinate (support idea), and
subordinate (support details).
6. Narrative Text Structure
Narration is a composition in writing
or speech that tells a story or gives
an account of something, dealing
with sequences of events and
experiences, though not necessarily
in strict order.
7. Narrative Text
in general, it is a story,
actual or fictional,
expressed orally or in
writing.
(Harris and Hodges, eds, 1995)
8. Narrative Text
has become associated with
subjectivity and chronological
storytelling (Behrendt, 2003) as
opposed to objectivity and linear,
rational thinking associated with
exposition.
9. Examples of Narrative Text
fables
legends
myths
epics
folktales
fairytales
novels
short stories
and even narrative poems
10. Examples of Narrative Text
fables - a folktale using animals as characters (Aesop’s fables)
legends - are stories that explain how things came to be, why
things are as they are
myths - traditional stories in prose concerning details of gods
and demigods and the creation of the world and its inhabitants
epics – heroic narratives that narrate the adventures of tribal
heroes which embody in themselves the ideals and values of the
group
folktales - prose narratives regarded as animal tale or fable, folk
speech, and folk song.
11. Examples of Narrative Text
fairytales – stories that range from those originating in folk lore to more
modern stories written by a single identifiable or nonidentifiable author
novels – relatively long piece of written narrative fiction, normally in prose,
and typically published as a book
short stories – narratives with a fully developed theme and plot but
significantly shorter and less elaborate than a novel; can be read in one
sitting
narrative poems – forms of poetry that tell a story, often making the
voices of a narrator and characters as well
12. Narrative Text
One thread unites these various kinds
of narration—
the important elements that make up
the structure of narration are similar no
matter what the stories are called or
labeled.
13. Elements of Narrative Text
An orientation in which the narrator tells
the audience about who is in the story,
when the story is taking place and where
the action is happening.
A complication that sets off a chain of
events that influences what will happen in
the story.
14. A sequence of events where the characters react to
the complication.
A resolution in which the characters finally sort out the
complication.
A coda which is an ending part that provides a
comment or moral based on what has been learned
from the story (an optional step).
Elements of Narrative Text
15. Important Elements of a Narrative Text
Good readers remember stories better when they are
organized like other stories.
Stein and Glenn (1977) identify six categories of information
in a narrative text (setting, initiating event, response,
attempt, consequence, and reaction)
simplified by Ogle to help readers remember only the major
details so that readers can summarize the narrative text.
16. Important Elements of a Narrative Text
The following major elements as suggested by Ogle should be
highlighted in the reading instruction using this text type:
1. PROTAGONIST - the most important character in the story
2. PROBLEM - the major conflict of the story
3. RESPONSE - the major action taken to solve the conflict
4. CONSEQUENCE - the outcome of the action taken
5. RESOLUTION - the ending of the story
6. THEME - the idea that the writer wants to convey using the story
18. Language Features of Narrative Texts
1.Past tense verbs
2.Many pronouns (usually third person)
3.Connecting words indicating temporal
relationships (e.g. after that, finally, the next
morning, etc)
4.Direct quotations
19. Teachers can use the story frame
below for comprehension instruction:
The story is about (protagonist)
who is (important description) with a
(problem) so (response) .
Because of this, (consequence),
and so in the end (resolution).
The story implies that (theme).
20. Teachers can also present jumbled sentences that contain the major story elements before
reading, then let the students rearrange them to guess what they think the story is. Consider the
example below.
What’s the story? Arrange the sentences by numbering them from 1-5.
21. Story Grammar
A story grammar is the system of rules used for describing the
consistent features found in narrative texts (Mandler, 1984).
A structural approach to facilitate reading comprehension
A strategy which classifies the components of a story and
specifies relationships among its parts
A strategy for cognitive literacy for young learners
Aims to improve learner’s reading comprehension by giving them
a framework they can use when reading stories
22. What Research Tells About Story Grammar
Explicit instruction of story grammar can improve reading
comprehension of narrative texts.
Effective readers have expectations about what they will encounter
when they read stories, personal letters or factual texts.
They use their schemata and clues from the text in varying amounts
as they comprehend.
There is evidence to show that using story grammar, to recall details
in a story, provides the basis for enhanced retrieval of information
from a story. (Amer, 1992)
23. What Research Tells About Story Grammar
Explicit instruction in story grammar involves helping students to
learn to recognize the elements of narrative text and use
these elements to improve their comprehension of the story.
Asking questions that focus on the elements of the story (the story
line) leads to improved student comprehension of the story (Beck,
1984).
A strategy teachers may use involves dividing the story into
meaningful episodes and developing comprehension
questions they will ask in guided silent reading and discussion.
Such questions will cause students to focus on the relevant
elements of the story.
24. Most narratives contain the following elements:
Setting Information about the character(s), the location of the story
and the time the events occur
Initiating Event The event (problem) that occurs, involving the main
character(s)
Internal Response The reaction / response of the main character to the initiating
event
Attempt The action the main character(s) do, as a result of the
initiating event (problem)
Consequence The impact of the character’s attempt (the resolution)
Ending Suitable ending or closure of the story
Theme The central message or idea the story wants to convey
26. Some of the major reading skills developed or applied when
teachers use story grammar are the following:
1. Note-taking
2. Characterizing significant person in the story
3. Noting significant details
4. Ignoring irrelevant ideas
5. Getting main idea
6. Summarizing
7. Getting implied meaning
27. Necessarily, the teachers need to include a discussion
or facilitate activities that will help learners utilize the
following skills in understanding and appreciating the
story:
1. Predicting
2. Understanding figurative language
3. Identifying point of view
4. Confirming one’s prediction
5. Revising/changing own prediction
6. Stating the theme of the story
7. Etc., depending on the story read
28. One of the most effective visual learning strategies
for learners, especially in comprehending various
narratives
Applied across the curriculum to enhance learning
and understanding of subject matter content
A visual display that demonstrates relationships
between facts, concepts, or ideas
Guides the learner’s thinking as they fill in and build
upon a visual map or diagram
Graphic Organizer
29. Challenges in Reading Narrative Texts
1. determining the theme of the story
2. seeing the connection of the events
3. distinguishing the narrated order of events
30. Challenges in Reading Narrative Texts
4. knowing who is telling the story and what
relationship that person has to the events in the story
(point of view)
• first person – a participant who can be major or minor character (uses
the pronoun “I”)
• third person – someone who sees into the minds of all characters,
someone who sees into the minds of some characters, or someone who
sees (uses the pronouns he,she, it, they)
31. “As teachers, teaching the literary side of
English is practically a separate job and a
gargantuan task. It entails a lot of stimulation –
you have to ask questions, help learners ask
their own, activate their prior knowledge and
experiences, assist them in finding meaning in
the texts and guide them in achieving
comprehension. But most importantly, you have
to make your learners develop their love for
reading waiting to unfold.”
~ Denn Marc P. Alayon
Please know that throughout this session, four objectives must be realized: 1. Explain the nature of text structure- it is a fact that in any lesson we present our students, we use a text---which is either NARRATIVE OR EXPOSITORY. The question is: as teachers, do we know “how” narratives differ from expository texts? (because we have to clarify that with our learners, too)—and in this session, we will discuss that. 2. Identify the elements of narratives as found in story grammar- as mentioned awhile ago, we begin our lessons with a text—either narrative or expository. In this session, we will be focusing on “narratives”---the components/elements present in a narrative via story grammar.
(read the slide) All texts that we read (story, magazine article, essay, and the like) ===they all follow a certain flow as to how information (either events=narratives or facts=exposition ) is presented. Texts we read were not written in random thoughts. They were written in an organized structure. The way Narrative texts are written or structured is very different from the way an expository text is written or structured these 2 text types have distinct “text structure”--- (we will be focusing on Narratives in this session)
(read the slide) All texts that we read (story, magazine article, essay, and the like) ===they all follow a certain flow as to how information (either events=narratives or facts=exposition ) is presented. Texts we read were not written in random thoughts. They were written in an organized structure. The way Narrative texts are written or structured is very different from the way an expository text is written or structured these 2 text types have distinct “text structure”--- (we will be focusing on Narratives in this session)
(read the slide) Just like our DepEd organizational structure which includes: Regional Director, Division Superintendent, District Supervisors, School Heads… The structure of a Narrative text contains: events and experiences. And every time we discuss a story/narrative with our learners, these have to be detailed.
However, in 2003, Behrendt expressed that a story may not be following a single style of presenting events. Instead, a story may be presented in various creative ways. A story may be presented with an en medias res-plot (a story that begins from the middle part of the story or climax to ending to the beginning part – STARWARS, GUARDIANS OF THE GLAXY, AVENGERS). Also, a story may be presented too with a flashback-plot. (a story that begins with its ending part- TITANIC, HENERAL LUNA, TANGLED, INSIDEOUT) –as the saying goes “there are thousand ways to kill a cat”, THERE ARE MANY WAYS TO PRESENT A STORY: orally or written.
Stories or narratives have genres. (read the slide). And we have to be very familiar with these genres so we can clearly differentiate each to our learners and expose them to each of these genres.
Stories or narratives have genres. (read the slide). And we have to be very familiar with these genres so we can clearly differentiate each to our learners and expose them to each of these genres.
Stories or narratives have genres. (read the slide). And we have to be very familiar with these genres so we can clearly differentiate each to our learners and expose them to each of these genres.
Although stories have genres, they all contain same elements. All stories have characters, events, problem, theme=regardless of how they are presented (linear, en medias res, flashback).
Another thing about narratives (regardless of genre) is they consist of a: NARRATOR, SETTING, SERIES OF EVENTS, and PROBLEM (also called complications). A story is not a story if it has no problem==because what will the characters talk about? Where will they react to? --- and we have to make our learners know that!
Another thing about narratives (regardless of genre) is they consist of a: NARRATOR, SETTING, SERIES OF EVENTS, and PROBLEM (also called complications). A story is not a story if it has no problem==because what will the characters talk about? Where will they react to? --- and we have to make our learners know that!
In a nutshell, a story has these elements. And the signal for us teachers that our learners are comprehending the story they are reading is that THEY CAN IDENTIFY OR SEE THESE ELEMENTS IN WHAT THEY READ. Let’s talk about these elements one by one. A story has CHARACTERS (protagonist=vida and antagonist=contra vida). The question is, how do we know if a character is the protagonist? Note this down: A character is a protagonist if: 1. s/he has the problem in the story. 2. s/he is the most talked about character by the other characters in the story and 3. s/he is present in most events in the story. How about the antagonist? How do you know if a character is the antagonist? A character is the antagonist if s/he is the one who makes the life/situation of the protagonist worse. As teachers we have to be keen on this because we have to teach this to our learners. Another element present in a story is the setting. It is the when and where of the events. Most importantly, a story has plot or events. In a story, there must be an event that presents the PROBLEM OR CONFLICT being faced by the protagonist. As said earlier, A story is not a story if it has no problem==because what will the characters talk about? Where will they react to? Then, a story must have an event presenting the characters’ REACTION/S. this event in a story shows how the characters specially the protagonist react or try to solve his/her problem. There must be also an event that shows the CONSEQUENCE/S of the characters’ reaction/s to his/her problem. (If the protagonist’ reaction to the problem does not lead to the solution to his/her problem, then other events that will come next are just CONSEQUENCE/S). HOWEVER, after the protagonist knew that his/her previous actions do not solve his/her problem, then s/he will do another action/attempt to finally solve his/her problem. And when that action/attempt led to the solution of his/her problem, then that part of a plot is called RESOLUTION. Another element of all stories is ENDING. A story ending can be ended or open-ended. What is the difference between the two? In an “ended-ending”, what finally happens to the characters after the story problem was solved is clearly presented in the story (nang napasok ang drug lab ng mga pulis, si Juaquin ay tuluyang nabilango kasama ng kanyang lolo na si Don Emilio. Makalipas ang ilang buwan ay ikinasal na sina Cardo at Ariana). On the other hand, in an “open-ended ending” the life of the characters after the story-problem was solved was not presented in the story. It’s up to the readers/viewers/listeners to infer on these things. Now why are we describing each element in detail? E ano ngaun kung iyan yung mga elements na present dapat sa isang story para matawag iyong story? Most importantly, all stories have a THEME. What is theme? How does it differ from MORAL / LESSON? A THEME is the topic the author is trying to explain to the readers through the story. Examples of theme are: death, love, bravery, nationalism, heroism, honesty, etc.band you see, these are very different from MORAL / LESSON. The point is: as teachers we have to help/equip our learners with the skill in seeing these story elements in stories that they read/view/listen to BECAUSE, it’s the signal for us teachers that our learners are comprehending the story they are reading. If our learners cannot identify these elements in any story, that means they don’t understand the story at all because these are the only things they can get or present in a story. Wala nang iba. That is why it’s very important for teachers to be quip with varied strategies (specially the use of graphic organizers) that will “scaffold” or guide learners to see/identify these elements. Remember, If our learners cannot identify these elements in any story, that means they don’t understand what they read. We don’t want learners to be reading without comprehension. We want our learners to be critical readers/learners, AMEN? Amen! (diba, mga kapatid sa pananampalataya sa bisa ng pagtuturo).
Are we all ok with the elements of Narrative Texts? Now let’s move on to their other features. Just like our cellphones that have many unique features, a narrative text also has language features. Most stories are in past tense. Because narratives are “stories retold”. Narratives tell actions/events that were done already. Therefore, past tense of the verb is used in narratives. Another thing that is very noticeable with stories is the presence of many pronouns (usually in 3rd person). Example: (he said, they nodded, she asked, he answered, etc.). There is also the presence of Connecting words indicating temporal relationships (e.g. after that, finally, the next morning, etc). And lastly, stories have dialogues or direct quotations. Now why are we talking about these language features of a narrative text? These are other features about stories that we have to teach our learners as well. They have to be familiar with these features so they can appreciate stories more. Just like with cellphones, how can you enjoy and appreciate the phone if you’re not aware of the beauty of its features? ---same is true with how learners appreciate stories/narrative text-type. That is why if you will notice, in our CG, under Gammar domain, these are included.===these are things we have to teach our learners. (but how do we teach what we do not know?===joke lang po..sorry po. But you may consider that idea. Paano nga? What if the English teacher in a school is not an English Major or with no specialization in Linguistics? So what help must we give our teachers with respect to this concern? Huh, School heads, Superintendents, Directors? Is it monitoring, training, pedagogic program?==it’s up to you to plan about).
Let’s move on and proceed with Story Grammar and Reading Skills. What is story grammar again? It’s the outline of all the elements of a story (characters, setting, plot, theme). Usually it comes in graphic organizers (story frame, story pyramid. etc). Its can be presented to learners in an activity sheet-form where in they supply the details of the story they are reading in the graphic organizers (characters, setting, plot, theme). It serves as tangible measure as to how much learners are comprehending a story they are reading. The logic is: only the details that learners are able to put on the graphic organizer (story grammar) are the details that they “grasp” or “comprehend” from the text they are reading. Story elements that learners cannot write on the graphic organizer are the things they don’t understand about the story they are reading. That is why “use of story grammar in graphic organizer” is a proven-effective strategy in developing comprehension of narrative texts. Now, aside from that, when learner are exposed with this kind of graphic organizer, other reading skills are EMBEDDEDLY DEVELOPED among them as well. These include: (read the slide). 1-3 SELF EXPLANATORY 4. Ignoring irrelevant ideas= only the characters, setting, problem, reaction, consequence, resolution, ending, and theme are what they are to look for. Because they canot see main idea. Topic, supporting sentences in a narrative text since these are only found in an expository text!!! 5. Getting main idea= although main idea is for expository text-type, in narrative types of text, main idea refers to the “THEME”. 6. Summarizing= via graphic organizer, learners will be able to summarize stories because the formula for a narrative summary is: protagonist + problem + reaction + consequence + resolution + ending in one long sentence. (ex: the story is about Pinocchio who wanted to become a real boy so he lived with humans and learned to lie so his nose got longer but eventually became a real boy by realizing that lying is wrong.) Take note, THIS IS HOW STORIE ARE SUMMARIZED. That’s why I wonder why other teachers ask their students to make story summaries that are as long as passages/paragraphs. Bakit ganon? Nde po ganon ang summary ng narrative text-type! And now that you know, KINDLY TEACH THAT TO YOUR LEARNERS, PLEASE.
Here are other reading skills embeddedly-developed if learners are exposed with a graphic organizer for story grammar. (read the slide)
But in reality, not all teachers are processing narrative texts in their classes WITH JUSTICE. (nasaan naman ang hustisya doon mga kapatid sa pananmpalataya sa epektibong pagtuturo???) why is it so? Because there are things that are difficult to elicit from a narrative text with children. What are these things? (read the slide) 1. determining the theme of the story = its like playing “charade” with a story to realize its THEME. IT REQUIRES THE SKILL OF INFERRING. 2. seeing the connection of the events= it’s hard for some students to see which event shows the problem, reaction, consequence, resolution, and ending. 3. distinguishing the narrated order of events from the event order= although all stories have the problem, reaction, consequence, resolution, and ending, it’s difficult for learners to identify each of them if a story is presented in en medias res (story starts at the consequences or climax==AVENGERS) or in flashback (story begins with the ending==TITANIC).
4. (point of view)= it’s hard for learners to determine the role of the narrator in the story. In some stories, the narrator is also a character in the story (major or minor). However, in other stories, the narrator is not a character in the story but just an observer of the characters. POINT IS: These are the areas where we have to focus most our discussion questions, activities since we always use narrative texts in our lessons.