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Question 4 (2)
1. Michael Foley QUESTION
4
Alyssa Heimrich
Maren Janssen
Thomas McWatters
The Cinematographic
Marc Nappi Principle and the
Ideogram: Haiku Poetry
Joseph Walker
2. Haiku
The essence of haiku is
"cutting" (kiru)
Traditional haiku consist
of 17 syllables or beats
Kigo
4. Representing Montage
A Dew On a Lily Pad Today
A dew on lily pad Laying in my bed,
Shines with a Staring at the closed
beautiful smile curtains.
Knowing death is Should I rise or not?
near.
Masaoka Shiki discovered the Haiku in Japan in the 19th to 20th century. .[1] This is often represented by the juxtaposition of two images or ideas[2] and a kireji ("cutting word") between them, a kind of verbal punctuation mark which signals the moment of separation and colours the manner in which the juxtaposed elements are related.[3] Traditional haiku consist of 17 on (also known as morae), in three phrases of 5, 7 and 5 on respectively.[4] Any one of the three phrases may end with the kireji .[5] Although haiku are often stated to have 17 syllables,[6] this is incorrect as syllables and on are not the same. A kigo (seasonal reference), usually drawn from a saijiki , an extensive but defined list of such words. The majority of kigo , but not all, are drawn from the natural world. This, combined with the origins of haiku in pre-industrial Japan, has led to the inaccurate impression that haiku are necessarily nature poems.