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International Journal of Trend in Scientific Research and Development (IJTSRD)
Volume 6 Issue 3, March-April 2022 Available Online: www.ijtsrd.com e-ISSN: 2456 – 6470
@ IJTSRD | Unique Paper ID – IJTSRD49598 | Volume – 6 | Issue – 3 | Mar-Apr 2022 Page 716
The Role and Importance of Choreography
Education for Children with Disabilities
Khudayberdi Imankulov1
, Shahzoda Khudoynazarova2
1
Teacher at Special School No. 7 for Children with Disabilities, Ahangaron City, Uzbekistan
2
Teacher of the Uzbek State Academy of Choreography
ABSTRACT
This article examines the choreographic education of children with
disabilities and the attention paid to it by the state. The importance of
developing the ability of children with disabilities to be in creative
relationships with peers and adults was shown.
KEYWORDS: disability, choreographic education, plastic
movements, music, experimental performance
How to cite this paper: Khudayberdi
Imankulov | Shahzoda Khudoynazarova
"The Role and Importance of
Choreography Education for Children
with Disabilities"
Published in
International Journal
of Trend in
Scientific Research
and Development
(ijtsrd), ISSN: 2456-
6470, Volume-6 |
Issue-3, April 2022, pp.716-718, URL:
www.ijtsrd.com/papers/ijtsrd49598.pdf
Copyright © 2022 by author(s) and
International Journal of Trend in
Scientific Research and Development
Journal. This is an
Open Access article
distributed under the
terms of the Creative Commons
Attribution License (CC BY 4.0)
(http://creativecommons.org/licenses/by/4.0)
INTRODUCTION
In the new Uzbekistan, which is rapidly developing,
the human factor is a priority in our social life. Today,
conditions and opportunities have been created at the
government level to meet all its needs and
requirements. In particular, the attention paid to
people with disabilities, especially children, is
extremely high. The work of specialists in the field of
attracting them to the life of society, bringing them to
a higher level of social life, strengthening their health,
mobility, physical activity is gaining momentum.
Such effective theoretical and practical work, of
course, does not fail to yield results.
LITERATURE ANALYSIS AND
METHODOLOGY
In the works of VS Rakhmonova, N.Musaeva,
D.A.Nurkeldieva, R.Sh.Shomakhudova,
M.P.Khamidova, M.F.Khakimova the problems of
Uzbekistan in the profession for children with
disabilities are reflected.
DISCUSSION
Today, education has reached a new stage of
development, with education taking precedence over
upbringing. To be more precise, education was a
process that had existed for many years, but until
recently was not separated as a separate link, but was
accompanied by learning. There are many programs,
textbooks, books, scientific articles on how to teach in
modern education. But, unfortunately, most of these
works are dedicated to the most ordinary children
who participate in music and sports schools, various
ensembles and groups, studying in secondary schools.
However, the rest of the children, who are seriously
ill and have been diagnosed as "disabled children"
since childhood, are also members of this society and
they also need attention and special education.
“As of January 1, 2019, about 710,000 people with
disabilities are officially registered in Uzbekistan.
101,000 of them are children with disabilities under
16 years old. As of 2019, of the nearly 710,000
people with disabilities, 609,000 are over the age of
16, and only 10 percent have higher education” [1].
IJTSRD49598
International Journal of Trend in Scientific Research and Development @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD49598 | Volume – 6 | Issue – 3 | Mar-Apr 2022 Page 717
At present, there are 86 specialized boarding schools
for children with physical or mental disabilities in the
country. There are 21 sanatorium-type boarding
schools. 16 of them are located in Tashkent. to date,
choreography has not been taught at all in special
schools.
Developing the ability to interact creatively with
peers and adults in children with disabilities
(including in active joint activities in preparing them
for events) is extremely important to help develop
individuality and creativity. It is necessary to
contribute to the acquisition of positive social
experience in the process of dance lessons and
children's creative activity, to develop children's
communication skills through dance games, to form a
stable motivation to express themselves both on stage
and in life by stimulating creative activity. Naturally,
the ability of a child with a disability to enter the life
of society, to communicate with the world around
him, is formed as a result of these actions.
“In order to solve emotional and volitional problems,
it is important that the child interacts naturally with
other children during the dance, without having a
negative communication experience. Even children
who never allow themselves to be touched hold each
other’s hands while dancing. As they dance, everyone
looks at each other and makes certain movements.
Gradually, children learn to coordinate their
movements with other people's movements, and then
the dance becomes more orderly and rhythmic” [2].
Dance is an art form created in artistic images
through rhythmic, precise and continuous changes of
plastic movements and expressive positions of the
human body. Dance is inextricablylinked with music.
The emotional and figurative content of
choreographic movements is closely connected with
the musical tone and rhythm.
"Choreography for children with disabilities is a
specific area of their development and correction, in
which there are positive changes in the mental,
physical and social parameters of personality traits
and qualities" [3]. Full formation and development of
mental, physical and social parameters in a child with
disabilities revealing its creative aspects in a row
requires great skill, strong knowledge and experience
from the teacher-educator.
“Teachers have a difficult task: on the one hand, to
create a developing environment for a child with a
disability, on the other hand, to help him learn to
behave adequately despite the ever-changing
situation. The structure of the dance, a clear example
of which is external support for the child's personal
behavior. ”[4] In this process, it is important that the
educator and the child with a disability are prepared
to perform the same task. A dance is a stage work,
and for its performance, a wide area that is naturally
comfortable for free movement is important.
“Any work of art should excite the audience, make it
a partner of the movement, sympathize with what is
happening on stage. The artist is the assistant
choreographer in performing this task. The choice of
tools he uses depends on the genre of the work, its
style, the background of the idea. The choreographic
genre requires a free stage space that is not filled with
unnecessary objects. The artist must take this into
account in his work. But the style of the work, its
character, and even the individual manuscript of the
choreographer must be taken into account. ”[5]
Consequently, the artist takes into account the size of
the stage, technical and lighting equipment,
complements his creative concept with its
capabilities, the speed of changing the decorative
design, the height of the grille, the number of
obstacles. All of these conditions are reflected in the
stage plan, which is usually used by the artist and
choreographer” [6].
40 years ago, Liliya Sevastyanova organized the first
experimental performances on the stage together with
a group of young people with disabilities, setting up
the studio "Lik". His team now unites more than 30
people. These are professional actors, young studio
staff, as well as about 20 disabled people with severe
physical and mental illnesses: blind, deaf and dumb,
wheelchair users, cerebral palsy, mental retardation
syndrome, growth defects and more. (7 to 40 years
old). Teamwork is always based on innovation and
research. The artist today intuitively searched for the
stage language, which has a modern form, to make
the works understandable to the viewer, immersed in
essence. It was the experience of improvisation and
the focus on spirituality rather than physicality in art
that allowed the Movement Theater to carry out
creative and educational work with people with
disabilities in recent years. The themes and names of
the performances “I Dream of Walking ...” (2004),
“Rainbow Festival” (2005), “Improvisations on Life
Themes” (2006) were not invented, but taken from
real life. The choreography of the performances is
also not specially structured, but rather improvised in
the dance process, symbolizing the inner unity and
interaction of the actors and the disabled, and when
the speech is integrated into the gestures and
movements.
On December 14, 2021, on the occasion of the
International Day of Persons with Disabilities, the
Uzbek State Russian Drama Theater hosted a
performance of "Dance Performance" by the Lik
International Journal of Trend in Scientific Research and Development @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD49598 | Volume – 6 | Issue – 3 | Mar-Apr 2022 Page 718
Movement Theater on the occasion of the
International Day of Persons with Disabilities. It
should be noted that the role of this theater-studio in
increasing the activity of children with disabilities in
society through the art of choreography.
“Inclusive Education and Children with Disabilities
UNICEF Advanced Education in Inclusive Education
is making a positive difference in the lives of children
with disabilities. In 2007, 4,000 digital hearing aids
were distributed to children. For this purpose,
specialists of the Republican Pediatric Center
diagnosed 2338 students of specialized boarding
schools in Jizzakh, Bukhara, Kashkadarya, Fergana,
Andijan, Khorezm regions, the Republic of
Karakalpakstan and Tashkent. ”[7]
Employers who employ people with disabilities at the
expense of the State Fund for Employment Promotion
will receive a subsidy of 1.5 times the BHM per
employee for 6 months (405 thousand soums). how
much subsidy is allocated.
Dance is actually an important factor in determining
the process of shaping a person. It is a form of mass
art that is open to all. As a result of the use of dance
in education, the main task for the practicing educator
is to compile a list of lessons consisting of systematic
actions. Under the leadership of Professor of the
Uzbek State Academy of Choreography Ravshan
Jomonov, Shahzoda Khudoynazarova, a teacher at the
Department of Choreography, won a grant project
announced by the Ministry of Innovation
Development of the Republic of Uzbekistan. is the
focus of the government.
CONCLUSION
There are many opportunities and conditions created
by the government and the state for people with
disabilities, especially children. The important thing
is that the focus is on finding your address and
owners. The most sensitive aspect of education and
upbringing is that choreographyplays a special role in
enhancing communication with the environment.
Thanks to choreographic education and upbringing,
students of special schools specializing in children
with disabilities will have a common aesthetic and
dance culture, while the development of dance and
music skills will help them to understand the art of
professional choreography more delicately.
References:
[1] G‘aybullaeva Z. “Nogiron bolalar ham
O‘zbekiston fuqarosi” – O‘zbekiston nogironlar
uyushmasi raisi Oybek Isoqov bilan
suhbat.17.06.2020
[2] Яровенко А.Б. Хореография. Как работать с
детьми с ОВЗ.-
https://www.prodlenka.org/metodicheskie-
razrabotki/242276-horeografijakak
[3] Алымова Г.И. Организация работы с детьми
с ОВЗ с учетом требований ФГОС по
хореографии.
https://nsportal.ru/shkola/dopolnitelnoe-
obrazovanie/library/2018/03/31/
[4] Кукушкина С.Е. Обучение спортивным
танцам на колясках детей с поражением
опорно-двигательного аппарата
(методические рекомендации). ГБОУ
«Центр «Динамика» ВИ тип №616.
[5] Ванслов В. Художественно-музыкальный
театр «Советский художник», Москва, 1963
г.
[6] Imankulova I. The Role and Importance of
Stage Technology and Technology in the
Development of Modern Stenography (On the
Example of the Alisher Navoi State Academic
Theater) Central asian journal of arts and
design volume: 02 ISSUE: 11 | 2021
[7] https://www.unicef.org/uzbekistan/uz/inklyuziv
-talim
[8] Иманкулова И., Фазлиева З. Алишер Навоий
номидаги Давлат академик катта театри
саҳнасида “Лазги - қалб ва севги рақси”
балети сценографиясида замонавий талқин
Oriental art and culture issn 2181 -063x
scientific methodical journal volum issn 2181 -
063x
scientific methodical journal volume2issue
4/december2021

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Importance of dance education for children with disabilities

  • 1. International Journal of Trend in Scientific Research and Development (IJTSRD) Volume 6 Issue 3, March-April 2022 Available Online: www.ijtsrd.com e-ISSN: 2456 – 6470 @ IJTSRD | Unique Paper ID – IJTSRD49598 | Volume – 6 | Issue – 3 | Mar-Apr 2022 Page 716 The Role and Importance of Choreography Education for Children with Disabilities Khudayberdi Imankulov1 , Shahzoda Khudoynazarova2 1 Teacher at Special School No. 7 for Children with Disabilities, Ahangaron City, Uzbekistan 2 Teacher of the Uzbek State Academy of Choreography ABSTRACT This article examines the choreographic education of children with disabilities and the attention paid to it by the state. The importance of developing the ability of children with disabilities to be in creative relationships with peers and adults was shown. KEYWORDS: disability, choreographic education, plastic movements, music, experimental performance How to cite this paper: Khudayberdi Imankulov | Shahzoda Khudoynazarova "The Role and Importance of Choreography Education for Children with Disabilities" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456- 6470, Volume-6 | Issue-3, April 2022, pp.716-718, URL: www.ijtsrd.com/papers/ijtsrd49598.pdf Copyright © 2022 by author(s) and International Journal of Trend in Scientific Research and Development Journal. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0) (http://creativecommons.org/licenses/by/4.0) INTRODUCTION In the new Uzbekistan, which is rapidly developing, the human factor is a priority in our social life. Today, conditions and opportunities have been created at the government level to meet all its needs and requirements. In particular, the attention paid to people with disabilities, especially children, is extremely high. The work of specialists in the field of attracting them to the life of society, bringing them to a higher level of social life, strengthening their health, mobility, physical activity is gaining momentum. Such effective theoretical and practical work, of course, does not fail to yield results. LITERATURE ANALYSIS AND METHODOLOGY In the works of VS Rakhmonova, N.Musaeva, D.A.Nurkeldieva, R.Sh.Shomakhudova, M.P.Khamidova, M.F.Khakimova the problems of Uzbekistan in the profession for children with disabilities are reflected. DISCUSSION Today, education has reached a new stage of development, with education taking precedence over upbringing. To be more precise, education was a process that had existed for many years, but until recently was not separated as a separate link, but was accompanied by learning. There are many programs, textbooks, books, scientific articles on how to teach in modern education. But, unfortunately, most of these works are dedicated to the most ordinary children who participate in music and sports schools, various ensembles and groups, studying in secondary schools. However, the rest of the children, who are seriously ill and have been diagnosed as "disabled children" since childhood, are also members of this society and they also need attention and special education. “As of January 1, 2019, about 710,000 people with disabilities are officially registered in Uzbekistan. 101,000 of them are children with disabilities under 16 years old. As of 2019, of the nearly 710,000 people with disabilities, 609,000 are over the age of 16, and only 10 percent have higher education” [1]. IJTSRD49598
  • 2. International Journal of Trend in Scientific Research and Development @ www.ijtsrd.com eISSN: 2456-6470 @ IJTSRD | Unique Paper ID – IJTSRD49598 | Volume – 6 | Issue – 3 | Mar-Apr 2022 Page 717 At present, there are 86 specialized boarding schools for children with physical or mental disabilities in the country. There are 21 sanatorium-type boarding schools. 16 of them are located in Tashkent. to date, choreography has not been taught at all in special schools. Developing the ability to interact creatively with peers and adults in children with disabilities (including in active joint activities in preparing them for events) is extremely important to help develop individuality and creativity. It is necessary to contribute to the acquisition of positive social experience in the process of dance lessons and children's creative activity, to develop children's communication skills through dance games, to form a stable motivation to express themselves both on stage and in life by stimulating creative activity. Naturally, the ability of a child with a disability to enter the life of society, to communicate with the world around him, is formed as a result of these actions. “In order to solve emotional and volitional problems, it is important that the child interacts naturally with other children during the dance, without having a negative communication experience. Even children who never allow themselves to be touched hold each other’s hands while dancing. As they dance, everyone looks at each other and makes certain movements. Gradually, children learn to coordinate their movements with other people's movements, and then the dance becomes more orderly and rhythmic” [2]. Dance is an art form created in artistic images through rhythmic, precise and continuous changes of plastic movements and expressive positions of the human body. Dance is inextricablylinked with music. The emotional and figurative content of choreographic movements is closely connected with the musical tone and rhythm. "Choreography for children with disabilities is a specific area of their development and correction, in which there are positive changes in the mental, physical and social parameters of personality traits and qualities" [3]. Full formation and development of mental, physical and social parameters in a child with disabilities revealing its creative aspects in a row requires great skill, strong knowledge and experience from the teacher-educator. “Teachers have a difficult task: on the one hand, to create a developing environment for a child with a disability, on the other hand, to help him learn to behave adequately despite the ever-changing situation. The structure of the dance, a clear example of which is external support for the child's personal behavior. ”[4] In this process, it is important that the educator and the child with a disability are prepared to perform the same task. A dance is a stage work, and for its performance, a wide area that is naturally comfortable for free movement is important. “Any work of art should excite the audience, make it a partner of the movement, sympathize with what is happening on stage. The artist is the assistant choreographer in performing this task. The choice of tools he uses depends on the genre of the work, its style, the background of the idea. The choreographic genre requires a free stage space that is not filled with unnecessary objects. The artist must take this into account in his work. But the style of the work, its character, and even the individual manuscript of the choreographer must be taken into account. ”[5] Consequently, the artist takes into account the size of the stage, technical and lighting equipment, complements his creative concept with its capabilities, the speed of changing the decorative design, the height of the grille, the number of obstacles. All of these conditions are reflected in the stage plan, which is usually used by the artist and choreographer” [6]. 40 years ago, Liliya Sevastyanova organized the first experimental performances on the stage together with a group of young people with disabilities, setting up the studio "Lik". His team now unites more than 30 people. These are professional actors, young studio staff, as well as about 20 disabled people with severe physical and mental illnesses: blind, deaf and dumb, wheelchair users, cerebral palsy, mental retardation syndrome, growth defects and more. (7 to 40 years old). Teamwork is always based on innovation and research. The artist today intuitively searched for the stage language, which has a modern form, to make the works understandable to the viewer, immersed in essence. It was the experience of improvisation and the focus on spirituality rather than physicality in art that allowed the Movement Theater to carry out creative and educational work with people with disabilities in recent years. The themes and names of the performances “I Dream of Walking ...” (2004), “Rainbow Festival” (2005), “Improvisations on Life Themes” (2006) were not invented, but taken from real life. The choreography of the performances is also not specially structured, but rather improvised in the dance process, symbolizing the inner unity and interaction of the actors and the disabled, and when the speech is integrated into the gestures and movements. On December 14, 2021, on the occasion of the International Day of Persons with Disabilities, the Uzbek State Russian Drama Theater hosted a performance of "Dance Performance" by the Lik
  • 3. International Journal of Trend in Scientific Research and Development @ www.ijtsrd.com eISSN: 2456-6470 @ IJTSRD | Unique Paper ID – IJTSRD49598 | Volume – 6 | Issue – 3 | Mar-Apr 2022 Page 718 Movement Theater on the occasion of the International Day of Persons with Disabilities. It should be noted that the role of this theater-studio in increasing the activity of children with disabilities in society through the art of choreography. “Inclusive Education and Children with Disabilities UNICEF Advanced Education in Inclusive Education is making a positive difference in the lives of children with disabilities. In 2007, 4,000 digital hearing aids were distributed to children. For this purpose, specialists of the Republican Pediatric Center diagnosed 2338 students of specialized boarding schools in Jizzakh, Bukhara, Kashkadarya, Fergana, Andijan, Khorezm regions, the Republic of Karakalpakstan and Tashkent. ”[7] Employers who employ people with disabilities at the expense of the State Fund for Employment Promotion will receive a subsidy of 1.5 times the BHM per employee for 6 months (405 thousand soums). how much subsidy is allocated. Dance is actually an important factor in determining the process of shaping a person. It is a form of mass art that is open to all. As a result of the use of dance in education, the main task for the practicing educator is to compile a list of lessons consisting of systematic actions. Under the leadership of Professor of the Uzbek State Academy of Choreography Ravshan Jomonov, Shahzoda Khudoynazarova, a teacher at the Department of Choreography, won a grant project announced by the Ministry of Innovation Development of the Republic of Uzbekistan. is the focus of the government. CONCLUSION There are many opportunities and conditions created by the government and the state for people with disabilities, especially children. The important thing is that the focus is on finding your address and owners. The most sensitive aspect of education and upbringing is that choreographyplays a special role in enhancing communication with the environment. Thanks to choreographic education and upbringing, students of special schools specializing in children with disabilities will have a common aesthetic and dance culture, while the development of dance and music skills will help them to understand the art of professional choreography more delicately. References: [1] G‘aybullaeva Z. “Nogiron bolalar ham O‘zbekiston fuqarosi” – O‘zbekiston nogironlar uyushmasi raisi Oybek Isoqov bilan suhbat.17.06.2020 [2] Яровенко А.Б. Хореография. Как работать с детьми с ОВЗ.- https://www.prodlenka.org/metodicheskie- razrabotki/242276-horeografijakak [3] Алымова Г.И. Организация работы с детьми с ОВЗ с учетом требований ФГОС по хореографии. https://nsportal.ru/shkola/dopolnitelnoe- obrazovanie/library/2018/03/31/ [4] Кукушкина С.Е. Обучение спортивным танцам на колясках детей с поражением опорно-двигательного аппарата (методические рекомендации). ГБОУ «Центр «Динамика» ВИ тип №616. [5] Ванслов В. Художественно-музыкальный театр «Советский художник», Москва, 1963 г. [6] Imankulova I. The Role and Importance of Stage Technology and Technology in the Development of Modern Stenography (On the Example of the Alisher Navoi State Academic Theater) Central asian journal of arts and design volume: 02 ISSUE: 11 | 2021 [7] https://www.unicef.org/uzbekistan/uz/inklyuziv -talim [8] Иманкулова И., Фазлиева З. Алишер Навоий номидаги Давлат академик катта театри саҳнасида “Лазги - қалб ва севги рақси” балети сценографиясида замонавий талқин Oriental art and culture issn 2181 -063x scientific methodical journal volum issn 2181 - 063x scientific methodical journal volume2issue 4/december2021