An intriguing reference which some assume might be a type of marbling is present in a compilation completed in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures with the Scholar's Study" edited from the 10th century scholar-official ??? Su Yijian (957-995 CE). This compilation incorporates information on inkstick, inkstone, ink brush, and paper in China, which can be collectively called the 4 treasures with the review. The text mentions a sort of attractive paper referred to as ??? liu sha jian which means “drifting-sand” or “flowing-sand notepaper" which was created in what is now the region of Sichuan.

1. Paper Marbling Heritage in East Asia
An intriguing reference which some imagine may very well be a type of marbling is present in a compilation concluded in 986 CE
entitled ???? (Wen Fang Si Pu) or "Four Treasures of the Scholar's Study" edited from the 10th century scholar-official ??? Su
Yijian (957-995 CE). This compilation is made up of information and facts on inkstick, inkstone, ink brush, and paper in China,
which can be collectively known as the four treasures from the examine. The textual content mentions a sort of attractive paper
termed ??? liu sha jian this means “drifting-sand” or “flowing-sand notepaper" that was built in precisely what is now the region
of Sichuan.
This paper was made by dragging a bit of paper through a fermented flour paste mixed with several shades, making a no cost
and irregular design and style. A 2nd kind was made with a paste organized from honey locust pods, blended with croton oil,
and thinned with water. Presumably each black and coloured inks had been employed. Ginger, perhaps within the type of an oil
or extract, was accustomed to disperse the colors, or “scatter” them, in accordance with the interpretation given by T.H. Tsien.
The colors ended up said to collect with each other every time a hair-brush was overwhelmed around the look, as dandruff
particles was placed on the design by beating a hairbrush over top rated. The completed designs, which were believed to
resemble human figures, clouds, or traveling birds, ended up then transferred for the floor of a sheet of paper. An example of
paper decorated with floating ink has never been located in China. If the above mentioned techniques employed floating shades
remains to generally be determined.
Su Yijian was an Imperial scholar-official and served because the main with the Hanlin Academy from about 985-993 CE. He
compiled the operate from a large variety of before resources, and was aware of the topic, given his profession. Still it really is
important to note that it's uncertain how individually acquainted he was along with the various techniques for creating decorative
papers that he compiled. He most probably noted information and facts offered to him, with no possessing a full comprehension
with the strategies employed. His initial source can have predated him by quite a few centuries. Right up until the first resources
that he quotes are more exactly established, can it be doable to ascribe a company date for the manufacture of the papers
outlined by Su Yijian.
Suminagashi (???), which means "floating ink" in Japanese, is really a Japanese variant; the oldest example appears within the
12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Creator Einen Miura states which the oldest
reference to suminagashi papers are within the waka poems of Shigeharu, (825-880 CE), a son with the famed Heian era poet
Narihira (Muira fourteen). Numerous statements are already manufactured concerning the origins of suminagashi. Some feel
which could have derived from an early kind of ink divination. A further concept is that the process may have derived from a sort
of well known leisure within the time, in which a freshly painted sumi painting was immersed into drinking water, along with the
ink little by little dispersed from your paper and rose into the surface area, forming curious patterns.
A person particular person has frequently been claimed as the inventor of suminagashi. According to legend, Jizemon Hiroba
felt he was divinely encouraged to help make suminagashi paper following he offered spiritual devotions at the Kasuga Shrine in
Nara Prefecture. It can be mentioned that he then wandered the region seeking for the finest drinking water with which to
produce his papers. He arrived in Echizen, Fukui Prefecture exactly where he located the water especially conducive to creating
suminagashi. So he settled there, and his relatives carried on while using the tradition to this day. The Hiroba Family claims to
have built this manner of marbled paper considering the fact that 1151 CE for fifty five generations.
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