- An early reference to marbling in East Asia is found in a 10th century Chinese text that describes a type of decorative paper called "drifting-sand paper" made by dragging paper through colored pastes, producing irregular patterns. - The text also describes a method using honey locust pods and croton oil to make colored inks for marbling paper. Ginger was used to disperse the colors, which would collect when a brush was beaten on the surface. - Suminagashi, the Japanese version of marbling, first appeared in 12th century texts. Various theories exist about its origins, such as deriving from ink divination or dispersing ink in water. - Legend holds that a man

1. Paper Marbling Historical past in East Asia
An intriguing reference which some believe could possibly be a type of marbling is found in a compilation concluded in 986 CE
entitled ???? (Wen Fang Si Pu) or "Four Treasures of the Scholar's Study" edited from the 10th century scholar-official ??? Su
Yijian (957-995 CE). This compilation consists of facts on inkstick, inkstone, ink brush, and paper in China, which happen to be
collectively called the four treasures in the examine. The textual content mentions a sort of attractive paper termed ??? liu sha
jian this means “drifting-sand” or “flowing-sand notepaper" that was built in what is now the region of Sichuan.
This paper was produced by dragging a piece of paper through a fermented flour paste combined with many hues, producing a
free and irregular style and design. A next form was built with a paste organized from honey locust pods, blended with croton oil,
and thinned with water. Presumably both of those black and coloured inks were used. Ginger, probably while in the sort of an oil
or extract, was accustomed to disperse the colours, or “scatter” them, in accordance with the interpretation specified by T.H.
Tsien. The colors were being said to collect collectively any time a hair-brush was beaten above the look, as dandruff particles
was placed on the look by beating a hairbrush over best. The concluded models, which have been assumed to resemble human
figures, clouds, or traveling birds, were being then transferred on the surface area of a sheet of paper. An instance of paper
embellished with floating ink has never been found in China. Whether the above mentioned solutions employed floating colours
remains being established.
Su Yijian was an Imperial scholar-official and served as the chief with the Hanlin Academy from about 985-993 CE. He compiled
the work from a large range of previously resources, and was informed about the topic, provided his occupation. Nevertheless it
is actually important to take note that it's unsure how individually acquainted he was while using the several solutions for making
decorative papers that he compiled. He most certainly described information and facts provided to him, with out owning a
complete being familiar with of your procedures utilised. His original supply can have predated him by a number of generations.
Right until the first sources that he estimates are more precisely identified, can or not it's attainable to ascribe a firm day for your
manufacture of the papers talked about by Su Yijian.
Suminagashi (???), which implies "floating ink" in Japanese, is usually a Japanese variant; the oldest illustration appears within
the 12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Creator Einen Miura states which the
oldest reference to suminagashi papers are from the waka poems of Shigeharu, (825-880 CE), a son in the famed Heian era
poet Narihira (Muira 14). Many claims happen to be built pertaining to the origins of suminagashi. Some believe which will have
derived from an early form of ink divination. A different idea is always that the method can have derived from a sort of
well-known leisure at the time, during which a freshly painted sumi portray was immersed into water, along with the ink slowly
and gradually dispersed through the paper and rose on the area, forming curious layouts.
A person personal has generally been claimed as the inventor of suminagashi. In accordance with legend, Jizemon Hiroba felt
he was divinely motivated to create suminagashi paper soon after he supplied spiritual devotions within the Kasuga Shrine in
Nara Prefecture. It truly is stated that he then wandered the place hunting for your greatest drinking water with which to produce
his papers. He arrived in Echizen, Fukui Prefecture the place he located the h2o specifically conducive to making suminagashi.
So he settled there, and his family carried on along with the tradition to today. The Hiroba Household promises to acquire
created this type of marbled paper due to the fact 1151 CE for 55 generations.
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