An intriguing reference which some feel could be a type of marbling is located in a compilation accomplished in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures with the Scholar's Study" edited from the tenth century scholar-official ??? Su Yijian (957-995 CE). This compilation includes information and facts on inkstick, inkstone, ink brush, and paper in China, which might be collectively known as the 4 treasures of the research. The textual content mentions a kind of ornamental paper named ??? liu sha jian meaning “drifting-sand” or “flowing-sand notepaper" that was built in precisely what is now the area of Sichuan.

1. Paper Marbling Background in East Asia
An intriguing reference which some imagine may be a sort of marbling is located in a compilation completed in 986 CE entitled
???? (Wen Fang Si Pu) or "Four Treasures in the Scholar's Study" edited by the tenth century scholar-official ??? Su Yijian
(957-995 CE). This compilation includes facts on inkstick, inkstone, ink brush, and paper in China, which are collectively known
as the 4 treasures in the analyze. The text mentions a kind of ornamental paper called ??? liu sha jian that means “drifting-sand”
or “flowing-sand notepaper" which was designed in what exactly is now the area of Sichuan.
This paper was produced by dragging a piece of paper through a fermented flour paste blended with many shades, creating a
totally free and irregular structure. A 2nd kind was manufactured using a paste organized from honey locust pods, mixed with
croton oil, and thinned with h2o. Presumably equally black and colored inks have been utilized. Ginger, maybe in the kind of an
oil or extract, was used to disperse the colours, or “scatter” them, as outlined by the interpretation supplied by T.H. Tsien. The
colors were claimed to assemble alongside one another every time a hair-brush was overwhelmed above the look, as dandruff
particles was applied to the design by beating a hairbrush over top rated. The finished designs, which were being thought to
resemble human figures, clouds, or flying birds, ended up then transferred for the surface area of the sheet of paper. An case in
point of paper decorated with floating ink has not been located in China. Whether or not the above mentioned procedures
employed floating hues stays to be established.
Su Yijian was an Imperial scholar-official and served because the chief from the Hanlin Academy from about 985-993 CE. He
compiled the perform from a broad range of earlier resources, and was aware of the subject, specified his job. Nevertheless it's
important to note that it is uncertain how personally acquainted he was with all the different strategies for producing attractive
papers that he compiled. He most certainly claimed facts supplied to him, devoid of having an entire knowledge in the
techniques used. His authentic supply can have predated him by many centuries. Until eventually the original sources that he
estimates tend to be more exactly identified, can it be feasible to ascribe a agency day to the manufacture of the papers stated
by Su Yijian.
Suminagashi (???), which suggests "floating ink" in Japanese, is usually a Japanese variant; the oldest case in point appears
inside the 12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Writer Einen Miura states the oldest
reference to suminagashi papers are from the waka poems of Shigeharu, (825-880 CE), a son with the famed Heian period poet
Narihira (Muira fourteen). Various statements have already been designed regarding the origins of suminagashi. Some feel that
will have derived from an early sort of ink divination. A further idea is the fact that the method can have derived from the type of
well-known leisure on the time, wherein a freshly painted sumi portray was immersed into water, and also the ink gradually
dispersed in the paper and rose for the surface area, forming curious types.
Just one unique has normally been claimed given that the inventor of suminagashi. In keeping with legend, Jizemon Hiroba felt
he was divinely motivated to produce suminagashi paper after he provided religious devotions with the Kasuga Shrine in Nara
Prefecture. It really is explained that he then wandered the region hunting for the most effective water with which for making his
papers. He arrived in Echizen, Fukui Prefecture exactly where he observed the water especially conducive to making
suminagashi. So he settled there, and his loved ones carried on while using the custom to at the present time. The Hiroba
Family members statements to acquire produced this manner of marbled paper considering the fact that 1151 CE for fifty five
generations.
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