3. TABLE OF CONTENTS
ARCH 480 FALL 2014 RUDOLF BARTON 1
RIVER GALLERY GIRONA SPAIN
BLOCK TYPOLOGIES SITE ANALYSIS
PERSECTIVE RAMBLAS
ARCH 467 FALL 2014 RUDOLF BARTON 4
URBAN DESIGN BLIGHT TRANSFORMATION
ARCH 382 SPRING 2014 JONATHAN BOLCH 5
SITE ANALYSIS EAST BURNSIDE PORTLAND OR
WHOOSH CHAPEL PERSPECTIVES PHOTOS EXPERIENTIALS
ARCH 381 WINTER 2014 JOHN COONEY 8
DAILY ART, GALLERY PHOTOS ELEVATIONS
GALLERY EXPERIENTIALS, SECTIONS PLANS
ARCH 101 WINTER 2012 KYLE KONIS 12
NET ZERO BUILDING STOP-MOTION VIDEO PROJECT
ARCH 380 FALL 2013 MARGARETTE LEITE 13
WALDORF SCHOOL CORVALLIS OREGON
NEW ENTRANCE MODEL PHOTOS
ARCH 281 SPRING 2013 JUAN HEREDIA 15
SOUND PAVILION
ARCH 280 FALL 2012 NORA WENDL 16
BODY EXTENTION
ARCH 121 WINTER 2012 AARON WHELTON 17
PRECENDENT--TREEHOUSE
ARCH 120 FALL 2012 STEVEN EWOLD 18
VISUAL COMMUNICATIONS PROJECT
ART PROJECTS 2000--2010 19
PORCELAIN SCULPTURES
ARCHITECTURE PROJECTS 2007 20
COB/STRAWBALE ARCHITECTURE
4. ARCH 480 FALL 2014 RUDOLF BARTON
RIVER GALLERY GIRONA SPAIN
VIEW FROM RIVER ONYAR
SECTIONS ELEVATIONS PERSPECTIVES
West
North South
East
A light well travels down the fissure-like separation
in the River Gallery, with a curtain wall between the
division, allowing indirect light in from above and
reflected light from the river below.
Irregular perforations in the southern wall are
patterned from the city blocks and echo the tiny
shared courtyards and irregular rooftops. These
portals allow beams of light to enter and reflect
on the river’s surface into the shady grotto beneath.1
5. Rooftop Detail East Side Figure Ground East Side
Horizontal Rooftops Detail Horizontal Street Detail
Long Vertical Rooftops Detail Long Vertical Street Detail
BLOCK TYPOLOGIES
2
7. ARCH 467 FALL 2014 RUDOLF BARTON
URBAN DESIGN
TRANSFORMING SURFACE PARKING
INTO AN URBAN PARK
I imagine shifts and
changes over cityscapes
that will be centered on
the human experience.
We will minimize blight,
so that vacant lots,
surface parking, and
abandoned buildings
will be transformed into
urban parks and
activated community
spaces.
Dead zones will become
green spaces where
people can walk their
dogs, families can stroll
at the end of the day,
and crows will make
a raucous in tree tops,
reminding us that life exists
around us.
4
8. ARCH 382 SPRING 2014 JONATHAN BOLCH
EAST BURNSIDE PORTLAND OREGON
SITE ANALYSIS
5
9. PERSPECTIVES 3D PRINT MODEL PHOTOGRAPHS
A simple grid of aluminum panels within the busy
urban scape--the outer skin twists, warps, and
dances with the whoosh of the city’s energy.
The gesture curves, enfolds, protects, and
welcomes.
Transparent glazing along the south wing frames
a quiet reading room and draws in daylight for
the meditative space.
A shimmering, wind-responsive wall directs the flow
of the congregation along the north courtyard into
the chapel.
6
The wall flickers and sparkles with each gust
of wind—a spiritual transition—the breath of
God leading into the sacred.
15. ARCH 101 WINTER 2012 KYLE KONIS
NET ZERO BUILDING
A thousand photographs of
hand drawn animations on mylar
and imported into a stop-motion
video production
Humans are using approximately
18 T of energy each year. To
satisfy this consumption, we tap
into finite resources that are
forecast for extinction within the
next hundred years.
When you consider that
construction and maintenance
of buildings consumes 41
percent of this energy, it follows
that architects, and engineers
must work in concert to find
smarter design approaches
that will reduce this negative
environmental impact.
Architects have the opportunity
and responsibility to focus on a
greater stewardship of our
planet’s resources.
12
16. ARCH 380 FALL 2013 MARGARETTE LEITE
WALDORF SCHOOL CORVALLIS OREGON
Waldorf’s new entrance is to be visible from the
highway, providing a presence for the school.
The reception room is tucked within the L-shaped
wings of the existing building.
Courtyard umbrellas allow for a myriad of outdoor
gatherings and seasonal activities hosted monthly
by the school.
13
18. shift slightly
a blast of wind
over time and space
creates sound waves
music
each tendril reaches out
to catch the wind
channeling
transforming
musical notes are heard
at all points along the path
and within the listening chamber
ARCH 281 SPRING 2013 JUAN HEREDIA
SOUND PAVILION
15
19. hands communicate
through position, tension
gesture, and signing
we clap our hands
to show appreciation.
we vote by raising our hands
We shake hands in greeting.
we snap our fingers
to indicate ease
…or suggest disappointment
we cross our fingers
to ward off a curse
… or when wishing good luck
… or when we speak a lie
we read our destinies
in the lines of our hands
we leave our hand imprints
on cave walls
to communicate I am
16
ARCH 280 FALL 2012 NORA WENDL
BODY EXTENTION
20. ARCH 121 WINTER 2012 AARON WHELTON
TREEHOUSE PRECEDENT
PHOTOGRAPH RENDERING PLAN & SECTION
FINDING PRECISION WITH LINES
17
23. OTHER PROJECTS
COB/STRAWBALE HOUSE
SUMMER 2007
coyotes cry in the night
birds and bears visit
frequently
spiders eat mosquitoes
my cat Pickles eats the mice
sorry about that mice
20
