4. HAIR TYPE
Natural hair like sable or squirrel is the most absorbent and softest hair to use. Synthetic hairs are
less expensive alternatives.
5. HAIR TYPE
Pro Arte make good quality sable brushes. Winsor and Newton's Cotman range contains good
synthetic alternatives.
6. HAIR QUALITY
Good quality brushes cost more, but will hold their shape for longer. Winsor and Newton Series 7
sable brushes are considered the finest watercolour brushes ever manufactured. Cotman offer a
more affordable option.
8. ROUND BRUSHES
Round brushes are the most popular shape used in watercolour. This is because they are so
versatile and great for fine details and thicker lines. The point at the end of the round brush is very
important to some artists!
9. FLAT and FILBERT
Not used as often, but both have distinct brush marks for varied application of colour. Flat brushes
are sometimes referred to as ‘One-Stroke’. These shapes are available individually for watercolour.
10. MOP - FAN - RIGGER
It’s worth experimenting with different brush shapes to get different marks and create different effects.
11. ANGLED SHADER – SWORD LINER
Slightly specialist shapes used for curving techniques, the Angled Shader is good for more controlled
curves and Sword Liner is often used for signwriting, or both are good for experimenting!
17. FERRULE
The ferrule of the brush determines how well the hairs are attached. Good quality brushes will have
been crimped (pressed with great pressure) to ensure limited loss of hairs.
19. DURABILITY
How long do you want your brush to last? Quality brushes can last a lifetime if cared for properly.
Sometimes it’s worth investing in a well made quality brush. Watercolour is quite a kind paint, so you
only need to clean with water.
21. BRUSH PACKS
At Cass, we sell a large range of brush packs. This is a cost-effective way to buy brushes. The Pro
Arte sable brush pack of 5 sells all 5 brushes for the price of the largest brush in the pack! Good to
know. Brush packs also give a good range of sizes for an artist who may not have any brushes.
22. AND AN ARTIST WITHOUT BRUSHES…
NEEDS TO GET TO CASS ART ASAP!