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What are thefactorsthataffectstudents´learningprocess?
Emotions in thelearning and teachingprocess Angélica Inostroza M.
INTRODUCTION Humanbeings are conformedby 3 dimensions. Rational Corporal Emotional
Questions As teachers, what do we do in ordertohelpourstudentsdeveloptheiremotionalskills? Are weableto use ourownemotions so as tohelpstudentsfeel free toexpresstheirown? Do weknowhowemotionsaffectthelearningprocess of ourstudents? In whatwaydoestheclassroomenvironmentaffectthelearningprocess of ourstudents?
Differencebetweenemotions and feelings
FACIAL EXPRESSIONS THAT SHOW BASIC EMOTIONS. Do ourstudentsreadour faces?
CLASSIFICATION OF EMOTIONS DANIEL GOLEMAN (1996)
FUNCTION OF THE EMOTIONSPlutchik 1980
FUNCTION OF THE EMOTIONS ACCORDING TO JUAN CASASSUS
Emotionalintelligence and emotionalcompetences
NEUROSCIENCE
EMOTIONS IN THE LEARING PROCESS Classroomenvironment
Theteacher Be enthusiastic Be truthful Be consistent Be passionate Be respectful
Engagingstudents Begin with warm-up activities Use nonverbal activities to build confidence and be physically loose Some ideas: Charades  Mime  Role-play Use situations where students can vary language speech act performance: Differences in purpose, mood, register, formality, emotion, audience, themes, etc. Reflect on ways of performing language to construct alternative meanings
Oral performance Before engaging with the text/poem/novel of study,  choose a short topic related text(s) suitable to perform or memorize Teacher modelling (do it yourself) Discuss with the class the meaning conveyed Students´ turn (in groups first) Mark up the text in terms of emphases and pauses to convey certain meanings (stanzas in a poem – a dialogue, a situation, etc) Practice performing the text Perform the text for the class Make it fun (never forget respect)
Whilereading – students as characters Select a scene from the text you are studying Make students define the conflicts/tensions in the scene. Make students define the social situation/context, roles, role attributes/agendas Make students define the final objective in the scene (describe scene, introduce character(s), conflict, mood, etc) Provide information to students for small-group role plays (you must be organized, students will detect if you are just improvising an activity)
Afterperforming – students as critics Make students reflect on what they have performed, specially on: What they felt about assuming the role they played, the role others played. Feelings about the situation or dilemma The language used to build their roles Conflicts/tensions addressed Relationship of role play to  text studied and real life experience or contexts.
Teachingisnot a techniquebut a relationship.  Learningtakes place in a relationship.

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Literature workshop 2010 aim

  • 2. Emotions in thelearning and teachingprocess Angélica Inostroza M.
  • 3. INTRODUCTION Humanbeings are conformedby 3 dimensions. Rational Corporal Emotional
  • 4. Questions As teachers, what do we do in ordertohelpourstudentsdeveloptheiremotionalskills? Are weableto use ourownemotions so as tohelpstudentsfeel free toexpresstheirown? Do weknowhowemotionsaffectthelearningprocess of ourstudents? In whatwaydoestheclassroomenvironmentaffectthelearningprocess of ourstudents?
  • 6. FACIAL EXPRESSIONS THAT SHOW BASIC EMOTIONS. Do ourstudentsreadour faces?
  • 7. CLASSIFICATION OF EMOTIONS DANIEL GOLEMAN (1996)
  • 8. FUNCTION OF THE EMOTIONSPlutchik 1980
  • 9. FUNCTION OF THE EMOTIONS ACCORDING TO JUAN CASASSUS
  • 12. EMOTIONS IN THE LEARING PROCESS Classroomenvironment
  • 13. Theteacher Be enthusiastic Be truthful Be consistent Be passionate Be respectful
  • 14. Engagingstudents Begin with warm-up activities Use nonverbal activities to build confidence and be physically loose Some ideas: Charades Mime Role-play Use situations where students can vary language speech act performance: Differences in purpose, mood, register, formality, emotion, audience, themes, etc. Reflect on ways of performing language to construct alternative meanings
  • 15. Oral performance Before engaging with the text/poem/novel of study, choose a short topic related text(s) suitable to perform or memorize Teacher modelling (do it yourself) Discuss with the class the meaning conveyed Students´ turn (in groups first) Mark up the text in terms of emphases and pauses to convey certain meanings (stanzas in a poem – a dialogue, a situation, etc) Practice performing the text Perform the text for the class Make it fun (never forget respect)
  • 16. Whilereading – students as characters Select a scene from the text you are studying Make students define the conflicts/tensions in the scene. Make students define the social situation/context, roles, role attributes/agendas Make students define the final objective in the scene (describe scene, introduce character(s), conflict, mood, etc) Provide information to students for small-group role plays (you must be organized, students will detect if you are just improvising an activity)
  • 17. Afterperforming – students as critics Make students reflect on what they have performed, specially on: What they felt about assuming the role they played, the role others played. Feelings about the situation or dilemma The language used to build their roles Conflicts/tensions addressed Relationship of role play to text studied and real life experience or contexts.
  • 18. Teachingisnot a techniquebut a relationship. Learningtakes place in a relationship.