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HAYDON MEDIA
Rushes Log
Production: StoneCold Music Video Producer: Bethany Smith
Filename Duration Description Comment
MVI9012 00:02 Mid close up of Alana in black box studio Quite long, will need to cut down in order
to fit in time with beat at very start of
video
MVI9013 00:09 Mid close up of Lizzie in black box studio, shot
further away than Alana
May need to add a fade feature as Lizzie is
being shot at a different distance
MVI9014 01:32 Close up of Alana, camera pans around her, back
light disappears and reappears as camera circles
her
The way that camera turns fits
appropriately with the next shot, goes
smoothly
MVI9015 00:22 Soft fade from Lizzie to a different shot of Lizzie
performing the next line of the song
Slow, nice fade, works well with the
different types of shots
MVI9016 01:47 Close up of Lizzie in the black box studio Useful
MVI9017 02:49 High angled shot of Lizzie, camera pans round her
as she is leaning back
Very effective – needs to fade or cut to
different shot
MVI90 02:04 Useful
MVI90 00:48 Close up of Alana in the black box studio Useful
MVI90 02:55 Low angled shot of Alana, camera pans round her
and the very top of her head is cut off by camera,
clearly much lower than the other shots of her
Useful
MVI90 00:17 Soft fade from Alana to a different shot of Lizzie
performing the next line of the song
Slow, nice fade, works well with the
different types of shots
MVI90 03:10 First of jump cuts of Alana, shot at mid close up Very effective, timed to the beat of the
ending of the song
MVI90 03:12 Jump cut from Lizzie to Alana then back to Lizzie Very effective, timed to the beat of the
ending of the song
MVI90 03:15 Slow fade to black, from a final mid close up
Alana
Effective and appropriate ending, timed
well with the ending of the song

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Rushes Log

  • 1. HAYDON MEDIA Rushes Log Production: StoneCold Music Video Producer: Bethany Smith Filename Duration Description Comment MVI9012 00:02 Mid close up of Alana in black box studio Quite long, will need to cut down in order to fit in time with beat at very start of video MVI9013 00:09 Mid close up of Lizzie in black box studio, shot further away than Alana May need to add a fade feature as Lizzie is being shot at a different distance MVI9014 01:32 Close up of Alana, camera pans around her, back light disappears and reappears as camera circles her The way that camera turns fits appropriately with the next shot, goes smoothly MVI9015 00:22 Soft fade from Lizzie to a different shot of Lizzie performing the next line of the song Slow, nice fade, works well with the different types of shots MVI9016 01:47 Close up of Lizzie in the black box studio Useful MVI9017 02:49 High angled shot of Lizzie, camera pans round her as she is leaning back Very effective – needs to fade or cut to different shot MVI90 02:04 Useful
  • 2. MVI90 00:48 Close up of Alana in the black box studio Useful MVI90 02:55 Low angled shot of Alana, camera pans round her and the very top of her head is cut off by camera, clearly much lower than the other shots of her Useful MVI90 00:17 Soft fade from Alana to a different shot of Lizzie performing the next line of the song Slow, nice fade, works well with the different types of shots MVI90 03:10 First of jump cuts of Alana, shot at mid close up Very effective, timed to the beat of the ending of the song MVI90 03:12 Jump cut from Lizzie to Alana then back to Lizzie Very effective, timed to the beat of the ending of the song MVI90 03:15 Slow fade to black, from a final mid close up Alana Effective and appropriate ending, timed well with the ending of the song