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The Baroque Era 1585-1750: Music, Art & History
1.
The Baroque Era 15851750 Copyright © 2005
- Frankel Consulting Services, Inc.
2.
What was going on in the world? 1607 English settle Jamestown 1610 Galileo confirms the Earth is round
16431715 Louis XIV rules France 1687 Sir Isaac Newton publishes his Laws of Universal Gravitation 1732 George Washington born 17441748 French & Indian War
3.
Famous Baroque Artists
4.
Peter Paul Rubens
5.
Rembrandt van Rijn
6.
Anthony Van Dyck
7.
Diego Velasquez
8.
Jan Vermeer
9.
What does the word Baroque mean? Baroque is a French word from Portugese origins that means an irregularly shaped pearl.
10.
11.
Originally the term Baroque was used for the art works created during this period in that there was an inherent strangeness and extravagance associated with them. Only recently has the term also been used to include the music, which is anything but slightly flawed.
12.
Characteristics of Baroque Music Use of a Basso Continuo harpsichord and cello providing the base of the composition. Emphasized contrasts in texture, pace and volume.
Strong use of improvisation in both melodies, and the embellishments of those melodies. Most importantly - if you hear a harpsichord, it’s almost always Baroque.
13.
Baroque Composers
14.
Johann Sebastian Bach 16851750
15.
Domenico Scarlatti 16851757
16.
Francois Couperin 16681733
17.
Henry Purcell 16591695
18.
Georg Philipp Telemann 16811767
19.
Archangelo Corelli 16531713
20.
George Frederic Handel 16851759
21.
Antonio Vivaldi 16781741
22.
23.
Baroque Instruments
24.
Flute
25.
Oboe
26.
Recorder
27.
Bassoon
28.
Trumpet
29.
Horn
30.
Viola
31.
Cello
32.
Harpsichords & Claviers
33.
Pipe Organ
34.
Baroque music differs greatly from Medieval and Renaissance music.
35.
Composers used mixed groups of instruments to perform works of great complexity. Music was no longer only functional, it was made to be enjoyed as it’s own entity.
Composers began to search for inspiration for their compositions in not only the church, but in nature. Baroque music is very similar to jazz in it’s use of improvisation and figured bass.
36.
Critical Listening What is Vivaldi trying to portray in this piece of music?
37.
Tomorrow, Bach…
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