This shot list details the filming of a confrontation and its aftermath between three men. It involves shots of one man being assaulted by another man in an alley. Later, intense emotional and physical reactions are shown of the assaulted man experiencing pain alone in a park and on a bridge at night. The list culminates with the man calmly looking out over the view from the bridge before walking away as the credits roll.

1. Shot List
PAN – LOW TO HIGH
TRACKING SHOT – FRONT TO BEHIND OF MAN#1
MEDIUM OF MAN#1
WIDE – MAN#2 LEANING AGAINST POST
WIDE POV – MAN#2 NOTICES MAN#1
CU REACTION - MAN#1 CALLS TO MAN#1
WIDE- BEHIND MAN#1
FRONTAL TRACKING SHOT – MAN#1 CONTINUES WALKING
WIDE – MAN#1 WALKS, MAN#3 TURNS CORNER AND WALKS TOWARDS HIM
POV – MAN#3 LOCKS EYES WITH MAN#1
CU – MAN#1 LOCKS EYES WITH MAN#3
WIDE – MAN#1 GRABBED BY MAN#3
POV – MAN#3 YELLS AT MAN#1
WIDE – MAN#3 BEATS MAN#1. WALKS AWAY
HIGH MEDIUM – MAN#1 GETS UP
POV TRACKING – MAN#1 WALKS DOWN ALLEY
WIDE TO CU – MAN#1 STOPS
TRACKING – MAN#1 CONTINUES WALKING
PAN UP TO SKY
PAN DOWN. ESTABLISHING SHOT OF PARK AND MAN SAT ON BENCH
CU – MAN#1 WITN HEAD IN HANDS
MONTAGE – COLOUR BEGINS TO WARP – SPED UP, SLO MO
WIDE – MAN#1 STANDING TWISTING IN PAIN
CU – MAN ON KNEES, LOOKING ANGUISHED
WIDE – MAN SCREAMING AT SKY
MEDIUM – MAN DOUBLED OVER IN PAIN
FLASHES OF STOCK FOOTAGE
CUT TO NIGHT/EVENING

2. WIDE – MAN#1 WALKING DOWN STREET
POV – MAN#1 WALKING DOWN STREET
TRACKING FROM BEHIND WALL TO BEGIN FOLLOWING MAN#1 – STARTS RUNNING
POV – RUNNING DOWN STREET
TRACKING – FOLLOWS MAN#1 ACROSS ROAD FROM A DISTANCE TO BRIDGE WHERE IT
STOPS. TURNS AWAY
HIGH OTS TO LOW MEDIUM FRONTAL – MAN#1 FALLS TO KNEES ON A BRIDGE
OTS – MAN#1 READS NOTE
MCU – MAN#1 - FACE ON BLACK BACKGROUND
CU – LIGHTER BEING EXTINGUISHED
MATCH ANGLE CUT TO LOW MED FRONTAL – MAN#1 WALKING PAST
LONG WIDE – MAN#1 WALKING DOWN BRIDGE – MAN#3 STOPS AND TALKS
MCU – MAN WALKS TO SIDE OF BRIDGE
WIDE OTS – LOOKS AT VIEW
CU – LOOK OF CONTENTMENT
TRACKING BACK – HE STEPS BACK AND WALKS AWAY
FADE OUT
TIME-LAPSE. CLOSING SHOT
CREDITS