Lecture slides used in Desucon frostbite 2020 about Ikuhara Kunihiko's "Yurikuma Arashi" and its referent in society. Theme analysis from the perspective of an historian/international relation student.
https://www.youtube.com/watch?v=1yanPQc9zm8
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
Connecting the Conflicting Worlds - Reverse-engineering Yurikuma Arashi
1. Connecting the Conflicting
Worlds - Reverse-engineering
Yurikuma Arashi
Reflection on Yurikuma to make sense of Kolme Lautasta Sarazanmai
Wataru “walterinsect” Yamazaki
Desucon Frostbite 2020
3. Outline
1. What this is about
2. Hypothesis
3. Kuma Arashi
4. Post-9.11
5. Keywords
6. Yuri
7. Layered “Yuri”
8. What was it about?
9. Connecting with Sarazanmai
7. Why Yurikuma Arashi now?
• Mirror image of Sarazanmai (2019)
• To better understand his new work
• Most abstract of his work*
• *experience may vary
• I felt like it
9. Ikuhara Kunihiko Exhibition 2019 Pamphlet
“Looking at Ikuhara’s work as a director, one will notice a special
thing. That is his “era-consciousness”. Things like socially impactful
events, natural disaster, political change, advancement in technology
has fundamental effects on people’s mind. Ikuhara’s creative world is
often intertwined with the events at the time and reflects the era. “
(Ikuhara Kunihiko Exhibition Preparation Committee, p. 1)
27. Kuma Arashi
• A novel by Akira Yoshimura in 1977
• Based on real incident in 1915
• Worst incident in JPN history
• No direct reference
28.
29. Sankebetsu Brown Bear Incident
• December 1915
• Sankebetsu district, Hokkaido
• Attack by a 380kg bear
• 7 deaths, 3 injured
• Master matagi Yamamoto
30.
31.
32. Hokkaido as historical “problem space”
• Ezo(蝦夷)
• “northern barbarians to be conquered”
• Key issue since 8th Century
• Origin of “Shogun”
• Fertilizer and deforestation
• “Inner colony” of Japan (Imanishi 2007)
33. 1915 in Japanese history
• After Sino- and Russo-Japanese war
• Established itself as a Great power
• Hokkaido as
• its first internal/external colony
• frontline against Russia
34. Kuma Arashi
• Clash of two worlds / Lebensraum
• Bears – Nature
• Humans – stepping into wilderness for gain
• Hostility
• Absolute division and hatred
• Human victory
この写真 の作成者 不明な作成者 は CC BY-SA-NC のライセンスを許諾
されています
40. Victimhood/Victimizerhood
• 9.11 as a point of
1. Victimhood sentiment of the Victimizers
2. Victimizing actions of the Victims
• Ikuhara’s first-hand experience
41. But you can’t just say
“9.11/religion”
to everything!
43. Religion in Ikuhara’s work
• Penguindrum
• As the “past to overcome”
• Constraints
• Kiga no Kai = Aum Shinrikyo
= Cult
• Yurikuma Arashi
• World after it is “overcame”
• “secularization”
51. Ursa and Homo(Yuri)
• Ursa
• Society bound with religion
• Training “vanguards to keep
the absolute division”
(Ep. 11)
• Homo
• Secularised society
• Governed by “atmosphere”
56. Secularization as “Schizophrenia”
• Separating faith and logical mind
• Ursa and Human
• Interchangeable, overlapping ideas
• Internal conflict
• Symbols of border and schizophrenia
• Two-point perspectives
• Reference to Psycho (1960)
61. Absolute Division, Gateway of Friends
• Border of the Lebensraum
• Kuma Arashi
• Cf. Palestinian border, Trump Wall
• Sole point of mutual understanding
• Jerusalem…?
62. Invisibility, Invisible Storm
• Nationalization and Secularization
• Accepting norms
• Membership
• Peer pressure within communities
65. Promised Kiss, True love
• Rejection of “love as desire”
• = Eros
• Desire to dominate and obtain
• Egoistic love
• True love “making yourself dive into the storm”
• = Agape
• Self-sacrificing love
66. Amnesia of the Colonial past
• Victimizing Middle East
• Colonialization, intervention, oil, political instability
• “Beat the evil terrorists in the name of justice”
• Kureha’s amnesia
• Believing in justice to “destroy all the bears”
• Cognate naïveté
70. Ikuhara doing Yuri kuma Arashi
• Post-Utena
• What “revolution” brought to this world
• “icing on the cake”
• Utilising branding to attract audience
74. Layer 1: Taking Yuri at face value
• Surely “looks yuri”
• Icing to draw audience
• Ikuhara doing proper Yuri…?
• “I couldn’t determine how much “service” I should include”
75. Yuri as a genre
• Purity
• Christian girl’s school
• Intimate, but not sexual…?
82. We have always detested you.
And we have always loved you.
It drove us to reach out in friendship.
The wall be damned.
83. We have always detested you.
• Maintaining the division
• Destroyed Kumaria and Clash of Lebensraum
• 9.11
• Arrogance
• Amnesia
• retaliation
84. And we have always loved you.
• Bears and Humans are the same
• “Abrahamic Religion” interpretation of Islam, Christianity and
Judaism
• Mutual understanding was possible
85. It drove us to reach out in friendship.
The wall be damned.
• Struggle towards mutual understanding
• Rejection of social rules
• Creating bond free of the narrative of the community
• To overcome the division
86. Praise to individualism
• Free yourself from societal norms
• Bonds can sustain individual
• “The power to revolutionize the world!”
• “Transferring the Destiny”
• si vis amari ama(if you seek love, love first)”
• Reaching agape
91. World after Iraq
• Lone Wolf terrorists
• ReoMabu dance sequence
• “Invincible people”
• Those who have nothing to lose, turning against society
• Breivik?
92. 3.11 as next turning point
• Social media
• Desire for survival
• Not to be overcame/suppressed
• Seeking for connections
• Turn from Individualism?
93. Sarazanmai
• Lonely people in the hyper-connected world
• Amazon
• Social media
• Connection
• 3.11-induced
• Cf. Death Stranding, Tenki no Ko
Ikuhara’s work is all about concrete -> abstract
It always reflects something in the current society
Real-world Referent
So reverse engineering the work to find its concrete origin is what this lecture aims to do with Yurikuma
Yurikuma → Sarazanmai
Contrasting imagery
Same key concepts
Explicitly sexual image
Asking “what event” is Sarazanmai talking about?
The referent of the works
Utena: process for gender-equality 1980~
Liberation from gender norms
1999 legislation in Japan
Keywords from the Ikuhara Exhibition 2019
Quote from the pamphlet
Penguindrum: Aum Shinrikyo Terrorism 1995
Victims and victimizers of a cult terrorists
“family” as social restraints
Keywords from Ikuhara Exhibition
Keywords from the Exhibition, but…
Aren’t we being misled here?
True but chotto matte
2001 is not referenced nor connected in the timeline
It is mentioned that he was in the US when the plane hit as part of the JPN Agency for Cultural Affaiars Overseas programme
My take on Yurikuma’s referent
Army veteran served in Russo-Japanese War
Warbooty Russian rifle as his weapon
Symbols of Hokkaido is referenced
Only area with brown bears (Karhu) in Japan
Resurgence of historical problems
Religion
Race
East vs West, North vs South, Rural vs Urban
Historical conflict between Europe and Near/Middle East
Crusade
Imperialism of US, UK, USSR
Palestine, Afghanistan, Iraq, Syria
Normal to have no school related things, like lectures in many series set in schools
BUT the only referenced lecture is about Crusade of all things
Judaism, Islam and Christianity
The Old Testament, Quran
Stained glass from Kumaria Religion (Ep. 11 12:05~12:13
Gott ist tod! (Nietzsche)
Pragmatic use of the “enemy”
Reversal
Christian chapel for Ursa
Moon and Star for Homo
American support to Mujahideen
Research into target community
Asian/Middle Eastern research funding
Reversal and weakened specificity
“This world has no god. Only the invisible atmosphere governs this world” (Ep. 11)
Inner conflict of Ursa and Homo within us
欲望を失った獣は死ぬ」「私はわたしを引き裂く」(11話)
Two point perspective
as two divergent lines (division)
As two converging lines intersection (origin)
Psycho as a “internal conflict between two personalities”
“reconciling the problematic relationship through schizophrenia”
“transfer student cannot participate in the Ceremony of Exclusion”
“I bet you already became invisible” (Ep. 4)
Maintaining order within the community
Maintaining border
Suppression of certain expression
PATRIOT act
Ep. 11, picture book being torn apart
Liberation from the “Social norms”
Gender roles
F/F relationship as “one of many”
Incest, M/M, etc
Yet the association
Ikuhara as “yuri director”
The second PV published before the airing.
“The modern mythology of the divided lovers. Not being absorbed into the invisible storm, and find it. “
Recent re-interpretation of genre norm
Citrus, NTR
2DK, G-pen, Alarm clock.
General explosion of the genre
Very explicit, more so than Penguindrum or Utena
Mocking “yuri-fags”
The refrain in almost all episodes
Defining self through hostility
nationbuilding
Imagery of Kanto Great Earthquake
Interview somewhere