9. • For removing or reducing frequency problems.
Equalizers
10. • For removing or reducing frequency problems.
• For achieving vocal intelligibility.
Equalizers
11. • For removing or reducing frequency problems.
• For achieving vocal intelligibility.
• For developing and shaping sound.
Equalizers
12. • For removing or reducing frequency problems.
• For achieving vocal intelligibility.
• For developing and shaping sound.
• To be used a little as possible.
Equalizers
25. • Increases room reflections
• Increases compression "sounds" / breathing
• Amplifies problems in the file
Compressor Warnings
26. • Attack - How fast it reacts
Compressor Terms
27. • Attack - How fast it reacts
• Release - How long it holds on
Compressor Terms
28. • Attack - How fast it reacts
• Release - How long it holds on
• Threshold - At what volume it reacts
Compressor Terms
29. • Attack - How fast it reacts
• Release - How long it holds on
• Threshold - At what volume it reacts
• Ratio - How extreme it reacts
Compressor Terms
30. • Attack - How fast it reacts
• Release - How long it holds on
• Threshold - At what volume it reacts
• Ratio - How extreme it reacts
• Ratio of output vs gain reduction
• 2:1 = 2 db over equals 1db in reduction.
Compressor Terms
31. • Attack - How fast it reacts
• Release - How long it holds on
• Threshold - At what volume it reacts
• Ratio - How extreme it reacts
• Output gain - A knob to make-up lost gain
Compressor Terms
32. • Attack - How fast it reacts
• Release - How long it holds on
• Threshold - At what volume it reacts
Limiter Terms
33. • Attack - How fast it reacts
• Release - How long it holds on
• Threshold - At what volume it reacts
• For protection and volume leveling.
Limiter Terms
38. • Target Volume - How Loud
• Leveling Amount - How hard it works
Speech Volume Leveler Terms
39. m
• Target Volume - How Loud
• Leveling Amount - How hard it works
• Target Dynamic Range - How tight of
a dynamic range it keeps
Speech Volume Leveler Terms
53. • For removing irrelevant noises,
typically background noise while
while another person speaks.
Noise Gate
54. • For removing irrelevant noises,
typically background noise while
while another person speaks.
• Watch out for words or relevant audio
being cut off.
Noise Gate
55. • Threshold - At what level it opens and
closes
• Attack - How fast it opens
• Release - How long it holds on until
closes
• Hold - How long until Release
• Sidechain (key) - At what frequency it
opens
Noise Gate Terms
61. • For removing hiss, hum and buzz.
• Watch out for left over garble and artifacts.
Noise Reduction
62. • For removing hiss, hum and buzz.
• Watch out for left over garble and artifacts.
• Better to leave in a constant hiss than to cause
negative artifacts.
Noise Reduction
65. • Adaptive
• Adaptive constantly varies is algorithm to tame
background.
Noise Reduction Types
66. • Adaptive
• Adaptive constantly varies is algorithm to tame
background.
• Benefits:
• Adapts to changing background noise.
• Don’t need a hiss only section for the noise
print.
Noise Reduction Types
67. • Adaptive
• Adaptive constantly varies is algorithm to tame
background.
• Disadvantages:
• Can mistake other sounds for hiss, and deal
too harshly
• Might not remove hiss as accurately.
• CPU Heavy
Noise Reduction Types
68. • Constant
• Removes only what it’s assigned to.
• Benefits:
• Does not mistake not-noise for noise
• What you hear in one section is what you’ll
get throughout the entire audio.
Noise Reduction Types
69. • Constant
• Removes only what it’s assigned to.
• Disadvantages:
• Can miss hiss as it changes.
• Needs a section of the offending noise only.
• One time processing that cannot be undone
without undoing all processes since.
Noise Reduction Types