2. TARGET MARKET
Descriptor First year post-graduate student
Age Majorly 20-35
Marital
Single, couple,
family with young children
Characters Normally ambitious and proactive
Interests
Settle in the new environment,
make new friends
Nationality International
Time of program Mostly 1.5-2 years
Special characters of the group
• Needs for quickly adaption
• High pressure-academic/social
• English as second language
• St lucia majors?
Young Post-graduate International Students
3. AIM
▪ Create a welcoming atmosphere
▪ Reduce anxiety of being in an unfamiliar environment
▪ Help participants to quickly adapt to the uni life
▪ Help participants to develop stress-reliving habits or hobby
▪ Provide an opportunity for socializing, building connections
(Reference: Jonine & Sharyn, 2013)
4. THEME & CONCEPT
▪ A series of different theme: music, sports, food & cooking
▪ First one----music (mainly instrument and singing)
Characters Functions
• Transferable
• Attractive
• Universal Language
• Interactive
• Triger emotions
• Pleasure
• Tension, Anxiety Reduction
• Creating Ambience
• Relationship Building
• Self-expression
(Reference: Gao, 2007; Oncescu & Leonarde, 2010; Boer, Fischer, Tekman, Abubakar, Njenga, & Zenger, 2012; Papinczak, Zoe,
2013 )
5. TIME
▪ Frequency: Twice(Orientation week for the first time, week 4 for the second time)
▪ Date: 19th July (Orientation week: Monday, 17 July 2017 - Friday, 21 July 2017);
12th August ( Saturday of the forth week)
▪ Time: 2-6pm (Afternoon when people finished the sign in, campus tour, student id)
(Reference: Menzies & Baron, 2014)
6. VENUE & LAYOUT
▪ Venue --- Natural Amphitheatre
▪ Layout
▪ Stage: music performance
▪ Exhibition: knowledge about music types,
instruments, music in different country, and
music & wellbeing
▪ Social: stalls—associations and music course
provider; networking-- music games, cafe
▪ Try-out Area: try out different instruments
and chat with “professionals”
Stage
exhibition
social
Try Out Area
Welcoming atmosphere and signage
All skill levels welcomed
12. REFERENCE
▪ Boer, D., Fischer, R., Tekman, H., Abubakar, A., Njenga, J., & Zenger, M. (2012). Young
people's topography of musical functions: Personal, social and cultural experiences
with music across genders and six societies. International Journal of
Psychology, 47(5), 355-369.
▪ Gao, Z. (2007). Managing stress with music : Issues in research. Australian Journal of
Music Education, (1), 29-39.
▪ Jonine Jancey, & Sharyn Burns. (2013). Institutional factors and the postgraduate
student experience. Quality Assurance in Education, 21(3), 311-322.
▪ Menzies, J. L., & Baron, R. (2014). International Postgraduate Student Transition
Experiences: The Importance of Student Societies and Friends. Innovations in
Education and Teaching International, 51(1), 84-94.
13. REFERENCE -CONTINUE
▪ Oncescu, J., & Leonarde, A. (2010). Special Issue: Postgraduate Student Leisure
Research. World Leisure Journal, 52(3), 236.
▪ Papinczak, Zoe. (2013). How Young People Use Music for Well-Being: A Mixed
Methods Approach.
▪ Steve Flack. Liverpool Academic of Music. Retrived from:
http://liverpoolacademyofmusic.com.au/play-an-instrument-relieve-stress/