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I wonder if that
   little saffron
coloured butterfly
which came to meet
me everyday at the
Dinard’s square café
…and
  used to
   bring
 (so it seemed to me)

news from
     you
did ever return to that
 cold and windy little
square, after I had left?
Distance Intime, Dinard, France,
         photo by © Pierre Lapointe
- http://pt.db-city.com/Fran%C3%A7a/Bretanha/Ille-et-Vilaine/Dinard
© Gipsy34, Vulcain Butterfly
     - http://voyages.fond-ecran-
image.com/blog-photo/author/gipsy34/
or whether it ignored
   deliberately the other bars
because I was exactly at that one
        (at ―Cornouaille‖)
or whether that little corner
    was simply on its
mechanical daily itinerary.
                      The Red Rose, photography by me (Suy / São Ludovino.
In conclusion,
was it a morning
walk or a secret
   message?
http://www.stumbleupon.com/su/5xx9FW/www.webdesignerdepot.com/2010/03/the-amazing-art-of-disabled-artists   © Alice Schonfield, Fleur de la Mer.
Maid Servant http://www.cockermouth.org.uk/
In Search of Venus, photography by Suy / São Ludovino. Montage
made in the application Fun Photo Box – www.funphotobox.com
I waited for the
   butterfly to
alight on a vase
   of flowers,


Johan Laurentz Jensen, 1800-1856, Danish painter,
        Still Life Of Dahlias In A Vase, n.d.
©Louis Bourdon, Dinard, La pointe de la Malouine -
      http://www.pbase.com/louis_bourdon/image/68775408
I didn't explained her all
the case, only a part of it.   © Evgeni Gordiets
                               - www.evgenigordiets.com
I was an amateur
entomologist and I
wished to know if
    the butterfly
           Entomology - Butterfly, University of
                 California, Riverside.
  http://cnasstudent.ucr.edu/majors/entomology.html
would come back again and
 how much it would have
 longed with all that cold.                 © Rey Nocum, Yellow butterfly.
                   http://www.treknature.com/gallery/Asia/Philippines/photo29080.htm
Then I became
silent, sweaty and
     terrified.
                     Spring Flower Wallpaper - by © Naghana, Photobucket
                                  http://photobucket.com/images/photography/
—Un papillon? Un papillon jaune? —
said the graceful
 Filli opening her
Greuze eyes wide.
                                 Jean-Baptiste Greuze, A Young Maid.
                     Background: Searching for the Light,, photography by Suy / São Ludovino.
—On that vase?—
             Berthe Morisot, 1841-1895, Dahlias.
—I can see nothing.
                                                                           Look better.
                                                                       Merci Bien, Monsieur.
Pierre-Auguste Renoir, 1841-1919, Vase of Roses and Dahlias, 1883.   Johann Georg Meyer von Bremen, 1813-1886, German painter, The Butterfly, 1878.
I bowed my head and
   when I raised it again I
saw the butterfly wasn't on
 the dahlias vase anymore.
            http://www.imagesofbrittany.com/dinard.html
Background: Jill Price - www.artbattleto.com
Em suma, passeio matutino ou mensagem secreta? Para aclarar a
dúvida, na véspera do meu regresso, resolvi deixar um bom
pourboire à criada e, com ele, o meu endereço em Itália. Ela teria de
me escrever um sim ou um não; se a visitante tornara a dar sinal de
vida depois de eu ter partido ou se nunca mais se deixara ver.
   Esperei então que a borboletinha poisasse num vaso de flores e,
tirando da algibeira uma nota de cem, um pedacito de papel e um
lápis, chamei a rapariga. A gaguejar, num francês mais indeciso que
o do costume, expliquei-lhe o assunto. Não o assunto todo, mas
uma parte. Eu era um entomologista amador, queria saber se a
borboleta ainda ali tornaria e até quando seria capaz de aguentar
aquele frio. Em seguida calei-me, aterrado e em suores.
   ─ Un papillon? Un papillon jaune? ─ disse a graciosa Filli,
arregalando um par de olhos à Greuze. ─ Naquele vaso? Mas eu
não vejo lá nada. Ora repare melhor. Merci bien, Monsieur.
   Enfiou na algibeira a nota de cem e afastou-se, segurando na mão
um café-filtro. Baixei a cabeça e quando voltei a erguê-la vi que a
borboleta havia desaparecido do vaso das dálias.
                      A Borboleta de Dinard, Eugenio Montale, Círculo de Leitores, Lisboa, 1975.
                                                           Background: Jill Price - www.artbattleto.com
Background: photography by Suy / São Ludovino.
To answer this question, I decided to leave a good pourboire and my
address in Italy to my maid. She was supposed to write to me
telling whether yes or no the butterfly had come back after my
leaving or if it hadn't returned anymore.
    I waited for the butterfly to alight on a vase of flowers, and
picking from my pocket a note of hundred, a sheet of paper and a
pencil, I called for my maid. Talking in a more unsteady French
than usual and stammering, I explained her the case; I didn't
explained her all the case, only a part of it. I was an amateur
entomologist and I wished to know if the butterfly would come
back again and how much it would have longed with all that cold.
Then I became silent, sweaty and terrified. —Un papillon? Un
papillon jaune? — said the graceful Filli opening her Greuze eyes
wide. —On that vase?—I can see nothing. Look better. Merci bien,
Monsieur.
    She pocketed the hundred note and went away holding a coffee
filter. I bowed my head and when I raised it again I saw the
butterfly wasn't on the dahlias vase anymore.
                                                 Translation by Suy / São Ludovino from a Portuguese
                                                    edition: A Borboleta de Dinard, Eugenio Montale,
Background: photography by Suy / São Ludovino.             Círculo de Leitores, Lisboa, 1975.
Eugenio Montale, 1896-1981
Suy © 2011
Background: photography by Suy / São Ludovino.

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THE BUTTERFLY OF DINARD, Suy / São Ludovino

  • 1.
  • 2.
  • 3. I wonder if that little saffron coloured butterfly
  • 4. which came to meet me everyday at the Dinard’s square café
  • 5. …and used to bring (so it seemed to me) news from you
  • 6. did ever return to that cold and windy little square, after I had left?
  • 7. Distance Intime, Dinard, France, photo by © Pierre Lapointe - http://pt.db-city.com/Fran%C3%A7a/Bretanha/Ille-et-Vilaine/Dinard
  • 8.
  • 9.
  • 10. © Gipsy34, Vulcain Butterfly - http://voyages.fond-ecran- image.com/blog-photo/author/gipsy34/
  • 11.
  • 12.
  • 13. or whether it ignored deliberately the other bars because I was exactly at that one (at ―Cornouaille‖)
  • 14. or whether that little corner was simply on its mechanical daily itinerary. The Red Rose, photography by me (Suy / São Ludovino.
  • 15. In conclusion, was it a morning walk or a secret message?
  • 18.
  • 19. In Search of Venus, photography by Suy / São Ludovino. Montage made in the application Fun Photo Box – www.funphotobox.com
  • 20. I waited for the butterfly to alight on a vase of flowers, Johan Laurentz Jensen, 1800-1856, Danish painter, Still Life Of Dahlias In A Vase, n.d.
  • 21.
  • 22. ©Louis Bourdon, Dinard, La pointe de la Malouine - http://www.pbase.com/louis_bourdon/image/68775408
  • 23. I didn't explained her all the case, only a part of it. © Evgeni Gordiets - www.evgenigordiets.com
  • 24. I was an amateur entomologist and I wished to know if the butterfly Entomology - Butterfly, University of California, Riverside. http://cnasstudent.ucr.edu/majors/entomology.html
  • 25. would come back again and how much it would have longed with all that cold. © Rey Nocum, Yellow butterfly. http://www.treknature.com/gallery/Asia/Philippines/photo29080.htm
  • 26. Then I became silent, sweaty and terrified. Spring Flower Wallpaper - by © Naghana, Photobucket http://photobucket.com/images/photography/
  • 27. —Un papillon? Un papillon jaune? —
  • 28. said the graceful Filli opening her Greuze eyes wide. Jean-Baptiste Greuze, A Young Maid. Background: Searching for the Light,, photography by Suy / São Ludovino.
  • 29. —On that vase?— Berthe Morisot, 1841-1895, Dahlias.
  • 30. —I can see nothing. Look better. Merci Bien, Monsieur. Pierre-Auguste Renoir, 1841-1919, Vase of Roses and Dahlias, 1883. Johann Georg Meyer von Bremen, 1813-1886, German painter, The Butterfly, 1878.
  • 31.
  • 32. I bowed my head and when I raised it again I saw the butterfly wasn't on the dahlias vase anymore. http://www.imagesofbrittany.com/dinard.html
  • 33. Background: Jill Price - www.artbattleto.com
  • 34. Em suma, passeio matutino ou mensagem secreta? Para aclarar a dúvida, na véspera do meu regresso, resolvi deixar um bom pourboire à criada e, com ele, o meu endereço em Itália. Ela teria de me escrever um sim ou um não; se a visitante tornara a dar sinal de vida depois de eu ter partido ou se nunca mais se deixara ver. Esperei então que a borboletinha poisasse num vaso de flores e, tirando da algibeira uma nota de cem, um pedacito de papel e um lápis, chamei a rapariga. A gaguejar, num francês mais indeciso que o do costume, expliquei-lhe o assunto. Não o assunto todo, mas uma parte. Eu era um entomologista amador, queria saber se a borboleta ainda ali tornaria e até quando seria capaz de aguentar aquele frio. Em seguida calei-me, aterrado e em suores. ─ Un papillon? Un papillon jaune? ─ disse a graciosa Filli, arregalando um par de olhos à Greuze. ─ Naquele vaso? Mas eu não vejo lá nada. Ora repare melhor. Merci bien, Monsieur. Enfiou na algibeira a nota de cem e afastou-se, segurando na mão um café-filtro. Baixei a cabeça e quando voltei a erguê-la vi que a borboleta havia desaparecido do vaso das dálias. A Borboleta de Dinard, Eugenio Montale, Círculo de Leitores, Lisboa, 1975. Background: Jill Price - www.artbattleto.com
  • 35. Background: photography by Suy / São Ludovino.
  • 36. To answer this question, I decided to leave a good pourboire and my address in Italy to my maid. She was supposed to write to me telling whether yes or no the butterfly had come back after my leaving or if it hadn't returned anymore. I waited for the butterfly to alight on a vase of flowers, and picking from my pocket a note of hundred, a sheet of paper and a pencil, I called for my maid. Talking in a more unsteady French than usual and stammering, I explained her the case; I didn't explained her all the case, only a part of it. I was an amateur entomologist and I wished to know if the butterfly would come back again and how much it would have longed with all that cold. Then I became silent, sweaty and terrified. —Un papillon? Un papillon jaune? — said the graceful Filli opening her Greuze eyes wide. —On that vase?—I can see nothing. Look better. Merci bien, Monsieur. She pocketed the hundred note and went away holding a coffee filter. I bowed my head and when I raised it again I saw the butterfly wasn't on the dahlias vase anymore. Translation by Suy / São Ludovino from a Portuguese edition: A Borboleta de Dinard, Eugenio Montale, Background: photography by Suy / São Ludovino. Círculo de Leitores, Lisboa, 1975.
  • 38.
  • 39.
  • 40. Suy © 2011 Background: photography by Suy / São Ludovino.