"Froth" is part of the common art series started in January 2021 around the SARS-CoV-2 / COVID-19 pandemic. What a difference a half-year makes! This only has a few alcohol ink drip paintings, a few digital variants, and the rest are visuals created from born-digital imagery (often from social network graphs). In the spirit of going with the inspiration, I created a lot of visuals from these other works and tried a few new things.
8. Froth
• “Froth” is the latest in the alcohol ink drip playing in the SARS-CoV-2 /
COVID-19 pandemic series. Even as life returns to some form of
pseudo-normal, the losses continue. The world will not be out of this
for some time yet, even if humanity works at highest efficiency.
• In the popular vernacular, something frothy is something superficial,
something hyped. It is also delirious fun.
• It’s not that you dream in alcohol ink, but close.
• To be clear, this series does not refer to any form of consumable alcohol.
• Ironically, this slideshow is mostly non-alcohol-ink works. More on
this in a bit. (You always go with the inspiration.)
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9. Froth (cont.)
• This effort is about self-expression in a time of global stress. It is about
visual play.
• Not only am I seeking learning in both the art materials and digital image
editing, but I am seeking the novel. I want viewers to use their visual
knowledge to try to make sense of what they are seeing, even the visual
stunts and illusions and plays.
• It turns out that we do still have points of visual reference even for the (delightful)
strange.
• There are lines, textures, and shapes, and the human visual system makes sense
(even if there is less sense to be made).
• The titles are suggestive. For any work though, there likely can be any number of
textual titles applied.
• I still have a “generous pour” that I need to better control.
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10. Froth (cont.)
• This slideshow has a new section at the end: born-digital variants.
This was added simply because there is room to explore and learn
about these fabrications.
• Turns out, simple seeds from digitally created visuals can still evolve
into cool visual outputs.
• It’s cool to think of these as digital ephemera.
• Some of the seeds were from prior social network graphs that I made
using a then-free software tool. The graphs were created using social
media data extracted through third-party tools.
• These bring up old and long-enduring data obsessions.
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11. Froth(cont.)
• The topical content is comprised of various esoterica.
• In terms of progressions, there are moves from the analog to the
digital.
• There is certainly space to move from the digital to the analog. People do
print various visuals (turning the digital to analog) and then apply various
artful treatments to those.
• There are moves from the simple to the complex, and vice versa.
• Each work is from trial and error, and each a culmination or a series of
commits.
• The risk for me is to manipulate the visual too much. On the other
hand, impatience to arrive at a fixed state can be negative, too.
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