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NARRATIVE THEORY
PROPP


Vladimir Propp was a Russian scholar who studied the basic structure of fairy
  tales to discover their elements. He discovered that within every narrative
           there is a set of stock characters which appear. These are:
                          • Hero – person on the quest
                          • Princess – prize for the hero
                         • Helper – helps hero on quest
            • False hero – someone who believes they are the hero
                 • Dispatcher – sends the hero on their quest
                           • Father – rewards the hero
         • Villain – attempts to prevent hero from finishing his quest
             • Donor – provides objects to help hero on his quest
IS THIS RELEVANT?



Although we do have characters in our piece, it’s hard to
distinguish them into different sections like Propp has. I
don’t think that we will really be using his theory within
 our work, and I think that it is more relevant for films,
      television and novels rather than music videos.
STRAUSS



  Levi Strauss’ theory states that in every media text there are
   binary opposition or a conflict between two opposites. The
audience subconsciously knows who should win, and this theme
  can make a political theme within a text. Some examples are:

                        •   Good vs evil
                        •   Rich vs poor
                        •   East vs west
                        •   Love vs hate
IS THIS RELEVANT?



 The only real binary opposition that will feature within
our music video is the opposition between the two main
   females. The girl in the white dress is very much a
  victim, whereas the ballerina in black is more like the
  bully, as portrayed by the animals running from her.
BARTHES


    Roland Barthes was a French literary theorist who identified five
different codes by which a narrative story captures the attention of the
                          audience. They are:
  •The enigma code – the audience is intrigued by needing to solve a
                                problem
  •The action code – the audience is excited by the need to resolve a
                                problem
•The semantic code – the audience is directed to an additional meaning
                         by use of connotation
 •The symbolic code – the audience forms their expectations based on
                 generic conventions, eg. Black = evil
•The cultural code – the audience derives meaning from shared cultural
               knowledge about the way the world works.
IS THIS RELEVANT?



Our video is quite entropic, and doesn’t have a linear storyline, so
it is hard to apply this theory. However, the audience are intrigued
   by small details of the storyline, for example who is the girl in
black, and why does she scare the animals? Also, they assume that
the girl in black is evil, and the girl in white is good and innocent.
    Therefore, the symbolic and enigma code relate to our music
                                 video.
TODOROV


Tzvetan Todorov was a Franco-Bulgarian philosopher whose theory
         states that in a media text there are five stages:

                     Original equilibrium

                          Disruption

                Recognition (of the disruption)

                 Attempt to restore equilibrium

                       New equilibrium
IS THIS RELEVANT?



As stated before, our storyline is non linear and doesn’t
 follow a chronological pattern. Therefore, these stages
don’t really feature in our video at all, and so Todorov is
      the least relevant of all the narrative theorists.

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NARRATIVE THEORY PROPP AND BARTHES

  • 2. PROPP Vladimir Propp was a Russian scholar who studied the basic structure of fairy tales to discover their elements. He discovered that within every narrative there is a set of stock characters which appear. These are: • Hero – person on the quest • Princess – prize for the hero • Helper – helps hero on quest • False hero – someone who believes they are the hero • Dispatcher – sends the hero on their quest • Father – rewards the hero • Villain – attempts to prevent hero from finishing his quest • Donor – provides objects to help hero on his quest
  • 3. IS THIS RELEVANT? Although we do have characters in our piece, it’s hard to distinguish them into different sections like Propp has. I don’t think that we will really be using his theory within our work, and I think that it is more relevant for films, television and novels rather than music videos.
  • 4. STRAUSS Levi Strauss’ theory states that in every media text there are binary opposition or a conflict between two opposites. The audience subconsciously knows who should win, and this theme can make a political theme within a text. Some examples are: • Good vs evil • Rich vs poor • East vs west • Love vs hate
  • 5. IS THIS RELEVANT? The only real binary opposition that will feature within our music video is the opposition between the two main females. The girl in the white dress is very much a victim, whereas the ballerina in black is more like the bully, as portrayed by the animals running from her.
  • 6. BARTHES Roland Barthes was a French literary theorist who identified five different codes by which a narrative story captures the attention of the audience. They are: •The enigma code – the audience is intrigued by needing to solve a problem •The action code – the audience is excited by the need to resolve a problem •The semantic code – the audience is directed to an additional meaning by use of connotation •The symbolic code – the audience forms their expectations based on generic conventions, eg. Black = evil •The cultural code – the audience derives meaning from shared cultural knowledge about the way the world works.
  • 7. IS THIS RELEVANT? Our video is quite entropic, and doesn’t have a linear storyline, so it is hard to apply this theory. However, the audience are intrigued by small details of the storyline, for example who is the girl in black, and why does she scare the animals? Also, they assume that the girl in black is evil, and the girl in white is good and innocent. Therefore, the symbolic and enigma code relate to our music video.
  • 8. TODOROV Tzvetan Todorov was a Franco-Bulgarian philosopher whose theory states that in a media text there are five stages: Original equilibrium Disruption Recognition (of the disruption) Attempt to restore equilibrium New equilibrium
  • 9. IS THIS RELEVANT? As stated before, our storyline is non linear and doesn’t follow a chronological pattern. Therefore, these stages don’t really feature in our video at all, and so Todorov is the least relevant of all the narrative theorists.