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Ancillary tasks
SHOOP
Forms
&
Conventions
Form: elements of structure which
give a media text its β€˜shape’ and
meaning.β€’ The use of performance exists to showcase the artist,
demonstrate genre/abilities and to create a marketable star
image. I saw examples of this in β€˜It’s Tricky’ by Run DMC. I
used this video as I felt an 80’s hip-hop video would provide
me with a good example. For instance, there were many good
uses of zooms and close ups on the performer during the
performance element in the video. Because these shots exist
in the video you are allowed a look into the artists star image
and it helps to give you a further sense of the genre that you
are enjoying.
β€’ We wished to identify a target audience of 16-35 year olds,
however this could stretch to 40-50 as well, with older people
being reminded of the songs of their youth. What appeals to
the younger audience is the cool and stylish image that our
artist has, which draws them in. What appeals to the older
members is the style that our artist has, which is a replica of
an 80’s hip-hop image, which draws in our older target
audience.
β€’ The next side shows a screen grab of the type of close up that
Continued:
β€’ Examples of shots doing the same thing from my
video will appear shortly. Firstly I would like to talk
about how in my video, the performance is reasonably
similar to in β€˜It’s Tricky’ as there are many close ups
and zooms. A zoom is not a common technique in
modern day pop videos, however it was in the 1980’s,
which is the time period that has heavily inspired us. It
helps to create retro and stylish motifs.
β€’ This again builds the artists star image and creates an
awareness of genre for the audience. The function of a
close up is to promote the artist, and to further
introduce their star image. How it builds the star image
is that the shot is very intimate, you get to know their
face, their style and attitude. This causes the target
audience (16-35 (40-50)) to feel as if they know the
artist in a very loyal way.
Zooms and close ups in the
performance element of the video.
Another example of form:
β€’ The use of symbolic and thematic material is to help
demonstrate the genre of the artist, and to also present the
audience with an idea of the artist’s individual style. In our
case it helped to show what time period we wanted our video
to look like it came from. This helps to promote our artist as it
shows their image very clearly, as the look in the 1980’s was a
very strong one, therefore different to that of the now-this
gives them a uniqueness. In LL Cool J’s video, β€˜I need love’
there are good examples of this, with the clothing being of the
time (therefore you can recognize the era 30 years later).
Also, the camera work features many canted angles and
handheld shots which nicely builds an image and clear style.
β€’ In our video we used a lot of colour and retro clothing in order
to create our artist’s image and it worked brilliantly, with many
people guessing the time period correctly. Furthermore, the
camera work was very period specific in our video, and not
dissimilar to LL Cool J’s video, again with lots of canted
angles and handheld shots etc. The editing of our video also
put it into a boxed view, just as hip-hop video’s in the 80’s
Example of a
boxed shot in LL
Cool J’s video,
instead of full
frame shot.
Hand held shot in
SHOOP
Canted angle in
SHOOP
Animations In SHOOP
In all of these
screengrab’s
from SHOOP you
can see the
boxed editing I
added.
Use of Narrative
β€’ A use of narrative exists in order to create a
connection from the audience onto the artist, and by
doing this the audience is able to gain an idea of the
artists personality, i.e their star image.
β€’ An example of a narrative music video is β€˜Love the
way you lie’ by Eminem ft. Rihanna. This shows a man
abusing his girlfriend, and in the video we learn that
there are ups and downs, they fight, they makeup but
eventually the girlfriend has had enough. This is all
from the video.
β€’ My video features a much lower key narrative, with
only slight moments of narrative featuring. For
example, the beginning we have the girls on the
rooftop, they see the boys and Kemi is taking her pick
of the boys.
β€’ A sparser narrative was more appropriate for my artist
A moment of narrative in
Eminem’s video
The moment Kemi spots the
boys in the club
Now we know
which boy she
wants
This sparse narrative
tells us that our artist is
playful, bold and
flirtatious, adding to
the star image.
Conventions: elements of content
which are recognizable from similar
texts
β€’ Artistic camera work, a type of convention exists in
order to create a further image of the artist and
their genre. I touched on this subject when
discussing forms, and a music video that
demonstrates this is β€˜It’s Tricky’ by Run DMC. In
this video there are many canted angles, zooms
and quirky close ups.
β€’ This convention inspired our video, as in the
SHOOP video we shot many things handheld, at
angles and we turned it into a very artistic cut.
β€’ This all adds to the style of the video, therefore
adding to the information surrounding the star
image, which is essentially what the video is doing
Canted angles and
handheld shots
Conspicuous use of lighting:
β€’ The reason for trying to avoid a conspicuous use of lighting in
continuity is that otherwise all the attention from the audience
is turned towards the lighting. This is an issue because it
prevents them seeing what you have created technically.
Ideally lighting should be something that exists and adds to
the mise-en-scene, but not something that is noticed,
perhaps.
β€’ The actual music video for β€˜SHOOP’ by Salt-n-Pepa shows
good use of this, having a nice club scene with lots of bright
disco lights that simply act to create the correct atmosphere,
rather than to dominate the scene.
β€’ Our video to the same song does this in a similar way, using a
haze to mask the lighting a little. What we ended up with was
a nice club atmosphere. Furthermore, the second element
against the coloured wall could have been a potential issue,
with the colour squares not dominating the scene enough. To
prevent this we dimmed the lights at the sides and back,
which stopped the colour blocks from being outshone.
Original video of SHOOP: club scene,
lights
Our version of SHOOP, in
the club with the colour
wall
Website
Our website is very similar,
featuring only the artist, on a
retro, 80’s style background
which was inspired by TV
program's such as β€˜Saved by the
Bell’
TLC also inspired the design of the
website. It has a very clear 90’s image,
that we tried to replicate through the
use of bold colours and strong poses
from our artist.
Digipak
We liked this as it portrayed the cartoon like
80's look that we have considered, also even
though it is a fairly old album cover you get a
feeling of modernity from it. And again the
colours compliment each other well in creating
the 90's feeling.
Again these are great examples
to relate to the album artwork
that we want to create. Both of
these have colour schemes that
conform to the 90's idea, it
seems that the use of red green
and pink seem to work well
together aswell.
These
inspired our
final
digipak’s
look,
especially de
la soul with
the use of
flowers.
Shoop forms & conventions

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Shoop forms & conventions

  • 2. Form: elements of structure which give a media text its β€˜shape’ and meaning.β€’ The use of performance exists to showcase the artist, demonstrate genre/abilities and to create a marketable star image. I saw examples of this in β€˜It’s Tricky’ by Run DMC. I used this video as I felt an 80’s hip-hop video would provide me with a good example. For instance, there were many good uses of zooms and close ups on the performer during the performance element in the video. Because these shots exist in the video you are allowed a look into the artists star image and it helps to give you a further sense of the genre that you are enjoying. β€’ We wished to identify a target audience of 16-35 year olds, however this could stretch to 40-50 as well, with older people being reminded of the songs of their youth. What appeals to the younger audience is the cool and stylish image that our artist has, which draws them in. What appeals to the older members is the style that our artist has, which is a replica of an 80’s hip-hop image, which draws in our older target audience. β€’ The next side shows a screen grab of the type of close up that
  • 3.
  • 4. Continued: β€’ Examples of shots doing the same thing from my video will appear shortly. Firstly I would like to talk about how in my video, the performance is reasonably similar to in β€˜It’s Tricky’ as there are many close ups and zooms. A zoom is not a common technique in modern day pop videos, however it was in the 1980’s, which is the time period that has heavily inspired us. It helps to create retro and stylish motifs. β€’ This again builds the artists star image and creates an awareness of genre for the audience. The function of a close up is to promote the artist, and to further introduce their star image. How it builds the star image is that the shot is very intimate, you get to know their face, their style and attitude. This causes the target audience (16-35 (40-50)) to feel as if they know the artist in a very loyal way.
  • 5. Zooms and close ups in the performance element of the video.
  • 6. Another example of form: β€’ The use of symbolic and thematic material is to help demonstrate the genre of the artist, and to also present the audience with an idea of the artist’s individual style. In our case it helped to show what time period we wanted our video to look like it came from. This helps to promote our artist as it shows their image very clearly, as the look in the 1980’s was a very strong one, therefore different to that of the now-this gives them a uniqueness. In LL Cool J’s video, β€˜I need love’ there are good examples of this, with the clothing being of the time (therefore you can recognize the era 30 years later). Also, the camera work features many canted angles and handheld shots which nicely builds an image and clear style. β€’ In our video we used a lot of colour and retro clothing in order to create our artist’s image and it worked brilliantly, with many people guessing the time period correctly. Furthermore, the camera work was very period specific in our video, and not dissimilar to LL Cool J’s video, again with lots of canted angles and handheld shots etc. The editing of our video also put it into a boxed view, just as hip-hop video’s in the 80’s
  • 7. Example of a boxed shot in LL Cool J’s video, instead of full frame shot. Hand held shot in SHOOP Canted angle in SHOOP Animations In SHOOP In all of these screengrab’s from SHOOP you can see the boxed editing I added.
  • 8. Use of Narrative β€’ A use of narrative exists in order to create a connection from the audience onto the artist, and by doing this the audience is able to gain an idea of the artists personality, i.e their star image. β€’ An example of a narrative music video is β€˜Love the way you lie’ by Eminem ft. Rihanna. This shows a man abusing his girlfriend, and in the video we learn that there are ups and downs, they fight, they makeup but eventually the girlfriend has had enough. This is all from the video. β€’ My video features a much lower key narrative, with only slight moments of narrative featuring. For example, the beginning we have the girls on the rooftop, they see the boys and Kemi is taking her pick of the boys. β€’ A sparser narrative was more appropriate for my artist
  • 9. A moment of narrative in Eminem’s video The moment Kemi spots the boys in the club Now we know which boy she wants This sparse narrative tells us that our artist is playful, bold and flirtatious, adding to the star image.
  • 10. Conventions: elements of content which are recognizable from similar texts β€’ Artistic camera work, a type of convention exists in order to create a further image of the artist and their genre. I touched on this subject when discussing forms, and a music video that demonstrates this is β€˜It’s Tricky’ by Run DMC. In this video there are many canted angles, zooms and quirky close ups. β€’ This convention inspired our video, as in the SHOOP video we shot many things handheld, at angles and we turned it into a very artistic cut. β€’ This all adds to the style of the video, therefore adding to the information surrounding the star image, which is essentially what the video is doing
  • 12. Conspicuous use of lighting: β€’ The reason for trying to avoid a conspicuous use of lighting in continuity is that otherwise all the attention from the audience is turned towards the lighting. This is an issue because it prevents them seeing what you have created technically. Ideally lighting should be something that exists and adds to the mise-en-scene, but not something that is noticed, perhaps. β€’ The actual music video for β€˜SHOOP’ by Salt-n-Pepa shows good use of this, having a nice club scene with lots of bright disco lights that simply act to create the correct atmosphere, rather than to dominate the scene. β€’ Our video to the same song does this in a similar way, using a haze to mask the lighting a little. What we ended up with was a nice club atmosphere. Furthermore, the second element against the coloured wall could have been a potential issue, with the colour squares not dominating the scene enough. To prevent this we dimmed the lights at the sides and back, which stopped the colour blocks from being outshone.
  • 13. Original video of SHOOP: club scene, lights Our version of SHOOP, in the club with the colour wall
  • 14. Website Our website is very similar, featuring only the artist, on a retro, 80’s style background which was inspired by TV program's such as β€˜Saved by the Bell’ TLC also inspired the design of the website. It has a very clear 90’s image, that we tried to replicate through the use of bold colours and strong poses from our artist.
  • 15. Digipak We liked this as it portrayed the cartoon like 80's look that we have considered, also even though it is a fairly old album cover you get a feeling of modernity from it. And again the colours compliment each other well in creating the 90's feeling. Again these are great examples to relate to the album artwork that we want to create. Both of these have colour schemes that conform to the 90's idea, it seems that the use of red green and pink seem to work well together aswell. These inspired our final digipak’s look, especially de la soul with the use of flowers.