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PROFILE AS EXPERT WITNESS AND CONSULTANT
Intellectual Property and Licensing
Ned McLeod
Entertainment Industry Attorney
Business Affairs/Production Counsel
Executive Producer; Co-producer;
Development and Managing Director
NedMcLeodesq@gmail.com 407.252.7723
Attended Southern Methodist University;
Bachelor of Arts from Goddard College; Juris
Doctorate from University of Florida Levin
College of Law (Cum Laude and Teaching
Fellow).
Early law career employment at Maguire Voorhees and Wells; Matthews Smith
and Railey; and Cobb Cole and Bell; before opening entertainment office, W.
Edward McLeod, P.A. in 1995. Consultant through cleod9llc Entertainment
Consulting.
I have been a party to many licensing arrangements as an attorney
specializing in intellectual property in the entertainment industry (“IP”), both on
the licensor and the licensee side of the table in different matters, and, as a
non-attorney producer, both as owner/licensor and, alternately, as
user/licensee.
I have two careers of experience that underly my analysis and conclusions in
any review of intellectual property and licensing transactions. As a producer in
television, film, documentaries, theatre and commercials for many years in the
1970s and 80s, and returning to that work as a dual-career in the last two
decades, I quite often was the crew member or producer in line to negotiate
and operate under the terms of licenses granting needed elements to the set,
screen or stage (including film clips, stage properties, classic cars and boats,
the written word, music, art or photographs, and so on). And, as an
entertainment attorney for more than 30 years, my handling of licenses have
covered a broad scope of venues and clientele, including The Rockefeller
Center (NYC), the Chicago Museum of Science and Industry and The Navy
Pier (IL), the Fort Worth Museum of Science and History (TX, with 8 associated
museums), Graceland (TN), Niagara Falls (NY), The Smithsonian, the Kennedy
Space Center (FL), Port of Los Angeles (CA), National Harbor (DC), Leadership
Conference of Women Religious (“Catholic Sisters,” MD), the Tupperware
PROFILE AS EXPERT WITNESS AND CONSULTANT
Intellectual Property and Licensing
Center (FL), Gatorland (FL), the Orlando Ballet (FL), Bob Ross (painter),
Cousteau family ventures, and others.
As counsel (or, on occasion for a personal project, as producer), I have
obtained and operated licenses (regarding content, properties, brands,
venues, likeness, life story, etc.) from Universal Music, Walt Disney Company,
Hebrew University of Jerusalem, SONY, the Getty Images, Warner Bros. Music,
TED Talks, Discovery Channel, ABC News, The Cousteau Society, Ford Motor
Company, the Marjorie Kinnan Rawlings Collection, National Geographic,
Jerry Lewis Films, The Beach Boys, Irving Berlin Music, Estate of Marvin Hamlisch,
Richard Petty, Random House Books, Simon and Schuster, HarperCollins, the
United States Air Force, NASA, Estate of Yuri Gagarin, Arkham House Books,
and others.
I’ve been the expert consultant and reviewer for licensing documents litigated
against major industry icons SONY Pictures, Warner Bros. Pictures, National
Enquirer, Mad Magazine, and others involving the review of thousands of
pages of licenses from domestic and international records. In songs, alone, I
have licensed over two hundred (re films and musicals), and in film clips, closer
to three hundred (120+ in one documentary).
As a result, over more than 40 years, I have personally negotiated hundreds of
licenses, and reviewed and evaluated hundreds more.
See “Ned McLeod Resume” for legal career highlights.

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Ned McLeod - Profile as Expert Witness or Consultant 2021

  • 1. PROFILE AS EXPERT WITNESS AND CONSULTANT Intellectual Property and Licensing Ned McLeod Entertainment Industry Attorney Business Affairs/Production Counsel Executive Producer; Co-producer; Development and Managing Director NedMcLeodesq@gmail.com 407.252.7723 Attended Southern Methodist University; Bachelor of Arts from Goddard College; Juris Doctorate from University of Florida Levin College of Law (Cum Laude and Teaching Fellow). Early law career employment at Maguire Voorhees and Wells; Matthews Smith and Railey; and Cobb Cole and Bell; before opening entertainment office, W. Edward McLeod, P.A. in 1995. Consultant through cleod9llc Entertainment Consulting. I have been a party to many licensing arrangements as an attorney specializing in intellectual property in the entertainment industry (“IP”), both on the licensor and the licensee side of the table in different matters, and, as a non-attorney producer, both as owner/licensor and, alternately, as user/licensee. I have two careers of experience that underly my analysis and conclusions in any review of intellectual property and licensing transactions. As a producer in television, film, documentaries, theatre and commercials for many years in the 1970s and 80s, and returning to that work as a dual-career in the last two decades, I quite often was the crew member or producer in line to negotiate and operate under the terms of licenses granting needed elements to the set, screen or stage (including film clips, stage properties, classic cars and boats, the written word, music, art or photographs, and so on). And, as an entertainment attorney for more than 30 years, my handling of licenses have covered a broad scope of venues and clientele, including The Rockefeller Center (NYC), the Chicago Museum of Science and Industry and The Navy Pier (IL), the Fort Worth Museum of Science and History (TX, with 8 associated museums), Graceland (TN), Niagara Falls (NY), The Smithsonian, the Kennedy Space Center (FL), Port of Los Angeles (CA), National Harbor (DC), Leadership Conference of Women Religious (“Catholic Sisters,” MD), the Tupperware
  • 2. PROFILE AS EXPERT WITNESS AND CONSULTANT Intellectual Property and Licensing Center (FL), Gatorland (FL), the Orlando Ballet (FL), Bob Ross (painter), Cousteau family ventures, and others. As counsel (or, on occasion for a personal project, as producer), I have obtained and operated licenses (regarding content, properties, brands, venues, likeness, life story, etc.) from Universal Music, Walt Disney Company, Hebrew University of Jerusalem, SONY, the Getty Images, Warner Bros. Music, TED Talks, Discovery Channel, ABC News, The Cousteau Society, Ford Motor Company, the Marjorie Kinnan Rawlings Collection, National Geographic, Jerry Lewis Films, The Beach Boys, Irving Berlin Music, Estate of Marvin Hamlisch, Richard Petty, Random House Books, Simon and Schuster, HarperCollins, the United States Air Force, NASA, Estate of Yuri Gagarin, Arkham House Books, and others. I’ve been the expert consultant and reviewer for licensing documents litigated against major industry icons SONY Pictures, Warner Bros. Pictures, National Enquirer, Mad Magazine, and others involving the review of thousands of pages of licenses from domestic and international records. In songs, alone, I have licensed over two hundred (re films and musicals), and in film clips, closer to three hundred (120+ in one documentary). As a result, over more than 40 years, I have personally negotiated hundreds of licenses, and reviewed and evaluated hundreds more. See “Ned McLeod Resume” for legal career highlights.