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S.N
The awa
FEATUR
No. Nam
Aw
1.
BEST
FEAT
FILM
2.
INDIR
GAND
AWAR
FOR
DEBU
FILM
DIRE
3.
BEST
POPU
FILM
PROV
WHO
ME
ENTE
NMEN
4.
NARG
DUTT
AWAR
ards in the v
RE FILMS
me of
ward
N
T
TURE
M
B
RA
DHI
RD
BEST
UT
M OF A
CTOR
M
T
ULAR
M
VIDING
OLESO
ERTAI
NT
B
B
GIS
T
RD
N
S
various cate
Name of Fil
BAAHUBAL
MASAAN
BAJRANGI
BHAIJAAN
NANAK
SHAH FAKI
egories are a
lm Award
LI Produ
YARL
AND A
MEDI
LTD.
Direct
RAJAM
Produ
PHAN
Direct
GHAY
Produ
KHAN
SALM
ROCK
VENK
Direct
KHAN
IR
Produ
GURB
PVT. L
as follows:
dees
ucer: SHOBU
LAGADDA
ARKA
IAWORKS (
tor : S.S
MOULI
ucer:
NTOM FILM
tor : NEER
YWAN
ucer: SALM
N,
MAN KHAN
KLINE
KTESH
tor : KABIR
N
ucer:
BANI MEDI
LTD.
Meda
& Ca
U
(P)
Swarn
Kama
2,50
each t
the Pr
and D
(CASH
COMP
T TO
SHAR
MS
RAJ
Swarn
Kama
1,25
each t
the P
and D
MA
N,
R
Swarn
Kama
2,00
each t
the P
and D
IA
Rajat
and
al
sh Prize
C
na
al and
0,000/-
to
roducer
Director
H
PONEN
BE
RED)
A
a
it
a
b
a
s
na
al and
5, 000/-
to
Producer
Director
F
a
f
h
s
p
c
m
na
al and
0,000/-
to
Producer
Director
T
im
in
w
e
Kamal T
t
m
Citation
An imagina
and monum
ts productio
and cinemat
brilliance in
a fantasy wo
screen.
For his perc
approach to
filmmaking
handling a l
story of
people caugh
changing soc
moral value
Tackling an
mportant so
n the simple
warming &
entertaining
The saga on
the great spi
master advo
ative film
mental by
on values
tic
n creating
orld on
ceptive
o
in
ayered
ht up
cial and
s.
n
ocial issue
e heart-
g format.
the life of
iritual
ocating the
FOR
FEAT
FILM
NATI
INTE
ON
5.
BEST
ON S
ISSUE
6.
BEST
ON
ENVI
ENT
CONS
TION
PRES
TION
7.
BEST
CHIL
S FIL
8.
BEST
DIRE
9.
BEST
ACTO
BEST
TURE
M ON
ONAL
GRATI
T FILM
SOCIAL
ES
N
M
T FILM
RONM
SERVA
N/
SERVA
N
V
C
A
P
T
LDREN’
M
D
T
CTION
B
M
T
OR
P
NIRNAYAK
M
VALIYA
CHIRAKUL
A
PAKSHIKA
DURONTO
BAJIRAO
MASTANI
PIKU
KA Produ
FILMS
Direct
PRAK
LL
AL
Produ
ANAN
A PILL
Direct
Produ
RED F
Direct
SOUM
PADH
DIRE
SANJA
BANS
AMIT
BACH
ucer: JAIRA
S
tor : V.K
KASH
ucer:
NTHAKRISH
LAI
tor : DR. BI
ucer: CODE
FILMS
tor :
MENDRA
HI
CTOR:
AY LEELA
SALI
TABH
HCHAN
1,50
each t
the P
and D
AJ Rajat
and
1,50
each t
the P
and D
HN
IJU
Rajat
and
1,50
each t
the P
and D
Swarn
Kama
1,50
each t
the P
and D
Swarn
Kama
Rajat
and
0,000/-
to
Producer
Director
v
h
Kamal
0,000/-
to
Producer
Director
F
r
u
c
m
c
h
p
Kamal
0,000/-
to
Producer
Director
A
d
o
p
K
na
al and
0,000/-
to
Producer
Director
S
p
u
a
im
na
al and
2,50,0
00/-
F
h
o
c
t
w
h
Kamal A
d
values of pea
harmony.
For tackling
relevant and
unaddressed
curtailing fr
movement fo
common ma
hartals and
processions.
A dramatica
disturbing e
of the ill effe
pesticides in
Kerala.
Story of a ch
prodigy on h
undying spir
achieve the
mpossible.
For the mas
handling of
of the mediu
cinema to w
tragic love s
within a gra
historic dram
A delightful
delectable
ace and
g a
d
d issue of
reedom of
for the
an due to
.
ally
exposition
ects of
n North
hild
his
rit to
terful
all aspects
um of
weave a
tory
and
ma.
l,
10.
BEST
ACTR
11.
BEST
SUPP
G AC
12.
BEST
SUPP
G AC
13.
BEST
CHIL
ARTI
14.
BEST
PLAY
SINGE
15.
BEST
FEMA
T
RESS
T
M
R
T
ORTIN
TOR
V
T
ORTIN
TRESS
B
M
T
LD
ST
B
T MALE
YBACK
ER
K
K
G
T
ALE
D
K
TANU WED
MANU
RETURNS
VISAARAN
BAJIRAO
MASTANI
BEN
KATYAR
KALIJAT
GHUSLI
DUM LAGA
KE HAISA
DS KANG
RANA
AI SAMU
TANV
GAUR
MAHE
A MONA
GANA
AUT
UTHIRAKA
VI AZMI
RAV MENO
ESH KALE
ALI THAKU
50,
Rajat
and
50,
ANI Rajat
and
Rajat
and
50,0
ON Rajat
and
50,
Rajat
and
UR Rajat
and
,000/-
p
w
h
o
Kamal
,000/-
F
p
c
l
c
Kamal
50,000
/-
F
y
p
c
d
Kamal
000/-
F
p
w
v
s
t
Kamal
,000/-
A
p
w
e
g
t
Kamal
50,000
/-
A
p
b
m
Kamal A
s
performanc
who finally l
himself go, a
of seventy.
For her dyn
portrayal of
contrast cha
aced with m
charm.
For the mini
yet stark an
performanc
caught in a m
dilemma.
For her pow
portrayal of
widow caugh
vortex of lov
son and com
to the clan.
An outstand
performanc
wide spectru
emotions, of
going throug
turmoil.
A consumm
performanc
best of Hind
musical trad
A delightful
soulful rend
e of a man
lets
at the age
namic
f two
aracters,
mirth and
imalistic
d moving
e as a cop,
moral
werful
f a royal
ht in the
ve for her
mmitment
ding
e on a
um of
f a boy
gh great
ate
e in the
dustani
ditions.
and
dition of a
PLAY
SINGE
16.
BEST
CINE
GRAP
17.
BEST
SCRE
AY
i) Scr
Write
(Origi
ii)
Screen
Write
(Adap
iii) Di
YBACK
ER
T
MATO
PHY
B
M
T
EENPL
reenplay
er
inal):
nplay
er
pted) :
ialogues
P
A
T
M
R
T
P
A
BAJIRAO
MASTANI
PIKU
AND
TANU WE
MANU
RETURN
TALVAR
PIKU
AND
SONG
KE DH
SUDE
CHAT
EDS
JUHI
CHAT
AND
HIMA
SHAR
VISHA
BHAR
JUHI
CHAT
G: MOH MO
HAGE
EEP
TERJEE
TURVEDI
ANSHU
RMA
AL
RDWAJ
TURVEDI
OH
Rajat
and
Rajat
and
Rajat
and
(CASH
COMP
T T
SHAR
Rajat
and
Rajat
50,000/-
s
Kamal
50,000
/-
each
F
o
d
t
p
l
a
li
Kamal
50,000/-
Kamal
50,000/-
H
PONEN
TO BE
RED)
Kamal
50,000/-
t Kamal
F
m
s
r
h
d
r
f
T
in
s
t
p
in
a
a
T
s
t
m
a
d
m
F
song of love.
For bringing
outstanding
dynamics, d
the grand in
palaces and
andscapes w
artistic inter
ight & shad
For effortles
movement o
structure, an
repartees wh
happens in a
delightful lo
relationship
father and d
The writer’
nterpretatio
story set in a
town, becom
populated w
nteresting c
and their dia
and dialects
The dramat
structure de
this writer e
mirrors the
a family whe
daughter is
murdered.
For effortles
.
g about an
visual
depicting
nteriors of
vast
with an
rplay of
dows.
ss
of the plot
nd natural
hich
a
ove/ hate
of a
daughter.
’s
on of love
a small
mes
with
characters
alogues
.
ic
evised by
effectively
tragedy of
en their
found
ss
:
18.
BEST
AUDI
PHY
i) Lo
Sound
Recor
ii) So
Design
iii) R
record
the fin
mixed
T
M
R
T
IOGRA
ocation
d
rdist
ound
ner
Re-
dist of
nal
d track
T
B
M
B
M
TANU WE
MANU
RETURN
TALWAR
BAJIRAO
MASTANI
BAJIRAO
MASTANI
EDS AND
HIMA
SHAR
SANJA
BISWA
CHAT
JUSTI
ANSHU
RMA
AY KURIAN
ADEEP
TTERJEE
IN GOSE
and
Rajat
and
(CASH
COMP
T T
SHAR
N Rajat
and
50,0
Rajat
and
50,0
Rajat
and
50,000/-
t Kamal
50,000/-
H
PONEN
TO BE
RED)
m
s
r
h
d
r
f
T
in
s
t
p
in
a
a
Kamal
000/-
Kamal
000/-
Kamal
50,000
/-
F
n
a
p
c
u
s
C
t
r
h
P
a
f
in
f
movement o
structure, an
repartees wh
happens in a
delightful lo
relationship
father and d
The
nterpretatio
story set in
town,
populated
nteresting
and their
and dialects
For capturi
natural voic
all its nuanc
predominan
characters
undergoing
stress.
Creating a r
tapestry, evo
romantic mo
heroic tensio
Perfect blen
ambiences r
from royal p
nteriors to w
fronts.
of the plot
nd natural
hich
a
ove/ hate
of a
daughter.
writer’s
on of love
n a small
becomes
with
characters
dialogues
.
ing the
ces, with
ces
ntly of
great
rich aural
oking the
oods and
on
nd of the
ranging
palace
war
19.
BEST
EDITI
20.
BEST
PROD
ON D
21.
BEST
COST
DESIG
22.
BEST
MAKE
ARTI
T
ING
V
T
DUCTI
ESIGN
B
M
T
TUME
GNER
N
S
T
E-UP
ST
N
S
VISAARAN
BAJIRAO
MASTANI
NANAK
SHAH FAKI
NANAK
SHAH FAKI
AI LATE
T.E
SHRIR
IYENG
DHAT
SUJEE
IR
PAYA
IR
PREET
SINGH
CLOV
WOOT
E KISHORE
RAM
GAR, SALO
TRAK AND
ET SAWAN
AL SALUJA
TISHEEL G
H AND
VER
TTON
Rajat
and
ONI
NT
Rajat
and
50,0
(CASH
COMP
T T
SHAR
Rajat
and
50,
G Rajat
and
Kamal
50,000
/-
M
m
e
p
in
in
t
Kamal
000/-
H
PONEN
TO BE
RED)
F
o
s
p
s
h
Kamal
,000/-
A
c
t
c
c
f
c
c
Kamal
50,000
/-
(CAS
H
COMP
ONEN
T TO
BE
SHAR
ED)
C
a
m
t
r
c
Maintaining
momentum
edginess of t
progression
nterrogatio
nnovative e
techniques.
For the inve
of spaces, pr
set decoratio
provide a dr
setting for a
historical sp
An imagina
colours, desi
textures to r
costumes for
characters, o
from differe
cultures and
continents.
Creating det
appearances
meticulous ‘
technique to
range of hist
characters.
g the
and
the plot
of police
n, with
editing
entive use
rops and
on to
ramatic
a grand
pectacle.
ative use of
ign and
recreate
r a host of
of an era,
ent
d
tailed
s, and
‘ageing’
o a wide
toric
23.
BEST
MUSI
DIRE
a)
b)
24.
BEST
LYRI
25.
SPEC
JURY
AWAR
26.
BEST
CHOR
RAPH
T
IC
CTION
Songs
Backg
round
Score
E
M
T
T
T
CS
D
K
CIAL
Y
RD
M
W
S
T
REOG
HY
B
M
ENNU NINT
MOIDEEN
THAARAI
THAPPATT
DUM LAGA
KE HAISA
MARGARIT
WITH
STRAW
BAJIRAO
MASTANI
TE
TAI
M
JAYA
SONG
NNU
KAAT
ILAIY
A VARU
SONG
KE DH
TA KALK
REMO
SONG
MAST
ACHANDRA
G:KAATHIR
THIRUNNU
YARAAJA
UN GROVER
G: MOH MO
HAGE
KI KOCHLIN
O D’SOUZA
G: DEEW AN
TANI
AN
RU
U
Rajat
and
50,
Rajat
and
50,
R
OH
Rajat
and
N Rajat
and
2,00
A
NI
Rajat
and
50,
Kamal
,000/-
Kamal
,000/-
C
m
t
t
F
f
in
m
h
m
o
Kamal
50,000
/-
F
a
in
e
Kamal
0,000/-
F
p
y
a
p
Kamal
,000/-
F
e
t
o
b
t
f
Creating a h
melodic com
that resonat
tragic love s
For effective
folk musical
nstruments
melodies, to
harmonic la
meaning to t
of the chara
For the fresh
array of met
n the form o
expressing lo
For the reali
performanc
young woma
afflicted wit
palsy.
For creating
enchanting m
that express
of love, defy
barriers, res
the core them
film.
haunting
mposition,
tes the
tory
ely using
l
and
give a
ayer of
the world
acters.
h simple
taphors,
of a song,
ove.
istic
e as a
an
h cerebral
g
moves
ses anguish
ying social
sonating
me of the
b
c
27.
BEST
SPEC
EFFE
28.
BEST
VIII O
a)
BEST
ASSA
FILM
b)
BEST
BENGA
FILM
)
BEST H
FILM
T
CIAL
ECT
B
T FEATURE
OF THE CO
T
AMESE
M
K
ALI
S
L
HINDI D
H
BAAHUBAL
E FILM IN
ONSTITUT
KOTHANOD
SHANKHAC
L
DUM LAGA
HAISHA
LI V. SRI
MOHA
EACH OF
ION
DI Prod
ANU
HAZ
Dire
BHA
HAZ
CHI Prod
NID
CRE
PRO
PVT
Dire
GOU
GHO
.
A KE Prod
MAN
SHA
YAS
FILM
Dire
SHA
KAT
INIVAS
AN
THE LAN
ducer:
URUPA
ZARIKA
ector :
ASKAR
ZARIKA
ducer:
EAS
EATIONS &
ODUCTIONS
T LTD.
ector :
UTAM
OSE
ducer:
NEESH
ARMA &
SH RAJ
MS
ector :
ARAT
TARIYA
Rajat
and
50,
GUAGE SP
Rajat
and
/
to the P
and Dir
&
S
Rajat
and
1,
each
to the P
and Dir
Rajat
and
1,
each
to the P
and Dir
(CASH
Kamal
,000/-
F
t
w
e
d
t
PECIFIED
Kamal
1,00,000
/- each
Producer
ector
A
in
f
t
u
h
d
m
Kamal
,00,000/-
Producer
ector
A
t
t
h
n
Kamal
,00,000/-
Producer
ector
A
f
a
m
p
a
For creating
taking speci
which bring
emotional an
dramatic up
the story.
IN THE SC
A stylised, p
nter- weavi
folk stories,
the terrifyin
undercurren
human mind
depicted in f
mythology.
An evocative
that highligh
theme of suf
humanity, d
national bor
A sweet and
film set in H
and challeng
middle class
prejudices in
a bride.
g breath-
al effects
g out the
nd
pheavals of
CHEDULE
poetic film
ng four
evoking
ng
nts of
d as
folk
e story
hts the
ffering
divided by
rders.
d resonant
Haridwar
ges the
s
n choosing
d
e
f)
g
h
d)
BEST
KANN
FILM
)
BEST
KONK
FILM
f)
BEST
MALA
M FIL
)
BEST
MARA
FILM
h)
BEST O
FILM
NADA
T
KANI
E
AYALA
M
P
ATHI
R
ODIYA
THITHI
ENEMY
PATHEMAR
RINGAN
PAHADA R
LUHA
Prod
PRS
PRO
PVT
Dire
RAA
Prod
DUR
PRA
Dire
DIN
BHO
RI Prod
ALL
MED
Dire
AHA
Prod
ROL
PICT
Dire
MAK
MAN
RA Prod
MOH
MOV
ducer:
PCTVS
ODUCTIONS
T LTD.
ector :
AM REDDY
ducer: A
RGA
ASAD
ector:
ESH P.
ONSLE
ducer:
LENS
DIA
ector: SALIM
AMED
ducer: MY
LE MOTION
TURES
ector:
KARAND
NE
ducer:
HAPATRA
VIE MAGIC
COMPO
TO
SHARE
S
Y
Rajat
and
1,
each
to the P
and Dir
Rajat
and
1,
each
to the P
and Dir
M
Rajat
and
1,
each
to the P
and Dir
N
Rajat
and
1,
each
to the P
and Dir
C
Rajat
and
ONENT
BE
ED)
Kamal
,00,000/-
Producer
ector
A
r
p
v
id
s
Kamal
,00,000/-
Producer
ector
A
a
p
t
e
t
p
Kamal
,00,000/-
Producer
ector
A
s
g
M
m
f
t
s
Kamal
,00,000/-
Producer
ector
A
s
f
d
li
t
b
s
M
Kamal C
t
t
A striking a
realistically
portrayal of
village, told
diom of com
surrealism.
A powerful
about a sold
plight, caugh
the legal
entanglemen
to safeguard
property.
Artistically n
saga of two
generations
Malayali wo
migrated to
for livelihoo
through the
story of one
A heart rend
survival stor
father-son d
decide to fig
ive rather t
their lives, in
background
suicides in
Maharashtr
Chronicles 2
the life of in
tribals of Od
nd
charming
f life in a
in the
medy and
film
dier’s
ht up in
nt trying
d his
narrated
of
orkers who
the gulf
od, told
poignant
man.
ding
ry of a
duo, who
ght and
han end
n the
d of farmer
ra.
25 years of
nocent
disha, in
i)
j)
k
l)
m
)
BEST
PUNJA
FILM
BEST T
FILM
k)
BEST
TELUG
FILM
)
BEST
SANSK
FILM
m)
BEST
ABI
C
K
TAMIL
V
GU
K
KRIT
P
A
M
CHAUTHI
KOOT
VISAARAN
KANCHE
PRIYAMAN
AM
MITHILA
PVT
Dire
SAB
MOH
Prod
& KA
SING
Dire
GUR
SING
AI Prod
WUN
FILM
Dire
VET
MAA
Prod
RAJ
RED
Dire
RAD
KRI
JAG
(KRI
NAS Prod
BAB
MAT
SOM
M
Dire
VIN
MAN
Prod
T. LTD.
ector:
BYASACHI
HAPATRA
ducer: NFD
ARTIKEYA
GH
ector:
RVINDER
GH
ducer:
NDERBAR
MS
ector:
TRI
ARAN
ducer: Y.
EEV
DDY
ector:
DHA
SHNA
GARLAMUD
ISH)
ducer:
BY
THEW
MATHEERA
ector:
OD
NKARA
ducer:
1,
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titute of Asi
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2.
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swani & Nid
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n urge to
race for a bet
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distances
ween man and
wild.
the
of
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8. BEST
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Paywat
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Eriy
An
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ch of Pro
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Kick
coura
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AL
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Sport
deter
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AL
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time
trace
AL
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To dr
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in the mist
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14. BEST
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15. BEST
FAMIL
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HY
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AUDIO
19. BEST
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21. BEST
NARR
SHORT
ON FILM
FILM ON
LY VALUE
DIRECTION
MATOGRAP
OGRAPHY
EDITING
MUSIC
RATION/
Aushad
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Forever
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ARNA KAM
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AL
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enhan
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life th
canva
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of
untiring eff
ay humane.
aiming strain
ds.
sensit
rayal of
ng woma
rmination
old her dign
nst odds.
ry of visu
ng a last
int.
ful sound
dst silence –
rences made
ble.
rchestrated
and curves t
ct the hardsh
e oppressed.
mony of note
ncing the bru
kes breathing
hrough the
as.
he rich barito
the narrat
ffort
ned
tive
a
an’s
to
nity
uals
ting
e
o
hip
.
es
ush
g
one
tive
VOICE
22. SPECI
MENT
E OVER
AL
TION
And
2. Aran
Nithya
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Cheman
ry
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Nair
1. The
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And
2. Amm
And
3. Syaah
gile
am
ncher
aman
An
2. N
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leon
ma
hi
Di
Sha
An
Dir
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Dir
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d
Narrator:
iyaar
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ankar
d
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ndon
RAJ
50
(Cas
be sh
n
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un
CER
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RTIFICATE
AL
nt to
unde
pligh
privil
And
2. Th
of
enhan
narra
legen
1. Th
turns
mind
And
2. Th
of an
seen
eyes
prota
And
3. Co
of se
sensi
depic
the in
youn
rlines
ht of the un
leged.
he rich hist
voice artis
ncing
ative of a liv
nd.
he twists and
s of a distorte
d.
he rich tapest
n era of strug
through the
of the
agonist.
onglomeratio
ense and
ibilities
cted through
nnocence of
ng mind.
the
nder
tory
stry
the
ving
d
ed
try
ggle
on
h
f a
Best Writing on Cinema
Best Book on Cinema
Title of the
Book
Author Publisher Citation
DR.
RAJAKUMAR
SAMAGRA
CHARITHRE
Swarna Kamal and
Rs 75000/- to the
Author:
DODDAHULLURU
RUKKOJI
Swarna Kamal
and Rs 75000/- to
the Publisher:
PREETI
PUSTAKA
PRAKASHANA
Doddahulluru Rukkoji’s work is an
encyclopaedic study into the life and
career of one of India’s greatest
screen legends Dr Rajkumar. The 15
year research behind the writing of
this double volume makes it a
valuable resource for scholars,
students and cinephiles of today and
tomorrow.
Special Mention
Title of the
Book
Author Citation
Forgotten
Masters of
Hindi Cinema
Only Certificate :
Satish Chopra
Satish Chopra’s book is an anecdotal and affectionate
insight that brings to life the early maestros of Hindi film
music. Written from the perspective of a lifelong music
lover, its effervescence engages and makes one fall in love
with the classics again.
Best Film Critic
Name of the Critic Citation
Swarna Kamal and Rs 75000/- to
the Critic:
MEGHACHANDRA KONGBAM
Meghachandra Kongbom interprets the world of Indian
cinema for his readers in Manipuri. His lucid understanding
and love for cinema makes him the ideal “Film Whisperer” in
Manipur, where access to Indian films is often limited.
 

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List of National Film Award Winners in Various Categories

  • 1. S.N The awa FEATUR No. Nam Aw 1. BEST FEAT FILM 2. INDIR GAND AWAR FOR DEBU FILM DIRE 3. BEST POPU FILM PROV WHO ME ENTE NMEN 4. NARG DUTT AWAR ards in the v RE FILMS me of ward N T TURE M B RA DHI RD BEST UT M OF A CTOR M T ULAR M VIDING OLESO ERTAI NT B B GIS T RD N S various cate Name of Fil BAAHUBAL MASAAN BAJRANGI BHAIJAAN NANAK SHAH FAKI egories are a lm Award LI Produ YARL AND A MEDI LTD. Direct RAJAM Produ PHAN Direct GHAY Produ KHAN SALM ROCK VENK Direct KHAN IR Produ GURB PVT. L as follows: dees ucer: SHOBU LAGADDA ARKA IAWORKS ( tor : S.S MOULI ucer: NTOM FILM tor : NEER YWAN ucer: SALM N, MAN KHAN KLINE KTESH tor : KABIR N ucer: BANI MEDI LTD. Meda & Ca U (P) Swarn Kama 2,50 each t the Pr and D (CASH COMP T TO SHAR MS RAJ Swarn Kama 1,25 each t the P and D MA N, R Swarn Kama 2,00 each t the P and D IA Rajat and al sh Prize C na al and 0,000/- to roducer Director H PONEN BE RED) A a it a b a s na al and 5, 000/- to Producer Director F a f h s p c m na al and 0,000/- to Producer Director T im in w e Kamal T t m Citation An imagina and monum ts productio and cinemat brilliance in a fantasy wo screen. For his perc approach to filmmaking handling a l story of people caugh changing soc moral value Tackling an mportant so n the simple warming & entertaining The saga on the great spi master advo ative film mental by on values tic n creating orld on ceptive o in ayered ht up cial and s. n ocial issue e heart- g format. the life of iritual ocating the
  • 2. FOR FEAT FILM NATI INTE ON 5. BEST ON S ISSUE 6. BEST ON ENVI ENT CONS TION PRES TION 7. BEST CHIL S FIL 8. BEST DIRE 9. BEST ACTO BEST TURE M ON ONAL GRATI T FILM SOCIAL ES N M T FILM RONM SERVA N/ SERVA N V C A P T LDREN’ M D T CTION B M T OR P NIRNAYAK M VALIYA CHIRAKUL A PAKSHIKA DURONTO BAJIRAO MASTANI PIKU KA Produ FILMS Direct PRAK LL AL Produ ANAN A PILL Direct Produ RED F Direct SOUM PADH DIRE SANJA BANS AMIT BACH ucer: JAIRA S tor : V.K KASH ucer: NTHAKRISH LAI tor : DR. BI ucer: CODE FILMS tor : MENDRA HI CTOR: AY LEELA SALI TABH HCHAN 1,50 each t the P and D AJ Rajat and 1,50 each t the P and D HN IJU Rajat and 1,50 each t the P and D Swarn Kama 1,50 each t the P and D Swarn Kama Rajat and 0,000/- to Producer Director v h Kamal 0,000/- to Producer Director F r u c m c h p Kamal 0,000/- to Producer Director A d o p K na al and 0,000/- to Producer Director S p u a im na al and 2,50,0 00/- F h o c t w h Kamal A d values of pea harmony. For tackling relevant and unaddressed curtailing fr movement fo common ma hartals and processions. A dramatica disturbing e of the ill effe pesticides in Kerala. Story of a ch prodigy on h undying spir achieve the mpossible. For the mas handling of of the mediu cinema to w tragic love s within a gra historic dram A delightful delectable ace and g a d d issue of reedom of for the an due to . ally exposition ects of n North hild his rit to terful all aspects um of weave a tory and ma. l,
  • 3. 10. BEST ACTR 11. BEST SUPP G AC 12. BEST SUPP G AC 13. BEST CHIL ARTI 14. BEST PLAY SINGE 15. BEST FEMA T RESS T M R T ORTIN TOR V T ORTIN TRESS B M T LD ST B T MALE YBACK ER K K G T ALE D K TANU WED MANU RETURNS VISAARAN BAJIRAO MASTANI BEN KATYAR KALIJAT GHUSLI DUM LAGA KE HAISA DS KANG RANA AI SAMU TANV GAUR MAHE A MONA GANA AUT UTHIRAKA VI AZMI RAV MENO ESH KALE ALI THAKU 50, Rajat and 50, ANI Rajat and Rajat and 50,0 ON Rajat and 50, Rajat and UR Rajat and ,000/- p w h o Kamal ,000/- F p c l c Kamal 50,000 /- F y p c d Kamal 000/- F p w v s t Kamal ,000/- A p w e g t Kamal 50,000 /- A p b m Kamal A s performanc who finally l himself go, a of seventy. For her dyn portrayal of contrast cha aced with m charm. For the mini yet stark an performanc caught in a m dilemma. For her pow portrayal of widow caugh vortex of lov son and com to the clan. An outstand performanc wide spectru emotions, of going throug turmoil. A consumm performanc best of Hind musical trad A delightful soulful rend e of a man lets at the age namic f two aracters, mirth and imalistic d moving e as a cop, moral werful f a royal ht in the ve for her mmitment ding e on a um of f a boy gh great ate e in the dustani ditions. and dition of a
  • 4. PLAY SINGE 16. BEST CINE GRAP 17. BEST SCRE AY i) Scr Write (Origi ii) Screen Write (Adap iii) Di YBACK ER T MATO PHY B M T EENPL reenplay er inal): nplay er pted) : ialogues P A T M R T P A BAJIRAO MASTANI PIKU AND TANU WE MANU RETURN TALVAR PIKU AND SONG KE DH SUDE CHAT EDS JUHI CHAT AND HIMA SHAR VISHA BHAR JUHI CHAT G: MOH MO HAGE EEP TERJEE TURVEDI ANSHU RMA AL RDWAJ TURVEDI OH Rajat and Rajat and Rajat and (CASH COMP T T SHAR Rajat and Rajat 50,000/- s Kamal 50,000 /- each F o d t p l a li Kamal 50,000/- Kamal 50,000/- H PONEN TO BE RED) Kamal 50,000/- t Kamal F m s r h d r f T in s t p in a a T s t m a d m F song of love. For bringing outstanding dynamics, d the grand in palaces and andscapes w artistic inter ight & shad For effortles movement o structure, an repartees wh happens in a delightful lo relationship father and d The writer’ nterpretatio story set in a town, becom populated w nteresting c and their dia and dialects The dramat structure de this writer e mirrors the a family whe daughter is murdered. For effortles . g about an visual depicting nteriors of vast with an rplay of dows. ss of the plot nd natural hich a ove/ hate of a daughter. ’s on of love a small mes with characters alogues . ic evised by effectively tragedy of en their found ss
  • 5. : 18. BEST AUDI PHY i) Lo Sound Recor ii) So Design iii) R record the fin mixed T M R T IOGRA ocation d rdist ound ner Re- dist of nal d track T B M B M TANU WE MANU RETURN TALWAR BAJIRAO MASTANI BAJIRAO MASTANI EDS AND HIMA SHAR SANJA BISWA CHAT JUSTI ANSHU RMA AY KURIAN ADEEP TTERJEE IN GOSE and Rajat and (CASH COMP T T SHAR N Rajat and 50,0 Rajat and 50,0 Rajat and 50,000/- t Kamal 50,000/- H PONEN TO BE RED) m s r h d r f T in s t p in a a Kamal 000/- Kamal 000/- Kamal 50,000 /- F n a p c u s C t r h P a f in f movement o structure, an repartees wh happens in a delightful lo relationship father and d The nterpretatio story set in town, populated nteresting and their and dialects For capturi natural voic all its nuanc predominan characters undergoing stress. Creating a r tapestry, evo romantic mo heroic tensio Perfect blen ambiences r from royal p nteriors to w fronts. of the plot nd natural hich a ove/ hate of a daughter. writer’s on of love n a small becomes with characters dialogues . ing the ces, with ces ntly of great rich aural oking the oods and on nd of the ranging palace war
  • 6. 19. BEST EDITI 20. BEST PROD ON D 21. BEST COST DESIG 22. BEST MAKE ARTI T ING V T DUCTI ESIGN B M T TUME GNER N S T E-UP ST N S VISAARAN BAJIRAO MASTANI NANAK SHAH FAKI NANAK SHAH FAKI AI LATE T.E SHRIR IYENG DHAT SUJEE IR PAYA IR PREET SINGH CLOV WOOT E KISHORE RAM GAR, SALO TRAK AND ET SAWAN AL SALUJA TISHEEL G H AND VER TTON Rajat and ONI NT Rajat and 50,0 (CASH COMP T T SHAR Rajat and 50, G Rajat and Kamal 50,000 /- M m e p in in t Kamal 000/- H PONEN TO BE RED) F o s p s h Kamal ,000/- A c t c c f c c Kamal 50,000 /- (CAS H COMP ONEN T TO BE SHAR ED) C a m t r c Maintaining momentum edginess of t progression nterrogatio nnovative e techniques. For the inve of spaces, pr set decoratio provide a dr setting for a historical sp An imagina colours, desi textures to r costumes for characters, o from differe cultures and continents. Creating det appearances meticulous ‘ technique to range of hist characters. g the and the plot of police n, with editing entive use rops and on to ramatic a grand pectacle. ative use of ign and recreate r a host of of an era, ent d tailed s, and ‘ageing’ o a wide toric
  • 7. 23. BEST MUSI DIRE a) b) 24. BEST LYRI 25. SPEC JURY AWAR 26. BEST CHOR RAPH T IC CTION Songs Backg round Score E M T T T CS D K CIAL Y RD M W S T REOG HY B M ENNU NINT MOIDEEN THAARAI THAPPATT DUM LAGA KE HAISA MARGARIT WITH STRAW BAJIRAO MASTANI TE TAI M JAYA SONG NNU KAAT ILAIY A VARU SONG KE DH TA KALK REMO SONG MAST ACHANDRA G:KAATHIR THIRUNNU YARAAJA UN GROVER G: MOH MO HAGE KI KOCHLIN O D’SOUZA G: DEEW AN TANI AN RU U Rajat and 50, Rajat and 50, R OH Rajat and N Rajat and 2,00 A NI Rajat and 50, Kamal ,000/- Kamal ,000/- C m t t F f in m h m o Kamal 50,000 /- F a in e Kamal 0,000/- F p y a p Kamal ,000/- F e t o b t f Creating a h melodic com that resonat tragic love s For effective folk musical nstruments melodies, to harmonic la meaning to t of the chara For the fresh array of met n the form o expressing lo For the reali performanc young woma afflicted wit palsy. For creating enchanting m that express of love, defy barriers, res the core them film. haunting mposition, tes the tory ely using l and give a ayer of the world acters. h simple taphors, of a song, ove. istic e as a an h cerebral g moves ses anguish ying social sonating me of the
  • 8. b c 27. BEST SPEC EFFE 28. BEST VIII O a) BEST ASSA FILM b) BEST BENGA FILM ) BEST H FILM T CIAL ECT B T FEATURE OF THE CO T AMESE M K ALI S L HINDI D H BAAHUBAL E FILM IN ONSTITUT KOTHANOD SHANKHAC L DUM LAGA HAISHA LI V. SRI MOHA EACH OF ION DI Prod ANU HAZ Dire BHA HAZ CHI Prod NID CRE PRO PVT Dire GOU GHO . A KE Prod MAN SHA YAS FILM Dire SHA KAT INIVAS AN THE LAN ducer: URUPA ZARIKA ector : ASKAR ZARIKA ducer: EAS EATIONS & ODUCTIONS T LTD. ector : UTAM OSE ducer: NEESH ARMA & SH RAJ MS ector : ARAT TARIYA Rajat and 50, GUAGE SP Rajat and / to the P and Dir & S Rajat and 1, each to the P and Dir Rajat and 1, each to the P and Dir (CASH Kamal ,000/- F t w e d t PECIFIED Kamal 1,00,000 /- each Producer ector A in f t u h d m Kamal ,00,000/- Producer ector A t t h n Kamal ,00,000/- Producer ector A f a m p a For creating taking speci which bring emotional an dramatic up the story. IN THE SC A stylised, p nter- weavi folk stories, the terrifyin undercurren human mind depicted in f mythology. An evocative that highligh theme of suf humanity, d national bor A sweet and film set in H and challeng middle class prejudices in a bride. g breath- al effects g out the nd pheavals of CHEDULE poetic film ng four evoking ng nts of d as folk e story hts the ffering divided by rders. d resonant Haridwar ges the s n choosing
  • 9. d e f) g h d) BEST KANN FILM ) BEST KONK FILM f) BEST MALA M FIL ) BEST MARA FILM h) BEST O FILM NADA T KANI E AYALA M P ATHI R ODIYA THITHI ENEMY PATHEMAR RINGAN PAHADA R LUHA Prod PRS PRO PVT Dire RAA Prod DUR PRA Dire DIN BHO RI Prod ALL MED Dire AHA Prod ROL PICT Dire MAK MAN RA Prod MOH MOV ducer: PCTVS ODUCTIONS T LTD. ector : AM REDDY ducer: A RGA ASAD ector: ESH P. ONSLE ducer: LENS DIA ector: SALIM AMED ducer: MY LE MOTION TURES ector: KARAND NE ducer: HAPATRA VIE MAGIC COMPO TO SHARE S Y Rajat and 1, each to the P and Dir Rajat and 1, each to the P and Dir M Rajat and 1, each to the P and Dir N Rajat and 1, each to the P and Dir C Rajat and ONENT BE ED) Kamal ,00,000/- Producer ector A r p v id s Kamal ,00,000/- Producer ector A a p t e t p Kamal ,00,000/- Producer ector A s g M m f t s Kamal ,00,000/- Producer ector A s f d li t b s M Kamal C t t A striking a realistically portrayal of village, told diom of com surrealism. A powerful about a sold plight, caugh the legal entanglemen to safeguard property. Artistically n saga of two generations Malayali wo migrated to for livelihoo through the story of one A heart rend survival stor father-son d decide to fig ive rather t their lives, in background suicides in Maharashtr Chronicles 2 the life of in tribals of Od nd charming f life in a in the medy and film dier’s ht up in nt trying d his narrated of orkers who the gulf od, told poignant man. ding ry of a duo, who ght and han end n the d of farmer ra. 25 years of nocent disha, in
  • 10. i) j) k l) m ) BEST PUNJA FILM BEST T FILM k) BEST TELUG FILM ) BEST SANSK FILM m) BEST ABI C K TAMIL V GU K KRIT P A M CHAUTHI KOOT VISAARAN KANCHE PRIYAMAN AM MITHILA PVT Dire SAB MOH Prod & KA SING Dire GUR SING AI Prod WUN FILM Dire VET MAA Prod RAJ RED Dire RAD KRI JAG (KRI NAS Prod BAB MAT SOM M Dire VIN MAN Prod T. LTD. ector: BYASACHI HAPATRA ducer: NFD ARTIKEYA GH ector: RVINDER GH ducer: NDERBAR MS ector: TRI ARAN ducer: Y. EEV DDY ector: DHA SHNA GARLAMUD ISH) ducer: BY THEW MATHEERA ector: OD NKARA ducer: 1, each to the P and Dir C A Rajat and 1, each to the P and Dir Rajat and 1, each to the P and Dir DI Rajat and 1, each to the P and Dir A Rajat and 1, each to the P and Dir Rajat ,00,000/- Producer ector t m t m Kamal ,00,000/- Producer ector E t p d in Kamal ,00,000/- Producer ector A a t o b Kamal ,00,000/- Producer ector B c d p it Kamal ,00,000/- Producer ector A c p o t m N Kamal A the backdro massive poli transformat maoist insur Effectively c the sense of psychosis an during the ti nsurgency i A gripping d about the at thrust on by on innocent based on a t Barriers of c conventions down as this period dram t magic. An artistic a culturally vi portrayal of of a poet dur time he crea masterpiece Nalacharita A back-to- t op of the itical tions and rgency. captures fear nd tension imes of in Punjab. drama trocities y the police citizens, rue story. caste and breaks s romantic ma unveils and ibrant f the mind ring the ates his e m. the-roots
  • 11. n o 29 a MAITH FILM n) BEST M FILM ) BEST MANIP FILM 9. BEST SCHED ) BEST WANC FILM HILI M MIZO K B C PURI E Y FEATURE DULE VIII CHO T H MAKHAAN KIMA’S LO BEYOND TH CLASS EIBUSU YAOHANBI E FILM IN OF THE C THE HEAD HUNTER N NEE CHA SAM Dire CHA ODE HE Prod CHIL FILM Dire ZUA CHH IYU Prod YUN HITA (NET Dire MAI HAO N EACH O CONSTITU Prod SPLA PRIV LIM Dire NILA DAT ETU ANDRA & MIR KUMAR ector: NITIN ANDRA ducer: LDREN’S M SOCIETY ector: ALAA HANGTE ducer: NMAN ALAR TA) SINGH ector: IPAKSANA ORONGBAM OF THE L TION ducer: ASH FILMS VATE MITED ector: ANJAN TTA R N and 1, each to the P and Dir Y Rajat and 1, each to the P and Dir H A M Rajat and 1, each to the P and Dir LANGUAGE S Rajat and 1, each to the P and Dir ,00,000/- Producer ector s s c r h Kamal ,00,000/- Producer ector A c a p o Kamal ,00,000/- Producer ector A t d b a E SPECIFI Kamal ,00,000/- Producer ector A c li t b m e in d li story told wi sincerity, ab courageous rescue effort happening in An adventur coming-of-a a boy, set in pristine envi of Mizoram. A moving fil the victory o differently-a boy’s attemp a football te IED OTHE A cinematic contemplati ives of the W tribe, regard balance requ modernising environmen ntruding an displacing th ifestyles. ith great bout a youthful t, n Bihar. rous age story of the ironments . lm about of a abled pt to join am. ER THAN c on on the Wancho ding the uired in g tribal nt, while nd heir
  • 12. b c g 30 a b ) BEST HARY FILM ) BEST K FILM ) BEST B FILM 0. SPECI ) SPECI MENT ) SPECI MENT YANVI S KHASI O BODO H M IAL MENTI IAL TION S IAL TION S V SATRANGI ONAATAH DAU HUDUNI METHAI ION SAIRAT SU SU SUDH VATHMEEK Prod PUN DES SHA Dire SUN SHA Prod POM MAR KUR Dire PRA KUR Prod SHA GOE Dire MAN RINK RAJ HI KA JAY ducer: NAM SWAL ARMA ector: NDEEP ARMA ducer: MU DAS- RJINA RBAH ector: ADIP RBAH ducer: ANKARLAL ENKA ector: NJU BORAH KU GURU YASURYA Rajat and 1, each to the P and Dir Rajat and 1, each to the P and Dir L H Rajat and 1, each to the P and Dir CERTIF CERTIF Kamal ,00,000/- Producer ector T t s o s t e g Kamal ,00,000/- Producer ector A o c in b t Kamal ,00,000/- Producer ector A d d c h d in n FICATE F p g s u t f FICATE F h The film ear tries to addr social issue o of the girl ch state of Hary the eventual empowering girl. A sensitive p of a rape vic course of he n the healin background tribal setting An honest at document th dilemma of t common ma helplessly vi during the ti nsurgency i north east. For her effe portrayal of girl who def societal norm ultimately h the wrath of family. For his inve heartfelt per rnestly ress the of neglect hild in the yana and l g of the portrayal ctim in the er revival, ng d of the g. ttempt to he the an, ictimised imes of in the ective f a lively fies ms but has to face f her ntive and rformance
  • 13. S.N c NON-FE No. Name 1. BEST N FEATU 2. BEST FILM O DIREC 3. BEST ANTH CAL/ ETHN FILM 4. BEST BIOGR HISTO RECON ON 5. BEST A /CULT FILM ) SPECI MENT EATURE FI of Award NON URE FILM DEBUT OF A CTOR HROPOLOG OGRAPHIC RAPHICAL/ ORICAL NSTRUCTI ARTS TURAL M L C IAL TION IR S ILMS Name o Amdava Ma Fam Daaravt GI C Aoleang / I Life in Metaph A Portr Girish Kasarav 1. A Far Afterno Painted M & LUKKA CHUPPI RUDHI SUTTRU f Film Aw ad mous Pro Ak & A Dir Me tha Pro Nis Bom Dir Nis Bom g Pro Abu Inst Stu Dir Ray hors: rait of valli Pro Ree Dir Shr r oon- A d Saga Pro Art RITI wardee oducer: anksha Tew Arya A. Men rector: Hard ehta oducer: shantroy mbarde rector: shantroy mbarde oducer: Mau ul Kalam Az titute of Asi uidies rector: Rana y oducer: elism Film rector: O.P rivastava oducer: Pira t Foundation IKA SINGH Med Priz wari non dik SWA 1,5 each & Di RAJ 75 the P Dire ulana zad an ajit RAJ 50 the P 50 RAJ 50 the P Dire amal n H CERTIF dal & Cash e ARNA KAM & 50,000/- h to the Produ irector AT KAMA & 5,000/- each Producer & ector AT KAMA & 0,000/- each Producer & 0,000/- Dire AT KAMA & 0,000/- each Producer & ctor in FICATE F p b Citat MAL ucer The k bring colou AL to A ste towa the a of so AL to ctor Wate to ho ethos the la peop AL to Philo imag beyo 1. Br into t to art n varied rol For her guts performanc boxer in the tion kites soar hig ging alive the urs of the lan epping stone ards reinvent ge old shack ciety. ering the roo old onto the s and history and and its le. osophical ges of life a nd. reathing life the canvas ticulate and les. sy e of a e making. gh e nd. ing kles ots y of and
  • 14. 6. BEST PROM FILM ( tourism crafts, 7. BEST ENVIR FILM INCLU AGRIC MOTIONAL (to cover m, exports, industry etc) RONMENT UDING CULTURE And 2. Yazhpa Thedch oorthy - Music Beyond Bounda ) Weaves Mahesh 1. The M who Dw the Mounta And 2. God O The Edg anam anam - aries Dir Har Sub An Pro Sid Pro Dir Kum s of hwar Pr Sto Dir Vas Kam Man warfed ains On ge Pro Me Dir Shr Sum Kh An Pro Ele Stu Dir Pat rector: Sruti rihara bramanian d oducer: ddhartha oductions rector: Ams mar roducer: oryloom Film rector: Keya swani & Nid math oducer: Raji ehrotra, PSB rector: Ruch rivastava & mit Sunderla anna d oducer: ements Pictu udio rector: Asho tel i shan RAJ 50 the P Dire (Cas be sh ms a dhi RAJ 50 the P Dire iv T hi al ure ok RAJ 50 the P Dire (Cas be sh AT KAMA & 0,000/- each Producer & ctor* sh Componen hared) AT KAMA & 0,000/- each Producer & ctor AT KAMA & 0,000/- each Producer & ctor* sh Componen hared) AL to nt to assim And 2. Cr boun resur Tavil AL to Stren fabric pract newe AL to nt to 1. An embr habit And 2. Re the d betw the w milate. rossing over ndaries to rrect the art o l. ngthening c of age tices w er threads. n urge to race for a bet tat. ediscovering distances ween man and wild. the of the old with tter g d
  • 15. 8. BEST SOCIA 9. BEST EDUC FILM 10. BEST EXPLO ADVE FILM ( INCLU SPORT 11. BEST INVES FILM 12. BEST ANIMA FILM 13. SPECI AWAR FILM ON AL ISSUES ATIONAL ORATION/ ENTURE (TO UDE TS) STIGATIVE ATION AL JURY RD Auto Dr Paywat Dribblin with the Future E Tezpur Fisherw and Tuk In Searc Fading Canvas river Dir Me Pro Oin Lon Dev Pro Mit Cha Dir Dol Mit Cha ng eir Pro Din & M Var Dir Var 1962 Pro Div Dir Kas woman kTuk Pro Eriy Dir Eriy An Eek Pro Lim ch of Pro Div rector: Long eena Devi oducer: nam Doren & ngjam Meen vi oducer: thunchandra audhari rector: Naya las & thunchandra audhari oducer: N. nesh Raj Kum Mathew rghese rector: Jacob rghese oducer: Film vision rector: Samu shyap oducer: Nili yat rector: Sure yat imator: Stu ksaurus oductions Pri mited oducer: Film vision gjam & na RAJ 50 Prod a ana a RAJ 50 the P Dire mar b RAJ 50 the P Dire ms ujjal RAJ 50 the P Dire ima sh udio ivate RAJ 50 the P Dire ms RAJ 50 AT KAMA & 0,000/- each ducer & Dire AT KAMA & 0,000/- each Producer & ctor AT KAMA & 0,000/- each Producer & ctor AT KAMA & 0,000/- each Producer & ctor AT KAMA & 0,000/- each Producer, ctor & Anim AT KAMA & 0,000/- each AL ector Kick coura AL to A wa a win AL to Sport deter again journ AL to Lost time trace AL to mator To dr throu strok AL to Fadin the t k-starting ageous drive alk through o nning path. ting rmination nst an up ney. in the mist – an attemp the untold… ream a dream ugh lines and kes. ng colours twilight of a e. on phill t of pt to … m d of an
  • 16. 14. BEST FICTIO 15. BEST FAMIL 16. BEST 17. BEST CINEM HY 18. BEST AUDIO 19. BEST 20. BEST 21. BEST NARR SHORT ON FILM FILM ON LY VALUE DIRECTION MATOGRAP OGRAPHY EDITING MUSIC RATION/ Aushad S Best Fri Forever N Kamuk P Benaras Unexplo Attachm Edpa K Breakin Free A Far Afterno Painted 1. Mala Watat N Dir Sin dh Pro Des Dir Des iends r Pro Sul (Ed Pvt Di Mo i Dir Tom s- The ored ments Ca Am Bha Kana Au Mo ng Edi Ang Ran oon- A d Saga Ara Laj Nahai 1. N Ha rector: Man ngh Bisht oducer: Am shmukh rector: Amo shmukh oducer: Sye ltan Ahmed dumedia Indi t. Ltd.) rector: Sand odi rector: Chri my meraperson martya attacharyya diographer oumita Roy itor: Parvin gre and Srid ngayan avind - Sha Narrator: arish Bhiman nohar the P Dire mol ol RAJ 50 the P Dire ed ia deep RAJ 50 the P Dire sto SWA 1,5 n: RAJ 50 Cam r: RAJ 50 dhar RAJ 50 Edito (Cas be sh nkar RAJ 50 (Cas be sh ni Producer & ctor AT KAMA & 0,000/- each Producer & ctor AT KAMA & 0,000/- each Producer & ctor ARNA KAM & 50,000/- AT KAMA & 0,000/- to meraperson AT KAMA & 0,000/- AT KAMA & 0,000/- * or sh Componen hared) AT KAMA & 0,000/- * sh Componen hared) era. AL h to An to sta AL to Recla chord MAL A portr youn deter upho again AL Poetr leavi impri AL Soulf amid differ audib AL to nt to An o cuts a depic of the AL nt to Harm enhan strok life th canva 1. Th of untiring eff ay humane. aiming strain ds. sensit rayal of ng woma rmination old her dign nst odds. ry of visu ng a last int. ful sound dst silence – rences made ble. rchestrated and curves t ct the hardsh e oppressed. mony of note ncing the bru kes breathing hrough the as. he rich barito the narrat ffort ned tive a an’s to nity uals ting e o hip . es ush g one tive
  • 17. VOICE 22. SPECI MENT E OVER AL TION And 2. Aran Nithya Vismay Guru Cheman ry Kunhira Nair 1. The Chamel And 2. Amm And 3. Syaah gile am ncher aman An 2. N Ali leon ma hi Di Sha An Dir An Dir Tan d Narrator: iyaar rector: Arun ankar d rector: Neel d rector: Varu ndon RAJ 50 (Cas be sh n an un CER AT KAMA & 0,000/-* sh Componen hared) RTIFICATE AL nt to unde pligh privil And 2. Th of enhan narra legen 1. Th turns mind And 2. Th of an seen eyes prota And 3. Co of se sensi depic the in youn rlines ht of the un leged. he rich hist voice artis ncing ative of a liv nd. he twists and s of a distorte d. he rich tapest n era of strug through the of the agonist. onglomeratio ense and ibilities cted through nnocence of ng mind. the nder tory stry the ving d ed try ggle on h f a
  • 18. Best Writing on Cinema Best Book on Cinema Title of the Book Author Publisher Citation DR. RAJAKUMAR SAMAGRA CHARITHRE Swarna Kamal and Rs 75000/- to the Author: DODDAHULLURU RUKKOJI Swarna Kamal and Rs 75000/- to the Publisher: PREETI PUSTAKA PRAKASHANA Doddahulluru Rukkoji’s work is an encyclopaedic study into the life and career of one of India’s greatest screen legends Dr Rajkumar. The 15 year research behind the writing of this double volume makes it a valuable resource for scholars, students and cinephiles of today and tomorrow. Special Mention Title of the Book Author Citation Forgotten Masters of Hindi Cinema Only Certificate : Satish Chopra Satish Chopra’s book is an anecdotal and affectionate insight that brings to life the early maestros of Hindi film music. Written from the perspective of a lifelong music lover, its effervescence engages and makes one fall in love with the classics again. Best Film Critic Name of the Critic Citation Swarna Kamal and Rs 75000/- to the Critic: MEGHACHANDRA KONGBAM Meghachandra Kongbom interprets the world of Indian cinema for his readers in Manipuri. His lucid understanding and love for cinema makes him the ideal “Film Whisperer” in Manipur, where access to Indian films is often limited.