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Subtle Elegance
Melissa G Cirulli
ARCH 213 Architecture Design Core Studio III - Fall 2017
Roger Williams University, School of Architecture, Art, & Historic Preservation
Kristopher Lawson
“Architecture is the thoughtful making of space,” as Louis Khan stated. It is through this thoughfulness and purposeful deliberation that successful forms of architecture are
created. Throughout this semester of Studio, my understanding of buildings, architecture, and spacial relations has deeply evolved. As this semester concludes and I reflect on my
progression, it is clear that I have come to the realization that land and building have a strong relationship. This connection is especially true for the Digging and Assembly project,
as it involved excavating land to create spaces, and later adding architectural forms to emphasize those spaces. This exercise of creating forms by digging before adding taught me
that spaces do not only have to be made by solids, but can also be marked by voids. This link between architecture and its site set the tone for my subsequent projects.
Throughout each of my projects, I made concious, informed decisions regarding my structures and buildings. Each of my projects was reflective of the site it was placed
within, in order to emphasize the impact of the site on the architecture within it. If there was anything I struggled with the most, it would likely be my progression throughout the
duration of each project. For the most part, I had an initial idea that carried through my whole project and had difficulty making developmental changes that could have potentially
bettered my projects in the long run. However, as a whole I was pleased with the outcomes of each of my projects and believed my efforts carried through.
I have learned an abundance of new architectural information this semester that has proven valuable to my design process as a whole. All that I have learned throughout this
semester of Studio will stay with me in the following years of my studies, and continue to benefit me beyond my schooling.
Melissa G Cirulli
ARCH 213.08
Project 1 - Digging & Assembly
This project dealt with solids, voids, and the
spaces resultant of placing the two adjacent
to one another. The first instruction was to
strategically excavate rectangular volumes
from a 4”x4”x8” solid, creating spaces that
connected to each other. Before building the
final model depicted at right, I sketched
many different possible iterations. After the
Digging phase, we were prompted to create
structures on and within our newly formed
site. In my case, I decided to place structural
elements and additional forms that high-
lighted the spaces already made by the
removal of the volumes. While some served
to actually support the weight of the “site,”
others had the purpose of drawing attention
to particular spaces and enhancing the
experience within them. From the beginning
of the project, I was keeping scale in mind;
therefore, I did not create extreme forms.
Rather, I attempted to incorperate relatively
tall, yet not immensely overbearing, vertical
elements that varied in height, offering
different spacial experiences specific to each
area. Furthermore, I felt strongly that the
many of the spaces I had created spoke for
themselves; thus, my subtle and elegant
placement of additional forms was the result
of the Assembly phase.
Melissa G Cirulli
ARCH 213.08
Project 2 - Courtyard
This project involved designing a courtyard
space that included an eating area for a small
group of people. I resorted to a drawing
exercise to create the façades of each building
facing the courtyard. This exercise consisted
of creating an initial diagonal in plan view,
which then informed additional diagonals,
ultimately forming my walls. Similarly, the
beams above the courtyard are reflective of
construction lines created in my plan, as well
as the angle of the rectangular dining
platform. My dining space is elevated to
separate it from the rest of the courtyard and
mark it as a separate place for a different
experience. Additionally, the elevation of the
dining area ensures that circulation about the
courtyard is not interrupted. While in the
dining area, patrons would be surrounded by
large angled structures, reminiscent of the
diagonals that compose the entire courtyard.
Due to the fact that the dining area itself is
relatively small, it is meant to feel as though it
is a larger space by surrounding people with
architectural elements that are taller than or as
tall as those dining. After the model was
complete, I conducted a sun study. During this
study I photographed each face of my
courtyard at various times of day during the
Solstices and Equinox to document the
different shadows the sun would cast.
Melissa G Cirulli
ARCH 213.08
Project 3 - Site Introduction
Project 4 - Procession & Texture
This assignment introduced us to the site of Fort Wetherill in Jamestown, Rhode Island, which
served as the site for the remaining projects of the semester. Fort Wetherill is an abandoned
defense battery formerly used in World War II to fortify the coastline. Today, the site is
declared as a state park, though its condition is deteriorating. After being introduced to the site,
we decided on a tentative path and location for a potential dining platform. To find my path
and location, I resorted to a similar construction line exercise as in the Courtyard project.
Looking at the Fort in plan view, I extended the diagonals in both directions across the page,
mapping out a possible path and form for my platform. As seen in the site plan, there are two
levels of the Fort: the lower level is the unshaded area, and the higher level is the shaded area.
At this point, I had decided to situate my platform on the higher level of the fort in order to
maximize the view of the water down the hillside.
This project involved taking a close look at specific textures found at the actual site of
Fort Wetherill. After visiting, I compiled my select textures and additional information
that I had gathered. That knowledge then informed my procession and arrival to the
location of my picnic area. The shape of my platform was reflective of the form derived
from my site plan, and the platform was elevated above the fort itself in an effort to get
an even better view of the water while eating there. After determining all of this, I made
a 2”x30” site section model that included my platform area. From this model, it can be
seen that the site slopes downward as it nears the water, visually enforcing the
effectiveness of my placement and design.
1) 2) 3)
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his ag , chain lin ken e is a eminder of the manmade
aspe t of the s s ruin
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he vi bt eene y is a st ak ast o the one pl ed on
the si
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his ledge as made y one and likely s ed as a al ,
, or possibly s eti
4) 5) 6)
DESCRIPTION:
es have fallen on thi sock in such a y th t they b in in
a la ger clu s, ic le d wn, and then oup nto a clus er
DESCRIPTION :
li hter olor , suggesting t t the ock itself as omposed o f
ying son
DESCRIPTION:
n this pho o the grass meets on , ansl ting o tue
meeting manmad , which is a main aspe t of the s
7) 8) 9)
DESCRIPTION :
he missing p tion of this bick all suggests tt the ledge
the t as in u s
DESCRIPTION :
tue is ting over the manmade a eas of the s , wing
though c acks in the ou
DESCRIPTION:
additionally f ames pt icular v is of the s
Melissa G Cirulli
ARCH 213.08
Project 5 - Elegant Restaurant
This project required evolving my picnic
site into a full-size restaurant and represent-
ing it in a 1/8” = 1’ model. As I had
previously done, I again derived the shape
of the restaurant from the existing geometry
of the fort, which can be seen in my Site
Plan Analysis. In order to strengthen the
connection between the fort and my
restaurant, I chose not to break the plane of
the fort. In terms of program, I divided my
restaurant programmatically by floor. The
top floor that a customer would enter on was
the public floor, consisting of a reception,
bar and lounge, primary dining area, and
bathrooms. The bottom floor was a more
private area, as it houses the kitchen, offices,
and additional bathrooms. Lastly, patrons
would have the option to enjoy rooftop
dining if they desired an outdoor dining
experience. The large window on the South
side of my restaurant serves to maximize the
view to the water of people dining inside.
The slight angling of the roof is indicative
of the differing wall heights within the
building, so that one can tell from the
exterior that there are various spaces inside.
Lastly, there are glass panels on the top
floor, allowing for light to flood down into
the bottom floor, illuminating the hallway
and kitchen area.
Melissa G Cirulli
ARCH 213.08
Project 5 - Elegant Restaurant
Melissa G Cirulli
ARCH 213.08
Project 6 - Details & Synthesis
In this final project, I chose a section of my
restaurant to model at 1/4” = 1’ scale to show more
detail inside. I decided to make my floors wooden
to contrast the heavier concrete of the fort that my
restaurant is embedded in, as well as dark floors to
contrast white walls. I also represented some of the
structure of my building. Many of the columns are
seen as extensions of walls, so they do not interrupt
the circulation about the restaurant. The beams are
partially visible through the ceiling and are placed
where the ceiling angles to visually reinforce the
changes in the roof above.
Melissa G Cirulli
ARCH 213.08
Project 6 - Details & Synthesis

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Sophomore Year, Fall Semester Studio Portfolio

  • 1. Subtle Elegance Melissa G Cirulli ARCH 213 Architecture Design Core Studio III - Fall 2017 Roger Williams University, School of Architecture, Art, & Historic Preservation Kristopher Lawson “Architecture is the thoughtful making of space,” as Louis Khan stated. It is through this thoughfulness and purposeful deliberation that successful forms of architecture are created. Throughout this semester of Studio, my understanding of buildings, architecture, and spacial relations has deeply evolved. As this semester concludes and I reflect on my progression, it is clear that I have come to the realization that land and building have a strong relationship. This connection is especially true for the Digging and Assembly project, as it involved excavating land to create spaces, and later adding architectural forms to emphasize those spaces. This exercise of creating forms by digging before adding taught me that spaces do not only have to be made by solids, but can also be marked by voids. This link between architecture and its site set the tone for my subsequent projects. Throughout each of my projects, I made concious, informed decisions regarding my structures and buildings. Each of my projects was reflective of the site it was placed within, in order to emphasize the impact of the site on the architecture within it. If there was anything I struggled with the most, it would likely be my progression throughout the duration of each project. For the most part, I had an initial idea that carried through my whole project and had difficulty making developmental changes that could have potentially bettered my projects in the long run. However, as a whole I was pleased with the outcomes of each of my projects and believed my efforts carried through. I have learned an abundance of new architectural information this semester that has proven valuable to my design process as a whole. All that I have learned throughout this semester of Studio will stay with me in the following years of my studies, and continue to benefit me beyond my schooling.
  • 2. Melissa G Cirulli ARCH 213.08 Project 1 - Digging & Assembly This project dealt with solids, voids, and the spaces resultant of placing the two adjacent to one another. The first instruction was to strategically excavate rectangular volumes from a 4”x4”x8” solid, creating spaces that connected to each other. Before building the final model depicted at right, I sketched many different possible iterations. After the Digging phase, we were prompted to create structures on and within our newly formed site. In my case, I decided to place structural elements and additional forms that high- lighted the spaces already made by the removal of the volumes. While some served to actually support the weight of the “site,” others had the purpose of drawing attention to particular spaces and enhancing the experience within them. From the beginning of the project, I was keeping scale in mind; therefore, I did not create extreme forms. Rather, I attempted to incorperate relatively tall, yet not immensely overbearing, vertical elements that varied in height, offering different spacial experiences specific to each area. Furthermore, I felt strongly that the many of the spaces I had created spoke for themselves; thus, my subtle and elegant placement of additional forms was the result of the Assembly phase.
  • 3. Melissa G Cirulli ARCH 213.08 Project 2 - Courtyard This project involved designing a courtyard space that included an eating area for a small group of people. I resorted to a drawing exercise to create the façades of each building facing the courtyard. This exercise consisted of creating an initial diagonal in plan view, which then informed additional diagonals, ultimately forming my walls. Similarly, the beams above the courtyard are reflective of construction lines created in my plan, as well as the angle of the rectangular dining platform. My dining space is elevated to separate it from the rest of the courtyard and mark it as a separate place for a different experience. Additionally, the elevation of the dining area ensures that circulation about the courtyard is not interrupted. While in the dining area, patrons would be surrounded by large angled structures, reminiscent of the diagonals that compose the entire courtyard. Due to the fact that the dining area itself is relatively small, it is meant to feel as though it is a larger space by surrounding people with architectural elements that are taller than or as tall as those dining. After the model was complete, I conducted a sun study. During this study I photographed each face of my courtyard at various times of day during the Solstices and Equinox to document the different shadows the sun would cast.
  • 4. Melissa G Cirulli ARCH 213.08 Project 3 - Site Introduction Project 4 - Procession & Texture This assignment introduced us to the site of Fort Wetherill in Jamestown, Rhode Island, which served as the site for the remaining projects of the semester. Fort Wetherill is an abandoned defense battery formerly used in World War II to fortify the coastline. Today, the site is declared as a state park, though its condition is deteriorating. After being introduced to the site, we decided on a tentative path and location for a potential dining platform. To find my path and location, I resorted to a similar construction line exercise as in the Courtyard project. Looking at the Fort in plan view, I extended the diagonals in both directions across the page, mapping out a possible path and form for my platform. As seen in the site plan, there are two levels of the Fort: the lower level is the unshaded area, and the higher level is the shaded area. At this point, I had decided to situate my platform on the higher level of the fort in order to maximize the view of the water down the hillside. This project involved taking a close look at specific textures found at the actual site of Fort Wetherill. After visiting, I compiled my select textures and additional information that I had gathered. That knowledge then informed my procession and arrival to the location of my picnic area. The shape of my platform was reflective of the form derived from my site plan, and the platform was elevated above the fort itself in an effort to get an even better view of the water while eating there. After determining all of this, I made a 2”x30” site section model that included my platform area. From this model, it can be seen that the site slopes downward as it nears the water, visually enforcing the effectiveness of my placement and design. 1) 2) 3) DESCRIPTION : his ag , chain lin ken e is a eminder of the manmade aspe t of the s s ruin DESCRIPTION: he vi bt eene y is a st ak ast o the one pl ed on the si DESCRIPTION : his ledge as made y one and likely s ed as a al , , or possibly s eti 4) 5) 6) DESCRIPTION: es have fallen on thi sock in such a y th t they b in in a la ger clu s, ic le d wn, and then oup nto a clus er DESCRIPTION : li hter olor , suggesting t t the ock itself as omposed o f ying son DESCRIPTION: n this pho o the grass meets on , ansl ting o tue meeting manmad , which is a main aspe t of the s 7) 8) 9) DESCRIPTION : he missing p tion of this bick all suggests tt the ledge the t as in u s DESCRIPTION : tue is ting over the manmade a eas of the s , wing though c acks in the ou DESCRIPTION: additionally f ames pt icular v is of the s
  • 5. Melissa G Cirulli ARCH 213.08 Project 5 - Elegant Restaurant This project required evolving my picnic site into a full-size restaurant and represent- ing it in a 1/8” = 1’ model. As I had previously done, I again derived the shape of the restaurant from the existing geometry of the fort, which can be seen in my Site Plan Analysis. In order to strengthen the connection between the fort and my restaurant, I chose not to break the plane of the fort. In terms of program, I divided my restaurant programmatically by floor. The top floor that a customer would enter on was the public floor, consisting of a reception, bar and lounge, primary dining area, and bathrooms. The bottom floor was a more private area, as it houses the kitchen, offices, and additional bathrooms. Lastly, patrons would have the option to enjoy rooftop dining if they desired an outdoor dining experience. The large window on the South side of my restaurant serves to maximize the view to the water of people dining inside. The slight angling of the roof is indicative of the differing wall heights within the building, so that one can tell from the exterior that there are various spaces inside. Lastly, there are glass panels on the top floor, allowing for light to flood down into the bottom floor, illuminating the hallway and kitchen area.
  • 6. Melissa G Cirulli ARCH 213.08 Project 5 - Elegant Restaurant
  • 7. Melissa G Cirulli ARCH 213.08 Project 6 - Details & Synthesis In this final project, I chose a section of my restaurant to model at 1/4” = 1’ scale to show more detail inside. I decided to make my floors wooden to contrast the heavier concrete of the fort that my restaurant is embedded in, as well as dark floors to contrast white walls. I also represented some of the structure of my building. Many of the columns are seen as extensions of walls, so they do not interrupt the circulation about the restaurant. The beams are partially visible through the ceiling and are placed where the ceiling angles to visually reinforce the changes in the roof above.
  • 8. Melissa G Cirulli ARCH 213.08 Project 6 - Details & Synthesis