Music Cheat sheet with diagrams, music theory, circle of fifths theory, chord progression

1. C
C D E F F# G G# Ab A B
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
C D E F G A B CM Em FM GM B°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian FM Gm A°
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 G°
0,5 1 1 1 0,5 1 1
CM DM Em F#° GM
1 1 1 0,5 1 1 0,5
C D F G Ab CM E° FM Gm
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M D° Gm
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 C°
0,5 1 1 0,5 1 1 1
C D F G Ab B Cadences x C D E F G A B
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V G7 A7 B7 C7 D7 E7 F#7
mM7 ø7 m7 7 M7 o7 1 G A B C D E F#
mM7M9 ø7m9 +7M9 m9 7b9 o7m9 Plagal IV – I , 3 B C# D# E F# G# A#
5 D E F# G A B C#
? 7 F G A C D E
C D F G A B …
i +III IV V
m m M M V7 = G7 → G B D F
mM7 m7 7 7 ø7 ø7 V°7 = G°7 → G
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → G B D#
= Db7 → F Ab
IV7 – V V7b9 = G7b9 → G B D F Ab
V7#9 = G7#9 → G B D F A#
V7b5 = G7b5 → G B F
1
Intervals Circle of fifths
Db Eb Gb Bb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Ionian Dm Am
degrees ii iii vi vii°
triads dim Cm Dm EbM BbM
7 chords
9 chords Phrygian Cm DbM EbM Fm AbM Bbm
Lydian Am Bm
Natural minor scale
Eb Bb Mixolydian Dm Am BbM
degrees ii° iv
triads dim Aeolian Cm EbM Fm AbM BbM
7 chords
9 chords Locrian DbM Ebm Fm GbM AbM Bbm
Harmonic minor scale Secondary Dominants
Eb
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug
9 chords +9
Half (I) – V Bb
Melodic minor scale
Eb Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I
7 chords aug Bb Db Fb (=E)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
Gaug
bII Db Cb (=B)
Faurean
Andalusian IV – bIII – bII - I Db
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

2. D E F G Ab A C
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
F Ab C C°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian C#m D#m EM F#M G#m A#° BM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 C#m DM EM F#m G#° AM
0,5 1 1 1 0,5 1 1
G°
1 1 1 0,5 1 1 0,5
C# D# E F# G# A B F°
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M C#m D#° EM F#m G#m AM BM
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 C#° DM Em F#m GM AM
0,5 1 1 0,5 1 1 1
C# D# E F# G# A Cadences x F Ab C
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V Ab7 Bb7 C7 Db7 Eb7 F7 G7
mM7 ø7 m7 7 M7 o7 1 Ab C F G
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 C D E F G A B
5 F G Ab C D
? 7 Ab F
C# D# E F# G# A# …
i +III IV V
m m M M V7 = Ab7 → Ab C
mM7 m7 7 7 ø7 ø7 V°7 = Ab°7 → Ab
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → Ab C E
= E7 →
IV7 – V V7b9 = Ab7b9 → Ab C
V7#9 = Ab7#9 → Ab C B
V7b5 = Ab7b5 → Ab C
2
C# / Db
Intervals Circle of fifths
Db Eb Gb Abb Bbb Bb Cb (=B)
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Db Eb Gb Bb Ionian DbM Ebm Fm GbM AbM Bbm
degrees ii iii vi vii°
triads dim
7 chords
9 chords Phrygian Bm
Lydian DbM EbM Fm AbM Bbm Cm
Natural minor scale
Mixolydian DbM Ebm GbM Abm Bbm CbM
degrees ii° iv
triads dim Aeolian
7 chords
9 chords Locrian Bm
Harmonic minor scale Secondary Dominants
B# (=C) Db Eb Gb Bb
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug Bb Db Eb
9 chords
Eb Bb
Half (I) – V Bb Bb Cb (=B) Db Eb
Melodic minor scale
B# (=C) Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I Eb Gb
7 chords aug Cb Ebb (=D) Gbb (=F)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
Abaug
bII Ebb (=D) Gb Bbb (=A) Dbb (=C)
Faurean Eb Gb Bbb
Eb Gb
Andalusian IV – bIII – bII - I Ebb (=D) Gb
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

3. D
D E F F# G G# Ab A A# B C C#
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
D E F# G A B C# DM Em F#m GM AM C#°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian Em FM GM B° CM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 FM Gm A°
0,5 1 1 1 0,5 1 1
DM EM F#m G#° AM C#m
1 1 1 0,5 1 1 0,5
D E F G A C DM Em F#° GM CM
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M E° FM Gm CM
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 D° Gm
0,5 1 1 0,5 1 1 1
D E F G A C# Cadences x D E F# G A B C#
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V A7 B7 C#7 D7 E7 F#7 G#7
mM7 ø7 m7 7 M7 o7 1 A B C# D E F# G#
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 C# D# F# G# A#
5 E F# G# A B C# D#
? 7 G A B C D E F#
D E F G A B C# …
i +III IV V
m m M M V7 = A7 → A C# E G
mM7 m7 7 7 ø7 ø7 V°7 = A°7 → A C
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → A C#
= Eb7 → G
IV7 – V V7b9 = A7b9 → A C# E G
V7#9 = A7#9 → A C# E G B#
V7b5 = A7b5 → A C# G
3
Intervals Circle of fifths
Eb Bb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Ionian Bm
degrees ii iii vi vii°
triads dim Dm Am
7 chords
9 chords Phrygian Dm EbM BbM Cm
Lydian Bm
Natural minor scale
Bb Mixolydian Am Bm
degrees ii° iv
triads dim Aeolian Dm Am BbM
7 chords
9 chords Locrian EbM Fm AbM BbM Cm
Harmonic minor scale Secondary Dominants
Bb
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug
9 chords E# (=F) B# (=C)
Half (I) – V
Melodic minor scale
Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I
7 chords aug Eb Gb (=F#)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
Aaug
E# (=F)
bII Eb Bb Db (=C#)
Faurean Bb
Andalusian IV – bIII – bII - I Eb
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

4. E F G Ab A B C D
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
F G Ab C D Gm D°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian C°
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 D#m EM F#M G#m A#° BM C#m
0,5 1 1 1 0,5 1 1
FM Gm A°
1 1 1 0,5 1 1 0,5
F Ab G°
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M F°
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 D#° EM F#m G#m AM BM C#m
0,5 1 1 0,5 1 1 1
F Ab D Cadences x F G Ab C D
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V Bb7 C7 D7 Eb7 F7 G7 A7
mM7 ø7 m7 7 M7 o7 1 C D F G A
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 D E F# G A B C#
5 F G A C D E
? 7 Ab C F G
F Ab C D …
i +III IV V
m m M M V7 = Bb7 → D F Ab
mM7 m7 7 7 ø7 ø7 V°7 = →
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → D F#
= E7 → E G# (=Ab) B D
IV7 – V V7b9 = Bb7b9 → D F Ab
V7#9 = Bb7#9 → D F Ab C#
V7b5 = Bb7b5 → D Ab
4
D# / Eb
Intervals Circle of fifths
Eb Gb Bbb Bb Cb Db
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Eb Bb Ionian EbM Fm AbM BbM Cm
degrees ii iii vi vii°
triads dim Ebm Fm GbM AbM Bbm DbM
7 chords
9 chords Phrygian
Lydian EbM BbM Cm Dm
Natural minor scale
Eb Gb Bb Cb Db Mixolydian EbM Fm AbM Bbm Cm DbM
degrees ii° iv
triads dim Aeolian Ebm GbM Abm Bbm CbM DbM
7 chords
9 chords Locrian
Harmonic minor scale Secondary Dominants
Eb Gb Bb Cb Eb Bb
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug Bb Eb
9 chords
Bb
Half (I) – V Bb Db Eb
Melodic minor scale
Eb Gb Bb Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I Bb
7 chords aug Bb°7 Bb Db Fb (=E) Abb (=G)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
Bbaug
Bb
bII
Faurean Bb Cb
Bb
Andalusian IV – bIII – bII - I Bb Fb (=E)
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

5. E
E F F# G G# A A# B B# C C# D D#
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
E F# G# A B C# D# EM F#m G#m AM BM C#m D#°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian Em F#m GM AM C#° DM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 Em FM GM B° CM
0,5 1 1 1 0,5 1 1
EM F#M G#m A#° BM C#m D#m
1 1 1 0,5 1 1 0,5
E F# G A B C D EM F#m G#° AM C#m DM
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M Em F#° GM CM DM
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 E° FM Gm CM
0,5 1 1 0,5 1 1 1
E F# G A B C D# Cadences x E F# G# A B C# D#
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V B7 C#7 D#7 E7 F#7 G#7 A#7
mM7 ø7 m7 7 M7 o7 1 B C# D# E F# G# A#
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 D# G# A#
5 F# G# A# B C# D#
? 7 A B C# D E F# G#
E F# G A B C# D# …
i +III IV V
m m M M V7 = B7 → B D# F# A
mM7 m7 7 7 ø7 ø7 V°7 = B°7 → B D F Ab (=G#)
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → B D#
= F7 → F A C
IV7 – V V7b9 = B7b9 → B D# F# A C
V7#9 = B7#9 → B D# F# A C##
V7b5 = B7b5 → B D# F A
5
Intervals Circle of fifths
Bb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Ionian
degrees ii iii vi vii°
triads dim Bm
7 chords
9 chords Phrygian Am Dm
Lydian
Natural minor scale
Mixolydian Bm
degrees ii° iv
triads dim Aeolian Am Bm
7 chords
9 chords Locrian Am BbM Dm
Harmonic minor scale Secondary Dominants
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug
9 chords E# (=F) F## (=G) B# (=C) C## (=D)
E# (=F)
Half (I) – V
Melodic minor scale
Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I
7 chords aug
9 chords Napolitan 6th
bII – I – (V - I) Vaug
Baug
F## (=G)
bII Eb (=D#)
Faurean
Andalusian IV – bIII – bII - I
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

6. F
F G Ab A B C C# D E
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
F G A C D E FM Gm CM E°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian Gm D° EM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 C°
0,5 1 1 1 0,5 1 1
FM GM CM Em
1 1 1 0,5 1 1 0,5
F G Ab C FM Gm A°
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M G°
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 F°
0,5 1 1 0,5 1 1 1
F G Ab C E Cadences x F G A C D E
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V C7 D7 E7 F7 G7 A7 B7
mM7 ø7 m7 7 M7 o7 1 C D E F G A B
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 E F# G# A B C# D#
5 G A B C D E F#
? 7 C D F G A
F G Ab C D E …
i +III IV V
m m M M V7 = C7 → C E G
mM7 m7 7 7 ø7 ø7 V°7 = C°7 → C
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → C E G#
= Gb7 →
IV7 – V V7b9 = C7b9 → C E G
V7#9 = C7#9 → C E G D#
V7b5 = C7b5 → C E
6
Intervals Circle of fifths
Gb Bb Cb Db Eb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Bb Ionian Am BbM Dm
degrees ii iii vi vii°
triads dim Fm AbM BbM Cm
7 chords
9 chords Phrygian Fm GbM AbM Bbm DbM Ebm
Lydian Am Bb° Dm
Natural minor scale
Bb Db Eb Mixolydian BbM Cm Dm EbM
degrees ii° iv
triads dim Aeolian Fm AbM Bbm Cm DbM EbM
7 chords
9 chords Locrian GbM Abm Bbm CbM DbM Ebm
Harmonic minor scale Secondary Dominants
Bb Db Bb
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug
9 chords
Half (I) – V Bb Eb
Melodic minor scale
Bb Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I Bb
7 chords aug Eb Gb Bbb (=A)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
Caug
bII Gb Bb Db Fb (=E)
Faurean Bb Db
Bb
Andalusian IV – bIII – bII - I Gb Bb
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

7. F# G G# A A# B B# C C# C## D D# E
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
F# G# A# B C# D# F#M G#m A#m BM C#M D#m E#°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian F#m G#m AM BM C#m D#° EM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 F#m GM AM C#° DM Em
0,5 1 1 1 0,5 1 1
C°
1 1 1 0,5 1 1 0,5
F# G# A B C# D E F#M G#m A#° BM C#m D#m EM
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M F#m G#° AM C#m DM EM
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 F#° GM CM DM Em
0,5 1 1 0,5 1 1 1
F# G# A B C# D E# Cadences x F# G# A# B C# D#
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V C#7 D#7 E#7 F#7 G#7 A#7 B#7
mM7 ø7 m7 7 M7 o7 1 C# D# E# (=F) F# G# A#
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 E# (=F) A#
5 G# A# C# D# E#
? 7 B C# D# E F# G# A#
F# G# A B C# D# E# …
i +III IV V
m m M M V7 = C#7 → C# E# (=F) G# B
mM7 m7 7 7 ø7 ø7 V°7 = C#°7 → C# E G
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → C# E# (=F)
= G7 → G B E F (=E#)
IV7 – V V7b9 = C#7 → C# E# (=F) G# B D
V7#9 = C#7 → C# E# (=F) G# B D##
V7b5 = C#7b5 → C# E# (=F) G B
Music Theory in 5 Minutes cheat sheet 7
F# / Gb
Intervals Circle of fifths
E# (=F)
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
E# (=F) Ionian
degrees ii iii vi vii°
triads dim
7 chords
9 chords Phrygian Bm
Lydian GbM AbM Bbm DbM Ebm Fm
Natural minor scale
Mixolydian
degrees ii° iv
triads dim Aeolian Bm
7 chords
9 chords Locrian Am Bm
Harmonic minor scale Secondary Dominants
E# (=F)
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug B# (=C)
9 chords F## (=G) G## (=A) B# (=C) C## (=D) D## (=E)
B# (=C) F## (=G)
Half (I) – V
Melodic minor scale
Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I
7 chords aug Bb (=A#)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
C#aug G## (=A)
bII
Faurean
Andalusian IV – bIII – bII - I
Woochia's Beats & Bobs

8. G
G Ab A B C C# D D# E F F#
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
G A B C D E F# GM CM DM Em F#°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian Gm CM E° FM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 Gm D°
0,5 1 1 1 0,5 1 1
GM AM C#° DM Em F#m
1 1 1 0,5 1 1 0,5
G A C D F GM B° CM Em FM
degrees i ii° III v VI VII 1 1 0,5 1 1 0,5 1
triads m dim M m m M M Gm A° FM
7 chords m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
9 chords m9 ø7m9 M9 m9 m7m9 M9 9 G°
0,5 1 1 0,5 1 1 1
Harmonic minor scale
G A Bb C D F# Cadences x G A B C D E F#
degrees i ii° +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
triads m dim aug m M M . V D7 E7 F#7 G7 A7 B7 C#7
7 chords mM7 ø7 aug m7 7 M7 o7 1 D E F# G A B C#
9 chords mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 F# G# A# B C# D#
5 A B C# D E F# G#
? 7 C D E F G A B
Melodic minor scale
G A Bb C D E F# …
degrees i ii +III IV V
triads m m aug M M V7 = D7 → D F# A C
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = D°7 → D F Ab Cb (=B)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → D F# A#
= Ab7 → Ab C Eb Gb (=F#)
IV7 – V V7b9 = D7 → D F# A C Eb
V7#9 = D7 → D F# A C E#
V7b5 = D7b5 → D F# Ab C
Music Theory in 5 Minutes cheat sheet 8
Intervals Circle of fifths
Bb Db Eb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Ionian Am Bm
degrees ii iii vi vii°
triads dim Am BbM Dm
7 chords
9 chords Phrygian AbM BbM Cm EbM Fm
Lydian Bm
Natural minor scale
Bb Eb Mixolydian Am Dm
iv
Aeolian BbM Cm Dm EbM
Locrian AbM Bbm Cm DbM EbM Fm
Secondary Dominants
Eb
iv #vii°
dim Authentic (II) – V – I
E# (=F)
Half (I) – V
Interrupted V – (other than I) Altered Vth degree
#vi° #vii°
dim dim Tritone substitution bII – I
Napolitan 6th
bII – I – (V - I) Vaug
Daug
bII
Faurean
Andalusian IV – bIII – bII - I
Woochia's Beats & Bobs

9. G# / Ab
Ab A B C D E F G
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
Ab C F G G°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian G#m A#m BM C#M D#m E#° F#M
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 G#m AM BM C#m D#° EM F#m
0,5 1 1 1 0,5 1 1
D° Gm
1 1 1 0,5 1 1 0,5
G# A# B C# D# E F# C°
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M G#m A#° BM C#m D#m EM F#M
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 G#° AM C#m DM EM F#m
0,5 1 1 0,5 1 1 1
G# A# B C# D# E Cadences x Ab C F G
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V Eb7 F7 G7 Ab7 Bb7 C7 D7
mM7 ø7 m7 7 M7 o7 1 F G Ab C D
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 G A B C D E F#
5 C D F G A
? 7 F Ab C
G# A# B C# D# …
i +III IV V
m m M M V7 = Eb7 → G
mM7 m7 7 7 ø7 ø7 V°7 = →
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → G B
= →
IV7 – V V7b9 = Eb7b9 → G
V7#9 = Eb7#9 → G F#
V7b5 = Eb7b5 → G
9
Intervals Circle of fifths
Bb Db Ebb Eb Fb Gb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Bb Db Eb Ionian AbM Bbm Cm DbM EbM Fm
degrees ii iii vi vii°
triads dim
7 chords
9 chords Phrygian
Lydian AbM BbM Cm EbM Fm
Natural minor scale
Mixolydian AbM Bbm DbM Ebm Fm GbM
degrees ii° iv
triads dim Aeolian
7 chords
9 chords Locrian Bm
Harmonic minor scale Secondary Dominants
F## (=G) Bb Db Eb
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug Eb Bb
9 chords
Bb Eb
Half (I) – V Db Eb Gb Bb
Melodic minor scale
E# (=F) F## (=G) Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I Eb Bb Db
7 chords aug Eb°7 Eb Gb Bbb (=A) Dbb (=C)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
Ebaug
Eb
bII Bbb7 (=A7) Bbb (=A) Dbb (=C) Fb (=E) Abb (=G)
Faurean Eb Bb Db Fb
Eb Bb Db
Andalusian IV – bIII – bII - I Eb Bbb (=A) Db
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

10. A
A B C C# D D# E E# F F# G G#
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
A B C# D E F# G# AM C#m DM EM F#m G#°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian CM DM Em F#° GM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 CM E° FM Gm
0,5 1 1 1 0,5 1 1
AM BM C#m D#° EM F#m G#m
1 1 1 0,5 1 1 0,5
A B C D E F G AM C#° DM Em F#m GM
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M B° CM Em FM GM
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 A° FM Gm
0,5 1 1 0,5 1 1 1
A B C D E F G# Cadences x A B C# D E F# G#
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V E7 F#7 G#7 A7 B7 C#7 D#7
mM7 ø7 m7 7 M7 o7 1 E F# G# A B C# D#
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 G# A# C# D# E#
5 B C# D# E F# G# A#
? 7 D E F# G A B C#
A B C D E F# G# …
i +III IV V
m m M M V7 = E7 → E G# B D
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = E°7 → E G Bb Db (=C#)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → E G#
= Bb7 → Bb D F Ab (=G#)
IV7 – V V7b9 = E7b9 → E G# B D F
V7#9 = E7#9 → E G# B D F##
V7b5 = E7b5 → E G# Bb D
10
Intervals Circle of fifths
Bb Eb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Ionian Bm
degrees ii iii vi vii°
triads dim Am Bm
7 chords
9 chords Phrygian Am BbM Dm
Lydian
Natural minor scale
Mixolydian Bm
degrees ii° iv
triads dim Aeolian Am Dm
7 chords
9 chords Locrian BbM Cm Dm EbM
Harmonic minor scale Secondary Dominants
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug
9 chords B# (=C) F## (=G)
Half (I) – V
Melodic minor scale
Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I
Napolitan 6th
bII – I – (V - I) Vaug
Eaug
B# (=C)
bII
Faurean
Andalusian IV – bIII – bII - I
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

11. B C D E F F# G Ab A
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
C D F G A FM Gm A°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian G°
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 F°
0,5 1 1 1 0,5 1 1
CM E° FM Gm
1 1 1 0,5 1 1 0,5
C F Ab D° Gm
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M C°
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 A#° BM C#m D#m EM F#M G#m
0,5 1 1 0,5 1 1 1
C F A Cadences x C D F G A
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V F7 G7 A7 Bb7 C7 D7 E7
mM7 ø7 m7 7 M7 o7 1 F G A C D E
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 A B C# D E F# G#
5 C D E F G A B
? 7 F G Ab C D
C F G A …
degrees i ii +III IV V
triads m m aug M M V7 = F7 → F A C Eb
7 chords mM7 m7 aug 7 7 ø7 ø7 V°7 = F°7 → F Ab Ebb (=D)
9 chords mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → F A C#
= → Eb Gb Bbb (=A)
IV7 – V V7b9 = F7b9 → F A C Eb Gb
V7#9 = F7#9 → F A C Eb G#
V7b5 = F7b5 → F A Eb
Music Theory in 5 Minutes cheat sheet 11 Woochia's Beats & Bobs
A# / Bb
Intervals Circle of fifths
Bb Db Eb Fb Gb
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Bb Eb Ionian BbM Cm Dm EbM
degrees ii iii vi vii°
triads dim Bbm Cm DbM EbM Fm AbM
7 chords
9 chords Phrygian Bbm CbM DbM Ebm GbM Abm
Lydian BbM Dm Am
Natural minor scale
Bb Db Eb Gb Mixolydian BbM Cm EbM Fm AbM
degrees ii° iv
triads dim Aeolian Bbm DbM Ebm Fm GbM AbM
7 chords
9 chords Locrian
Harmonic minor scale Secondary Dominants
Bb Db Eb Gb Bb Eb
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug Bb
9 chords
Half (I) – V Eb Bb
Melodic minor scale
Bb Db Eb Interrupted V – (other than I) Altered Vth degree
#vi° #vii°
dim dim Tritone substitution bII – I
Cb (=B)
Napolitan 6th
bII – I – (V - I) Vaug
Faug
bII Cb7 (=B7) Cb (=B)
Faurean
Andalusian IV – bIII – bII - I Cb (=B)

12. B
B C C# D D# E E# F F# F## G G# A A#
R
0 0,5 1 1,5 2 2,5 3 3,5 4 4,5 5 5,5
6 6,5 7 8,5 9 10 10,5 11,5
Modes
B C# D# E F# G# A# BM C#m D#m EM F#M G#m A#°
I IV V 1 1 0,5 1 1 1 0,5
M m m M M m Dorian C#m DM EM F#m G#° AM
M7 m7 m7 M7 7 m7 ø7 1 0,5 1 1 1 0,5 1
M9 m9 m7m9 M9 9 m9 ø7m9 CM DM Em F#° GM
0,5 1 1 1 0,5 1 1
BM C#M D#m E#° F#M G#m A#m
1 1 1 0,5 1 1 0,5
B C# D E F# G A BM C#m D#° EM F#m G#m AM
i III v VI VII 1 1 0,5 1 1 0,5 1
m M m m M M C#° DM Em F#m GM AM
m7 ø7 M7 m7 m7 M7 7 1 0,5 1 1 0,5 1 1
m9 ø7m9 M9 m9 m7m9 M9 9 B° CM Em FM GM
0,5 1 1 0,5 1 1 1
B C# D E F# G A# Cadences x B C# D# E F# G# A#
i +III V VI ↑ ↑ ↑ ↑ ↑ ↑ ↑
m m M M . V F#7 G#7 A#7 B7 C#7 D#7 E#7
mM7 ø7 m7 7 M7 o7 1 F# G# A# B C# D#
mM7M9 ø7m9 +7M9 m9 7b9 +9 o7m9 Plagal IV – I , 3 A# D#
5 C# D# F# G# A#
? 7 E F# G# A B C# D#
B C# D E F# G# A# …
i +III IV V
m m M M V7 = F#7 → F# A# C# E
mM7 m7 7 7 ø7 ø7 V°7 = F#°7 → F# A C
mM7M9 m7m9 +7M9 9 9 ø7M9 ø7m9 = → F# A#
= C7 → C E G
IV7 – V V7b9 = F#7b9 → F# A# C# E G
V7#9 = F#7#9 → F# A# C# E G##
V7b5 = F#7b5 → F# A# C E
12
Intervals Circle of fifths
m2nd
M2nd
m3rd
M3rd
P4th
aug 4th
dim 5th
P5th
aug 5th
m6th
M6th
m7th
M7th
intervals
8ve
m9th
M9th
P11th
aug 11th
m13th
M13th
intervals
Major scale
Ionian
degrees ii iii vi vii°
triads dim Bm
7 chords
9 chords Phrygian Bm Am
Lydian
Natural minor scale
Mixolydian
degrees ii° iv
triads dim Aeolian Bm
7 chords
9 chords Locrian Dm Am
Harmonic minor scale Secondary Dominants
degrees ii° iv #vii°
triads dim aug dim Authentic (II) – V – I
7 chords aug E# (=F)
9 chords B# (=C) C## (=D) E# (=F) F## (=G) G## (=A)
E# (=F) B# (=C)
Half (I) – V
Melodic minor scale
Interrupted V – (other than I) Altered Vth degree
degrees ii #vi° #vii°
triads aug dim dim Tritone substitution bII – I
7 chords aug Eb (=D#)
9 chords Napolitan 6th
bII – I – (V - I) Vaug
F#aug
C## (=D)
bII Bb (=A#)
Faurean
Andalusian IV – bIII – bII - I
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

13. Notes
1 □□□□ 1 □□□ ● × ● × ● × ×
2 □□□■ 2 □□■ ● × ● × × ● ×
3 □□■□ 3 □■□ ● × × ● × ● ×
4 □□■■ 4 □■■
5 □■□□ 5 ■□□ ● × ● × ● × ● × ×
6 □■□■ 6 ■□■ ● × ● × ● × × ● ×
7 □■■□ 7 ■■□ ● × ● × × ● × ● ×
8 □■■■ 8 ■■■ ● × × ● × ● × ● ×
9 ■□□□ ● × × ● × × ● × ×
10 ■□□■
Silences 11 ■□■□ ● × ● × ● × ● × ● × ● × ● × ● × ×
12 ■□■■ ● × ● × ● × ● × × ● ×
13 ■■□□ ● × × ● × × ● × ● × ● × × ● × ● ×
14 ■■□■ ● × ● × × ● × ● × ● ×
15 ■■■□ ● × × × ● × × × ● × × ● × ● × ● × ● ×
16 ■■■■ ● × ● × × ● × × ● × ×
● × ● × × ● × × ● × ● × × ● × ×
● × × ● × ● × × ● × × ● × ● × ×
● × × ● × × ● × × ● ×
13
Rhythm
Binary Ternary Time Signatures
7
8
7
8
7
8
9
8
9
8
9
8
9
8
9
8
Time Signatures
3
4
11
8
11
8
6
8
11
8
11
8
4
4
11
8
11
8
5
8
11
8
5
8
11
8
11
8
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

14. Modes
C D F G Ab B C D F G A B
1 0,5 1 1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5
C F A Dorian b2 C F G A
0,5 1 1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1
C D E F G# A B C D E F# G# A B
1 1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1 0,5
Dorian #4 C D F# G A C D E F# G A
1 0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1 0,5 1
C E F G Ab C D E F G Ab
0,5 1,5 0,5 1 0,5 1 1 1 1 0,5 1 0,5 1 1
C D# E F# G A B C D F Ab
1,5 0,5 1 0,5 1 1 0,5 1 0,5 1 0,5 1 1 1
C Ab C Ab
0,5 1 0,5 1 1 0,5 1,5 0,5 1 0,5 1 1 1 1
C E F G Ab B C D E F# G# A# B
0,5 1,5 0,5 1 0,5 1,5 0,5 1 1 1 1 1 0,5 0,5
C D# E F# G A# B C D E F# G# A
1,5 0,5 1 0,5 1,5 0,5 0,5 1 1 1 1 0,5 0,5 1
C G Ab C D E F# G Ab
0,5 1 0,5 1,5 0,5 0,5 1,5 1 1 1 0,5 0,5 1 1
C D F# G Ab B C D E F Ab
1 0,5 1,5 0,5 0,5 1,5 0,5 1 1 0,5 0,5 1 1 1
Oriental C E F A C D Ab
0,5 1,5 0,5 0,5 1,5 0,5 1 1 0,5 0,5 1 1 1 1
C D# E F G# A B C Ab
1,5 0,5 0,5 1,5 0,5 1 0,5 0,5 0,5 1 1 1 1 1
C F Ab C F G A B
0,5 0,5 1,5 0,5 1 0,5 1,5 0,5 1 1 1 1 1 0,5
14
Harmonic minor Eb Melodic minor Eb
Locrian 6 Db Eb Gb Bb Db Eb Bb
Augmented ionian Augmented lydian
Eb Bb lydian b7 / Overtone Bb
Major phrygian Db Bb Mixolydian b6 / Hindu Bb
Lydian #9 Locrian 2 Eb Gb Bb
Altered bb7 Db Eb Fb (=E) Gb Bbb (=A) Altered Db Eb Fb (=E) Gb Bb
Double harmonic / Byzantine Db Leading whole tone
Lydian #2 #6 Lydian augmented dominant Bb
Ultra phrygian Db Eb Fb (=E) Bbb (=A) Minor lydian / Lydian dominant b6 Bb
Hungarian minor / Gypsy Eb Arabian / Major locrian Gb Bb
Db Gb Bb Locian n2 b4 / Semilocrian b4 Eb Fb (=E) Gb Bb
Ionian #2 #5 Superlocrian bb3 Db Ebb (=D) Fb (=E) Gb Bb
Locrian bb3 bb7 Db Ebb (=D) Gb Bbb (=A) Neopolitan major Db Eb
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

15. Modes
C F G Ab B C D F# G A B
0,5 1 1 1 0,5 1,5 0,5 1 0,5 1,5 0,5 1 1 0,5
C D E F# G A# B C E F G A
1 1 1 0,5 1,5 0,5 0,5 0,5 1,5 0,5 1 1 0,5 1
C D E F G# A C D# E F# G# A B
1 1 0,5 1,5 0,5 0,5 1 1,5 0,5 1 1 0,5 1 0,5
C E F Ab C F Ab
1 0,5 1,5 0,5 0,5 1 1 0,5 1 1 0,5 1 0,5 1,5
C E F Ab C D E F G Ab B
0,5 1,5 0,5 0,5 1 1 1 1 1 0,5 1 0,5 1,5 0,5
C D# E F G A B C D F A
1,5 0,5 0,5 1 1 1 0,5 1 0,5 1 0,5 1,5 0,5 1
C Ab C G Ab
0,5 0,5 1 1 1 0,5 1,5 0,5 1 0,5 1,5 0,5 1 1
C E F# G Ab B C E F Ab B
0,5 1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5 0,5
C D# F# G A# B C D# E F G A# B
1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5 0,5 0,5
C D G Ab C G Ab
1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5 0,5 0,5 1,5
C F C F# G Ab B
0,5 0,5 1,5 0,5 0,5 1,5 1 0,5 1 1,5 0,5 0,5 1,5 0,5
C E F A B C D F# G A# B
0,5 1,5 0,5 0,5 1,5 1 0,5 1 1,5 0,5 0,5 1,5 0,5 0,5
C D# E F G# A# B C D# E F G# A
1,5 0,5 0,5 1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1
C F G Ab C F
0,5 0,5 1,5 1 0,5 0,5 1,5 0,5 0,5 1,5 0,5 0,5 1 1,5
15
Neopolitan Db Eb Diminished lydian Eb
Db Bb
Bb
Db Gb Bb Db Eb Gb Bbb (=A)
Db Gb Bb
Eb Gb Bb
Db Ebb (=D) Fb (=E) Gb Bbb (=A) Db Eb Fb (=E) Bb
Purvi theta Db Persian Db Gb
E# (=F)
Eb Fb (=E) Bbb (=A) Db Ebb (=D) Fb (=E) Bbb (=A)
Db Ebb (=D) Gb Abb (=G) Bb Todi theta Db Eb
Db Gb E# (=F)
Bb
Db Ebb (=D) Bbb (=A) Db Ebb (=D) Gb Abb (=G) Bbb (=A)
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs

16. Modes
C E F# G# A# B C D E G A
0,5 1,5 1 1 1 0,5 0,5 1 1 1,5 1 1,5
C D# A# B C D F G
1,5 1 1 1 0,5 0,5 0,5 1 1,5 1 1,5 1
C D E F# G Ab C F G#
1 1 1 0,5 0,5 0,5 1,5 1,5 1 1,5 1 1
C D E F C D F G A
1 1 0,5 0,5 0,5 1,5 1 1 1,5 1 1 1,5
C D Ab C F G
1 0,5 0,5 0,5 1,5 1 1 1,5 1 1 1,5 1
C Ab
0,5 0,5 0,5 1,5 1 1 1
C F G A B
0,5 0,5 1,5 1 1 1 0,5
16
Enigmatic Db Major pentatonic
E# (=F) F## (=G) G## (=A) Egyptian Bb
Bbb (=A) Minor augmented penta Eb Bb
Gb Abb (=G) Bb Scottish pentatonic
Eb Fb (=E) Gbb (=F) Bb Minor pentatonic Eb Bb
Db Ebb (=D) Fbb (=Eb) Gb Bb
Db Ebb (=D)
Music Theory in 5 Minutes cheat sheet Woochia's Beats & Bobs