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The Bonnets Project:
EXPLORING THE LEGACY OF THE WISEMAN
WOMEN OF THE HAWKESBURY AND
HUNTER DISTRICTS OF NSW
Two women’s day bonnets
from the nineteenth
century:
Through whose hands
have they passed? What
is their heritage
significance? The
“Bonnets Project” was
initiated to answer those
questions.
Photograph: Marilyn Wood 2016
In 2015 Lynn Collins
gifted two linen day
bonnets to the
Dharug and Lower
Hawkesbury
Historical Society Inc.
(DLHHS). Lynn was
given the bonnets by
her dear friend who
had died some years
earlier, Jennifer
Crawford Brown.
Photograph: Jan Kofron 2015
Lynn handed the bonnets
over to the society’s
secretary, Jan Kofron, in
2015. The occasion
coincided with the 160th
anniversary of the
completion of the
sandstone Wesleyan
Chapel at Gunderman.
Once a Methodist chapel,
it is now the home of the
DLHHS.
Photograph: Marilyn Wood 2016
Sharon Moore and Rebecca
Cardy, the grant and heritage
officers from Gosford City
Council, have supported the
“Bonnets Project” from its
inception. As part of the
DLHHS celebration of the
chapel’s anniversary, Gosford
City Council funded research
into the bonnet’s provenance
and pioneer heritage.
Photograph: Marilyn Wood 2016
Jan met with Hillary Davidson,
historical clothing and textile
expert, at the Powerhouse
Museum in Sydney. In Hillary’s
opinion the bonnets dated to the
second half of the nineteenth
century, as most of the stitching
was machine made. This dating
made it unlikely that the bonnets
were made by either of Solomon
Wiseman’s wives.
Photograph: Jan Kofron 2016
To clarify their origin Marilyn
Wood, President of the DLHHS,
began the painstaking task of
researching the Wiseman family
tree. With Lynn’s help, and the
wizardry of the Ancestry
program, Marilyn was able to
establish beyond doubt that
Jennifer Crawford Brown was a
direct descendant of Solomon
Wiseman through his daughter
Mary’s line.
Photograph: Marilyn Wood 2016
Jennifer’s ancestor, Mary Wiseman,
married Thomas Crawford in 1832
and they initially lived with Solomon
and his second wife, Sophia, at his
home at Wisemans Ferry. There
Thomas became the licensee of the
“The Branch Inn”, the successor to
Wiseman’s “Sign of the Packet”.
Solomon’s home and hotel,
overlooking the Hawkesbury River,
remain important landmarks in the
district.
Internet photograph of Jennifer Crawford Brown
with Solomon Wiseman’s portrait in the
Wiseman Ferry Inn. Arranged by Marilyn Wood
2016.
Although the bonnets’
heritage had been established
it was still unclear who made
the bonnets, who wore the
bonnets and how they came
into Jennifer’s possession.
Further research uncovered
that Mary’s daughter-in-law,
Amelia, was widely known for
her sewing ability. It is likely
she made the bonnets for her
two unmarried sisters-in-law
with whom she lived in the
Wiseman-Crawford home.
Photograph: Marilyn Wood 2016
Surely there are many
stories that the bonnets
can still reveal. It is a
privilege however to work
on a project that links our
present community to the
Wiseman family. Their
name is permanently
commemorated by the
ongoing presence in the
Hawkesbury district of a
ferry, a road, a village and
a landmark hotel.
Photograph: Marilyn Wood 2016
Thanks and acknowledgements to:
• Lynn Collins for her very generous donation of the bonnets and the information
she has provided;
• Hillary Davidson for her expert advice;
• Jan Kofron for her photographs and ongoing support behind the scenes;
• The current licensee of the Wisemans Inn Hotel and his staff for access to the hotel
premises and their enthusiasm for Wiseman family research;
• The Dharug and Lower Hawkesbury Historical Society Inc. committee members
who support this research and conservation project.
•The Brisbane Water Historical Society Inc., especially Kreenagh Yelds and Kathleen
Ness, for their encouragement and the use of one of their vintage sewing machines.
• The Grants and Heritage Departments within the Central Coast Council
(previously Gosford City Council) for their encouragement and financial
contribution towards the project .

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The Bonnets Project Slideshow

  • 1. The Bonnets Project: EXPLORING THE LEGACY OF THE WISEMAN WOMEN OF THE HAWKESBURY AND HUNTER DISTRICTS OF NSW
  • 2. Two women’s day bonnets from the nineteenth century: Through whose hands have they passed? What is their heritage significance? The “Bonnets Project” was initiated to answer those questions. Photograph: Marilyn Wood 2016
  • 3. In 2015 Lynn Collins gifted two linen day bonnets to the Dharug and Lower Hawkesbury Historical Society Inc. (DLHHS). Lynn was given the bonnets by her dear friend who had died some years earlier, Jennifer Crawford Brown. Photograph: Jan Kofron 2015
  • 4. Lynn handed the bonnets over to the society’s secretary, Jan Kofron, in 2015. The occasion coincided with the 160th anniversary of the completion of the sandstone Wesleyan Chapel at Gunderman. Once a Methodist chapel, it is now the home of the DLHHS. Photograph: Marilyn Wood 2016
  • 5. Sharon Moore and Rebecca Cardy, the grant and heritage officers from Gosford City Council, have supported the “Bonnets Project” from its inception. As part of the DLHHS celebration of the chapel’s anniversary, Gosford City Council funded research into the bonnet’s provenance and pioneer heritage. Photograph: Marilyn Wood 2016
  • 6. Jan met with Hillary Davidson, historical clothing and textile expert, at the Powerhouse Museum in Sydney. In Hillary’s opinion the bonnets dated to the second half of the nineteenth century, as most of the stitching was machine made. This dating made it unlikely that the bonnets were made by either of Solomon Wiseman’s wives. Photograph: Jan Kofron 2016
  • 7. To clarify their origin Marilyn Wood, President of the DLHHS, began the painstaking task of researching the Wiseman family tree. With Lynn’s help, and the wizardry of the Ancestry program, Marilyn was able to establish beyond doubt that Jennifer Crawford Brown was a direct descendant of Solomon Wiseman through his daughter Mary’s line. Photograph: Marilyn Wood 2016
  • 8. Jennifer’s ancestor, Mary Wiseman, married Thomas Crawford in 1832 and they initially lived with Solomon and his second wife, Sophia, at his home at Wisemans Ferry. There Thomas became the licensee of the “The Branch Inn”, the successor to Wiseman’s “Sign of the Packet”. Solomon’s home and hotel, overlooking the Hawkesbury River, remain important landmarks in the district. Internet photograph of Jennifer Crawford Brown with Solomon Wiseman’s portrait in the Wiseman Ferry Inn. Arranged by Marilyn Wood 2016.
  • 9. Although the bonnets’ heritage had been established it was still unclear who made the bonnets, who wore the bonnets and how they came into Jennifer’s possession. Further research uncovered that Mary’s daughter-in-law, Amelia, was widely known for her sewing ability. It is likely she made the bonnets for her two unmarried sisters-in-law with whom she lived in the Wiseman-Crawford home. Photograph: Marilyn Wood 2016
  • 10. Surely there are many stories that the bonnets can still reveal. It is a privilege however to work on a project that links our present community to the Wiseman family. Their name is permanently commemorated by the ongoing presence in the Hawkesbury district of a ferry, a road, a village and a landmark hotel. Photograph: Marilyn Wood 2016
  • 11. Thanks and acknowledgements to: • Lynn Collins for her very generous donation of the bonnets and the information she has provided; • Hillary Davidson for her expert advice; • Jan Kofron for her photographs and ongoing support behind the scenes; • The current licensee of the Wisemans Inn Hotel and his staff for access to the hotel premises and their enthusiasm for Wiseman family research; • The Dharug and Lower Hawkesbury Historical Society Inc. committee members who support this research and conservation project. •The Brisbane Water Historical Society Inc., especially Kreenagh Yelds and Kathleen Ness, for their encouragement and the use of one of their vintage sewing machines. • The Grants and Heritage Departments within the Central Coast Council (previously Gosford City Council) for their encouragement and financial contribution towards the project .