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Vizuelna semiotika i kreiranje značenja u
           štampanoj reklami

                 Perović Maja
       Fakultet političkih nauka, Beograd
             Januar, 2010 godina
Sadržaj




•   Moderni advertizing i „udaljavanje“ proizvodjača i potrošača
•   Simbolika reklame
•   Semiološka analiza – alat koji razotkriva konotativno značenje
•   Cilj semiološke analize – zašto reklama?
•   Pristupi semiološkoj analizi i tumačenje znaka
•   Primer semiološke analize na štampanim oglasima - Ralf Loren parfem „Romance“
    za nju i njega
Moderni advertizing i „udaljavanje“ proizvodjača i
potrošača

Pre industrijske revolucije

•      Oglašavanje se koristilo kao sredstvo prostog informisanja
•      Nije bilo skrivenih poruka
•      Posledica tražnje tj. potrošnje koja se svodila na kupovinu i proizvodnju neophodnih
       dobara
•      Marketinške agencije nisu postojale

Posle industrijske revolucije- moderni advertajzing
• Pokretač - promena u brzini i obimu proizvodnje
• Ključni uslov - širenje medijske infrastrukture



    Više u :
    • Medjunarodni Marketing, Beba Rakić, Megatrend 2003
    • World Advertising trends 2000, WARC
Simbolika reklame



•   Uz multidisciplinarni pristup i poznavanje kulturnog okruženja ciljne grupe,
    oglašavanje i oglašivači kroz simbole „lepe“ odredjene vrednosti svojim proizvodima,
    ponekada stvarajući oko njega i sasvim novi svet (Coca Cola side of life, nova
    Imlekova TV kampanja).
Semiološka analiza – alat koji razotkriva konotativno
značenje



•      Semiološka analiza je karakterističan
       pristup koji se bavi proučavanjem znakova.

•      U najvećoj meri se razvila iz lingvistike
       Ferdinanda De Sosira i Levi Strausa u
       Francuskoj i C.S.Pirsa u USA.

•      Semiologija proučava upotrebu znakova u
       specifičnim društvenim situacijama i ispituje
       njihovu ulogu u stvarnosti (Čendler).




    Više u:
    •Daniel Chandler (1994): Semiotics for Beginners
Cilj semiološke analize – zašto reklama?



•      Reklame uspevaju da manipulišu javnost poznavanjem njenih dubokih motivacija,
       prodajom simbola, otkrićem i manipulacijom činjenice da su ljudski ukusi, želje i
       sudovi potpuno iracionalni.

•      Finalni cilj semiološke analize reklame – ukoliko postoji poklapanje u tumačenju
       reklamne poruke od strane kreatora poruke i posmatrača iz ciljne grupe, semiološka
       analiza pokazuje pošiljaocima poruke da su ostvarili željeni efekat.

•      Utvrditi i „otkriti“ kvalitet reklame




    Više u:
    • Visual semiotics and the production of meaning in advertising - Visual Communication Division of AEJMC,
    Washington, DC, August 1995
Pristupi semiološkoj analizi i tumačenje znaka:




•      Strukturalni – analiza teksta
•      Socijalni – uzima u obzir procese enkodiranja i dekodiranja poruka kao oblike
       društvene prakse, kao elemente društvene kulture (semiosfere).

•      Vrste znaka po Pirsu:
•      Ikona
•      Simbol
•      Indeks




    Više u:
    P. Giro, Semiologija, Prosveta, Beograd, 1983
    U. Eko, Kultura Informacija Komunikacija, Nolit, Beograd, 1973
Dekonstruisanje „teksta“ po Čendleru




•   Podaci o izvorima iz kojih su reklame preuzete
•   Identifikovanje ciljne grupe
•   Izlaganje denonativnog nivoa reklame
•   Lociraju se ključni znakovi u tekstu
•   Definiše se vrsta znaka u “tekstu”
•   Izlaganje konotativmog nivoa reklame
•   Ispituje se odnos teksta prema vizelnom delu
•   Paradigmatska analiza – tekst komutacije
Primer semiološke analize na štampanim oglasima


Ralf Loren parfem „Romance“ za nju i njega




             Slika 1                         Slika 2


Fotografije preuzete sa sajta:
www.ralphlauren.com
•   RASNA, KLASNA I SEKSUALNA KONOTACIJA
•   POKRET I RASPORED ELEMENATA U KONOTACIJI POLA
•   HARMONIJA ELEMENATA
•   KOLORIT I SITNTEGMATSKA USKLADJENOST
•   TEST KOMUTACIJE
Hvala

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Semiološka analiza u štampanoj reklami 101

  • 1. Vizuelna semiotika i kreiranje značenja u štampanoj reklami Perović Maja Fakultet političkih nauka, Beograd Januar, 2010 godina
  • 2. Sadržaj • Moderni advertizing i „udaljavanje“ proizvodjača i potrošača • Simbolika reklame • Semiološka analiza – alat koji razotkriva konotativno značenje • Cilj semiološke analize – zašto reklama? • Pristupi semiološkoj analizi i tumačenje znaka • Primer semiološke analize na štampanim oglasima - Ralf Loren parfem „Romance“ za nju i njega
  • 3. Moderni advertizing i „udaljavanje“ proizvodjača i potrošača Pre industrijske revolucije • Oglašavanje se koristilo kao sredstvo prostog informisanja • Nije bilo skrivenih poruka • Posledica tražnje tj. potrošnje koja se svodila na kupovinu i proizvodnju neophodnih dobara • Marketinške agencije nisu postojale Posle industrijske revolucije- moderni advertajzing • Pokretač - promena u brzini i obimu proizvodnje • Ključni uslov - širenje medijske infrastrukture Više u : • Medjunarodni Marketing, Beba Rakić, Megatrend 2003 • World Advertising trends 2000, WARC
  • 4. Simbolika reklame • Uz multidisciplinarni pristup i poznavanje kulturnog okruženja ciljne grupe, oglašavanje i oglašivači kroz simbole „lepe“ odredjene vrednosti svojim proizvodima, ponekada stvarajući oko njega i sasvim novi svet (Coca Cola side of life, nova Imlekova TV kampanja).
  • 5. Semiološka analiza – alat koji razotkriva konotativno značenje • Semiološka analiza je karakterističan pristup koji se bavi proučavanjem znakova. • U najvećoj meri se razvila iz lingvistike Ferdinanda De Sosira i Levi Strausa u Francuskoj i C.S.Pirsa u USA. • Semiologija proučava upotrebu znakova u specifičnim društvenim situacijama i ispituje njihovu ulogu u stvarnosti (Čendler). Više u: •Daniel Chandler (1994): Semiotics for Beginners
  • 6. Cilj semiološke analize – zašto reklama? • Reklame uspevaju da manipulišu javnost poznavanjem njenih dubokih motivacija, prodajom simbola, otkrićem i manipulacijom činjenice da su ljudski ukusi, želje i sudovi potpuno iracionalni. • Finalni cilj semiološke analize reklame – ukoliko postoji poklapanje u tumačenju reklamne poruke od strane kreatora poruke i posmatrača iz ciljne grupe, semiološka analiza pokazuje pošiljaocima poruke da su ostvarili željeni efekat. • Utvrditi i „otkriti“ kvalitet reklame Više u: • Visual semiotics and the production of meaning in advertising - Visual Communication Division of AEJMC, Washington, DC, August 1995
  • 7. Pristupi semiološkoj analizi i tumačenje znaka: • Strukturalni – analiza teksta • Socijalni – uzima u obzir procese enkodiranja i dekodiranja poruka kao oblike društvene prakse, kao elemente društvene kulture (semiosfere). • Vrste znaka po Pirsu: • Ikona • Simbol • Indeks Više u: P. Giro, Semiologija, Prosveta, Beograd, 1983 U. Eko, Kultura Informacija Komunikacija, Nolit, Beograd, 1973
  • 8. Dekonstruisanje „teksta“ po Čendleru • Podaci o izvorima iz kojih su reklame preuzete • Identifikovanje ciljne grupe • Izlaganje denonativnog nivoa reklame • Lociraju se ključni znakovi u tekstu • Definiše se vrsta znaka u “tekstu” • Izlaganje konotativmog nivoa reklame • Ispituje se odnos teksta prema vizelnom delu • Paradigmatska analiza – tekst komutacije
  • 9. Primer semiološke analize na štampanim oglasima Ralf Loren parfem „Romance“ za nju i njega Slika 1 Slika 2 Fotografije preuzete sa sajta: www.ralphlauren.com
  • 10. RASNA, KLASNA I SEKSUALNA KONOTACIJA • POKRET I RASPORED ELEMENATA U KONOTACIJI POLA • HARMONIJA ELEMENATA • KOLORIT I SITNTEGMATSKA USKLADJENOST • TEST KOMUTACIJE
  • 11. Hvala