56 CINEASTE, Fall 2017isn’t unreasonable to say this is a .docxblondellchancy
56 CINEASTE, Fall 2017
isn’t unreasonable to say this is a film about
patriarchal law’s last gasp, especially since
the killing of an older man is at the center of
the narrative. Thomas shouts at his models,
at one point grabbing one physically to push
her into position. The image of James Stew-
art holding a camera with an outsized lens
(in Rear Window) became a much-used sym-
bol for film studies of the impotent,
voyeuristic male. Thomas takes this much
further, using the camera as a phallus as he
unconsciously mimes intercourse, complete
with shouts of “Yes!, Yes!” as he photographs
the leggy, then-trendy model Veruschka; as
usual, the male achieves “orgasm” (Thomas
collapses on a sofa) while the female is merely
a receptacle left on her own.
The moment, reproduced on virtually
every poster for the film, might be a bit ripe,
but the point is made. It is later repeated,
with emphasis on Thomas’s sadism, in the
famous nude romp with two giddy, aspiring
teenage models (Jane Birkin and Gillian
Hills), who end up as servants, dressing
David as he stares at his mysterious pho-
tographs. As in Red Desert, the sex act is
achieved, but it is poisoned, bringing no ful-
fillment to male or female.
The film opens with a car full of mimes,
the famous Rag Week troupe, barreling
around the drab urban citadel of The Econo-
mist magazine. At the film’s end, Thomas
spots them at a tennis court in Maryon Park,
about which he continues to obsess. Two of
the troupe’s members “play” tennis without
rackets or balls. When they hit a “ball” over
the fence, they beckon to Thomas, who joins
in the mimed game, picking up the invisible
ball, tossing it back. He enters the realm of
metaphysics as he watches the game with a
small smile—he even seems to hear the ball
being struck. This object is invisible, yet it
becomes the reason for unity—until
Thomas’s smile turns to a frown. The
mimes’ society is too marginal and bizarre
to offer consolation. Thomas actually fades
into the landscape as the camera pulls back,
consciousness shutting down.
When I first looked at the Criterion Blu-
ray of this film, I was startled, thinking I had
time-warped back to my initial viewing in
1966. Every print of the film since then has
been inferior, my measure being the deathly
greenness of Maryon Park. I find no fault
with this magnificent 4K edition, yet another
of Criterion’s sterling achievements. The
supplements are rich and plentiful, includ-
ing Garner’s substantial remarks as well as
those of photo and art historians Walter
Moser and David Alan Mellor. There is an
intelligent 2016 documentary on the making
of and legacy of Blow-Up, conversations
with Antonioni (pretty slim), David Hem-
mings, Jane Birkin, and a lengthy recent
interview with Vanessa Redgrave. The pack-
age also includes an essay by David Forgacs
and Stig Björkman and the famous—but
marginally relevant—short story by Julio
Cortázar.—Christopher Sharrett
His Girl Friday
Produced and directed by Howard Hawks;
wri ...
Quiz Meet Quiz: M.E.L.A.S (Music, Ent, Lit, Arts, Sports) Quiz conducted by Rajdeep Dasgupta of LnD on 21st August, 2016.
Disclaimer: All questions are original. Any resemblance whatsoever to other questions of similar kind is purely coincidental.
Anna Kendrick: Acting Real in Tinseltown by Luke BattenLiza Palmer
This first academic piece on Anna Kendrick examines her constructed and individualistic off-screen and on-screen persona, with particular emphasis on the prevailing issues of patriarchy within the film industry. This is achieved through a study of the representation of women within the melodrama, romantic comedy/chick flick, fantasy, and musical genres of film, whilst considering Kendrick’s own perspective on the subject from interviews and her observations in her memoir Scrappy Little Nobody. The aim of this article is to further discourse on the representation of women within the aforementioned genres, and interrogate the portrayal of the female performer more broadly, both on- and off-screen.
Chapter one of this dissertation analyzes Kendrick’s off-screen depiction in conjunction with her child star status, celebrity culture, and social media. The following chapter investigates her on-screen personality as Natalie Keener in Up in the Air and Beca Mitchell in Pitch Perfect, the films which brought her to international recognition as an actor. The final chapter of this work evaluates her more recent on-screen characterization as Cinderella in Into the Woods and Cathy Hiatt in The Last Five Years.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Brushstrokes of Inspiration: Four Major Influences in Victor Gilbert’s Artist...KendraJohnson54
Throughout his career, Victor Gilbert was influenced heavily by various factors, the most notable being his upbringing and the artistic movements of his time. A rich tapestry of inspirations appears in Gilbert’s work, ranging from their own experiences to the art movements of that period.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
The Palm Beach Story (1942) Criterion Blu-ray Review
1. The Palm Beach Story (1942)
A Criterion Collection Blu-ray (Spine #742)
Review in Thirteen Frames
2. After a hectic opening credits of the
marriage between Tom (Joel McCrea) and
Gerry Jeffers (Claudette Colbert), our main
characters, the camera zooms out to reveal the
line “…and they lived happily ever after…” that
many classic fairytales and romance stories
often end with. Then, as it zooms out further,
the music turns from a sweet wedding ceremony
to a horror tune, and then shows “or did they?”
Clueing in the audience that this is just the
beginning of the story, and not the end. This is a
very unusual beginning compared to other
classical Hollywood film from this time period.
By Wyatt J. Bixby
The Palm Beach Story
(Struges, 1942, Universal)
Timecode: 2:40
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14. Blu-ray by the Criterion Collection
SPECIAL FEATURES
• New 4K digital restoration, with uncompressed monaural soundtrack on the
Blu-ray
• New interview with writer and film historian James Harvey about director
Preston Sturges
• New interview with actor and comedian Bill Hader about Sturges
• Safeguarding Military Information, a 1941 World War II propaganda short
written by Sturges
• Screen Guild Theater radio adaptation of the film from March 1943
• PLUS: An essay by critic Stephanie Zacharek; New cover by Maurice Vellekoop
For more information about this product, please visit: https://www.criterion.com/films/28103-the-palm-beach-story