5. The collection focuses around the idea of the women as a
powerful entity, that trougth her clothes can appear
powerful but still can be fragile.
Trough the study of lingerie, the collection will be inspired
by some status pieces of it. Considering key elements such
as corsets and knet, decomposing them to create some-
thing new, that doesn’t captivate the body but actually
enhace the natural forms and beauty of it.
The duality of the concept appears in the collection trough
oppositions and contrast, from colors to fabrics, light
weighted to heavier fabrics, light pastel color block to
stronger nuances of red and blue. Red as passionate, blue
as dedicated, and successful.
Each color stands for a particular characteristic of the per-
sonality.
Clothes that disclosure her strenght. At time close to the
body, at others, looser.
As always the designer plays around scales and fabrics.
Superpositions and transparencies make the garments pre-
cious, desirable but almost as if they were breakable.
This spring summer collection, composed by 10 outfits, from
light weighted jumpsuits to dresses, taffeta skirts and
pant. The collection is all about sensuality, and power.
How can a women be strong but still desirable?
CONCEPT
15. PRINTS
The past is something
he could see, but not
touch.
(In the mood for Love, Won Kar Way)
16.
17.
18.
19. COLORS
you know why l didn’t have
a girlfriend? Huh?
Because there was nobody
that l liked.
(Buffalo 66,VINCENT GALLO,1998)
P.457C
P.457C
P.7628C
P.7613C
P.437C
P.7537CP.1205CP.7591CP.534-535C
P.489C
20.
21. COLLAGE
“We are a couple that
doesn’t touch.”
.
(Buffalo 66,VINCENT GALLO,1998)
79. Deconstructed Asymmetric Top, long flared sleeve, enlaced with a patchwork
of fabric, double and top stiched, fabric patchwork
top stiched, Staight ankle pants, with organza ruches, Cargo top stiched pock-
ets
81. Deconstructed Asymmetric Top, sleeveless, high neck embelished with
Organza ruches, double and top stiched,
top stiched, double stiched high waisted longhette skirt, zipper in the side-
seem