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Compositional Rule: Framing James Brasil Joardyn Douillette
Definition:   Framing is the tactic of using natural surroundings to add more meaning to your subject.  It could be anything such as bushes, trees, a window, or even a doorway. In the process of doing this you need to be careful that you don't only focus on what's framing your subject.  Make sure you focus on the main subject, and also it is a good idea to use a narrow aperture to achieve a high depth-of-field.
Clarification : 1. Giv in g the photo context (for example  framing  a scene with an archway can tell you something about the place you are by the architecture of the archway or including some foliage in the foreground of a shot can convey a sense of being out  in  nature). 2. Leading the eye towards your main focal po in t (some  f rames   can draw your photo s  viewer into the picture just by their shape). Some also believe that a frame can not only draw the eye into a picture but that it keeps it there longer   giv in g a barrier between your subject and the outside of the shot. 3. Intrigu in g your viewer. Sometimes it s  what you can t  see in an image that draws you into it as much as what you can see  in  the picture. Clever framing that leaves those viewing your image wondering a little or imagining what is behind your frame can be quite effective.
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Framing

  • 1. Compositional Rule: Framing James Brasil Joardyn Douillette
  • 2. Definition: Framing is the tactic of using natural surroundings to add more meaning to your subject. It could be anything such as bushes, trees, a window, or even a doorway. In the process of doing this you need to be careful that you don't only focus on what's framing your subject. Make sure you focus on the main subject, and also it is a good idea to use a narrow aperture to achieve a high depth-of-field.
  • 3. Clarification : 1. Giv in g the photo context (for example framing a scene with an archway can tell you something about the place you are by the architecture of the archway or including some foliage in the foreground of a shot can convey a sense of being out in nature). 2. Leading the eye towards your main focal po in t (some f rames can draw your photo s viewer into the picture just by their shape). Some also believe that a frame can not only draw the eye into a picture but that it keeps it there longer giv in g a barrier between your subject and the outside of the shot. 3. Intrigu in g your viewer. Sometimes it s what you can t see in an image that draws you into it as much as what you can see in the picture. Clever framing that leaves those viewing your image wondering a little or imagining what is behind your frame can be quite effective.
  • 5.