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Songs and poems are a natural
part of early childhood educa-
tion in the United States.
Native English-speaking children in all
regions of the United States are taught
a wide variety of songs and poems
either by their family members or
their teachers. Even teachers and par-
ents who are not musically inclined
share songs and poems with young
learners. Many teachers working with
children learning English as a Foreign
Language (EFL) also know the value
of children’s verse in the young learn-
er classroom.
Experienced teachers know that
songs and poems are an excellent way
to begin or end a lesson. At the begin-
ning of a lesson they can help children
make the transition from their native
language into English as the lesson
warm-up. Whenever possible it is best
to select a piece of verse that is direct-
ly related to the content of the lesson.
For example, if you are teaching body
parts, you could easily begin the class
by doing the chant, “Head, Shoul-
ders, Knees and Toes.” At the end of
the lesson, a good way to dismiss the
children is by singing or chanting a
piece of verse. This may even be done
while children are lining up to leave
or while they are waiting at the door
for the dismissal bell to ring.
There are a number of different
ways that songs and poems can be pre-
sented to children. Often the first step
is to introduce any key vocabulary
that may be unfamiliar. Props, such as
real objects or pictures of objects, can
be used to present the key vocabulary
for a song or poem. Actions can also
help children learn unfamiliar vocab-
ulary. The props or actions not only
help children remember the words and
meanings of new words but also help
children remember the context or sit-
uation depicted in the piece of verse.
Once the key vocabulary has been
presented, teachers find it useful to
introduce young learners to pieces of
verse one line at a time. The teacher
says one line of the song or poem
using the props or actions that illus-
trate it, and then the children repeat
the line. This procedure continues
until all the lines of the targeted piece
of verse have been said and repeated.
Next the learners repeat the entire
selection of verse using props or
2 0 0 6 N U M B E R 2 | E N G L I S H T E A C H I N G F O R U M
Using Favorite Songs and Poems
with Young Learners
Caroline Linse
S O U T H K O R E A
06-0002 ETF_38_56 3/7/06 9:41 AM Page 38
actions to help them remember the words. In
addition, teachers may have children clap out
the syllables of a piece of verse as a way to keep
young learners actively involved.
Using actions to accompany songs
and poems
Children love to move as they chant or sing
poems and songs. It is easy to make up actions
to accompany many pieces of verse. The
actions can be as simple as moving a hand or
fingers. For example, the following poem can
be transformed into a fun action rhyme by
adding simple movements (as indicated).
Other songs and poems can be made more
interesting with the addition of whole body
motions. It is best to start by standing, if at all
possible, away from desks, tables, and chairs
when reciting pieces of verse with accompany-
ing whole body motions. See the box in the
next column for the types of actions that could
accompany the verse “Humpty Dumpty.”
Children may want to make up their own
actions to accompany different pieces of verse.
If a digital camera is available, learners may
want to take pictures of the learner-created ac-
tions for each song or poem. If a digital camera
is not available, learners and/or teachers may
draw pictures of the learner-created actions.
Puppets
Children enjoy puppets and often will talk
to a puppet more freely than to a teacher. Pup-
pets work well with many songs, such as “The
Farmer in the Dell.” Puppets can be made by
cutting out the pictures provided with this ar-
ticle and mounting the pictures on chopsticks
or popsicle sticks. Hold up the appropriate
puppet as the song is chanted or sung. Once
children are familiar with the song, they can
assume different roles, and each child can hold
the puppet that matches his/her role.
Innovations
Children can create innovations for their
favorite songs and poems. Innovations are dif-
ferent versions of pieces of verse created by
substituting individual words for some of the
original words. When children create their own
39E N G L I S H T E A C H I N G F O R U M | N U M B E R 2 2 0 0 6
Here is the Beehive
Here is the beehive; where are the bees?
(Fold your fingers into a fist.)
Hidden away where nobody sees.
(Hold up your fist.)
Watch and you’ll see them come out of the hive.
(Wave your fist.)
One, two, three, four, five.
(Open up fist, one finger at a time.)
Bzzzzzz…………..
(Wave fingers in the air.)
Humpty Dumpty
Humpty Dumpty sat on a wall,
(Pantomime sitting on a wall by squatting.)
Humpty Dumpty had a great fall;
(Pantomime falling down.)
All the king’s horses and all the king’s men
(Pantomime looking sad, weary, and unable to get up.)
Couldn’t put Humpty together again.
(Turn and stagger away.)
06-0002 ETF_38_56 3/7/06 9:41 AM Page 39
innovations, they substitute words in the verse
with their own words. The number and types
of words substituted will vary depending upon
the song or poem. Look at the example below.
Personal songbooks
Children can make their own personal
songbooks by copying the texts from the
board or using photocopies of the texts. Learn-
ers can also be provided with pictures, such as
the ones provided with this article, or they can
draw their own pictures. If learners have creat-
ed their own innovations for songs, they
should make sure they put them into their
songbooks, complete with illustrations.
Sources for songs
Two very good sources for children’s songs
are available on the Internet. These websites
have been set up primarily for native English
speakers and their teachers and family mem-
bers who may have difficulty remembering the
words to favorite songs. The first site: www.bus
songs.com was designed to help adults remem-
ber the words to the songs that they wanted to
pass on to their children. The second site,
www.songsforteaching.com, was designed to
help teachers use music across the curriculum
to teach a wide variety of concepts and skills.
On pages 43 to 45 are some songs that have
delighted native English-speaking children in
the United States for a long, long time. You and
your students are likely to enjoy them just
as much!
Song and poem charts
Song and poem charts can be created for
different pieces of verse. Song and poem charts
are large posters containing different pieces of
verse. In some cases, all of the words are print-
ed on the poster with a few illustrations to
provide context. In other cases, some words
and some rebus pictures, with a couple of
illustrations, constitute the chart. Rebus pic-
tures are small pictures that are used in place
of words that are unfamiliar or that children
cannot read. Whenever possible, try to include
on the chart illustrations like the ones provid-
ed with this article.
Two examples of song charts follow this arti-
cle.The first example of “Home on the Range”
shows a song chart with the text and a photo.
Note that the photo can be used to teach two
of the key vocabulary items, range (a large area
of open land where livestock wander and
graze) and buffalo. More than anything, the
photo serves as decoration to make the song
chart more attractive.
The second song chart shows “Home on
the Range” with rebus pictures. Song charts
can also be created with the musical scores for
learners who have learned how to read music.
Note how the rebus pictures are put into the
chart in place of the written nouns. Rebus pic-
tures are used to help native English-speaking
children ease into reading. In the foreign lan-
guage classroom, rebus pictures help learners
use a visual picture cue to remind them of the
word and the meaning of the word.
CAROLINE T. LINSE, Associate Professor,
Sookmyung Women’s University, Seoul,
Korea, is the author of numerous student
textbooks. She is also the author of the
book: Practical English Language Teaching:
Young Learners (McGraw Hill).
40 2 0 0 6 N U M B E R 2 | E N G L I S H T E A C H I N G F O R U M
Original
Around the Garden
Round and round the garden,
Goes the little mouse.
Up, up, up he creeps,
Up into his house.
Innovation of
Around the Garden
Round and round the farmyard,
Goes the little horse.
’Round, ’round, ’round he struts,
’Round into his barn.
06-0002 ETF_38_56 3/7/06 9:41 AM Page 40
41E N G L I S H T E A C H I N G F O R U M | N U M B E R 2 2 0 0 6
Home on the Range
Oh, give me a home where the buffalo roam,
Where the deer and the antelope play,
Where seldom is heard a discouraging word,
And the skies are not cloudy all day.
Home, home on the range,
Where the deer and the antelope play,
Where seldom is heard a discouraging word,
And the skies are not cloudy all day.
06-0002 ETF_38_56 3/7/06 9:41 AM Page 41
42 2 0 0 6 N U M B E R 2 | E N G L I S H T E A C H I N G F O R U M
Oh, give me a where the roam,
Where the and the play,
Where seldom is heard a discouraging word,
And the are not all day.
, on the range,
Where the and the play,
Where seldom is heard a discouraging word,
And the are not all day.
on the Range
06-0002 ETF_38_56 3/7/06 9:50 AM Page 42

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W5 linse-kids reading

  • 1. 38 Songs and poems are a natural part of early childhood educa- tion in the United States. Native English-speaking children in all regions of the United States are taught a wide variety of songs and poems either by their family members or their teachers. Even teachers and par- ents who are not musically inclined share songs and poems with young learners. Many teachers working with children learning English as a Foreign Language (EFL) also know the value of children’s verse in the young learn- er classroom. Experienced teachers know that songs and poems are an excellent way to begin or end a lesson. At the begin- ning of a lesson they can help children make the transition from their native language into English as the lesson warm-up. Whenever possible it is best to select a piece of verse that is direct- ly related to the content of the lesson. For example, if you are teaching body parts, you could easily begin the class by doing the chant, “Head, Shoul- ders, Knees and Toes.” At the end of the lesson, a good way to dismiss the children is by singing or chanting a piece of verse. This may even be done while children are lining up to leave or while they are waiting at the door for the dismissal bell to ring. There are a number of different ways that songs and poems can be pre- sented to children. Often the first step is to introduce any key vocabulary that may be unfamiliar. Props, such as real objects or pictures of objects, can be used to present the key vocabulary for a song or poem. Actions can also help children learn unfamiliar vocab- ulary. The props or actions not only help children remember the words and meanings of new words but also help children remember the context or sit- uation depicted in the piece of verse. Once the key vocabulary has been presented, teachers find it useful to introduce young learners to pieces of verse one line at a time. The teacher says one line of the song or poem using the props or actions that illus- trate it, and then the children repeat the line. This procedure continues until all the lines of the targeted piece of verse have been said and repeated. Next the learners repeat the entire selection of verse using props or 2 0 0 6 N U M B E R 2 | E N G L I S H T E A C H I N G F O R U M Using Favorite Songs and Poems with Young Learners Caroline Linse S O U T H K O R E A 06-0002 ETF_38_56 3/7/06 9:41 AM Page 38
  • 2. actions to help them remember the words. In addition, teachers may have children clap out the syllables of a piece of verse as a way to keep young learners actively involved. Using actions to accompany songs and poems Children love to move as they chant or sing poems and songs. It is easy to make up actions to accompany many pieces of verse. The actions can be as simple as moving a hand or fingers. For example, the following poem can be transformed into a fun action rhyme by adding simple movements (as indicated). Other songs and poems can be made more interesting with the addition of whole body motions. It is best to start by standing, if at all possible, away from desks, tables, and chairs when reciting pieces of verse with accompany- ing whole body motions. See the box in the next column for the types of actions that could accompany the verse “Humpty Dumpty.” Children may want to make up their own actions to accompany different pieces of verse. If a digital camera is available, learners may want to take pictures of the learner-created ac- tions for each song or poem. If a digital camera is not available, learners and/or teachers may draw pictures of the learner-created actions. Puppets Children enjoy puppets and often will talk to a puppet more freely than to a teacher. Pup- pets work well with many songs, such as “The Farmer in the Dell.” Puppets can be made by cutting out the pictures provided with this ar- ticle and mounting the pictures on chopsticks or popsicle sticks. Hold up the appropriate puppet as the song is chanted or sung. Once children are familiar with the song, they can assume different roles, and each child can hold the puppet that matches his/her role. Innovations Children can create innovations for their favorite songs and poems. Innovations are dif- ferent versions of pieces of verse created by substituting individual words for some of the original words. When children create their own 39E N G L I S H T E A C H I N G F O R U M | N U M B E R 2 2 0 0 6 Here is the Beehive Here is the beehive; where are the bees? (Fold your fingers into a fist.) Hidden away where nobody sees. (Hold up your fist.) Watch and you’ll see them come out of the hive. (Wave your fist.) One, two, three, four, five. (Open up fist, one finger at a time.) Bzzzzzz………….. (Wave fingers in the air.) Humpty Dumpty Humpty Dumpty sat on a wall, (Pantomime sitting on a wall by squatting.) Humpty Dumpty had a great fall; (Pantomime falling down.) All the king’s horses and all the king’s men (Pantomime looking sad, weary, and unable to get up.) Couldn’t put Humpty together again. (Turn and stagger away.) 06-0002 ETF_38_56 3/7/06 9:41 AM Page 39
  • 3. innovations, they substitute words in the verse with their own words. The number and types of words substituted will vary depending upon the song or poem. Look at the example below. Personal songbooks Children can make their own personal songbooks by copying the texts from the board or using photocopies of the texts. Learn- ers can also be provided with pictures, such as the ones provided with this article, or they can draw their own pictures. If learners have creat- ed their own innovations for songs, they should make sure they put them into their songbooks, complete with illustrations. Sources for songs Two very good sources for children’s songs are available on the Internet. These websites have been set up primarily for native English speakers and their teachers and family mem- bers who may have difficulty remembering the words to favorite songs. The first site: www.bus songs.com was designed to help adults remem- ber the words to the songs that they wanted to pass on to their children. The second site, www.songsforteaching.com, was designed to help teachers use music across the curriculum to teach a wide variety of concepts and skills. On pages 43 to 45 are some songs that have delighted native English-speaking children in the United States for a long, long time. You and your students are likely to enjoy them just as much! Song and poem charts Song and poem charts can be created for different pieces of verse. Song and poem charts are large posters containing different pieces of verse. In some cases, all of the words are print- ed on the poster with a few illustrations to provide context. In other cases, some words and some rebus pictures, with a couple of illustrations, constitute the chart. Rebus pic- tures are small pictures that are used in place of words that are unfamiliar or that children cannot read. Whenever possible, try to include on the chart illustrations like the ones provid- ed with this article. Two examples of song charts follow this arti- cle.The first example of “Home on the Range” shows a song chart with the text and a photo. Note that the photo can be used to teach two of the key vocabulary items, range (a large area of open land where livestock wander and graze) and buffalo. More than anything, the photo serves as decoration to make the song chart more attractive. The second song chart shows “Home on the Range” with rebus pictures. Song charts can also be created with the musical scores for learners who have learned how to read music. Note how the rebus pictures are put into the chart in place of the written nouns. Rebus pic- tures are used to help native English-speaking children ease into reading. In the foreign lan- guage classroom, rebus pictures help learners use a visual picture cue to remind them of the word and the meaning of the word. CAROLINE T. LINSE, Associate Professor, Sookmyung Women’s University, Seoul, Korea, is the author of numerous student textbooks. She is also the author of the book: Practical English Language Teaching: Young Learners (McGraw Hill). 40 2 0 0 6 N U M B E R 2 | E N G L I S H T E A C H I N G F O R U M Original Around the Garden Round and round the garden, Goes the little mouse. Up, up, up he creeps, Up into his house. Innovation of Around the Garden Round and round the farmyard, Goes the little horse. ’Round, ’round, ’round he struts, ’Round into his barn. 06-0002 ETF_38_56 3/7/06 9:41 AM Page 40
  • 4. 41E N G L I S H T E A C H I N G F O R U M | N U M B E R 2 2 0 0 6 Home on the Range Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. 06-0002 ETF_38_56 3/7/06 9:41 AM Page 41
  • 5. 42 2 0 0 6 N U M B E R 2 | E N G L I S H T E A C H I N G F O R U M Oh, give me a where the roam, Where the and the play, Where seldom is heard a discouraging word, And the are not all day. , on the range, Where the and the play, Where seldom is heard a discouraging word, And the are not all day. on the Range 06-0002 ETF_38_56 3/7/06 9:50 AM Page 42