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My Presentation
Ian Realo
    The Hidden complexities in
My Little Pony: Friendship is Magic
 in relation to social theme’s and
           cultural icons
Thesis
• My Little Pony: Friendship is Magic is a children’s
  show originally aimed towards a demographic of
  eleven to twelve year old girls. However, since its
  inception, the show has been critically praised for its
  deep, complex and unorthodox plot lines not usually
  found in shows aimed towards children. In my study,
  I aim to examine these complexities, tying them to a
  wide array of mature social theme’s and deep rooted
  cultural icons, showing that complexity and children
  media are not always separate, but can sometimes
  mesh together to form something great.
Source #1
•   VISUAL COMPLEXITY AND YOUNG CHILDREN'S LEARNING FROM TELEVISION
    (1982) Journal of Human Communication Research
•   ALICIA J. WELCH, JAMES H. WATT Jr.
• Studied the impact of Sesame Street segments on a group of 48 four and
  five year old children. Study targeted three specific variables, visual
  attention, recall and recognition in regards to both Static and Dynamic
  complexity. Their study showed “strong negative relationships between
  static complexity and all three viewer variables”, and “strong positive
  results between dynamic complexity and both attention and
  recognition, and between attention and both types of learning”. Study
  showed that there was no significant relationship between dynamic
  complexity and recall
• This research shows that the complexities in children TV shows are very
  beneficial towards youth, providing skills that are elementary towards
  building higher IQ and succeeding in academia.
Source #2
• Television is "easy" and print is "tough": The differential investment of
  mental effort in learning as a function of perceptions and attributions.
  (1984). Journal of Educational Psychology
• Salomon, Gavriel
• This study was on the amount of invested mental effort (AIME) and
  learning through two different media types in children aged eleven to
  twelve. Those media’s being, television and the written word. The study
  showed that television is “perceived it as more realistic and easy” and
  one of the easiest media’s to digest and understand
• This research shows television is very easy to comprehend, therefore
  making its knowledge very accessible to younger demographics, enabling
  children to take more from television than from most other media’s
The Big Lebowski
Methodology-Popular Culture
•   Cultural Studies and the Study of Popular Culture. Athens: University of Georgia, 2003.
•   Storey, John
•   Researching Children's Popular Culture: the Cultural Spaces of Childhood. London:
    Routledge, 2002.
•   Mitchell, Claudia, and Jacqueline Reid-Walsh.

•   These books details the ways in which to research via popular culture in relation to
    children and other demographics. The method I will be using for my study involves
    watching the episodes, taking note of the specific complexities revolving the plot lines
    and cultural references included in both past and future episodes. (Currently, My
    Little Pony: Friendship is Magic has 34 total episodes contained in two seasons. MLP
    has been approved from a third season)
•   This approach allows me to gain a wide scope of information on the series, looking
    deep into the complex theme’s of the show and relating those theme’s towards well
    understood social theories and cultural icons. However, this methodology prevents
    me from actual testing these theme’s influences on children. But, as my previous
    source states, complex theme’s in TV shows have a large benefit towards children,
    something I do not have to reprove
Works Cited
• Mitchell, Claudia, and Jacqueline Reid-Walsh. Researching
      Children's Popular Culture: the Cultural Spaces of
      Childhood. London: Routledge, 2002. Print.
• Salomon, Gavriel. "Television Is "easy" and Print Is "tough":
      The Differential Investment of Mental Effort in Learning
      as a Function of Perceptions and Attributions." Journal
      of Educational Psychology 76.4 (1984): 647-58. Print.
• Storey, John, and John Storey. Cultural Studies and the
      Study of Popular Culture. Athens: University of Georgia,
      2003. Print.
• Welch, Alicia J., and James H. Watt. "Visual Complexity And
      Young Children'S Learning From Television." Human
      Communication Research 8.2 (1982): 133-45. Print.
The End

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Hidden complexity in my little pony

  • 2. Ian Realo The Hidden complexities in My Little Pony: Friendship is Magic in relation to social theme’s and cultural icons
  • 3. Thesis • My Little Pony: Friendship is Magic is a children’s show originally aimed towards a demographic of eleven to twelve year old girls. However, since its inception, the show has been critically praised for its deep, complex and unorthodox plot lines not usually found in shows aimed towards children. In my study, I aim to examine these complexities, tying them to a wide array of mature social theme’s and deep rooted cultural icons, showing that complexity and children media are not always separate, but can sometimes mesh together to form something great.
  • 4. Source #1 • VISUAL COMPLEXITY AND YOUNG CHILDREN'S LEARNING FROM TELEVISION (1982) Journal of Human Communication Research • ALICIA J. WELCH, JAMES H. WATT Jr. • Studied the impact of Sesame Street segments on a group of 48 four and five year old children. Study targeted three specific variables, visual attention, recall and recognition in regards to both Static and Dynamic complexity. Their study showed “strong negative relationships between static complexity and all three viewer variables”, and “strong positive results between dynamic complexity and both attention and recognition, and between attention and both types of learning”. Study showed that there was no significant relationship between dynamic complexity and recall • This research shows that the complexities in children TV shows are very beneficial towards youth, providing skills that are elementary towards building higher IQ and succeeding in academia.
  • 5. Source #2 • Television is "easy" and print is "tough": The differential investment of mental effort in learning as a function of perceptions and attributions. (1984). Journal of Educational Psychology • Salomon, Gavriel • This study was on the amount of invested mental effort (AIME) and learning through two different media types in children aged eleven to twelve. Those media’s being, television and the written word. The study showed that television is “perceived it as more realistic and easy” and one of the easiest media’s to digest and understand • This research shows television is very easy to comprehend, therefore making its knowledge very accessible to younger demographics, enabling children to take more from television than from most other media’s
  • 7. Methodology-Popular Culture • Cultural Studies and the Study of Popular Culture. Athens: University of Georgia, 2003. • Storey, John • Researching Children's Popular Culture: the Cultural Spaces of Childhood. London: Routledge, 2002. • Mitchell, Claudia, and Jacqueline Reid-Walsh. • These books details the ways in which to research via popular culture in relation to children and other demographics. The method I will be using for my study involves watching the episodes, taking note of the specific complexities revolving the plot lines and cultural references included in both past and future episodes. (Currently, My Little Pony: Friendship is Magic has 34 total episodes contained in two seasons. MLP has been approved from a third season) • This approach allows me to gain a wide scope of information on the series, looking deep into the complex theme’s of the show and relating those theme’s towards well understood social theories and cultural icons. However, this methodology prevents me from actual testing these theme’s influences on children. But, as my previous source states, complex theme’s in TV shows have a large benefit towards children, something I do not have to reprove
  • 8. Works Cited • Mitchell, Claudia, and Jacqueline Reid-Walsh. Researching Children's Popular Culture: the Cultural Spaces of Childhood. London: Routledge, 2002. Print. • Salomon, Gavriel. "Television Is "easy" and Print Is "tough": The Differential Investment of Mental Effort in Learning as a Function of Perceptions and Attributions." Journal of Educational Psychology 76.4 (1984): 647-58. Print. • Storey, John, and John Storey. Cultural Studies and the Study of Popular Culture. Athens: University of Georgia, 2003. Print. • Welch, Alicia J., and James H. Watt. "Visual Complexity And Young Children'S Learning From Television." Human Communication Research 8.2 (1982): 133-45. Print.