Proyecto final de la materia critica de diseño industrial. La primera materia impartida en ingles en la facultad.

1. Universidad Autónoma de San
Luis Potosí
Facultad del Hábitat
Industrial design critics
-Unit 3-
“symbolic industrial ceramic
vessels”
Héctor Arturo Torres Ramírez

2. “The design is the discipline that develops standardized artifacts”
Based on that premise , the objects of industrial design should be able to be mass produced
this means that objects should not be improvised or depend on the techniques of a trained
worker , because that would require a preparation and a secondary effort.
the vessels shown below, share the characteristic of not having improvised features after the
emptied, reflected in lower cost products on time, making them attractive for industrial
production
..
= +
No improvisation
After emptying
Represents a
normalized product
More
profit
More
quality
+
Mono Materic
Represents less
Material to
transform
One piece
Represents less
molds and less
time to fabric
+

3. “not allowed” examples
BALANKÉ by Sofia arandillas (2015)
these openings are made by hand ,
this being a rectification
improvised work that could
destroy the vessel by manipulation
errors.
BALAMTE by Miguel Marques (2015)
Made by hand without
mold
NO NAME by Danya Rocha (2015)
No mono materic
&, improvised
cords
Two pieces
more molds

4. symbolic industrial ceramic vessels
The following are selected examples of work done
by students in the fifth semester of studies of
industrial design, to the subject of " Synthesis
Workshop V " for the third unit dedicated to pre-
Hispanic symbolism (Year 2015).

5. Ferno
Tizi Zam
2015
jug

6. Ferno is a ceramic jug , ceramic paste made only
in 3-piece mold , no secondary corrections after
leaving the mold.

7. De fuego
Anice Arriola
2015
Cup

8. De fuego is a ceramic cup, ceramic paste
made only in 3-piece mold , no secondary
corrections after leaving the mold.

9. Pulque si
Luli Escobar
2015
Cup

10. “No-name” is a ceramic cup, ceramic paste
made only in 3-piece mold , no secondary
corrections after leaving the mold.

11. Xibalba
Miguel Campillo
2015
Jug

12. “Xibalba” is a ceramic Jar, ceramic paste
made only in 2-piece mold , no secondary
corrections after leaving the mold.

13. Milho
Hilma MRod
2015
Pea nut Vessel

14. “MILHO” is a ceramic vessel, ceramic paste
made ​​only in 3-piece mold , no secondary
corrections after leaving the mold.

15. Uk'uh
Sofi galindo
2015
Cup

16. “No name” is a ceramic cup, ceramic paste
made ​​only in 3-piece mold , no secondary
corrections after leaving the mold.

17. Conclusión:
Es importante recordar, que aunque podemos
rescatar técnicas y procesos artesanales
dentro del repertorio formativo de nuestra
disciplina, nuestro propósito es la producción
en masa, objetos que se encuentran mas allá
de la estandarización caen en la manufactura y
el desarrollo por autoría.
Su calidad mengua con las habilidades del
autor, y decaen con el paso del tiempo.
Esta muestra es importante, por que nos
muestra que aun con una inspiración
tradicional, es posible obtener verdaderos
productos de diseño industrial que no pierdan
el control de los procesos implicados y se
adapten a los sistemas de producción.
Conclusion:
It is important to remember that although we
can rescue craft techniques and training
processes within the repertoire of our
discipline , our purpose is mass production,
objects that are beyond the standardization
fall in manufacturing and development for
authorship.
Their quality diminishes with the skills of the
author, and decay with time.
This exhibition is important because it shows
us that even with traditional inspiration , it is
possible to obtain true industrial design
products that do not lose control of the
processes involved and adapt to production
systems

18. Industrial design Critics
unit 3
Thanks for Watching