The press release becomes an instruction manual for the interpretation of the artwork. Nothing comes out of an artwork informing us that it is Contemporary painting. Nor does it communicate quality or meaning. There is no way of distinguishing Contemporary painting from the commonplace. The interpretative prerogative, the price tag and the art institutions create the artwork. info@globalb2bcontacts.com http://www.globalb2bcontacts.com https://globalb2bcontacts.com/Technology-email-lists.html https://globalb2bcontacts.com/sub-industry-email-database.html https://globalb2bcontacts.com/email-database.html https://globalb2bcontacts.com/Healthcare-email-list.html

1. Contemporary Painting
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2. • Contemporary Painting is an exhibition platform offering emerging and established artists the
opportunity to showcase their work in a professional art gallery located the vibrant area of Shore ditch
in London. Helping artists gain exposure in one of the main capitals of the art world, our exhibitions
are open to both international and UK based artists from a wide range of artistic backgrounds.
• There are no boundaries to mediums or theme and the very lack of an 'ism' makes it stand apart from
the conventional art genres. Best College Art thrives on being one of the largest platforms encouraging
Contemporary Artists and their work. We have a vivacious gallery of contemporary art works by both
established and upcoming artists in New Delhi. This form of art has made a place for itself in the Art
World by being Absolutely Brilliant.
DATE: 20 Aug-02 Sep 2019
TIME : 09:00 AM-06:00 PM
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3. During the modern period, art and painting were the same things. The paintings were autonomous. They had
their own norms for legitimacy and good quality. After modernism painting has died and resurrected several
times. The history of painting is its yoke.
A painting is always a painting of something. Paintings are symbols of relationships between the signifier and
the signified. People value contemporary paintings as autonomous modern paintings. Or they appreciate
paintings as conceptual tools. Or they like paintings for a combination of the two.
If paintings are to change from being a simple image or a tool the painter needs to create an autonomous
symbol. But, the symbol still needs to correlate to the time and place of its creation. The technique and the
concept must be the same thing and the painting must exist by necessity. If painting will have a reason to exist
it must be more than an empty signifier or an illustration of an idea.
Participants : 5000 - 20,000 Visitors
100 - 500 Exhibitors
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4.  Julie Mehretu
 Ghada Amer
 Matthias Weischer
 Katharina Grosse
 Matthew Ritchie
 Mark Lombardi
 Claude Lévêque
 Thomas Hirschhorn
 Matthew Barney
 Barbara Kruger
 Paul McCarthy
 David Schnell
 Martin Kippenberger
 Santiago Sierra
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ARTISTS YOU NEED TO KNOW
Venue: Brick Lane Gallery, London, UK

5. Get more leads for your business by contacting us for
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Global B2B Contacts LLC
www.globalb2bcontacts.com
9030 Charlotte Street
Kansas City
Missouri ,USA
info@globalb2bcontacts.com
Contact Number: +1-816-286-4114
Contemporary
Painting