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aid   May, 2005   aid l l
Ask yourselves… Do you feel safe with your  Communication Approach?  Is your positioning based on knowledge of the consumer?
Ask yourselves… Do you really know what your consumer is thinking of your brand? Are you certain that your messages reach the right consumer?
What do we really do?  Most of the times, we answer these questions and formulate our communication approach and messages based on personal  assumptions  that we haven’t tested and do not really know if they are correct
[object Object],How can we  aid ?
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],What Full aid  is all about?
What Full aid  is all about? ,[object Object],TARGET AUDIENCE: Defining MARKET: Examining BRAND: Identifying the image (values, strengths & weaknesses) + + + PRODUCT:Analysing its value & the competition
[object Object],[object Object],[object Object],When Full aid  is used?
[object Object],The tool per se –The components  B. QUALITATIVE MARKET  RESEARCH   + C. SEMIOTIC ANALYSIS   +
[object Object],Frame of analysis BRAND-COMMUNICATION VALUE FIT MOVEMENT OF THE BRAND To what extent  does the new proposed  communication is in line with  what the brand  has done so far?, Is there coherence with the value territory  that the brand currently covers? What is the overall effect of the new communication for the brand? Towards which  value territories is the brand moved / elevated? Is the overall  value balance sheet   positive or negative?
A. DESK RESEARCH
Desk Research ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
B. QUALITATIVE RESEARCH
Methodology Rationale ,[object Object]
Methodology Rationale ,[object Object]
The Methodology  ,[object Object]
The sample Consumers  of the brand & competition
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Suggested areas of investigation
C. SEMIOTICS
[object Object],Semiotics
[object Object],Semiotics ,[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],Semiotics
[object Object],[object Object],[object Object],[object Object],Semiotics
[object Object],[object Object],[object Object],Semiotics
[object Object],[object Object],[object Object],[object Object],Semiotics & Qual Research Semiotic Analysis &  Consumer Research ,[object Object],[object Object]
THE RESULTS
Desired effects for the brand Threshold Branding “ The sign above the door” Functional Branding “ Design, products & services” Image Branding “ External Communication” Experience Branding “ Brand as an experience” Time/Difficulty We exist We produce, we offer We are, we make you feel We have a universe of our own and we invite you in Providing an enticing experiential universe….
Branded experience drives growth Random Experience ,[object Object],[object Object],Predictable Experience ,[object Object],[object Object],[object Object],[object Object],Branded Experience  ,[object Object],[object Object],[object Object],[object Object],Profitable Growth The Goal … by controlling every aspect of the Branded Experience….
emotions textures Sounds & music dispositions images rythms αισθητική typography Logos colours προδιαθέσεις Ideas &  thoughts expressions character intuitions memories agonies tastes Moments in time dreams visions motives Some Aspects of a Branded Experience faces smells

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FullAID

  • 1. aid May, 2005 aid l l
  • 2. Ask yourselves… Do you feel safe with your Communication Approach? Is your positioning based on knowledge of the consumer?
  • 3. Ask yourselves… Do you really know what your consumer is thinking of your brand? Are you certain that your messages reach the right consumer?
  • 4. What do we really do? Most of the times, we answer these questions and formulate our communication approach and messages based on personal assumptions that we haven’t tested and do not really know if they are correct
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 12.
  • 14.
  • 15.
  • 16.
  • 17. The sample Consumers of the brand & competition
  • 18.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 27. Desired effects for the brand Threshold Branding “ The sign above the door” Functional Branding “ Design, products & services” Image Branding “ External Communication” Experience Branding “ Brand as an experience” Time/Difficulty We exist We produce, we offer We are, we make you feel We have a universe of our own and we invite you in Providing an enticing experiential universe….
  • 28.
  • 29. emotions textures Sounds & music dispositions images rythms αισθητική typography Logos colours προδιαθέσεις Ideas & thoughts expressions character intuitions memories agonies tastes Moments in time dreams visions motives Some Aspects of a Branded Experience faces smells