Gabriele Marino Transhuman Visages: Artificial Faces in Arts, Science, and Society, Symposium and Meeting of the Senior Advisory Board, PIAST, Polish Institute of Advanced Studies, 28 January 2020

1. 1
Trans-Sonic Imageries
The Visual Rhetoric of the Face in
Contemporary Experimental Music
Gabriele Marino
(University of Turin)
28 January 2020 – Warsaw

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Humanity+

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Masamune Shirow’s Ghost in the Shell (1989)

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Ridley Scott’s Blade Runner (1982)

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Kraftwerk’s The Man-Machine (1978)

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Genesis Breyer P-Orridge

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Devo w/ Boiji Boy

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Alberto Camerini harlequin/Neurox

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Aphew Twin’s Windowlicker (1999)

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Billy Idol’s Cyberpunk (1993)

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Daft Punk

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Sun Ra

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Juan Atkins/Model 500’s Classics (1993)

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Drexciya

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fka twigs’s Madgalene (2019)

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Björk’s Biophilia (2011)

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Arca, Mutant (2015) and Arca (2017)

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Lopatin/Oneohtrix Point Never, Replica (2011)

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Holly Herndon, Proto (2019)

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dTHED, hyperbeatz vol. 1 (2019)

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Adam Harper, Infinite Music (2011)

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Harry Partch

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Karlheinz Stockhausen’s Kontakte (1958-1960)

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Cornelius Cardew’s Treatise (1963-1967)

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Luigi Russolo’s noise-intoners (1913)

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Moby’s One Thousand (1992)

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John Zorn’s Theatre of Musical Objects

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Jacques Attali’s Noise (1977)

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Stelarc’s Extra Ear/Ear on Arm (1997-2007)

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Andy Clark’s Natural-Born Cyborgs (2003)

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Calder w/ his portrait of Edgard Varèse (1963)