5. Dunnette Brown, Erica Barnard, Julia Corner, Randalle Cole
Residential Design II | INTA302
Instructor Daniel Harper
TRANSITIONAL HOUSING
Providing Hope for Tomorrow
6. In the United States alone, the National Law Center on Homelessness and Poverty states that 3.5 million
people are likely to experience homelessness in a given year, due to addiction, mental illness, domestic violence,
or even lack of employment opportunities (“What Is Transitional Housing”). Transitional housing can help people in
– or immediately following – a crisis situation. The duration of the stay can range from a few days to a year or
more. Different parts of the country have various programs and organizations developed to assist homeless or
needy families in their communities. The central-southeastern region of the country - Georgia, Florida, Louisiana,
and Oklahoma - is the focus of the transitional housing studied in the following essay.
In the state of Georgia there are plenty of resources for homeless women and children. The YWCA is one
organization that feels strongly on helping women feel empowered by providing them employment, daily living
skills, job training, parenting skills and a lot more. The YWCA Transitional Housing Program is a six unit scattered
site program. The agency holds the leases with private landlords in the community, which are HUD funded and
offer housing to the single mothers with children under the age of 18 with the rent based upon 30% of their
income. For group educational meetings the YWCA has been allowed to use a local church with a kitchen area bi-
monthly. “The main goal of the YWCA is to work with improving the women’s income, credit, living situation and
achieve greater self-determination and self-sufficiency.” – Mary Jacobson Transitional housing case manager
YWCA
In Panama City, FL, Carla Hightower runs the Bethel Village Rescue Mission. It is a Christian-based
organization separated into rescue mission, counseling, short-term stays,
and long-term housing lasting up to one year. The goal of Bethel Village is
to provide a safe haven for women and their children that feels like a
home, while providing counseling to the women to help them develop a
lifestyle that will allow them to support themselves and their children.
Single women are housed together in a suite-style dorm situation, with a community room that doubles as a
chapel, kitchen and dining area, and a classroom (Hightower). Women with children are offered small houses or
apartments, but are still required to visit the community room for counseling and classes. Each room or home is
decorated to feel more like a comfortable home than an institutional building, to provide a comfortable
atmosphere.
Children’s Room
7. The Baton Rouge and New Orleans area has various avenues for obtaining help. A great example is the
Metropolitan Center for Women and Children, located in New Orleans, Louisiana. After visiting their website, I
learned that this organization’s mission is “To break the cycle of violence and aid survivors of domestic
violence, sexual assault, and stalking through advocacy, intervention, empowerment, and
transformation” (Raise a Glass). According to Jocelyn Pinkerton, the social worker I interviewed, the
program has a 24 hotline dedicated to responding to emergency situations and they will send a cab to
pick individual up to come to the shelter. In the shelter a bed is offered for 6 months holding up to 20
residents. If a longer stay is needed, they can stay 1 year in a transitional house holding 2 units. There
are weekly house meetings and therapy typically done in the offices of the therapist. The organization
assist with finding permanent housing, counseling, court, all essentials such as food, clothing, and
toiletries, and house has kitchen, bathroom, dining space and individual bedrooms.
In the Oklahoma City area, there are no shortages
of homelessness from domestic violence, drug use or other
criminal activity. The YWCA of Oklahoma City is an
organization that helps women, children, and men get a
second chance to start over. The YWCA shelters and
transitional housing facilities are fully accommodated, offering necessary amenities such as activity areas, kitchen
and dining, and life training. To offer safety and security, the facilities are equipped with high end security systems
and fully staffed. The goal of the YWCA is to change the idea, or stereotype common of shelter life, and “is
designed to provide safety and healing in the dignified way that creates a better pathway for victims escaping
violence in their home”- Kim Moyer Sr. Director of Public Relations & Communications and Public Relations, YWCA.
In conclusion, while the transitional housing programs in Georgia, Florida, Louisiana, and Oklahoma have
differences in their methods of providing shelter and necessities to the homeless, they also share many similarities.
Each state offers assistance for a range of time, determined by both the facility and the needs of the family. And
while some areas separate families depending on their reasons for needing help, they are all working to lower the
average number of families that experience true homelessness each year.
Sleep area at Women’s First Step Recovery. In Oklahoma City.
8. Concept Statement
The transitional house will be in the Queen Anne style, and promote a cozy, comfortable atmosphere.
Curves and muted colors will create a safe haven, while repetition will create a uniformity and
cohesiveness. Wood grains will be used throughout, offset in places with tile, adding a natural, homey
touch, while contrasting with the curves. The addition of plants and style-specific lighting will tie in with
the Queen Anne scheme, while also adding the feeling of a home.
9. Work Cited
Image References:
Children’s Room. N.d. Bethel Village Rescue Mission, Panama City, FL. Pinterst. Web. 23 May 2016.
<https://www.pinterest.com/pin/453245149970441664/>.
Oxford House. Baton Rouge, LA. Oxford House. Web. 24 May 2016.
<http://www.oxfordhouse.org/userfiles/file/>.
Sleep Area at Women’s First Step Recovery. In Oklahoma City. Women Shelters Org. Web. 23 May 2016.
<https://www.womenshelters.org/cit/ok-oklahoma_city>.
Works Cited:
"A Safe Place to Start Over: The Role of Design in Domestic Violence Shelters." Undergraduate Research
Journal for the Human Sciences. Web. 23 May 2016.
<http://www.kon.org/urc/v11/kesler.html>.
Hightower, Carla. Personal Interview. 23 May 2016.
Jacobson, Mary. Personal Interview. 23 May 2016.
Moyer, Kim. Personal Interview. 23 May 2016.
Pinkerton, Jocelyn. Personal Interview. 23 May 2016.
"Raise a Glass." Metropolitan Center for Women and Children RSS. Web. 23 May 2016.
<http://mcwcgno.org/>.
Transitional Housing." - YWCA. Web. 23 May 2016.
<http://www.ywca.org/site/c.duLRK4OSLqK8E/b.8267943/k.689F/Transitional_Housing.htm>.
"What Is Transitional Housing." Transitional Housing | Transitional Housing Programs | Transitional
Housing For Women | Transitional Housing For Men. N.p., n.d. Web. 23 May 2016.
<http://www.transitionalhousing.org/>.
10. STANDARD COLOR
PALETTE
Primary color palettes were deep
neutrals such as cherry, mahogany, and
ebony woods with relatively neutral
accent colors like beige, sage green
(oldhouseonline.com). Other colors
used might have included some deep
reds, gold and some warm blues.
Overview Figure 1.
11. TYPICAL
ELEMENTS
Ceilings often had plaster roses or
medallions, while walls were finished
with a dado and paneling. Crown
molding, arches and some use of
stained glass windows are typical of
Queen Anne Style.The style is a basic
collaboration of several design styles.
Overview Figure 2.
12. TYPICAL TEXTILES
Damask was a very popular pattern for
Queen Anne, as seen on the walls in the
photo.This patter could also be used on
upholstery and window treatments.
Velvet, and other heavy, often luxurious
fabrics were imported from Europe and
used for windows, bed canopies and
also upholstery (bozzle.com)
Overview Figure 3.
13. INTERIOR
MATERIALS
Interior materials were solid wood,
plaster and wood lath walls, glazed tiles
for fireplaces and wood parquet floors
(buffaloah.com).The image shows the
excess use of wood for paneling and
also for the parquet flooring, where the
pieces of wood are interchanging to
create elaborate patterns in the floor.
14. LATHING
Interior wall construction of the time
was wood lath, covered in plaster, then
coated with paint or wall paper. Lathing
involves the placing of thin, narrow
strips of wood between studs to act as a
surface for plaster to be applied
(dictionary.com).
15. DADO
While the outsides of the Queen Anne
came in many different colors, the
inside, typically was of rich browns from
high quality wood trim and wainscoting
or dado.The “dado” referred to the
horizontal trim piece that separates the
lower part of the wall, often referred to
as a chair rail (aestheticinteriors.com).
16. WAINSCOTING
Wainscoting is referring to the
decorative paneling below the dado on
a wall (dictionary.com/wainscot).This
decorative wood paneling was done in a
variety of different styles from flat
paneled, bead board, or raised paneled.
In the image you can see an example of
a raised paneled wainscot.
17. FINISHES
The wall colors were often darker with
lots of wood trim below the dado but
above it, the walls were finished with
paint, painted and stenciled with
damask or velour wall covering.These
designs were more neutral in color
scheme while the patterns from stencils
or covering could be more elaborate
with Japanese Inspiration
(oldhouseonline.com).
18. CEILING
MEDALLIONS
Ceiling medallions were very typical of
Queen Anne style. Most often the
medallions were intricate in design.While
many seen are white due to being made
with plaster, they come in various colors
depending on how expensive the home is
and the wealth of the families.They would
have various vines, twisted leaves,
acanthus motifs, various flowers, rosaces
and palmettes.
19. COFFERED
CEILINGS
Coffered ceilings are another prominent
feature in Queen Anne style homes. Most
ceilings that are coffered are have wooden
beams, however there are some that are
made from plaster. It is quite often that one
would see wood. Most ceilings with plaster
often had medallions in the center of them
and were adorned with commonly themed
motifs.Wooden coffered ceilings were a
bit more common than plaster however.
20. CROWN MOLDING
Crown molding is a very popular feature of
Queen Anne homes. Crown molding can
range from really simple to really extravagant.
Some of them have little cornice like features
that basically create a stacked effect. Some
simple ones just have that stacked effect.
More intricate crown moldings may have the
stacked effect in addition to a design with
vines, flowers, and acanthus motifs. In most
cases crown molding is often seen as white,
however these can be various colors and
some even in other materials.
21. PRESSED TIN
CEILINGS
These ceilings would sometimes be coffered,
some medallion, some tiled, and some would
have decorative motifs around brimming the
ceiling where it meets the wall.The motifs
would be commonly themed like the
plastered ceilings (vines, twisted leaves,
acanthus motifs, various flowers, rosaces and
palmettes) the only difference is that it was
pressed tin rather than plaster.This ceiling
was a bit more extravagant and more
expensive than the plaster.
22. TILE FLOORS
Tiling is found in many Queen Anne homes.
Usually it is in the kitchen and bathroom area,
however it is also seen in entry ways when
first entering the home.These tiled designs
are typically intricate and almost look like
works of art. Some would be various
geometric shapes creating patterns while
others actually drew a picture. Some also had
inlays of brass.The material of the tile also
ranged.They were sometimes marble and
ceramic, unglazed, glazed, or enameled.
23. FLOOR CLOTHS/
RUGS
Queen Anne floors were usually
adorned with floor cloths.They would
be commonly placed in the kitchen and
halls.They would have various patterns
and designs ranging from floral
patterns to vines and geometric shapes.
24. LINOLEUM FLOORS
This was another popular style of the
Queen Anne homes.This would some
be in places like the kitchen and the
bathrooms. It was introduced in 1860.
There were various designs such as
floral patterns, vines, acanthus, and etc.
Also linoleum cut outs was also used
like rugs, similar in concept.
25. PARQUET
FLOORING
Quite often in Queen Anne homes the
floor would be laid with wooden planks
in various designs and they would be
lighted with parquet detailing. Parquet
is very similar to marquetry in
technique. Also it would be done with
wood, usually materials like maple,
cherry, oak, ash, and various others.
26. ART GLASS DOORS
The upper half of main doors often
included art glass, which involves
colored or etched panes of glass, often
separated into panels or shapes by
metal (Queen Anne Home Style). Simple
designs rather than elaborate fans were
used.
27. PAINT OR STAIN
Dark earth-tones like “sienna,
red, forest green, burnt yellow,
and muddy brown” were the
most common choices for door
colors, though dark wood stains
like russet or cinnamon were
also used on occasion (Queen
Anne Home Style).
28. TRANSOM
A rectangular window – often divided
into distinct panes above the main entry
door.Transoms were popular a popular
addition to a Queen Anne entry;
sidelights were uncommon, and not
associated with the style (Queen Anne
Home Style).
29. NARROW
PROPORTIONS
Due to narrow passages within
the building, doors were often
narrower than they are today.
Larger entries were accommodated
through the use of narrow double
doors rather than a wider single
door (Calloway 47).
30. DOUBLE HUNG
WINDOWS
Queen Anne style houses have tall,
double-hung windows.The Queen Anne
style are far more likely to have the upper
sash decorated with art glass or with a
decorative grille pattern combined with
colored glass.Windows in Queen Anne
style homes are often paired or tripled and
feature trim that ranges from simple
backband and cornices to elaborately
carved pediments
31. WINDOW
TREAMENTS
Window treatments vary from
simple panels hanging from
rings on plain rods to layers of
treatments typical of revival
styles. Lace curtains continue
to be fashionable (Harwood
257)
32. DRAPERY
Drapery in Revival-style colors tend to be
more saturated or dark and rich. Queen
Anne colors lean toward those of the
Neoclassical (late 18th, early 19th century)
and as such may be saturated lighter tints
(Harwood 253) This pair draperies are red
or burgundy (darker tones) made from
velvet and it also has Valances top. If
drapery or portières were made from
heavy fabric it was meant to keep the cold
out not only for décor.
33. ART GLASS
Leaded and colored glass
design which is known as
a stain glass or “art glass”
windows. Used for the
glass of windows or
doors.
34. FURNITURE
DETAILS
Cabriole Leg
One of four vertical supports for a piece
of furniture. It consists of two curves –
the upper curve is convex while the
lower part is concave. It usually ends in
either a paw foot or a claw-and –ball
foot (Encyclopedia Britannica).
35. WALNUT WOOD
Along with cherry and maple,
walnut was often used for
furniture during the Queen
Anne period.The period was
sometimes called the age of the
walnut due to extreme
popularity of the wood during
that time (Wiggins).
36. FAN SHELL
CARVINGS
Fans, shells, and acanthus
leaves were used for
ornamentation in Queen Anne
furniture.They were seen most
often on cabinet fronts and
chair legs (Wiggins).
37. SPLAT BACK
The vertical central portion of a
chair back.The vase formation
and curvature that fits the shape
of the spine are specific to the
Queen Anne style (Encyclopedia
Britannica).
38. ART AND
COLLECTIBLES
Colors
Color often referred to as the mauve decades,
supporting colors such as deep, old-looking
red and faded rose red or mauve, wine and
dark violet, taupe, and black. Also seen were
sage, dark olive, clear green, dark and
creamy gold, tobacco brown, rust, and
accents of royal blue, bright red and magenta
in traditionally designed textile patterns
(Nielson 410)In the photo colors are mainly
greens and reds.
39. COLLECTIBLES
Numerous brackets and shelves on
furniture, the mantel, and wall shelves
display blue and white porcelain and
other ceramics. Japanese fans and
peacock feathers may add an exotic touch.
Stands hold plants and flowers. Mirrors,
paintings, and prints may cover walls.
(Harwood 264) This cabinet is displaying
the blue and white porcelain dishes and
vases.
40. FINISHES
In this style era furniture was used as art
china cabinets, bookcases, mirrors and
etc. Marquetry, inlay, veneering, and
lacquerwork were all skillfully applied to
the decorative furniture of Queen Anne
design.Typical motifs in this
ornamentation are scallop shells, scrolls,
Oriental figures, animals,and plants.The
mirror in this photo is made from maple
and pine
41. ARTWORK
Art work from this era
also depicted how
they lived. Bringing in
the dark hues the
elaborate furnishings,
mirrors and etc.
42. LIGHTING DETAILS
Candle Sticks
Traditional Queen Anne candle
sticks and table lighting are made
of metals such as silver, brass, and
gold. Forms are traditionally
bulbous, though sometimes a
turning form was used.
43. LANTERS
Materials were traditionally glass with
brass to hold the lantern top.They
use oil and they are traditionally
round and baluster; similar to what
would be seen in turning.
44. CHANDELIERS
Like most of the other lighting ,
chandeliers were made of brass.
Many chandeliers were made using
candles. Once electricity was
invented, many replicas used a
combination of oil and electricity.
Now many use solely electricity.
45. WALL SCONCE
Sconces were originally
candlesticks mounted on the wall.
They held candles or a cup-like
shape filled with oil.The material
was usually brass, though they were
very polished.These sconces also
have turning details visible.
46. CONCEPT STATEMENT
The transitional house will be in the Queen Anne style, and promote a cozy,
comfortable atmosphere. Curves and muted colors will create a safe haven, while
repetition will create a uniformity and cohesiveness.Wood grains will be used
throughout, offset in places with tile, adding a natural, homey touch, while contrasting
with the curves.The addition of plants and style-specific lighting will tie in with the
Queen Anne scheme, while also adding the feeling of a home.
48. IMAGE 1
The color palette is complimentary, with
mainly warm, deep earthy tones,
characteristic to a historic Queen Anne
home.The lighter beige hue offers a nice
contrast to break up the darker mahogany
and reds of the wood and the green is
bright, cheerful and fresh.
This color palette is ideal in creating a
comforting, warm, and homey
environment.
49. IMAGE 2
This analogous scheme offers a visually
interesting contrast while still looking
open and welcoming. Accents in gold
would be a good edition.
50. IMAGE 3
The colors are deep woody and
characteristic of the Queen Anne style.
Deep blue hues are complimentary to
the palette.The scheme offers a sense
of serenity and comfort.
51. COLOR PALETTE
Both the main gathering areas and the
tenant areas will have a complimentary,
earthier mixture of tones.The addition
of the other colors will add warmth and
a sense of comfort, complimenting the
relaxing, cooler blue-hued theme.
53. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F1
ROOM: Gathering Area,
MANUFACTURER: Drexel Heritage
ITEM/NAME: Marcelle Mid-Sofa
FINISH: Honey
FABRIC: Polyester
MANUFACTURER:
ITEM #/NAME: Blue 10390-73
COLOR: Blue
PATTERN:
REPEAT:
PRICE PER UNIT: 3950
UNITS NEEDED: 2
TOTAL COST:7900
DESCRIPTION: 76" W x 38" D x 38"H 193cm W x 96cm D x 96cm H,
REMARKS: http://www.drexelheritage.com/Furniture/Living-Room-Furniture/Drexel-Heritage-
Upholstery/i436861-Drexel-Marcelle-Mid-Sofa.aspx
54. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F2
ROOM: Gathering Area, Study Area
MANUFACTURER: Drexel Heritage
ITEM/NAME: Madison Cherry II 153-840
FINISH: Cherry
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: 275
UNITS NEEDED: 3
TOTAL COST:825
PLACE
FABRIC SWATCH
HERE
DESCRIPTION: 20" W x 20" D x 26"H 50cm W x 50cm D x 66cm H Cherry Veneers and Select
Hardwood Solids Finish Standard: Madison Cherry II Round pedestal table
REMARKS: http://www.drexelheritage.com/Furniture/Living-Room-Furniture/Madison-Cherry-
II/i433444-Drexel-Accessory-Table.aspx
55. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F3
ROOM: Gathering Area
MANUFACTURER: Drexel Heritage
ITEM/NAME: Table De Cafe
FINISH: Cherry
FABRIC: Cherry
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT:1195
UNITS NEEDED: 1
TOTAL COST:1195
PLACE
FABRIC SWATCH
HERE
DESCRIPTION: 54" W x 35" D x 20"HBirch, Cherry, and Mahogany Veneers and Birch and Cherry
Solids Finish Standard: Cerise (Antique Cherry) Decorative veneer top Carved legs
REMARKS: http://www.drexelheritage.com/Furniture/Living-Room-Furniture/At-Home-in-Belle-
Maison/i433914-Drexel-Coffee-Table.aspx
56. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F4
ROOM: Dining Room
MANUFACTURER: Drexel Heritage
ITEM/NAME: Rectangular Dining Table 153-660
FINISH: Cherry
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT:3395
UNITS NEEDED: 8
TOTAL COST:27160
PLACE
FABRIC SWATCH
HERE
DESCRIPTION: 64”x44” extending to 104” with 2, 20” leaves
REMARKS: http://www.drexelheritage.com/Furniture/Dining-Room-Furniture/Madison-Cherry-
II/i433439-Drexel-Rectangular-Dining-Table.aspx
57. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F5
ROOM: Gathering Area
MANUFACTURER: Drexel Heritage
ITEM/NAME: Gabrielle Chair
FINISH: Honey
FABRIC: Cotton
MANUFACTURER: Drexel Heritage
ITEM #/NAME: 60075-83
COLOR: White/Natural
PATTERN: Demask
REPEAT: 28.25”
PRICE PER UNIT: 1275
UNITS NEEDED: 10
TOTAL COST:12750
DESCRIPTION: 27" W x 32" D x 49"H 68cm W x 81cm D x 124cm H
REMARKS: http://www.drexelheritage.com/Furniture/Living-Room-Furniture/Drexel-Heritage-
Upholstery/i436859-Drexel-Gabrielle-Chair.aspx
58. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F6
ROOM: Living Room, Lounge Area, Study Area
MANUFACTURER: Drexel Heritage
ITEM/NAME: Marcelle Sofa
FINISH: Honey
FABRIC: 80% Polyester, 20% Viscose
MANUFACTURER: Drexel Heritage
ITEM #/NAME: 40306-88
COLOR: White/Natural
PATTERN:
REPEAT:
PRICE PER UNIT:4250
UNITS NEEDED: 5
TOTAL COST: 21250
DESCRIPTION: 87" W x 38" D x 38"H
220cm W x 96cm D x 96cm H
REMARKS http://www.drexelheritage.com/Furniture/Living-Room-Furniture/Drexel-Heritage-
Upholstery/i436862-Drexel-Marcelle-Sofa.aspx
59. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F7
ROOM: Dining Room
MANUFACTURER: Drexel Heritage
ITEM/NAME: Queen Anne Side Chair
FINISH: Cherry
FABRIC: Cotton
MANUFACTURER:
ITEM #/NAME: 60075-83
COLOR: White/Natural
PATTERN: Demask
REPEAT: 28.25”
PRICE PER UNIT:450
UNITS NEEDED: 28
TOTAL COST:12600
DESCRIPTION:
REMARKS: http://www.drexelheritage.com/Furniture/Dining-Room-Furniture/Madison-Cherry-
II/i433443-Drexel-Queen-Anne-Side-Chair.aspx
60. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F8
ROOM: Bedroom
MANUFACTURER: Drexel Heritage
ITEM/NAME: Madison Cherry II Headboard
FINISH: Cherry
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT:1250x4,975x2
UNITS NEEDED: 4 Queen size, 2 Twin Size
TOTAL COST:6950
PLACE
FABRIC SWATCH
HERE
DESCRIPTION:
REMARKS: http://www.drexelheritage.com/Furniture/Bedroom-Furniture/Madison-Cherry-
II/i438434-Drexel-Headboard.aspx
61. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F9
ROOM: Bedroom
MANUFACTURER: Drexel Heritage
ITEM/NAME: Madison Cherry II Nightstand
FINISH: Cherry
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT:850
UNITS NEEDED: 6
TOTAL COST:5100
PLACE
FABRIC SWATCH
HERE
DESCRIPTION: 25" W x 17" D x 27"H
REMARKS: http://www.drexelheritage.com/Furniture/Bedroom-Furniture/Madison-Cherry-
II/i433427-Drexel-Night-Stand.aspx
62. YOUR
LOGO
HERE
FURNITURE SPECIFICATION SHEET
PROJECT:
DESIGNER:
KEY: F10
ROOM: Living Room
MANUFACTURER: Ballard Designs
ITEM/NAME: Casa Florentina Arezzo Console
FINISH: Walnut
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT:1399
UNITS NEEDED: 4
TOTAL COST:5596
DESCRIPTION: Console features two adjustable shelves and cord management hole for storing
media. A fixed shelf on either side offers open display.
REMARKS: http://www.drexelheritage.com/Furniture/Living-Room-Furniture/Madison-Cherry-
II/i433432-Drexel-Mirror.aspx
64. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY: P1
ROOM: All
MANUFACTURER: Benjamin Moore
ITEM/NAME: Natura Interior Paint
FINISH: Eggshell
FABRIC:
MANUFACTURER:
ITEM #/NAME: 791
COLOR: Paddington Blue
PATTERN:
REPEAT:
PRICE PER UNIT: $37.99/ gallon
UNITS NEEDED: 16
TOTAL COST: $604.84
DESCRIPTION:
REMARKS: 0 VOC Paint
65. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY: P2
ROOM:
MANUFACTURER: Benjamin Moore
ITEM/NAME: Waterborne Ceiling Paint
FINISH: Eggshell
FABRIC:
MANUFACTURER:
ITEM #/NAME: 2017-70
COLOR: White Vanilla
PATTERN:
REPEAT:
PRICE PER UNIT: $39.00/ Gallon
UNITS NEEDED: 26
TOTAL COST: $1014
DESCRIPTION:
REMARKS:
66. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY:W1
ROOM: Select walls of all rooms with exception to
storage/closets
MANUFACTURER: MDF
ITEM/NAME: Wainscot 4’x 32” Panel
FINISH:
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: $13/ 4 Ln. Ft.
UNITS NEEDED: 488 Ln.Ft.
TOTAL COST: $1586
http://www.homedepot.com/p/1-4-in-
x-32-in-x-48-in-MDF-Wainscot-Panel-
PANMIRAGEP/205628743
DESCRIPTION:
REMARKS: Pre-primed and ready for finishing. Cuts easily for areas beneath windows and
around outlets
67. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY: FL1
ROOM: All (minus bathrooms)
MANUFACTURER: Armstrong
ITEM/NAME: Hardwood Oak Parquet #111140
FINISH: Honey
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: 2.29 Sq. Ft.
UNITS NEEDED: 4471 sq. ft.
TOTAL COST: $10238.59
http://www.armstrong.com/flooring/hardwood/honey-oak-12-in-solid-
hardwood-parquet-111140/floor-
52730.asp?intcid=button_ViewFloor_OptionsModal#installation-care
DESCRIPTION: Width: 12 in. Thickness: 5/16 in. Gloss: High Gloss
REMARKS: The density/hardness of the wood species and its ability to withstand foot traffic,
children and pets will impact its wear performance, and will vary from species to species.
Strong, resilient Oak is used as the industry benchmark.
68. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY: FL2
ROOM: Bathrooms (Public and tenant)
MANUFACTURER: Merola Tile
ITEM/NAME: Evasion Azul 17-5/8 in. x 17-5/8 in. Ceramic
Floor and Wall Tile
FINISH: Glazed, slightly textured
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: $3.96 Sq. Ft.
UNITS NEEDED: 336 Sq. Ft.
TOTAL COST: $1330.56
http://www.homedepot.com/p/Merola-Tile-
Evasion-Azul-17-5-8-in-x-17-5-8-in-Ceramic-
Floor-and-Wall-Tile-11-1-sq-ft-case-
FPEEVAAZ/206351875
DESCRIPTION: 17.63”x17.63” Ceramic Tile.
REMARKS: Chemical Resistant,Glazed,Meets A.D.A. Requirements,Radiant/Underfloor Warming
Heating. Accent Wall,Backsplash,Bath Wall,Bath floor,Bedroom Floor,Countertop,Entry
Way,Fireplace Facade,Hallway Floor,Kitchen Floor,Living Room Floor,Shower Wall,Shower floor.
69. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY:L1
ROOM: Bedrooms
MANUFACTURER: Hunter
ITEM/NAME: 52" Flush Mount Indoor Ceiling Fan
FINISH: Antique Pewter
FABRIC:
MANUFACTURER:
ITEM #/NAME:
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: $109
UNITS NEEDED:6
TOTAL COST: $654
http://www.lightingdirect.com/hunter-low-
profile-52-plus-52-flush-mount-indoor-ceiling-
fan-5-reversible-blades-and-light-kit-
included/p2720594
DESCRIPTION: Antique Pewter finish features reversible Walnut and Light Cherry blades
REMARKS: Hunter combines 19th century craftsmanship with 21st century design and technology
to create ceiling fans of unmatched quality, style, and whisper-quiet performance.
70. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY:L2
ROOM: Gathering, Study, Living Rooms, Entry
MANUFACTURER: Hinkly
ITEM/NAME: 2 Light Indoor Flush Mount Ceiling Fixture
FINISH: Burnished Brass
FABRIC:
MANUFACTURER:
ITEM #/NAME: BCI526638
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: $179
UNITS NEEDED: 8
TOTAL COST: $1432
http://www.lightingdirect.com/hinkley-
lighting-h4102-2-light-indoor-flush-mount-
ceiling-fixture-from-the-plantation-
collection/p526638
DESCRIPTION: Clear Optic glass dome shade
REMARKS: Nearly all bulb types can be found for the E26 Medium Base, options include
Incandescent, Fluorescent, LED, Halogen, and Xenon / Krypton.
71. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY:L3
ROOM: Kitchens
MANUFACTURER: Hinkly
ITEM/NAME: Jardino 5 Light 1 Tier Chandelier
FINISH: Tuscan Iron
FABRIC:
MANUFACTURER:
ITEM #/NAME: BCI311503
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: $141
UNITS NEEDED: 5
TOTAL COST:$ 705
http://www.lightingdirect.com/hinkley-
lighting-h4285-jardino-5-light-1-tier-
chandelier/p311503
DESCRIPTION:
REMARKS: Nearly all bulb types can be found for the E26 Medium Base, options include
Incandescent, Fluorescent, LED, Halogen, and Xenon / Krypton.
72. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY:L4
ROOM: Bathrooms
MANUFACTURER: Murray Feiss
ITEM/NAME: Emma 3 Light Bathroom Vanity Light
FINISH: Grecian Bronze
FABRIC:
MANUFACTURER:
ITEM #/NAME: BCI1881110
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: $135
UNITS NEEDED:6
TOTAL COST:$ 810
http://www.lightingdirect.com/murray-
feiss-vs19503-emma-3-light-bathroom-
vanity-light/p1881110
DESCRIPTION:
REMARKS: Nearly all bulb types can be found for the E26 Medium Base, options include
Incandescent, Fluorescent, LED, Halogen, and Xenon / Krypton
73. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY:L5
ROOM: Gathering, Study, Living Rooms, Bedrooms,
Hall/Entry
MANUFACTURER: Murray Feiss
ITEM/NAME: Kelham Hall 1 Light Reversible Wallchiere
Wall Sconce
FINISH: Firenze Gold/british Bronze
FABRIC:
MANUFACTURER:
ITEM #/NAME: BCI909229
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT: $64
UNITS NEEDED: 40
TOTAL COST: $2560
http://www.lightingdirect.com/murray-
feiss-wb1418-kelham-hall-1-light-
reversible-wallchiere-wall-sconce/p909229
DESCRIPTION:
REMARKS:
74. YOUR
LOGO
HERE
[FINISH or LIGHTING] SPECIFICATION
SHEET
PROJECT:
DESIGNER: Dunnette Brown
KEY:L6
ROOM: Kitchens
MANUFACTURER: Minka Lavery
ITEM/NAME: 6” decorative recessd trim with Salon
Scavo Glass
FINISH: Florence Patina Bronze
FABRIC:
MANUFACTURER:
ITEM #/NAME: BCI1104084
COLOR:
PATTERN:
REPEAT:
PRICE PER UNIT:$31.40
UNITS NEEDED: 16
TOTAL COST: $502.40
http://www.lightingdirect.com/minka-lavery-
2848-6-decorative-recessed-trim-with-salon-
scavo-glass-from-the-salon-grand-
collection/p1104084
DESCRIPTION:
REMARKS:
75. Materials Maintenance
Armstrong Parquet Wood Flooring:
Hardwood Floor Care Tips
Floor Cleaning
Sweep, dust mop, or vacuum regularly using the wand attachment on your vacuum
cleaner.
Clean your hardwood floor occasionally using a mop and Armstrong Hardwood &
Laminate Floor Cleaner or Bruce Hardwood & Laminate Floor Cleaner.
To revive an older floor, apply one or more coats of Armstrong Restore Hardwood Floor
Finish or Bruce Fresh Finish™, or Bruce Fresh Finish™ Low Gloss.
Floor Protection
Wipe up spills immediately.
Place a natural or colorfast mat at outside entrances to reduce the amount of dirt and
moisture tracked into your home.
Keep animal nails trimmed to prevent scratches.
Use Armstrong Floor Protectors on furniture legs to reduce indentations.
Protect your floor from direct sunlight.
DON'T wear shoes with spike heels or heel taps on your hardwood floor. Remove shoes
at the door to avoid potentially dragging in sharp objects in your shoe treads.
DON'T use: ammonia-based cleaners, wax-based products, detergents, bleach, polishes,
oil soaps, abrasive cleaning soaps, or acidic materials like vinegar.
http://www.armstrong.com/flooring/floor-care/hardwood-care-instructions.html
Merola Ceramic Floor Tile:
Tile is a low-maintenance surface choice for your home. Its care is simple and cost
effective and will keep tile looking brand new, lustrous and scratch free. Here are some
tips on how to maintain a tile installation.
Regular Cleaing: Sweep the tile free of dirt and dust (or in the case of backsplashes/ wall
installations, wiping with a dry cloth) at least twice a week.
Deeper Cleaning: Use soap and warm water-other products can dull the glaze. Make
sure to use non-abrasive materials, like cloth rather than the rough side of a sponge.
For Grout Lines: Use warm soap and water with a stiff-bristled tooth brush. For
particularly stubborn mold, mildew, or soap scum, use watered-down distilled white
vinegar. We recommend one part vinegar and one part water, contained in a spray
bottle. If need be, briefly leave the mixture on the grout line before cleaning.
http://www.homedepot.com/catalog/pdfImages/fa/fa8865e7-3473-49cd-85f5-
2522d409ec1a.pdf
90. JUSTIFICATION
•Which of elements and principles (light, color, line, texture, balance, proportion, harmony, etc.) are dominant and subdominant in the
design, and how do they support the concept?
Color and harmony are a big factor in the design and it is initially the two most obvious features of the interior. Choosing the bold,
bright and high contrasting complimentary color scheme of blue and brown ideally make the spaces warm, cheery and comfortable.
Shades of white and beige help to balance the intensity of the deeper wood tones as well as the vibrant blues.
•How does your design reflect the culture and diversity of the client who will occupy the space? How do the furniture, finishes, lighting
selections, and custom elements meet the needs of the women and children living in the transitional housing?
Given that the household is intended for women and children, trying to make a better life for themselves and also to leave their pasts
behind, the spaces really appeal to a more feminine, relaxed, and refined style. Comfortable yet fashionable furnishings paired with
elegant fabrics, elaborate and functional lighting, and a specific color scheme support the envisioned purpose.
•How did universal design application, code, or egress requirements and environmental design choices influence the decisions you
made throughout the design process?
Because certain factors such as egress, ADA compliance, and window placements were necessary, there was some adjustments that
needed to be made to the overall layout of the plan. Indisputably, an addition of one extra window was needed for functionality. Other
considerations that were made but not necessarily a factor that disrupted the preliminary design, where the including of ADA
accessible elements such as pocket doors, turn about radiuses and accessible showers/bathrooms. Egress ways were also considered
in the preliminary stages so that they would not become a factor, later on in the process.
91. REFLECTION
This class has taught me some value in working as a team, especially in the beginning of the
course. I was a little skeptical as to the duration of the team work, because it was seemingly
insignificant, due to the partial obligations.
I think that this would have been a great project to continue the team work (despite some
time zone and other complications) through out the course. It is wonderful to see and
experience other’s perspectives on a design and personally had offered great insight to
tackling issues, normally dealt with on my own.
Other than the teamwork, I cannot say that I learned anything new, however, I did get a
chance to use my previous training and continue to refine them for future projects. It’s
always nice to get the opportunity to use what I already know and apply it to a functional
project packet.
