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Waste:
Land of Plenty
Diana Simpson Hernandez
MA RCA
Jan 2015
I am a London-based designer,
originally from Mexico, and when
people think about Mexico they think
of something like this:
Or this….
…which fair enough are very Mexican, but
Mexico is also known for its resourcefulness.
In Mexico, like in many other places in the
world, scarcity comes hand in hand with
resourcefulness, and in the context of this
talk, the following examples are very
relevant:
In this image, a dancer is using sandals
made from recycled tyres (incredibly
resistant)
in this next one, an old wheel rim is given
a second life as a pink sign post
“That which we throw away we fail
to value”. Victor Papanek. Design for the Real World
Data based on the Mayor of London Business Waste policy of 2011.
The material testing process was one of the most interesting stages because I really got to
understand the qualities of the material. I knew I had to create a low energy alternative,
but I had to test re-melting my glass at different temperatures and at different sizes, to see
whether re-melting the glass at low temperatures could be an option.
I also researched a whole series of natural and industrial binders, and the results were
fascinating for different applications.
Since the beginning of the process I knew I wanted to create a product that would use
waste in a beautiful way, so it would highlight the real value of waste, and it would help
bring about the change in perspective Victor Papanek was referring to.
Soon after the Sustain RCA Show,
I was contacted by Marc Peridis,
founder of sustainability design
gallery 19 Greek Street in Soho, to
begin a designer in residence
program, where I would scale up
the project to make it
commercially viable.
I set up the glass lab workshop in
the top floor of the gallery, and
began a challenging process that
would take the best part of the
next six months to test and
complete.
The idea was to collect local glass waste from
bars in the soho area, process it in the glass lab
workshop, where I cleaned, crushed and graded
all the glass collected, and then cast, on site,
bespoke surfacing products for the Library
Hotel at Saint Martins lane.
This worked well as it was a local system that
used local waste to create local products.
www.dishcreative.co
The Surface lab is a waste upcycling
lab based in London. Our waste
processing system revolves around
the local collection, processing, and
transformation of waste into
commercial products.
Principles
1. Local systems
2. Waste as resource
3. The value of raw
4. Be part of the new paradigm
5. Material innovations using waste
6. Making waste beautiful
7. Empowerment of people
Clients: Special Thanks to:
19 Greek Street
Gallery

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Waste: land of plenty

  • 1. Waste: Land of Plenty Diana Simpson Hernandez MA RCA Jan 2015
  • 2. I am a London-based designer, originally from Mexico, and when people think about Mexico they think of something like this:
  • 3.
  • 5. …which fair enough are very Mexican, but Mexico is also known for its resourcefulness. In Mexico, like in many other places in the world, scarcity comes hand in hand with resourcefulness, and in the context of this talk, the following examples are very relevant:
  • 6. In this image, a dancer is using sandals made from recycled tyres (incredibly resistant)
  • 7. in this next one, an old wheel rim is given a second life as a pink sign post
  • 8. “That which we throw away we fail to value”. Victor Papanek. Design for the Real World
  • 9. Data based on the Mayor of London Business Waste policy of 2011.
  • 10. The material testing process was one of the most interesting stages because I really got to understand the qualities of the material. I knew I had to create a low energy alternative, but I had to test re-melting my glass at different temperatures and at different sizes, to see whether re-melting the glass at low temperatures could be an option. I also researched a whole series of natural and industrial binders, and the results were fascinating for different applications. Since the beginning of the process I knew I wanted to create a product that would use waste in a beautiful way, so it would highlight the real value of waste, and it would help bring about the change in perspective Victor Papanek was referring to.
  • 11.
  • 12.
  • 13. Soon after the Sustain RCA Show, I was contacted by Marc Peridis, founder of sustainability design gallery 19 Greek Street in Soho, to begin a designer in residence program, where I would scale up the project to make it commercially viable. I set up the glass lab workshop in the top floor of the gallery, and began a challenging process that would take the best part of the next six months to test and complete.
  • 14. The idea was to collect local glass waste from bars in the soho area, process it in the glass lab workshop, where I cleaned, crushed and graded all the glass collected, and then cast, on site, bespoke surfacing products for the Library Hotel at Saint Martins lane. This worked well as it was a local system that used local waste to create local products.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 28. The Surface lab is a waste upcycling lab based in London. Our waste processing system revolves around the local collection, processing, and transformation of waste into commercial products.
  • 29. Principles 1. Local systems 2. Waste as resource 3. The value of raw 4. Be part of the new paradigm 5. Material innovations using waste 6. Making waste beautiful 7. Empowerment of people
  • 30.
  • 31.
  • 32. Clients: Special Thanks to: 19 Greek Street Gallery