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PORTFOLIO PHONE
WELCOME TO CREATIVE PORTFOLIO
FINAL YEAR 13/01
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PORTFOLIO SERVICE
13/01
DESIGNERS PORTFOLIO
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PORTFOLIO PHONE
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PORTFOLIO PHONE
13/01
Special talent for
effectively helping
people in a
friendly,
professional
demeanor while
being calm,
patient and
non judgmental.
Expertise in
Designing
techniques and
tools, Fashion
merchandising,
Fashion
forcasting,Visual
merchandising,
Fashion/product
photography,and
styling.
A U MBO T E
FLORAMOTIFDESIGN PRINT
PORTFOLIO PHONE
FLORAMOTIFDESIGN PRINT
Design impacts all our lives in ways subtle and overt. From our phones to
our coffee pots, every object is a function of design.Great design is more than
just good aesthetics. It is the way we use objects. An iPad or an Eames chair
are beautiful by themselves, but you can’t truly appreciate their design until
you start using them. It’s only then that you experience all the subtle
touches, all the things visible and invisible that make great design.
Philosophy of design is the study of assumptions, foundations, and
implications of design. The field is defined by an interest in a set of problems,
or an interest in central or foundational concerns in design. In addition to
these central problems for design as a whole, many philosophers of design
consider these problems as they apply to particular disciplines (e.g.
philosophy of art). Although most practitioners are philosophers, several
prominent designers and artists have contributed to the field. Graphic
design has seen many changes and influences. But foundations remain the
same. Society heavily pressures graphic design to assimilate to the era. The
history or foundation for graphic design has influence from what was
depicted to the author during that time. The foundation of letters, that can
PHILOSOPHYDESIGN
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PORTFOLIO PHONE
13/01
FINAL YEAR 13/01
EL DE N E GM TS F NE O SI
FLORAMOTIFDESIGN PRINT
FINAL YEAR 13/01
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13/01
PORTFOLIO PHONE
13/01
EL DE N E GM TS F NE O SI
The elements and principles of design are the building blocks used to
create a work of art. The elements of design can be thought of as the
things that make up a painting, drawing, design etc. Good or bad - all
paintings will contain most of if not all, the seven elements of design.
A commonly used list of the main elements include form, shape, line,
color, value, space and texture.
FLORAMOTIFDESIGN PRINT
PORTFOLIO PHONE
MOTIF DESIGN
13/01
In art, a motif is an element of a pattern, image or part of one. A motif
may be repeated in a design or composition, often many times, or may just
occur once in a work.
PORTFOLIO PHONE
SCREEN PRINTING
Screen printing is a printing
technique whereby a mesh is used
to transfer ink onto a substrate,
except in areas made impermeable
to the ink by a blocking stencil. A
blade or squeegee is moved across
the screen to fill the open mesh
apertures with ink, and a reverse
stroke then causes the screen to
touch the substrate momentarily
along a line of contact. This causes
the ink to wet the substrate and be
pulled out of the mesh apertures as
the screen springs back after the
blade has passed.
13/01
PORTFOLIO PHONE
BATIKSTENCIL
BLOCK PRINT TIE AND DYE
13/01
PORTFOLIO PHONE
FABRIC PAINTING
13/01
fabric painting is the
process of applying
colorto fabric in
definite patterns or
designs. In properly
printed fabrics the
color is bonded with
the fibre, so as to
resist washing and
f r i c t i o n . f a b r i c
painting is related to
dyeing but in dyeing
properly the whole
fabric is uniformly
covered with one
color, whereas in
painting one or more
colors are applied to
it.
PORTFOLIO PHONE
TWISTING
13/01
PORTFOLIO PHONE
MOTIF REPETITION
MOTIF REPETITION
MOSAIC
MOSAIC
13/01
PORTFOLIO PHONE
PRINT DESIGN
13/01
Print design, is a form of visual communication used to convey
information to an audience through intentional aesthetic design
printed on a tangible surface, designed to be printed on paper, as
opposed to presented on a digital platform. A design can be considered
print design if its final form was created through an imprint made by
the impact of a stamp, seal, or dye on the surface of the paper.
PORTFOLIO PHONE
13/01
EMBROIDERY
E m b r o i d e r y i s t h e
h a n d i c r a f t o f
decorating fabric or
other materials with
needle and thread or
yarn. Embroidery may
also incorporate other
m a t e r i a l s s u c h a s ,
pearls, beads, quills, and
s e q u i n s . T o d a y ,
embroidery is most
often seen on caps, hats,
coats, blankets, dress
shirts, denim, stockings,
a n d g o l f s h i r t s .
Embroidery is available
with a wide variety of
thread or yarn color.
The basic techniques or stitches on surviving examples of the earliest
embroidery—chain stitch, buttonhole or blanket stitch, running stitch, satin
stitch, cross stitch
PORTFOLIO SERVICE
13/01
PORTFOLIO PHONE
13/01
FINAL YEAR 13/01
DRAW PATTERN TO UNLOCK PORTFOLIO
D GRAWIN
FLORAMOTIFDESIGN PRINT
PORTFOLIO PHONE
DRAWING
FLORAMOTIFDESIGN PRINT
Drawing is a form of visual art in which a person uses various drawing
instruments to mark paper or another two-dimensional medium. Instruments
include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons,
charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various
metals and electronic drawing.
A drawing instrument releases small amount of material onto a surface,
leaving a visible mark. The most common support for drawing is paper,
although other materials, such as cardboard, plastic, leather, canvas, and
board, may be used. Temporary drawings may be made on a blackboard or
whiteboard or indeed almost anything. The medium has been a popular and
fundamental means of public expression throughout human history. It is one of
the simplest and most efficient means of communicating visual ideas. The wide
availability of drawing instruments makes drawing one of the most common
artistic activities.
A person drawing the Barberini Faun in Munich
In addition to its more artistic forms, drawing is frequently used in commercial
illustration, animation, architecture, engineering and technical drawing. A
quick, freehand drawing, usually not intended as a finished work, is sometimes
called a sketch. An artist who practices or works in technical drawing may be
called a drafter, draftsman or a draughtsman.
13/01
PORTFOLIO PHONE
13/01
WATER COLOR PAINTING
FINAL YEAR 13/01
PORTFOLIO PHONE
13/01
WATER COLOR PAINTING
PORTFOLIO PHONE
13/01
SKETCHING
PORTFOLIO PHONE
13/01
SKETCHING
PORTFOLIO PHONE
I TRLL S TU A NIOFAS OHI N
FLORAMOTIFDESIGN PRINT
13/01
PORTFOLIO SERVICE
13/01
EMERGENCY PORTFOLIO
13/01
PORTFOLIO PHONE
13/01
FASHION ILLUSTRATION
FLORAMOTIFDESIGN PRINT
Fashion Illustration is the communication of fashion that originates with
illustration, drawing and painting. It is usually commissioned for reproduction
in fashion magazines as one part of an editorial feature or for the purpose of
advertising and promoting fashion makers, fashion boutiques and department
stores
Fashion illustration has been around for nearly 500 years. Ever since clothes
have been in existence, and there has been a need to translate an idea or image
into a fashion illustration. Not only do fashion illustrations show a
representation or design of a garment but they also serve as a form of art.
Fashion illustration shows the presence of hand and is said to be a visual
luxury. More recently, there has been a decline of fashion illustration in the late
1930s when Vogue began to replace its celebrated illustrated covers with
photographic images. This was a major turning point in the fashion industry.
Laird Borrelli, author of Fashion Illustration Now states,
Fashion Illustration has gone from being one of the sole means of fashion
communication to having a very minor role. The first photographic cover of
Vogue was a watershed in the history of fashion illustration and a watershed
mark of its decline. Photographs, no matter how altered or retouched, will
always have some association with reality and by association truth. I like to
think of them [fashion Illustrations] as prose poems and having more fictional
narratives. They are more obviously filtered through an individual vision than
photos. Illustration lives on, but in the position of a poor relative to the fashion.
DRAW PATTERN TO UNLOCK PORTFOLIO
13/01
PORTFOLIO PHONE
13/01
FASHION ILLUSTRATION
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13/01
PORTFOLIO PHONE
13/01
FASHION ILLUSTRATION
WELCOME TO PORTFOLIO PHONE
PORTFOLIO SERVICE
PORTFOLIO PHONE
FASHION ILLUSTRATION
13/01
PORTFOLIO SERVICE
PORTFOLIO PHONE
FASHION ILLUSTRATION
13/01
ASSIGNMENT was to recreate Collection garment for a Fashion show
(keep in mind ss15 forecast, trend and color)
Age Group-18-30
Fabric- Micro velvet, Crepe, Stain, Net, Lace, Ruby Cotton.
Hand Embroidery- Mirror work.
Motif made on coral draw & rendering done on coral draw
Use tools- Bezier, Pen, Shape, Ellipse, Transparency, Interactive fill tool.
PORTFOLIO PHONE
G IRAP CSH
FLORAMOTIFDESIGN PRINT
13/01
13/01
PORTFOLIO PHONE
FLORAMOTIFDESIGN PRINT
G IRAP CSH
Graphics are visual images or designs on some surface, such as a wall, canvas,
screen, paper, or stone to inform, illustrate, or entertain. In contemporary
usage it includes: pictorial representation of data, as in computer-aided design
and manufacture, in typesetting and the graphic arts, and in educational and
recreational software. Images that are generated by a computer are called
computer graphics.
Examples are photographs, drawings, Line art, graphs, diagrams, typography,
numbers, symbols, geometric designs, maps, engineering drawings, or other
images. Graphics often combine text, illustration, and color. Graphic design
may consist of the deliberate selection, creation, or arrangement of typography
alone, as in a brochure, flyer, poster, web site, or book without any other
element. Clarity or effective communication may be the objective, association
with other cultural elements may be sought, or merely, the creation of a
distinctive style.
Graphics can be functional or artistic. The latter can be a recorded version, such
as a photograph, or an interpretation by a scientist to highlight essential
features, or an artist, in which case the distinction with imaginary graphics
may become blurred.
PORTFOLIO PHONE
FINAL YEAR 13/01
DRAW PATTERN TO UNLOCK PORTFOLIO
EMERGENCY PORTFOLIO
13/01
STORY WISE DESIGN
flora motif print
cotton fabric strip stitched
geometric shape
print
print placement
1 inch strip stitched
waist band
attached
strip
PORTFOLIO PHONE
13/01
STORYWISE DESIGN
EMERGENCY PORTFOLIO
flora digital
print
kohbar print
cotton fabric
cotton fabric
kohbar
print
Black cotton
Black cotton
Black cotton
PORTFOLIO PHONE
13/01
FINAL YEAR 13/01
EMERGENCY PORTFOLIO
STORYWISE DESIGN
digital print
piping
geometric print
cotton fabric
pipingpiping
attched on
first layerattched on
first layer
PORTFOLIO PHONE
13/01
FRONT BORDER DESIGN
This motif is designed for front placement in kurties.
PORTFOLIO PHONE
13/01
FINAL YEAR 13/01
Motif with bordar
Motif with bordar
Plazo
Frock
PORTFOLIO PHONE
13/01
FABRIC COLOR SPECIFICATION:
COLORWAY-2
PANTONE
19-3748 TPX
Mid grey
melange
Base color: Tee Base color: ShrugBase color:Tee
FABRIC COLOR SPECIFICATION
COLORWAY-1
Mid grey
melange
Base color: Shrug
Anthra
melange
Gloved sleeve
Neck binding
Slim tting sleeve
Fitted body
All neck and armhole
nishing to be
binding with double
stitch
Print graphic to be
placed 0" from
neck seam
Printed front
body
Graphic might be
cut off on the
wearer's left
Base color:
15"
12.43"
PANTONE
19-3748TPX
15
12.43"
Basecolor:
PANTONE
15-6304TPX
PANTONE
18-0510TPX
ASPERARTWORK
ASPERARTWORK
BLACK
Printcolors:
PRODUCT DEVELOPMENT
PORTFOLIO PHONE
13/01
PRODUCT DEVELOPMENT
Standing collar
Zipper
Running stitch
Polyester fabric with fom
Tear pocket
4mm button
Standing collar
Micro velvet fabric
goat Leather
goat Leather
FINAL YEAR 13/01
PORTFOLIO PHONE
13/01
LOGO
REPLICA
This poster made by me for boutique
advertisement .
This replica is re creation of a
advertisement .
I have design this logo for GLOBAL MODUS
POSTER
G
M
GLOBAL MODUS
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13/01
PORTFOLIO PHONE
13/01
C F C STRA UT RL E
FLORAMOTIFDESIGN PRINT
FINAL YEAR 13/01
DRAW PATTERN TO UNLOCK PORTFOLIO
PORTFOLIO PHONE
FACTS ABOUT MITHILA ART AND CULTURE
DEVELOPMENT TRUST
Mithila Art and Culture Development Trust,
Tilak Chowk, Ward No-6,
Madhubani Bihar, India.
This NGO is famous in Madhubani Art and crafts. It was formed in 1998,
pioneered by Shri Kamlesh Roywho dedicated his artistic knowledge of
Mithilanchal for promoting the Madhubani painting under theguidance of
Shri. Lakshmi Devi who is a state award winner and highly specialized in the
art form. Theyplayed a vital role in promoting the art by teaching the
painting techniques to the students from differentcommunities. The NGO
supports the beginners for the preliminary learning of the Madhubani
painting.
13/01
PORTFOLIO PHONE
EMERGENCY PORTFOLIO
13/01
MADHUBANI PAINTING
PORTFOLIO PHONE
13/01
Madhubani painting on shoes for decoretive purpose.
Madhubani painting on pag used by mithla people.
Madhubani painting on dhupdani.
13/01
PORTFOLIO PHONE
13/01
FINAL YEAR 13/01
MADHUBANI PAINTING
Madhubani painting done by me on kurta,koti and t-shirt.
13/01
PORTFOLIO PHONE
VI ME DS AN I IU R SAL C NGH
13/01
FLORAMOTIFDESIGN PRINT
PORTFOLIO PHONE
VISUAL MERCHANDISING
13/01
Visual merchandising is a purely aesthetic science, and it is the backbone
of the retail industry. Visual merchandising plays an important role in the
retail industry. However, the merchandise hardly sells in retails where
identical merchandise is flooded in the market. Visual merchandising is a
silent selling technique that helps to reduce the employee mix and increase
per square feet returns and can further help in reducing marketing
budgets. Visual merchandising of developing the floor plans and three-
dimensional displays in order to maximize sales.Both goods and services
can be displayed to highlight their features and benefits. The purpose of
such visual merchandising is to attract, engage, and motivate the
customer towards making a purchase.Visual merchandising commonly
occurs in retail spaces such as retail stores and trade shows.
Visual merchandising contributes to a brand's personality and the
characteristics associated with the brand.The design of the store should
reflect this as part of their retail brand strategy. This includes the in-store
environment and brand communications used such as signage and images
displayed in-store.These visual elements all play a part in building a retail
brand and therefore they help a brand differentiate itself from its
competitors, create brand loyalty, and allows for a brand to place
premium pricing on their products.Part of the brand strategy used in
visual merchandising is research into the brand's target market to find out
what their customers’ values and self-images are. This information can
allow the retailer to cater the design of a store and their advertising to
match their consumers.
FLORAMOTIFDESIGN PRINT
13/01
PORTFOLIO PHONE
13/01
VISUAL MERCHANDISING
This V . M done by me and my group members during my academic period .
FINAL DRESS
13/01
13/01
PORTFOLIO PHONE
13/0113/01
CO CL TILE ON
FLORAMOTIFDESIGN PRINT
PORTFOLIO PHONE
13/01
Madhubani is a district of North Bihar , the Madhubani painting which enlightened about the
social structure as well as cultural identity of Bihar and the styles of painting relates with their
mythological stories.
Madhubani has the main colors of red, green, yellow and black .
THEME
In on theme "MANTHAN" which means the churing of the "AMRITA" to become immortal was
fought between the Devas and asuras . but with the intelligence of lord Vishnus the Devs won the
pot of "Amrita" . Our theme is uniting the concept of the "Amrita" churning with the
Madhuranchal mounten has been mixed with Madhubani motive . As we connect to prominent the
Indian mythology with the Indian tribal texture of craft work Madhubani . So, acording to the
concept the line of our garment is womens wear , the wear is Indowestern , styling about the global
PORTFOLIO PHONE
13/01
DUDDLE
PORTFOLIO PHONE
13/01
FINAL ILLUSTRATION
PORTFOLIO PHONE
13/01
PHOTOSHOOT OF THE GARMENTS
PORTFOLIO PHONE
13/01
WELCOME TO PORTFOLIO PHONE
WELCOME TO PORTFOLIO PHONE
INTERNSHIP WORK
PORTFOLIO PHONE
13/01
13/01 INTERNSHIP WORK
PORTFOLIO PHONE
13/01
INTERNSHIP WORK
PORTFOLIO PHONE
13/01
GO
WILD
S T Y L E
Stylingiis the way in which
something is said ,done,
expressed,or performed.
The combination of
distinctive features of
distinctive features of
literary or artistic expre-
ssion, execution, or
performance character-
izing a perticular person,
group, school or era.
PORTFOLIO PHONE
13/01
PORTFOLIO PHONE
13/01
PORTFOLIO PHONE
13/01
DRAW PATTERN TO UNLOCK PORTFOLIO
13/01
EMERGENCY PORTFOLIO
PORTFOLIO PHONE
SHUTING DOWN PORTFOLIO

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DESIGNING PORTFOLIO

  • 1.
  • 2. PORTFOLIO PHONE WELCOME TO CREATIVE PORTFOLIO
  • 3. FINAL YEAR 13/01 DRAW PATTERN TO UNLOCK PORTFOLIO PORTFOLIO SERVICE 13/01 DESIGNERS PORTFOLIO 13/01 PORTFOLIO PHONE
  • 4. 13/01 PORTFOLIO PHONE 13/01 Special talent for effectively helping people in a friendly, professional demeanor while being calm, patient and non judgmental. Expertise in Designing techniques and tools, Fashion merchandising, Fashion forcasting,Visual merchandising, Fashion/product photography,and styling. A U MBO T E FLORAMOTIFDESIGN PRINT
  • 5. PORTFOLIO PHONE FLORAMOTIFDESIGN PRINT Design impacts all our lives in ways subtle and overt. From our phones to our coffee pots, every object is a function of design.Great design is more than just good aesthetics. It is the way we use objects. An iPad or an Eames chair are beautiful by themselves, but you can’t truly appreciate their design until you start using them. It’s only then that you experience all the subtle touches, all the things visible and invisible that make great design. Philosophy of design is the study of assumptions, foundations, and implications of design. The field is defined by an interest in a set of problems, or an interest in central or foundational concerns in design. In addition to these central problems for design as a whole, many philosophers of design consider these problems as they apply to particular disciplines (e.g. philosophy of art). Although most practitioners are philosophers, several prominent designers and artists have contributed to the field. Graphic design has seen many changes and influences. But foundations remain the same. Society heavily pressures graphic design to assimilate to the era. The history or foundation for graphic design has influence from what was depicted to the author during that time. The foundation of letters, that can PHILOSOPHYDESIGN 13/01
  • 6. 13/01 PORTFOLIO PHONE 13/01 FINAL YEAR 13/01 EL DE N E GM TS F NE O SI FLORAMOTIFDESIGN PRINT
  • 7. FINAL YEAR 13/01 DRAW PATTERN TO UNLOCK PORTFOLIO 13/01 PORTFOLIO PHONE 13/01 EL DE N E GM TS F NE O SI The elements and principles of design are the building blocks used to create a work of art. The elements of design can be thought of as the things that make up a painting, drawing, design etc. Good or bad - all paintings will contain most of if not all, the seven elements of design. A commonly used list of the main elements include form, shape, line, color, value, space and texture. FLORAMOTIFDESIGN PRINT
  • 8. PORTFOLIO PHONE MOTIF DESIGN 13/01 In art, a motif is an element of a pattern, image or part of one. A motif may be repeated in a design or composition, often many times, or may just occur once in a work.
  • 9. PORTFOLIO PHONE SCREEN PRINTING Screen printing is a printing technique whereby a mesh is used to transfer ink onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed. 13/01
  • 11. PORTFOLIO PHONE FABRIC PAINTING 13/01 fabric painting is the process of applying colorto fabric in definite patterns or designs. In properly printed fabrics the color is bonded with the fibre, so as to resist washing and f r i c t i o n . f a b r i c painting is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one color, whereas in painting one or more colors are applied to it.
  • 13. PORTFOLIO PHONE MOTIF REPETITION MOTIF REPETITION MOSAIC MOSAIC 13/01
  • 14. PORTFOLIO PHONE PRINT DESIGN 13/01 Print design, is a form of visual communication used to convey information to an audience through intentional aesthetic design printed on a tangible surface, designed to be printed on paper, as opposed to presented on a digital platform. A design can be considered print design if its final form was created through an imprint made by the impact of a stamp, seal, or dye on the surface of the paper.
  • 15. PORTFOLIO PHONE 13/01 EMBROIDERY E m b r o i d e r y i s t h e h a n d i c r a f t o f decorating fabric or other materials with needle and thread or yarn. Embroidery may also incorporate other m a t e r i a l s s u c h a s , pearls, beads, quills, and s e q u i n s . T o d a y , embroidery is most often seen on caps, hats, coats, blankets, dress shirts, denim, stockings, a n d g o l f s h i r t s . Embroidery is available with a wide variety of thread or yarn color. The basic techniques or stitches on surviving examples of the earliest embroidery—chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, cross stitch
  • 16. PORTFOLIO SERVICE 13/01 PORTFOLIO PHONE 13/01 FINAL YEAR 13/01 DRAW PATTERN TO UNLOCK PORTFOLIO D GRAWIN FLORAMOTIFDESIGN PRINT
  • 17. PORTFOLIO PHONE DRAWING FLORAMOTIFDESIGN PRINT Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals and electronic drawing. A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas. The wide availability of drawing instruments makes drawing one of the most common artistic activities. A person drawing the Barberini Faun in Munich In addition to its more artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering and technical drawing. A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, draftsman or a draughtsman. 13/01
  • 19. FINAL YEAR 13/01 PORTFOLIO PHONE 13/01 WATER COLOR PAINTING
  • 22. PORTFOLIO PHONE I TRLL S TU A NIOFAS OHI N FLORAMOTIFDESIGN PRINT 13/01
  • 23. PORTFOLIO SERVICE 13/01 EMERGENCY PORTFOLIO 13/01 PORTFOLIO PHONE 13/01 FASHION ILLUSTRATION FLORAMOTIFDESIGN PRINT Fashion Illustration is the communication of fashion that originates with illustration, drawing and painting. It is usually commissioned for reproduction in fashion magazines as one part of an editorial feature or for the purpose of advertising and promoting fashion makers, fashion boutiques and department stores Fashion illustration has been around for nearly 500 years. Ever since clothes have been in existence, and there has been a need to translate an idea or image into a fashion illustration. Not only do fashion illustrations show a representation or design of a garment but they also serve as a form of art. Fashion illustration shows the presence of hand and is said to be a visual luxury. More recently, there has been a decline of fashion illustration in the late 1930s when Vogue began to replace its celebrated illustrated covers with photographic images. This was a major turning point in the fashion industry. Laird Borrelli, author of Fashion Illustration Now states, Fashion Illustration has gone from being one of the sole means of fashion communication to having a very minor role. The first photographic cover of Vogue was a watershed in the history of fashion illustration and a watershed mark of its decline. Photographs, no matter how altered or retouched, will always have some association with reality and by association truth. I like to think of them [fashion Illustrations] as prose poems and having more fictional narratives. They are more obviously filtered through an individual vision than photos. Illustration lives on, but in the position of a poor relative to the fashion.
  • 24. DRAW PATTERN TO UNLOCK PORTFOLIO 13/01 PORTFOLIO PHONE 13/01 FASHION ILLUSTRATION
  • 25. DRAW PATTERN TO UNLOCK PORTFOLIO 13/01 PORTFOLIO PHONE 13/01 FASHION ILLUSTRATION
  • 26. WELCOME TO PORTFOLIO PHONE PORTFOLIO SERVICE PORTFOLIO PHONE FASHION ILLUSTRATION 13/01
  • 27. PORTFOLIO SERVICE PORTFOLIO PHONE FASHION ILLUSTRATION 13/01 ASSIGNMENT was to recreate Collection garment for a Fashion show (keep in mind ss15 forecast, trend and color) Age Group-18-30 Fabric- Micro velvet, Crepe, Stain, Net, Lace, Ruby Cotton. Hand Embroidery- Mirror work. Motif made on coral draw & rendering done on coral draw Use tools- Bezier, Pen, Shape, Ellipse, Transparency, Interactive fill tool.
  • 28. PORTFOLIO PHONE G IRAP CSH FLORAMOTIFDESIGN PRINT 13/01
  • 29. 13/01 PORTFOLIO PHONE FLORAMOTIFDESIGN PRINT G IRAP CSH Graphics are visual images or designs on some surface, such as a wall, canvas, screen, paper, or stone to inform, illustrate, or entertain. In contemporary usage it includes: pictorial representation of data, as in computer-aided design and manufacture, in typesetting and the graphic arts, and in educational and recreational software. Images that are generated by a computer are called computer graphics. Examples are photographs, drawings, Line art, graphs, diagrams, typography, numbers, symbols, geometric designs, maps, engineering drawings, or other images. Graphics often combine text, illustration, and color. Graphic design may consist of the deliberate selection, creation, or arrangement of typography alone, as in a brochure, flyer, poster, web site, or book without any other element. Clarity or effective communication may be the objective, association with other cultural elements may be sought, or merely, the creation of a distinctive style. Graphics can be functional or artistic. The latter can be a recorded version, such as a photograph, or an interpretation by a scientist to highlight essential features, or an artist, in which case the distinction with imaginary graphics may become blurred.
  • 30. PORTFOLIO PHONE FINAL YEAR 13/01 DRAW PATTERN TO UNLOCK PORTFOLIO EMERGENCY PORTFOLIO 13/01 STORY WISE DESIGN flora motif print cotton fabric strip stitched geometric shape print print placement 1 inch strip stitched waist band attached strip
  • 31. PORTFOLIO PHONE 13/01 STORYWISE DESIGN EMERGENCY PORTFOLIO flora digital print kohbar print cotton fabric cotton fabric kohbar print Black cotton Black cotton Black cotton
  • 32. PORTFOLIO PHONE 13/01 FINAL YEAR 13/01 EMERGENCY PORTFOLIO STORYWISE DESIGN digital print piping geometric print cotton fabric pipingpiping attched on first layerattched on first layer
  • 33. PORTFOLIO PHONE 13/01 FRONT BORDER DESIGN This motif is designed for front placement in kurties.
  • 34. PORTFOLIO PHONE 13/01 FINAL YEAR 13/01 Motif with bordar Motif with bordar Plazo Frock
  • 35. PORTFOLIO PHONE 13/01 FABRIC COLOR SPECIFICATION: COLORWAY-2 PANTONE 19-3748 TPX Mid grey melange Base color: Tee Base color: ShrugBase color:Tee FABRIC COLOR SPECIFICATION COLORWAY-1 Mid grey melange Base color: Shrug Anthra melange Gloved sleeve Neck binding Slim tting sleeve Fitted body All neck and armhole nishing to be binding with double stitch Print graphic to be placed 0" from neck seam Printed front body Graphic might be cut off on the wearer's left Base color: 15" 12.43" PANTONE 19-3748TPX 15 12.43" Basecolor: PANTONE 15-6304TPX PANTONE 18-0510TPX ASPERARTWORK ASPERARTWORK BLACK Printcolors: PRODUCT DEVELOPMENT
  • 36. PORTFOLIO PHONE 13/01 PRODUCT DEVELOPMENT Standing collar Zipper Running stitch Polyester fabric with fom Tear pocket 4mm button Standing collar Micro velvet fabric goat Leather goat Leather
  • 37. FINAL YEAR 13/01 PORTFOLIO PHONE 13/01 LOGO REPLICA This poster made by me for boutique advertisement . This replica is re creation of a advertisement . I have design this logo for GLOBAL MODUS POSTER G M GLOBAL MODUS
  • 38. DRAW PATTERN TO UNLOCK PORTFOLIO 13/01 PORTFOLIO PHONE 13/01 C F C STRA UT RL E FLORAMOTIFDESIGN PRINT
  • 39. FINAL YEAR 13/01 DRAW PATTERN TO UNLOCK PORTFOLIO PORTFOLIO PHONE FACTS ABOUT MITHILA ART AND CULTURE DEVELOPMENT TRUST Mithila Art and Culture Development Trust, Tilak Chowk, Ward No-6, Madhubani Bihar, India. This NGO is famous in Madhubani Art and crafts. It was formed in 1998, pioneered by Shri Kamlesh Roywho dedicated his artistic knowledge of Mithilanchal for promoting the Madhubani painting under theguidance of Shri. Lakshmi Devi who is a state award winner and highly specialized in the art form. Theyplayed a vital role in promoting the art by teaching the painting techniques to the students from differentcommunities. The NGO supports the beginners for the preliminary learning of the Madhubani painting. 13/01
  • 41. PORTFOLIO PHONE 13/01 Madhubani painting on shoes for decoretive purpose. Madhubani painting on pag used by mithla people. Madhubani painting on dhupdani.
  • 42. 13/01 PORTFOLIO PHONE 13/01 FINAL YEAR 13/01 MADHUBANI PAINTING Madhubani painting done by me on kurta,koti and t-shirt.
  • 43. 13/01 PORTFOLIO PHONE VI ME DS AN I IU R SAL C NGH 13/01 FLORAMOTIFDESIGN PRINT
  • 44. PORTFOLIO PHONE VISUAL MERCHANDISING 13/01 Visual merchandising is a purely aesthetic science, and it is the backbone of the retail industry. Visual merchandising plays an important role in the retail industry. However, the merchandise hardly sells in retails where identical merchandise is flooded in the market. Visual merchandising is a silent selling technique that helps to reduce the employee mix and increase per square feet returns and can further help in reducing marketing budgets. Visual merchandising of developing the floor plans and three- dimensional displays in order to maximize sales.Both goods and services can be displayed to highlight their features and benefits. The purpose of such visual merchandising is to attract, engage, and motivate the customer towards making a purchase.Visual merchandising commonly occurs in retail spaces such as retail stores and trade shows. Visual merchandising contributes to a brand's personality and the characteristics associated with the brand.The design of the store should reflect this as part of their retail brand strategy. This includes the in-store environment and brand communications used such as signage and images displayed in-store.These visual elements all play a part in building a retail brand and therefore they help a brand differentiate itself from its competitors, create brand loyalty, and allows for a brand to place premium pricing on their products.Part of the brand strategy used in visual merchandising is research into the brand's target market to find out what their customers’ values and self-images are. This information can allow the retailer to cater the design of a store and their advertising to match their consumers. FLORAMOTIFDESIGN PRINT
  • 45. 13/01 PORTFOLIO PHONE 13/01 VISUAL MERCHANDISING This V . M done by me and my group members during my academic period .
  • 46. FINAL DRESS 13/01 13/01 PORTFOLIO PHONE 13/0113/01 CO CL TILE ON FLORAMOTIFDESIGN PRINT
  • 47. PORTFOLIO PHONE 13/01 Madhubani is a district of North Bihar , the Madhubani painting which enlightened about the social structure as well as cultural identity of Bihar and the styles of painting relates with their mythological stories. Madhubani has the main colors of red, green, yellow and black . THEME In on theme "MANTHAN" which means the churing of the "AMRITA" to become immortal was fought between the Devas and asuras . but with the intelligence of lord Vishnus the Devs won the pot of "Amrita" . Our theme is uniting the concept of the "Amrita" churning with the Madhuranchal mounten has been mixed with Madhubani motive . As we connect to prominent the Indian mythology with the Indian tribal texture of craft work Madhubani . So, acording to the concept the line of our garment is womens wear , the wear is Indowestern , styling about the global
  • 51. PORTFOLIO PHONE 13/01 WELCOME TO PORTFOLIO PHONE WELCOME TO PORTFOLIO PHONE INTERNSHIP WORK
  • 54. PORTFOLIO PHONE 13/01 GO WILD S T Y L E Stylingiis the way in which something is said ,done, expressed,or performed. The combination of distinctive features of distinctive features of literary or artistic expre- ssion, execution, or performance character- izing a perticular person, group, school or era.
  • 58. DRAW PATTERN TO UNLOCK PORTFOLIO 13/01 EMERGENCY PORTFOLIO PORTFOLIO PHONE SHUTING DOWN PORTFOLIO