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Life is too short for boring lighting”
claims the catalogue of an exhibiting
company at Euroluce 2015. We
share this opinion, although it’s diffi-
cult to be bored in a sector, where the
new LED technology in 2014 increased
at a growth rate of 32% (source: CSIL,
referred to Western EU market) and the
average EBITDA is a not bad 9% (again
at European level, with peaks of 20%).
LEDs are “liberating light”, because
emitters are tiny and digitally controlled.
You can prefer the traditional bulb form
(Ingo Maurer, Anglepoise) or you can go
towards “Free Pixels” (Artemide), sculp-
tural pendants (from Vibia to Preciosa)
or back to the roots (Fontana Arte,
Venini). No limits.
SPECTRUM WANDERS
AT EUROLUCE….
The lighting industry has begun to take
interest in the composition of the elec-
tromagnetic spectrum and the wave-
lengths emitted. According to available
literature from leading research institu-
tions, reasons to do it are fundamentally
three: (i) health and biology, (ii) to com-
bat global warming, and (iii) technologi-
cal opportunities opened by the physical
characteristics of LEDs. LEDs compose
light by additive synthesis of electromag-
netic rays, by an addition of monochro-
matic wavelengths. In the past, the
spectrum produced by artificial lights
was an involuntary physical conse-
quence, caused by the materials or
techniques used. The incandescent
tungsten filament produced poor light in
the blue spectrum, but extremely rich
light in the red and infrared spectrum.
Fluorescent lights did not produce a full
and continuous electromagnetic spec-
trum, but a discontinuous and fragment-
www.worldfurnitureonline.com 15WF - June 2015
FOCUS
LIGHTING
ITALY & THE WORLD
“
by Aurelio Volpe
CSIL International Market Research
SEEN AT EUROLUCE
ed radiation with limited peaks and
wavelengths in the visible spectrum,
resulting in the absence of certain col-
ors.
Developments from research institutions
with scientific and medical knowledge in
chronobiology also raised health con-
cerns regarding artificial lighting. It has
been observed that people working in
the limited spectra of fluorescent light
could develop headaches or insomnia,
which is not apparent in people working
in natural light. The light spectrum emit-
ted by fluorescence is discontinuous
compared to the broad, full spectrum of
natural sunlight, which covers all visible
wavelengths and this leads to forcing the
eye to interpret the unavailable wave-
lengths. This ‘reinventing of absent
wavelengths’ may cause eyestrain and
headaches.
Among the main players, Artemide is
developing products taking in account
the psychological and physiological per-
Luceplan, Mesh by Francisco Gomez
Artemide, Eggboard, detail
ception. Among recent cooperations
with the world of architecture we men-
tion: Philippe Rahm, David Chipperfield,
the Glass Collection, and the Free Pixel
Movement (Carlo Ratti, Matthew
Claudel). Recent Artemide projects are:
new Louvre in Abu Dhabi (Jean Nouvel),
various Expo pavillions (Brazil, Kuwait,
Slow Food, Vinitaly), and Expo events
(Arts & Foods, Refettorio Ambrosiano).
FLYING LIGHTS AND NEW COBS
Through its Lucellino lamp Ingo Maurer
shows the valuable possibilities of the
TRI-R Technology developed by Toshiba
Materials. A conventional LED can emit
light at 2700K color temperature equiv-
alent to an incandescent bulb but can-
not give an impression of the same
warm light. Although the color resem-
bles a white incandescent, objects and
spaces lit by LEDs appear noticeably
16 WF - June 2015 www.worldfurnitureonline.com
FOCUS
LIGHTING
ITALY & THE WORLD
colder. This is due to the different spec-
tral characteristics of the two types of
light: an incandescent bulb changes
heat into light, so its spectral character-
istics are the same as those of sunlight.
TRI-R is the technology of state-of-the-
art purple exited LED. The purple LED
chip and the patented phosphor tech-
nology reproduce the spectrum of sun-
light. TRI-R starts as COB (chip on
board) but it has developed by Ingo
Maurer in the “lovely form” of the incan-
descent bulb.
Targetti also introduces the “Lights of
Florence” system for enlighting art gal-
leries and museums, historical buildings
and religious spaces. The system is
based on LED VIVID technology, with a
combination of chip and fosfors that
allow a spectral emission extremely
complete in all the wavelengths, CRI
and brightness of colours. The system
can be wireless. Targetti is now (2015)
selling the Danish company Louis
Poulsen to the investment fund Polaris.
The company will be focusing on China
(where it is manufacturing since 2007),
France, Spain and Emirates (through
owned branches), the United States and
the United Kingdom.
Citizen is a world leader of COB LED,
and its market share in Europe is around
40%. At Euroluce, the company intro-
duced the new range of
COB LED with higher per-
formance to 15% as
regards both luminous flux
and efficiency. In addition
to the new VIVID, that
enhances color percep-
tion.
PERSONAL WIRELESS
LIGHTING
From Finland, Casambi
presents lighting controls
for consumer luminaires,
that can be managed by
smartphones and tablets,
with free available soft-
ware. Self-organizing mesh network
enables the control of a large number of
luminaires. Lighting fixtures including
the option of integrating Casambi soft-
ware and kit have been made by
Nimbus, Ridi, Martinelli Luce, and
Targetti. A software kit allowing the light
management of a group of lamps costs
50-200 Eur. Considering Philips’ Hue
(for sure the main system available today
in the consumer lighting market), the kit
costs 95-180 Eur and it is available also
on-line (Coop, Amazon). Hue is con-
trolled by IOS and Android and is based
on the ZigBee protocol. Up to 50 lamps
can be linked to the bridge hue of
Philips and it can deliver some 16 million
colors.
FontanaArte, Ambra by Marcello Ziliani
Flos booth, The Garden area
La murrina, booth at Euroluce 2015
OLEDS, FLOS AND EXPORT FLOWS
Two options were seen at Euroluce
2015 for the lighting fixturers manufac-
turers interested in OLEDs: LG Chem
now runs an European office in Poland
and it offers modules with an efficacy of
60 Lumenwatt (mass production), and
100 lm/watt (just developed). List prices
are around 15 USD for a 10x10 cm
panel. Prices for Kaneka OLEDs are on
the same level. Kaneka has its European
headquarters in Belgium and it was
exhibiting at Euroluce for the second
time. In April 2015, Flos acquired Ares
(architectural outdoor).
It’s the fourth plant of the Flos group,
including design oriented products in
Italy, technical/architectural indoor in
Spain, and a third plant for Contract.
In 2014, exports of lighting fixtures in
Italy reached 1534 million Eur, increas-
ing by 3,5% on the previous year. Italy is
second exporter of lighting fixtures in
Europe and it ranks first in terms of net
export (trade balance is positive for
around 800 million Eur). Exports per-
formed relatively better towards
Germany, the United Kingdom, the
United States and the Middle East
region. Overall exports towards Europe
are pretty stable compared to 2009
(+3% in the time period 2009-2014).
Exports towards overseas are on the
rise, about 10% per year. Italy is the
major EU exporter of lighting fixtures
towards the Gulf countries and the
Russia/CSI area, accounting for 173
and 152 million Eur, respectively, in the
last year.

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Seen at Euroluce

  • 1. Life is too short for boring lighting” claims the catalogue of an exhibiting company at Euroluce 2015. We share this opinion, although it’s diffi- cult to be bored in a sector, where the new LED technology in 2014 increased at a growth rate of 32% (source: CSIL, referred to Western EU market) and the average EBITDA is a not bad 9% (again at European level, with peaks of 20%). LEDs are “liberating light”, because emitters are tiny and digitally controlled. You can prefer the traditional bulb form (Ingo Maurer, Anglepoise) or you can go towards “Free Pixels” (Artemide), sculp- tural pendants (from Vibia to Preciosa) or back to the roots (Fontana Arte, Venini). No limits. SPECTRUM WANDERS AT EUROLUCE…. The lighting industry has begun to take interest in the composition of the elec- tromagnetic spectrum and the wave- lengths emitted. According to available literature from leading research institu- tions, reasons to do it are fundamentally three: (i) health and biology, (ii) to com- bat global warming, and (iii) technologi- cal opportunities opened by the physical characteristics of LEDs. LEDs compose light by additive synthesis of electromag- netic rays, by an addition of monochro- matic wavelengths. In the past, the spectrum produced by artificial lights was an involuntary physical conse- quence, caused by the materials or techniques used. The incandescent tungsten filament produced poor light in the blue spectrum, but extremely rich light in the red and infrared spectrum. Fluorescent lights did not produce a full and continuous electromagnetic spec- trum, but a discontinuous and fragment- www.worldfurnitureonline.com 15WF - June 2015 FOCUS LIGHTING ITALY & THE WORLD “ by Aurelio Volpe CSIL International Market Research SEEN AT EUROLUCE ed radiation with limited peaks and wavelengths in the visible spectrum, resulting in the absence of certain col- ors. Developments from research institutions with scientific and medical knowledge in chronobiology also raised health con- cerns regarding artificial lighting. It has been observed that people working in the limited spectra of fluorescent light could develop headaches or insomnia, which is not apparent in people working in natural light. The light spectrum emit- ted by fluorescence is discontinuous compared to the broad, full spectrum of natural sunlight, which covers all visible wavelengths and this leads to forcing the eye to interpret the unavailable wave- lengths. This ‘reinventing of absent wavelengths’ may cause eyestrain and headaches. Among the main players, Artemide is developing products taking in account the psychological and physiological per- Luceplan, Mesh by Francisco Gomez Artemide, Eggboard, detail ception. Among recent cooperations with the world of architecture we men- tion: Philippe Rahm, David Chipperfield, the Glass Collection, and the Free Pixel Movement (Carlo Ratti, Matthew Claudel). Recent Artemide projects are: new Louvre in Abu Dhabi (Jean Nouvel), various Expo pavillions (Brazil, Kuwait, Slow Food, Vinitaly), and Expo events (Arts & Foods, Refettorio Ambrosiano). FLYING LIGHTS AND NEW COBS Through its Lucellino lamp Ingo Maurer shows the valuable possibilities of the TRI-R Technology developed by Toshiba Materials. A conventional LED can emit light at 2700K color temperature equiv- alent to an incandescent bulb but can- not give an impression of the same warm light. Although the color resem- bles a white incandescent, objects and spaces lit by LEDs appear noticeably
  • 2. 16 WF - June 2015 www.worldfurnitureonline.com FOCUS LIGHTING ITALY & THE WORLD colder. This is due to the different spec- tral characteristics of the two types of light: an incandescent bulb changes heat into light, so its spectral character- istics are the same as those of sunlight. TRI-R is the technology of state-of-the- art purple exited LED. The purple LED chip and the patented phosphor tech- nology reproduce the spectrum of sun- light. TRI-R starts as COB (chip on board) but it has developed by Ingo Maurer in the “lovely form” of the incan- descent bulb. Targetti also introduces the “Lights of Florence” system for enlighting art gal- leries and museums, historical buildings and religious spaces. The system is based on LED VIVID technology, with a combination of chip and fosfors that allow a spectral emission extremely complete in all the wavelengths, CRI and brightness of colours. The system can be wireless. Targetti is now (2015) selling the Danish company Louis Poulsen to the investment fund Polaris. The company will be focusing on China (where it is manufacturing since 2007), France, Spain and Emirates (through owned branches), the United States and the United Kingdom. Citizen is a world leader of COB LED, and its market share in Europe is around 40%. At Euroluce, the company intro- duced the new range of COB LED with higher per- formance to 15% as regards both luminous flux and efficiency. In addition to the new VIVID, that enhances color percep- tion. PERSONAL WIRELESS LIGHTING From Finland, Casambi presents lighting controls for consumer luminaires, that can be managed by smartphones and tablets, with free available soft- ware. Self-organizing mesh network enables the control of a large number of luminaires. Lighting fixtures including the option of integrating Casambi soft- ware and kit have been made by Nimbus, Ridi, Martinelli Luce, and Targetti. A software kit allowing the light management of a group of lamps costs 50-200 Eur. Considering Philips’ Hue (for sure the main system available today in the consumer lighting market), the kit costs 95-180 Eur and it is available also on-line (Coop, Amazon). Hue is con- trolled by IOS and Android and is based on the ZigBee protocol. Up to 50 lamps can be linked to the bridge hue of Philips and it can deliver some 16 million colors. FontanaArte, Ambra by Marcello Ziliani Flos booth, The Garden area La murrina, booth at Euroluce 2015 OLEDS, FLOS AND EXPORT FLOWS Two options were seen at Euroluce 2015 for the lighting fixturers manufac- turers interested in OLEDs: LG Chem now runs an European office in Poland and it offers modules with an efficacy of 60 Lumenwatt (mass production), and 100 lm/watt (just developed). List prices are around 15 USD for a 10x10 cm panel. Prices for Kaneka OLEDs are on the same level. Kaneka has its European headquarters in Belgium and it was exhibiting at Euroluce for the second time. In April 2015, Flos acquired Ares (architectural outdoor). It’s the fourth plant of the Flos group, including design oriented products in Italy, technical/architectural indoor in Spain, and a third plant for Contract. In 2014, exports of lighting fixtures in Italy reached 1534 million Eur, increas- ing by 3,5% on the previous year. Italy is second exporter of lighting fixtures in Europe and it ranks first in terms of net export (trade balance is positive for around 800 million Eur). Exports per- formed relatively better towards Germany, the United Kingdom, the United States and the Middle East region. Overall exports towards Europe are pretty stable compared to 2009 (+3% in the time period 2009-2014). Exports towards overseas are on the rise, about 10% per year. Italy is the major EU exporter of lighting fixtures towards the Gulf countries and the Russia/CSI area, accounting for 173 and 152 million Eur, respectively, in the last year.