Focus group questions
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Harry Wright conducted a focus group to get opinions on romantic comedy films and marketing. The questions gauged how often people watch romantic comedies, their thoughts on a sample film poster's effectiveness in promoting the genre, what makes for a good or bad poster, suitable color schemes for related products, memorable successful films, the impact of trailers, and what people want to see on romantic comedy posters and in a magazine article.
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Questionnaire
This document is a questionnaire for a film trailer survey. It asks respondents for their age, gender, favorite film genres, thoughts on hybrid genres, trailer watching habits, what interests them in trailers, preferred advertising methods, an example of a liked film, and preferences for fast or slow paced trailers. The goal is to gather information that will help create effective film trailers.
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The document discusses gathering audience feedback on a product using a chart to rate different categories of feedback. People could tick boxes indicating if they "Really Liked it", "Liked it", were "Ok" with it, or "Didn't Like it". The results showed that while some people didn't like it, others found it really enjoyable based on the columns for the positive feedback categories being higher.
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This survey asks respondents about their preferences for crime drama films. It inquires about whether they enjoy this genre, which demographics are most likely to watch them, their reasons for liking or disliking them, what elements they expect in a crime drama, whether they like mystery, their general film preferences, what catches their attention in crime dramas, and how often they watch films. The survey collects information through multiple choice and short answer questions to understand viewership of crime drama movies.
Questionnaire
This document is a 5 question questionnaire about a film, asking the respondent what they liked about the film, what genre it was, if they would watch it in theaters or buy the DVD, and their age range. It includes multiple choice answers for all questions except an open response for what was liked and the film's genre.
Presentation1
This document contains a survey with questions about preferences for film posters and how they influence viewing decisions. It asks about the respondent's age, preferred film genres, whether posters should feature main characters or have multiple images, if posters impact their interest and where they see posters most. It also questions if actors, indicative imagery, and specific poster elements like the main image or tagline most draw initial attention and drive people to watch trailers.
Presentation1
This document contains a survey asking questions about film preferences and how film posters influence viewing decisions. It asks about the respondent's age, preferred film genres, opinions on whether posters should feature main characters or multiple images, and whether posters, actors, or specific elements influence decisions to watch a film, trailer, or go to the theater.
Questionnaire
This document is a questionnaire about romantic films, asking respondents about their preferences for opening title colors, whether they prefer fairytale or real life romance, what a romance film couple typically looks like, common romance film themes, whether they would be offended by a sexually explicit romance film, the expected film certificate, common settings for romantic scenes, and their favorite romantic film. It asks the respondent to select from given multiple choice answers for most questions.
Questionnaire
The document is a questionnaire about film preferences. It asks respondents about their gender, age, preferred film genres, best days to watch films, preferred actors, elements they like in action films, how often they watch films, if actors or trailers influence their decisions to watch films, and how long trailers should be. The results show action and horror are most popular genres, most watch films daily or weekly, and trailers between 2 and 4 minutes are preferred.
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Questionnaire
This document is a questionnaire for a film trailer survey. It asks respondents for their age, gender, favorite film genres, thoughts on hybrid genres, trailer watching habits, what interests them in trailers, preferred advertising methods, an example of a liked film, and preferences for fast or slow paced trailers. The goal is to gather information that will help create effective film trailers.
Media audience feedback
The document discusses gathering audience feedback on a product using a chart to rate different categories of feedback. People could tick boxes indicating if they "Really Liked it", "Liked it", were "Ok" with it, or "Didn't Like it". The results showed that while some people didn't like it, others found it really enjoyable based on the columns for the positive feedback categories being higher.
Target audience questionnaire
This survey asks respondents about their preferences for crime drama films. It inquires about whether they enjoy this genre, which demographics are most likely to watch them, their reasons for liking or disliking them, what elements they expect in a crime drama, whether they like mystery, their general film preferences, what catches their attention in crime dramas, and how often they watch films. The survey collects information through multiple choice and short answer questions to understand viewership of crime drama movies.
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This document is a 5 question questionnaire about a film, asking the respondent what they liked about the film, what genre it was, if they would watch it in theaters or buy the DVD, and their age range. It includes multiple choice answers for all questions except an open response for what was liked and the film's genre.
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This document contains a survey with questions about preferences for film posters and how they influence viewing decisions. It asks about the respondent's age, preferred film genres, whether posters should feature main characters or have multiple images, if posters impact their interest and where they see posters most. It also questions if actors, indicative imagery, and specific poster elements like the main image or tagline most draw initial attention and drive people to watch trailers.
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This document contains a survey asking questions about film preferences and how film posters influence viewing decisions. It asks about the respondent's age, preferred film genres, opinions on whether posters should feature main characters or multiple images, and whether posters, actors, or specific elements influence decisions to watch a film, trailer, or go to the theater.
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This document is a questionnaire about romantic films, asking respondents about their preferences for opening title colors, whether they prefer fairytale or real life romance, what a romance film couple typically looks like, common romance film themes, whether they would be offended by a sexually explicit romance film, the expected film certificate, common settings for romantic scenes, and their favorite romantic film. It asks the respondent to select from given multiple choice answers for most questions.
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The document is a questionnaire about film preferences. It asks respondents about their gender, age, preferred film genres, best days to watch films, preferred actors, elements they like in action films, how often they watch films, if actors or trailers influence their decisions to watch films, and how long trailers should be. The results show action and horror are most popular genres, most watch films daily or weekly, and trailers between 2 and 4 minutes are preferred.
Step outline
This document outlines the scene order for a film trailer. It lists 12 scenes in chronological order: introducing the main characters Jack and Lydia separately with their friend groups, then together at a club; Jack's friend commenting they don't spend time together as much; Jack and Lydia on a date; photos of their dates; Jack proposing; Jack's stag party; Jack telling his friend he will propose; Lydia's hen party; and Lydia telling her bridesmaid she is pregnant but feels Jack won't be dedicated to her and the child.
Still image analysis 7 pics
The document provides descriptions and analysis of various scenes from the trailer for the romantic comedy movie "Just Go With It". It analyzes elements like composition, lighting, costumes, settings and character interactions/expressions to understand the context and meaning conveyed in each scene. Key details that emerge are that the trailer shows the main character going on unsuccessful dates with different women, attending a birthday party with vibrant colors, and glimpses of a romantic holiday setting that could provide opportunities for love.
Shot list
This document outlines 20 shots for a film depicting the relationship between characters Lydia and Jack. The shots include scenes of Lydia and her friends getting ready for a night out, Jack and his friends doing the same. Further shots show Lydia and Jack interacting at a club and later on a date. Additional shots depict their engagement and wedding preparations, including Lydia's hen party and Jack's stag party. The final shots show Lydia telling her friend Connie she is pregnant but expresses doubts, with them sharing a worried look.
Summary of findings on research into similar media
The document summarizes research into conventions used across different media types including film trailers, magazine covers, and film posters. For film trailers, common conventions identified include showing the production company logo, title of the film, and age rating. Romantic comedy film trailers often show a "girl meets boy" scenario and are set in urban environments. Magazine covers generally feature the masthead, selling line, a main image without a background, and coverlines. Romantic comedy magazine covers commonly showcase the main cast without a background and use similar color schemes to the films. Film posters usually have a single main image, production company logo, film title, director/actor names, and release date. Romantic comedy posters tend to use
Step outline
This document outlines 12 scenes for a film. The first scene introduces the characters having fun together. The second scene shows signs that something is wrong, like water dripping and lights flickering. The third scene shows the friends realizing one of them is missing. Subsequent scenes depict the friends searching for their missing friend, finding the kidnapped girl trapped and tortured, trying to rescue her but being chased, some of the main characters being killed, and the survivors getting revenge on the antagonist, though the final scene cuts out before revealing the antagonist's identity.
Risk Assessment
This risk assessment document identifies potential hazards for a student film production and measures to minimize risks. Hazards include restricted access/egress, weapons, confined spaces, dark locations, and flammable clothing. Control measures include notifying the public, removing trip hazards, safe weapon handling practices, using lights, and avoiding fire. With these controls, the likelihood of harm is rated as remote or very unlikely, resulting in minimal further necessary action.
Production scheldue
This document outlines 12 scenes for a film shoot over several days in October. It provides details of the date, time, location, characters, costumes, props, set design, and equipment for each scene. The same director, Amellia, is listed as the crew for all scenes. The main characters appearing in multiple scenes are Clarizh, Mads, Francessica, Emilie, Els, and Josh. The locations include Creek Road, Norwood Road Nature Reserve, behind the cricket field, Ellingham Avenue, and the nature reserve.
Audience feedback
Harry Wright created a survey using Survey Monkey to get feedback on his film trailer and ancillary products. Respondents felt the use of consistent characters and colors across the three promotional pieces effectively linked them together in promoting the film. All respondents agreed the pieces were conventional for the rom-com genre. Some suggested improvements to further strengthen the connection between the pieces in advertising the same film, such as adding more blue to the fonts.
Questionnaire results
The document summarizes the results of a questionnaire about a film trailer project. Key points:
- Respondents generally liked the plot ideas and characters but felt the technical elements, especially sound, could be improved.
- They enjoyed the action, drama, and realism in the plot but thought it contained too many twists and needed more jump scenes.
- Characters received positive feedback though some thought they lacked uniqueness.
- Settings were well-received while conventions received mixed reviews.
- Most felt the trailer ideas had potential but could be more varied, detailed, and focus on technical quality like editing and sound design.
Script
The script is for a horror trailer that follows a group of friends on a holiday at an isolated house. One of the friends, Els, goes missing which sends the group into a panic as they search the overgrown area around the house. They eventually find Els tortured and killed in a battered shed. As the friends investigate, Emilie is killed with a loud bang. Jason dies next while grieving Emilie's death. The remaining friends are then chased through alleyways and fields by an unknown antagonist wielding a knife. Francesca and Jason are killed during the chase while Clarizh and Mads try to fight back. In the end, the antagonist's identity is not revealed when the camera battery dies as
Visual Character
This document summarizes the cast and characters for a film. It will feature a mainly female cast of teenagers to make it unique. The characters include a hysterical girl, nerdy girl, girly girl, a love couple, a strong male, and an antagonist. Both stereotypes and conventions will be followed and challenged to appeal to different audiences. Character profiles are provided for 6 main characters that fit the stereotypes, including their name, age, build, interests, and whether they are social or not. An extra character is also introduced.
Promotional package analysis
The document analyzes the promotional package for the film "Bridesmaids" by comparing the film poster and trailer. Both the poster and trailer feature the same main actresses, use a similar color scheme of pink and white, and reference the film's release date to link the two promotional elements together. While they both promote other films by the same production company, the trailer only mentions two other films whereas the poster mentions three.
Ancillary production schedule
This production schedule outlines locations, dates, times, costumes and props needed for ancillary production. Scenes will be filmed at a home, dark walkway, overgrown alleyway and shed from October 20-22. Costumes range from bare hands to dark and casual to shredded and blooded outfits. Props include chairs, ropes, weapons, masks and a torch.
Location
The document provides details for several filming locations to be used for a movie, including the dates, times, and reasons for each location. Location details include alleyways, parks, fields, nature reserves, and overgrown areas to portray isolation and create a creepy atmosphere where characters have nowhere to run or hide. A house and shed are also listed on the 7th of October to show an isolated area and serve as the location where a character is taken, transitioning from an earlier scene of happiness.
Production logistics
Harry Wright has scheduled a production shoot from October 10th to 23rd. The shoot will include 14 scenes involving a group of friends. Scenes will take place in various locations around March Town including bedrooms, streets, a coffee shop, park and nightclub. The shoot will involve the same cast and crew for all scenes, including actors Clarizh Nalzaro, Egle Paliontye, Fran Deneri, Amelia Sindle, Charlie Harrison, Alex Oldfield and Tom Smith. Crew members are Charlie Barwick and Harry Wright. Each scene lists the location, date, characters, props, set design, equipment and cast/crew.
Powerpoint textbook
1) The document discusses various ancillary products that can be created to promote a new film, including a film promotion pack, posters, trailers, and merchandise.
2) It then provides requirements for a promotion package for a new film, which must include a trailer and two additional items from a list of options.
3) The remainder of the document analyzes film posters and magazine covers based on design elements like fonts, layouts, images, and color schemes. Key aspects that provide information about the film or target particular audiences are identified.
Questionnaire on audience research for horror
The document summarizes the responses to a 10 question audience research questionnaire for a horror film trailer. Key findings include:
- The target audience was evenly split male and female aged 17-18 who enjoy psychological and body horror genres.
- They prefer the trailer to be set at night in houses with some blood and gore, and plotlines involving kidnapping or possession.
- The most important technical elements are sound design and mise-en-scene to build tension and make the world feel realistic.
Magazine drafts
The document provides details on the design of a horror magazine cover. It describes design elements like the masthead, cover lines, images, fonts, and layout. The masthead is bold to draw attention, uses a horror font, and may include the issue number. Cover lines are placed around the main image to showcase information and use different colors. Images focus on eyes, ghosts, and weapons to suit the horror genre. Fonts are chosen for boldness and modern feel to engage readers in the horror content. The layout spreads elements out to avoid clutter.
Pendulum – the other side content analysis
This document contains a content analysis of a film called "Pendulum - The Other Side". It consists of 75 shots across 5 scenes. The majority of shots range between 0.5 and 2 seconds in length, with an average shot length falling within this range. It provides a table listing each shot number, corresponding scene, and shot length in seconds.
Audience interview planning
The document outlines an interview plan to obtain feedback from two target audience members, a 17-year-old female and 18-year-old male, on an existing horror film trailer. The interviewer will ask questions about what they like and dislike about horror genre trailers, including expectations for text, narrative, camerawork, editing, sound, mise-en-scene, and appealing elements. This feedback will help the interviewer benchmark strengths and weaknesses to create a successful horror film trailer for the target audience.
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Step outline
This document outlines the scene order for a film trailer. It lists 12 scenes in chronological order: introducing the main characters Jack and Lydia separately with their friend groups, then together at a club; Jack's friend commenting they don't spend time together as much; Jack and Lydia on a date; photos of their dates; Jack proposing; Jack's stag party; Jack telling his friend he will propose; Lydia's hen party; and Lydia telling her bridesmaid she is pregnant but feels Jack won't be dedicated to her and the child.
Still image analysis 7 pics
The document provides descriptions and analysis of various scenes from the trailer for the romantic comedy movie "Just Go With It". It analyzes elements like composition, lighting, costumes, settings and character interactions/expressions to understand the context and meaning conveyed in each scene. Key details that emerge are that the trailer shows the main character going on unsuccessful dates with different women, attending a birthday party with vibrant colors, and glimpses of a romantic holiday setting that could provide opportunities for love.
Shot list
This document outlines 20 shots for a film depicting the relationship between characters Lydia and Jack. The shots include scenes of Lydia and her friends getting ready for a night out, Jack and his friends doing the same. Further shots show Lydia and Jack interacting at a club and later on a date. Additional shots depict their engagement and wedding preparations, including Lydia's hen party and Jack's stag party. The final shots show Lydia telling her friend Connie she is pregnant but expresses doubts, with them sharing a worried look.
Summary of findings on research into similar media
The document summarizes research into conventions used across different media types including film trailers, magazine covers, and film posters. For film trailers, common conventions identified include showing the production company logo, title of the film, and age rating. Romantic comedy film trailers often show a "girl meets boy" scenario and are set in urban environments. Magazine covers generally feature the masthead, selling line, a main image without a background, and coverlines. Romantic comedy magazine covers commonly showcase the main cast without a background and use similar color schemes to the films. Film posters usually have a single main image, production company logo, film title, director/actor names, and release date. Romantic comedy posters tend to use
Step outline
This document outlines 12 scenes for a film. The first scene introduces the characters having fun together. The second scene shows signs that something is wrong, like water dripping and lights flickering. The third scene shows the friends realizing one of them is missing. Subsequent scenes depict the friends searching for their missing friend, finding the kidnapped girl trapped and tortured, trying to rescue her but being chased, some of the main characters being killed, and the survivors getting revenge on the antagonist, though the final scene cuts out before revealing the antagonist's identity.
Risk Assessment
This risk assessment document identifies potential hazards for a student film production and measures to minimize risks. Hazards include restricted access/egress, weapons, confined spaces, dark locations, and flammable clothing. Control measures include notifying the public, removing trip hazards, safe weapon handling practices, using lights, and avoiding fire. With these controls, the likelihood of harm is rated as remote or very unlikely, resulting in minimal further necessary action.
Production scheldue
This document outlines 12 scenes for a film shoot over several days in October. It provides details of the date, time, location, characters, costumes, props, set design, and equipment for each scene. The same director, Amellia, is listed as the crew for all scenes. The main characters appearing in multiple scenes are Clarizh, Mads, Francessica, Emilie, Els, and Josh. The locations include Creek Road, Norwood Road Nature Reserve, behind the cricket field, Ellingham Avenue, and the nature reserve.
Audience feedback
Harry Wright created a survey using Survey Monkey to get feedback on his film trailer and ancillary products. Respondents felt the use of consistent characters and colors across the three promotional pieces effectively linked them together in promoting the film. All respondents agreed the pieces were conventional for the rom-com genre. Some suggested improvements to further strengthen the connection between the pieces in advertising the same film, such as adding more blue to the fonts.
Questionnaire results
The document summarizes the results of a questionnaire about a film trailer project. Key points:
- Respondents generally liked the plot ideas and characters but felt the technical elements, especially sound, could be improved.
- They enjoyed the action, drama, and realism in the plot but thought it contained too many twists and needed more jump scenes.
- Characters received positive feedback though some thought they lacked uniqueness.
- Settings were well-received while conventions received mixed reviews.
- Most felt the trailer ideas had potential but could be more varied, detailed, and focus on technical quality like editing and sound design.
Script
The script is for a horror trailer that follows a group of friends on a holiday at an isolated house. One of the friends, Els, goes missing which sends the group into a panic as they search the overgrown area around the house. They eventually find Els tortured and killed in a battered shed. As the friends investigate, Emilie is killed with a loud bang. Jason dies next while grieving Emilie's death. The remaining friends are then chased through alleyways and fields by an unknown antagonist wielding a knife. Francesca and Jason are killed during the chase while Clarizh and Mads try to fight back. In the end, the antagonist's identity is not revealed when the camera battery dies as
Visual Character
This document summarizes the cast and characters for a film. It will feature a mainly female cast of teenagers to make it unique. The characters include a hysterical girl, nerdy girl, girly girl, a love couple, a strong male, and an antagonist. Both stereotypes and conventions will be followed and challenged to appeal to different audiences. Character profiles are provided for 6 main characters that fit the stereotypes, including their name, age, build, interests, and whether they are social or not. An extra character is also introduced.
Promotional package analysis
The document analyzes the promotional package for the film "Bridesmaids" by comparing the film poster and trailer. Both the poster and trailer feature the same main actresses, use a similar color scheme of pink and white, and reference the film's release date to link the two promotional elements together. While they both promote other films by the same production company, the trailer only mentions two other films whereas the poster mentions three.
Ancillary production schedule
This production schedule outlines locations, dates, times, costumes and props needed for ancillary production. Scenes will be filmed at a home, dark walkway, overgrown alleyway and shed from October 20-22. Costumes range from bare hands to dark and casual to shredded and blooded outfits. Props include chairs, ropes, weapons, masks and a torch.
Location
The document provides details for several filming locations to be used for a movie, including the dates, times, and reasons for each location. Location details include alleyways, parks, fields, nature reserves, and overgrown areas to portray isolation and create a creepy atmosphere where characters have nowhere to run or hide. A house and shed are also listed on the 7th of October to show an isolated area and serve as the location where a character is taken, transitioning from an earlier scene of happiness.
Production logistics
Harry Wright has scheduled a production shoot from October 10th to 23rd. The shoot will include 14 scenes involving a group of friends. Scenes will take place in various locations around March Town including bedrooms, streets, a coffee shop, park and nightclub. The shoot will involve the same cast and crew for all scenes, including actors Clarizh Nalzaro, Egle Paliontye, Fran Deneri, Amelia Sindle, Charlie Harrison, Alex Oldfield and Tom Smith. Crew members are Charlie Barwick and Harry Wright. Each scene lists the location, date, characters, props, set design, equipment and cast/crew.
Powerpoint textbook
1) The document discusses various ancillary products that can be created to promote a new film, including a film promotion pack, posters, trailers, and merchandise.
2) It then provides requirements for a promotion package for a new film, which must include a trailer and two additional items from a list of options.
3) The remainder of the document analyzes film posters and magazine covers based on design elements like fonts, layouts, images, and color schemes. Key aspects that provide information about the film or target particular audiences are identified.
Questionnaire on audience research for horror
The document summarizes the responses to a 10 question audience research questionnaire for a horror film trailer. Key findings include:
- The target audience was evenly split male and female aged 17-18 who enjoy psychological and body horror genres.
- They prefer the trailer to be set at night in houses with some blood and gore, and plotlines involving kidnapping or possession.
- The most important technical elements are sound design and mise-en-scene to build tension and make the world feel realistic.
Magazine drafts
The document provides details on the design of a horror magazine cover. It describes design elements like the masthead, cover lines, images, fonts, and layout. The masthead is bold to draw attention, uses a horror font, and may include the issue number. Cover lines are placed around the main image to showcase information and use different colors. Images focus on eyes, ghosts, and weapons to suit the horror genre. Fonts are chosen for boldness and modern feel to engage readers in the horror content. The layout spreads elements out to avoid clutter.
Pendulum – the other side content analysis
This document contains a content analysis of a film called "Pendulum - The Other Side". It consists of 75 shots across 5 scenes. The majority of shots range between 0.5 and 2 seconds in length, with an average shot length falling within this range. It provides a table listing each shot number, corresponding scene, and shot length in seconds.
Audience interview planning
The document outlines an interview plan to obtain feedback from two target audience members, a 17-year-old female and 18-year-old male, on an existing horror film trailer. The interviewer will ask questions about what they like and dislike about horror genre trailers, including expectations for text, narrative, camerawork, editing, sound, mise-en-scene, and appealing elements. This feedback will help the interviewer benchmark strengths and weaknesses to create a successful horror film trailer for the target audience.
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Focus group questions
- 1. Harry Wright Focus group questions o Do youwatch romanticcomedies,if sohow often? o Doesthisfilmposterlook like itispromotinga romanticcomedyfilm? o In youropinionwhat makesthisfilmposter goodand bad? o What colourscheme wouldbe suitedtothe ancillaryproductsof a romanticcomedy? o What romanticcomedy filmsdoyoulike/orstand out as beingsuccessful? o Doesa filmtrailer determine whetherornot youwill watcha particular film? o What wouldyoulike to see ona romanticcomedy filmpost? o
- 2. Harry Wright o What you’re your opinionsonthisfilm postand magazine article?