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STRIVERS ACADEMY
The Merchant Of Venice
- William Shakespeare
SCENE VI. The same.
Enter GRATIANO and SALARINO, masqued
GRATIANO: This is the pent-house under which Lorenzo
Desired us to make stand.
SALARINO: His hour is almost past.
GRATIANO: And it is marvel he out-dwells his hour,
For lovers ever run before the clock.
SALARINO: O, ten times faster Venus' pigeons fly
To seal love's bonds new-made, than they are wont
To keep obliged faith unforfeited!
GRATIANO: That ever holds: who riseth from a feast
With that keen appetite that he sits down? Where is the horse that doth untread again
His tedious measures with the unbated fire That he did pace them first? All things that
are, Are with more spirit chased than enjoy’d. How like a younker or a prodigal
The scarfed bark puts from her native bay, Hugg'd and embraced by the strumpet
wind! How like the prodigal doth she return, With over-weather'd ribs and ragged
sails, Lean, rent and beggar'd by the strumpet wind!
SALARINO: Here comes Lorenzo: more of this hereafter.
Enter LORENZO
LORENZO: Sweet friends, your patience for my long abode;
Not I, but my affairs, have made you wait:
When you shall please to play the thieves for wives,
I'll watch as long for you then. Approach;
Here dwells my father Jew. Ho! who's within?
Enter JESSICA, above, in boy's clothes
JESSICA: Who are you? Tell me, for more certainty,
Albeit I'll swear that I do know your tongue.
LORENZO: Lorenzo, and thy love.
JESSICA: Lorenzo, certain, and my love indeed,
For who love I so much? And now who knows
But you, Lorenzo, whether I am yours?
LORENZO: Heaven and thy thoughts are witness that thou art.
JESSICA: Here, catch this casket; it is worth the pains.
I am glad 'tis night, you do not look on me,
For I am much ashamed of my exchange:
But love is blind and lovers cannot see
The pretty follies that themselves commit;
For if they could, Cupid himself would blush
To see me thus transformed to a boy.
LORENZO: Descend, for you must be my torchbearer.
JESSICA: What, must I hold a candle to my shames?
They in themselves, good-sooth, are too too light.
Why, 'tis an office of discovery, love;
And I should be obscured.
LORENZO: So are you, sweet,
Even in the lovely garnish of a boy.
But come at once;
For the close night doth play the runaway,
And we are stay'd for at Bassanio's feast.
JESSICA: I will make fast the doors, and gild myself
With some more ducats, and be with you straight.
Exit above
GRATIANO: Now, by my hood, a Gentile and no Jew.
LORENZO: Beshrew me but I love her heartily;
For she is wise, if I can judge of her,
And fair she is, if that mine eyes be true,
And true she is, as she hath proved herself,
And therefore, like herself, wise, fair and true,
Shall she be placed in my constant soul.
Enter JESSICA, below
What, art thou come? On, gentlemen; away!
Our masquing mates by this time for us stay.
Exit with Jessica and Salarino
Enter ANTONIO
ANTONIO: Who's there?
GRATIANO: Signior Antonio!
ANTONIO: Fie, fie, Gratiano! where are all the rest?
'Tis nine o'clock: our friends all stay for you.
No masque to-night: the wind is come about;
Bassanio presently will go aboard:
I have sent twenty out to seek for you.
GRATIANO: I am glad on't: I desire no more delight
Than to be under sail and gone to-night.
Exeunt
SCENE VII. Belmont. A room in PORTIA'S house.
Flourish of cornets. Enter PORTIA, with the PRINCE OF MOROCCO, and their
trains
PORTIA: Go draw aside the curtains and discover
The several caskets to this noble prince.
Now make your choice.
MOROCCO: The first, of gold, who this inscription bears,
'Who chooseth me shall gain what many men desire;'
The second, silver, which this promise carries,
'Who chooseth me shall get as much as he deserves;'
This third, dull lead, with warning all as blunt,
'Who chooseth me must give and hazard all he hath.'
How shall I know if I do choose the right?
PORTIA: The one of them contains my picture, prince:
If you choose that, then I am yours withal.
MOROCCO: Some god direct my judgment! Let me see;
I will survey the inscriptions back again.
What says this leaden casket?
'Who chooseth me must give and hazard all he hath.'
Must give: for what? for lead? hazard for lead?
This casket threatens. Men that hazard all
Do it in hope of fair advantages:
A golden mind stoops not to shows of dross;
I'll then nor give nor hazard aught for lead.
What says the silver with her virgin hue?
'Who chooseth me shall get as much as he deserves.'
As much as he deserves! Pause there, Morocco,
And weigh thy value with an even hand:
If thou be'st rated by thy estimation,
Thou dost deserve enough; and yet enough
May not extend so far as to the lady:
And yet to be afeard of my deserving
Were but a weak disabling of myself.
As much as I deserve! Why, that's the lady:
I do in birth deserve her, and in fortunes,
In graces and in qualities of breeding;
But more than these, in love I do deserve.
What if I stray'd no further, but chose here?
Let's see once more this saying graved in gold
'Who chooseth me shall gain what many men desire.'
Why, that's the lady; all the world desires her;
From the four corners of the earth they come,
To kiss this shrine, this mortal-breathing saint:
The Hyrcanian deserts and the vasty wilds
Of wide Arabia are as thoroughfares now
For princes to come view fair Portia:
The watery kingdom, whose ambitious head
Spits in the face of heaven, is no bar
To stop the foreign spirits, but they come,
As o'er a brook, to see fair Portia.
One of these three contains her heavenly picture.
Is't like that lead contains her? 'Twere damnation
To think so base a thought: it were too gross
To rib her cerecloth in the obscure grave.
Or shall I think in silver she's immured,
Being ten times undervalued to tried gold?
O sinful thought! Never so rich a gem
Was set in worse than gold. They have in England
A coin that bears the figure of an angel
Stamped in gold, but that's insculp'd upon;
But here an angel in a golden bed
Lies all within. Deliver me the key:
Here do I choose, and thrive I as I may!
PORTIA: There, take it, prince; and if my form lie there,
Then I am yours.
He unlocks the golden casket
MOROCCO: O hell! what have we here? A carrion Death, within whose empty eye
There is a written scroll! I'll read the writing. All that glitters is not gold;
Often have you heard that told: Many a man his life hath sold
But my outside to behold: Gilded tombs do worms enfold.
Had you been as wise as bold, Young in limbs, in judgment old,
Your answer had not been inscroll’d: Fare you well; your suit is cold.
Cold, indeed; and labour lost: Then, farewell, heat, and welcome, frost!
Portia, adieu. I have too grieved a heart To take a tedious leave: thus losers part.
Exit with his train. Flourish of cornets
PORTIA: A gentle riddance. Draw the curtains, go.
Let all of his complexion choose me so.
THE MERCHANT OF VENICE PART 6

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THE MERCHANT OF VENICE PART 6

  • 2. The Merchant Of Venice - William Shakespeare
  • 3. SCENE VI. The same. Enter GRATIANO and SALARINO, masqued GRATIANO: This is the pent-house under which Lorenzo Desired us to make stand. SALARINO: His hour is almost past. GRATIANO: And it is marvel he out-dwells his hour, For lovers ever run before the clock. SALARINO: O, ten times faster Venus' pigeons fly To seal love's bonds new-made, than they are wont To keep obliged faith unforfeited!
  • 4. GRATIANO: That ever holds: who riseth from a feast With that keen appetite that he sits down? Where is the horse that doth untread again His tedious measures with the unbated fire That he did pace them first? All things that are, Are with more spirit chased than enjoy’d. How like a younker or a prodigal The scarfed bark puts from her native bay, Hugg'd and embraced by the strumpet wind! How like the prodigal doth she return, With over-weather'd ribs and ragged sails, Lean, rent and beggar'd by the strumpet wind! SALARINO: Here comes Lorenzo: more of this hereafter.
  • 5. Enter LORENZO LORENZO: Sweet friends, your patience for my long abode; Not I, but my affairs, have made you wait: When you shall please to play the thieves for wives, I'll watch as long for you then. Approach; Here dwells my father Jew. Ho! who's within? Enter JESSICA, above, in boy's clothes JESSICA: Who are you? Tell me, for more certainty, Albeit I'll swear that I do know your tongue. LORENZO: Lorenzo, and thy love.
  • 6. JESSICA: Lorenzo, certain, and my love indeed, For who love I so much? And now who knows But you, Lorenzo, whether I am yours? LORENZO: Heaven and thy thoughts are witness that thou art. JESSICA: Here, catch this casket; it is worth the pains. I am glad 'tis night, you do not look on me, For I am much ashamed of my exchange: But love is blind and lovers cannot see The pretty follies that themselves commit; For if they could, Cupid himself would blush To see me thus transformed to a boy. LORENZO: Descend, for you must be my torchbearer.
  • 7. JESSICA: What, must I hold a candle to my shames? They in themselves, good-sooth, are too too light. Why, 'tis an office of discovery, love; And I should be obscured. LORENZO: So are you, sweet, Even in the lovely garnish of a boy. But come at once; For the close night doth play the runaway, And we are stay'd for at Bassanio's feast. JESSICA: I will make fast the doors, and gild myself With some more ducats, and be with you straight. Exit above
  • 8. GRATIANO: Now, by my hood, a Gentile and no Jew. LORENZO: Beshrew me but I love her heartily; For she is wise, if I can judge of her, And fair she is, if that mine eyes be true, And true she is, as she hath proved herself, And therefore, like herself, wise, fair and true, Shall she be placed in my constant soul. Enter JESSICA, below What, art thou come? On, gentlemen; away! Our masquing mates by this time for us stay. Exit with Jessica and Salarino
  • 9. Enter ANTONIO ANTONIO: Who's there? GRATIANO: Signior Antonio! ANTONIO: Fie, fie, Gratiano! where are all the rest? 'Tis nine o'clock: our friends all stay for you. No masque to-night: the wind is come about; Bassanio presently will go aboard: I have sent twenty out to seek for you. GRATIANO: I am glad on't: I desire no more delight Than to be under sail and gone to-night. Exeunt
  • 10. SCENE VII. Belmont. A room in PORTIA'S house. Flourish of cornets. Enter PORTIA, with the PRINCE OF MOROCCO, and their trains PORTIA: Go draw aside the curtains and discover The several caskets to this noble prince. Now make your choice. MOROCCO: The first, of gold, who this inscription bears, 'Who chooseth me shall gain what many men desire;' The second, silver, which this promise carries, 'Who chooseth me shall get as much as he deserves;' This third, dull lead, with warning all as blunt, 'Who chooseth me must give and hazard all he hath.' How shall I know if I do choose the right?
  • 11. PORTIA: The one of them contains my picture, prince: If you choose that, then I am yours withal. MOROCCO: Some god direct my judgment! Let me see; I will survey the inscriptions back again. What says this leaden casket? 'Who chooseth me must give and hazard all he hath.' Must give: for what? for lead? hazard for lead? This casket threatens. Men that hazard all Do it in hope of fair advantages: A golden mind stoops not to shows of dross; I'll then nor give nor hazard aught for lead. What says the silver with her virgin hue? 'Who chooseth me shall get as much as he deserves.' As much as he deserves! Pause there, Morocco, And weigh thy value with an even hand: If thou be'st rated by thy estimation,
  • 12. Thou dost deserve enough; and yet enough May not extend so far as to the lady: And yet to be afeard of my deserving Were but a weak disabling of myself. As much as I deserve! Why, that's the lady: I do in birth deserve her, and in fortunes, In graces and in qualities of breeding; But more than these, in love I do deserve. What if I stray'd no further, but chose here? Let's see once more this saying graved in gold 'Who chooseth me shall gain what many men desire.' Why, that's the lady; all the world desires her; From the four corners of the earth they come, To kiss this shrine, this mortal-breathing saint: The Hyrcanian deserts and the vasty wilds Of wide Arabia are as thoroughfares now For princes to come view fair Portia:
  • 13. The watery kingdom, whose ambitious head Spits in the face of heaven, is no bar To stop the foreign spirits, but they come, As o'er a brook, to see fair Portia. One of these three contains her heavenly picture. Is't like that lead contains her? 'Twere damnation To think so base a thought: it were too gross To rib her cerecloth in the obscure grave. Or shall I think in silver she's immured, Being ten times undervalued to tried gold? O sinful thought! Never so rich a gem Was set in worse than gold. They have in England A coin that bears the figure of an angel Stamped in gold, but that's insculp'd upon; But here an angel in a golden bed Lies all within. Deliver me the key: Here do I choose, and thrive I as I may!
  • 14. PORTIA: There, take it, prince; and if my form lie there, Then I am yours. He unlocks the golden casket MOROCCO: O hell! what have we here? A carrion Death, within whose empty eye There is a written scroll! I'll read the writing. All that glitters is not gold; Often have you heard that told: Many a man his life hath sold But my outside to behold: Gilded tombs do worms enfold. Had you been as wise as bold, Young in limbs, in judgment old, Your answer had not been inscroll’d: Fare you well; your suit is cold. Cold, indeed; and labour lost: Then, farewell, heat, and welcome, frost! Portia, adieu. I have too grieved a heart To take a tedious leave: thus losers part. Exit with his train. Flourish of cornets PORTIA: A gentle riddance. Draw the curtains, go. Let all of his complexion choose me so.