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SCHOOL OF ARCHITECTURE
APEX GROUP OF INSTITUTION
SUBMITTED TO:
AR. PRIYADARSHINI
AGARWAL MA’AM
SUBMITTED BY:
ANURADHA
VI SEM,III YEAR
23-03-2022
SUBJECT: HISTORY OF ARCHITECTURE
TOPIC: POST MODERN ARCHITECTURE
EERO SAARINEN
ABOUT ARCHITECT
• Born in Kirkkonummi, Finland in 1910 and immigrated to the United
States in 1923.
• Studied at the School of Architecture at Yale University and taught at the
Cranbrook Academy of Art.
• Liked to explore new technology, forms, production and processes in
design.
• Wished to create a radically new architecture.
• Believed everything was architecture, even furniture, which influenced
his experiments with materials, structural techniques and manufacturing
• Furniture designer: Under his father he designed and entered his
furniture designs in competitions. Later were entered into production by
the Knoli Furniture Company
TRANS WORLD AIRLINES FLIGHT CENTRE
TRANS WORLD AIRPORT TERMINAL
• Location: New York, New York
• Architect: Eero Saarinen, along with Kevin Roche, Cesar Pelli,
Edward Saad, & Norman Pettula
• Time: 1956-1962
• Completion year: 28 May 1962
• Style: Expressionist
• Saarinen and his firm won the competition in 1956 to design a
• terminal that captured “the spirit of flight” The form resembles
a huge bird with wings spread, preparing for landing.
• “The fact that to some people it looked like a bird in flight was
really coincidental. That was the last thing we thought about”
INTRODUCTION
• Features thin shell roof, tube-shaped departure/arrival corridors,
expansive windows that highlight departing and arriving jets, strips of
skylights separating the four “wings”.
• Invisible web of reinforcing steel, comparable to Saarinen’s 1962
Washington Dulles terminal building (invisible reinforced “hammock”).
• Saarinen developed a special curve edged ceramic tile to conform to the
shell.
HISTORY
• 1956 – Eero Saarinen and firm commissioned to design TWA Flight
Center
• 1962 – Terminal is dedicated on May 8. Saarinen died September 1,
1961.
• 1969 – Terminal received a new departure-arrival concourse and lounge
designed by RocheDinkeloo
• 1994 – Designated New York City Landmark
• 2001 – Terminal ends operations after TWA is purchased by American
Airlines
• 2005 – Construction began on new terminal for JetBlue Airways, which
encircled part of Saarinen’s original terminal
• 2008 – T5, the name for the terminal with the new structure designed by
Gensler along with Saarinen’s terminal, opens on October 22.
DESIGN
• Biggest challenge for the design was allowing for smooth passage
through the terminal.
• Countless study models made to determine the most suitable form.
• Concept for the form derived from the rind of a grapefruit.
• Final solution consisted of creating 4 adjacent shells counterbalancing
each other.
• Final scheme used 3 different sized configurations of curved, diamond
shaped shells supported by 4 curvilinear shaped columns.
SITE PLAN
BUILDING LAYOUT
1. Information Desk
2. Main Lobby
3. Baggage Claim
4. Ticketing
5. Operations
6. Kitchen
7. Offices
BUILDING LAYOUT
1. Gallery
2. International Lounge
3. Ambassador Club
4. Bar
5. VIP Lounge
6. Service/Kitchen
7. Coffee Shop
8. Dining Area
9. Observation Deck
STRUCTURAL DESIGN
• Reinforced poured in place concrete shell curve
• Inspired by grapefruit
• Four diamond shaped shells symmetrical on east- west axis
• Roof thickness ranges from 7”- 40” at columns
• Roof dl = 6,000 lbs
• Cantilevers extend eighty feet
BUTTRESS COLUMN
SUPPORTS
SHELL ROOF
STRUCTURAL DESIGN
• Four curvilinear y-shaped columns of poured in place reinforced
concrete
• Hundreds of drawings required to determine form work (created
before computer aided architectural drawing existed)
• 51’ tall
• 315’ long
• 3’ thick
STRUCTURAL DESIGN
• Skylights stretch across the seams separating the shells
• Each shell meets in the center to support each other
• Emphasizes the line of the roof and separation of the vaults
GLASS SKY LIGHTS GLASS CURTAIN WALL
STRUCTURAL DESIGN
• Steel pipe truss curtain wall
• Outer arc pulls mullions inward while the mullions hang away
from the structure
• System relies on stiffness
• Structural glass held in place by mullions and hang outwardly
• Curtain wall system fills in ‘voids’ between concrete emphasizing
the ‘lightness’ of the structure
CONSTRUCTION
DULLES INTERNATIONAL AIRPORT
INTRODUCTION
• Location: Chantilly,Virginia, United States
• Architect: Eero Saarinen
• Year: 1962 (Time: 1958-1962)
• Style: Expressionist
• Area: 11,000 acre
• Total cost of original main terminal $108.3 million.
• Materials: Concrete, Glass and metal
STRUCTURE
• The airport was designed to provide a modern gateway to the capital of
the nation and building it for the federal government.
• The site was a flat plain.
• The main terminus is a single, compact structure, not entirely free from
formalist tendencies but one which is technically exciting.
• The final design concept arrived at was a suspended structure, high at
the front, lower in the middle, slightly higher at the back, generated by a
rectangular plan.
• The building is thus capable of lateral extension.
• Ranked the fifth largest hub for United Airlines, the DullesAirport is one of
the nation's busiest airports as it handles over 23 million passengers a day,
flying to more than 125 destinations.
STRUCTURE
• The 16 pairs of pylons curve upwards and support the hammock-like
roof in tension.
• Passengers are brought into the building is made to coincide with the
system of mobile lounges which take people to aircraft on the two-mile-
long runway.
• A corner of the building with the reinforced concrete pylon carrying the
cable on which the roof is supported.
• The design included a landscaped man-made lake to collect rainwater, a
low rise hotel, and a row of office buildings along the north side of the
main parking.
•
• When Eero Saarinen designed the passenger terminal for the gateway
to the nation’s capital, he envisioned a building that expressed
movement and the excitement of travel. Dulles International was the first
commercial airport to be designed specifically for jet air travel.
• Angular concrete columns spaced forty feet apart on each side of the
main concourse carry suspension cables that in turn support curved
concrete roof panels.
• The columns are tapered and tipped outward to emphasize the dynamic
structural system.
• The roof rises sixty-five feet above the passenger approach, and forty-
five feet above the field.
• The passenger services are organized on two levels below the single
roof plane.
• Mobile lounges carried passengers between the terminal and the jets,
eliminating long walkways and the heavy cost of taxiing planes.
• Saarinen wrote, “I think this airport is the best thing I have done.”
• The Dulles terminal has two floors; the first for departing passengers,
ticketing and concessions, and the other for arriving passengers, baggage
claim, and ground transportation.
• One of the key moments of innovation in this terminal was the employment
of new transport vehicles known as mobile lounges, which resembled a sort of
giant luxury bus and carried up to ninety people from the terminal to their
plane.
THANK YOU

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Eero saarinen.pptx

  • 1. SCHOOL OF ARCHITECTURE APEX GROUP OF INSTITUTION SUBMITTED TO: AR. PRIYADARSHINI AGARWAL MA’AM SUBMITTED BY: ANURADHA VI SEM,III YEAR 23-03-2022 SUBJECT: HISTORY OF ARCHITECTURE TOPIC: POST MODERN ARCHITECTURE
  • 3. ABOUT ARCHITECT • Born in Kirkkonummi, Finland in 1910 and immigrated to the United States in 1923. • Studied at the School of Architecture at Yale University and taught at the Cranbrook Academy of Art. • Liked to explore new technology, forms, production and processes in design. • Wished to create a radically new architecture. • Believed everything was architecture, even furniture, which influenced his experiments with materials, structural techniques and manufacturing • Furniture designer: Under his father he designed and entered his furniture designs in competitions. Later were entered into production by the Knoli Furniture Company
  • 4. TRANS WORLD AIRLINES FLIGHT CENTRE
  • 5. TRANS WORLD AIRPORT TERMINAL • Location: New York, New York • Architect: Eero Saarinen, along with Kevin Roche, Cesar Pelli, Edward Saad, & Norman Pettula • Time: 1956-1962 • Completion year: 28 May 1962 • Style: Expressionist • Saarinen and his firm won the competition in 1956 to design a • terminal that captured “the spirit of flight” The form resembles a huge bird with wings spread, preparing for landing. • “The fact that to some people it looked like a bird in flight was really coincidental. That was the last thing we thought about”
  • 6. INTRODUCTION • Features thin shell roof, tube-shaped departure/arrival corridors, expansive windows that highlight departing and arriving jets, strips of skylights separating the four “wings”. • Invisible web of reinforcing steel, comparable to Saarinen’s 1962 Washington Dulles terminal building (invisible reinforced “hammock”). • Saarinen developed a special curve edged ceramic tile to conform to the shell.
  • 7. HISTORY • 1956 – Eero Saarinen and firm commissioned to design TWA Flight Center • 1962 – Terminal is dedicated on May 8. Saarinen died September 1, 1961. • 1969 – Terminal received a new departure-arrival concourse and lounge designed by RocheDinkeloo • 1994 – Designated New York City Landmark • 2001 – Terminal ends operations after TWA is purchased by American Airlines • 2005 – Construction began on new terminal for JetBlue Airways, which encircled part of Saarinen’s original terminal • 2008 – T5, the name for the terminal with the new structure designed by Gensler along with Saarinen’s terminal, opens on October 22.
  • 8. DESIGN • Biggest challenge for the design was allowing for smooth passage through the terminal. • Countless study models made to determine the most suitable form. • Concept for the form derived from the rind of a grapefruit. • Final solution consisted of creating 4 adjacent shells counterbalancing each other. • Final scheme used 3 different sized configurations of curved, diamond shaped shells supported by 4 curvilinear shaped columns.
  • 10. BUILDING LAYOUT 1. Information Desk 2. Main Lobby 3. Baggage Claim 4. Ticketing 5. Operations 6. Kitchen 7. Offices
  • 11. BUILDING LAYOUT 1. Gallery 2. International Lounge 3. Ambassador Club 4. Bar 5. VIP Lounge 6. Service/Kitchen 7. Coffee Shop 8. Dining Area 9. Observation Deck
  • 12. STRUCTURAL DESIGN • Reinforced poured in place concrete shell curve • Inspired by grapefruit • Four diamond shaped shells symmetrical on east- west axis • Roof thickness ranges from 7”- 40” at columns • Roof dl = 6,000 lbs • Cantilevers extend eighty feet
  • 14. STRUCTURAL DESIGN • Four curvilinear y-shaped columns of poured in place reinforced concrete • Hundreds of drawings required to determine form work (created before computer aided architectural drawing existed) • 51’ tall • 315’ long • 3’ thick
  • 15. STRUCTURAL DESIGN • Skylights stretch across the seams separating the shells • Each shell meets in the center to support each other • Emphasizes the line of the roof and separation of the vaults
  • 16. GLASS SKY LIGHTS GLASS CURTAIN WALL
  • 17. STRUCTURAL DESIGN • Steel pipe truss curtain wall • Outer arc pulls mullions inward while the mullions hang away from the structure • System relies on stiffness • Structural glass held in place by mullions and hang outwardly • Curtain wall system fills in ‘voids’ between concrete emphasizing the ‘lightness’ of the structure
  • 20. INTRODUCTION • Location: Chantilly,Virginia, United States • Architect: Eero Saarinen • Year: 1962 (Time: 1958-1962) • Style: Expressionist • Area: 11,000 acre • Total cost of original main terminal $108.3 million. • Materials: Concrete, Glass and metal
  • 21. STRUCTURE • The airport was designed to provide a modern gateway to the capital of the nation and building it for the federal government. • The site was a flat plain. • The main terminus is a single, compact structure, not entirely free from formalist tendencies but one which is technically exciting. • The final design concept arrived at was a suspended structure, high at the front, lower in the middle, slightly higher at the back, generated by a rectangular plan. • The building is thus capable of lateral extension. • Ranked the fifth largest hub for United Airlines, the DullesAirport is one of the nation's busiest airports as it handles over 23 million passengers a day, flying to more than 125 destinations.
  • 22. STRUCTURE • The 16 pairs of pylons curve upwards and support the hammock-like roof in tension. • Passengers are brought into the building is made to coincide with the system of mobile lounges which take people to aircraft on the two-mile- long runway. • A corner of the building with the reinforced concrete pylon carrying the cable on which the roof is supported. • The design included a landscaped man-made lake to collect rainwater, a low rise hotel, and a row of office buildings along the north side of the main parking. •
  • 23. • When Eero Saarinen designed the passenger terminal for the gateway to the nation’s capital, he envisioned a building that expressed movement and the excitement of travel. Dulles International was the first commercial airport to be designed specifically for jet air travel.
  • 24. • Angular concrete columns spaced forty feet apart on each side of the main concourse carry suspension cables that in turn support curved concrete roof panels. • The columns are tapered and tipped outward to emphasize the dynamic structural system. • The roof rises sixty-five feet above the passenger approach, and forty- five feet above the field. • The passenger services are organized on two levels below the single roof plane. • Mobile lounges carried passengers between the terminal and the jets, eliminating long walkways and the heavy cost of taxiing planes. • Saarinen wrote, “I think this airport is the best thing I have done.”
  • 25. • The Dulles terminal has two floors; the first for departing passengers, ticketing and concessions, and the other for arriving passengers, baggage claim, and ground transportation. • One of the key moments of innovation in this terminal was the employment of new transport vehicles known as mobile lounges, which resembled a sort of giant luxury bus and carried up to ninety people from the terminal to their plane.
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