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ARTA 111
ART APPRECIATION
SUBJECT AND CONTENT
•Subject refers to the visual focus or
the image that may be extracted from
examining the artwork.
•Content is the meaning that is
communicated by the artist or the
artwork.
TYPES OF SUBJECT
• These types of art have subjects
that refer to object or events
occurring in the real world. Often,
it is also termed figurative art,
because as the name suggest, the
figures depicted are easy to
makes out and decipher.
TYPES OF SUBJECT
TYPES OF SUBJECT
• This art does not make a
reference to the real world,
whether it is a person, place,
thing, or even a particular event.
It is stripped down to visual
elements such as shapes, lines,
emotion, and even concept.
TYPES OF SUBJECT
Jackson Pollock, detail
of “Number 1A”
Sources of Subject
Greek and Roman
Mythology
Sources of Subject
Greek and
Roman
Mythology
Vincent van Gogh "Die Ebene von Auvers"
“Discobolus” – Greek original by the
sculptor Myron of 450-440 BC
Battle of Waterloo
Sources of Subject
Judeo- Christian
Tradition
Sacred Oriental
Texts
“Sistine Chapel” – Michelangelo
“Interior of Westminster
“"Shah Jahan Receiving
Dara Shikoh"
Kinds of Subject
ANIMALS
Figures
CITYSCAPE
Dreams
FANTASIES
CONTENT IN ART
Levels of meaning
CONTENT IN ART
Levels of meaning
Factual pertains to the most rudimentary
level of meaning for it may be extracted
from the identifiable or recognizable
forms in the artwork and understanding
how these elements relate to one
another.
CONTENT IN ART
Levels of meaning
Conventional meaning, on the other hand,
pertains to the acknowledged
interpretation of the artwork using motifs,
signs, symbols and other cyphers as
bases of its meaning. These conventions
are established through time,
strengthened by recurrent use and wide
acceptance by its viewers or audience
and scholars who study then.
CONTENT IN ART
Levels of meaning
When subjectivities are consulted,
a variety of meaning may arise
when a particular work of art is
read. These meanings stem from
the viewer’s or audience’s
circumstances that come into play
when engaging with art.
CONTENT IN ART
Subjective
“Creation of Adam” by Michelangelo at Sistine Chapel

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Subject and Content

  • 2. SUBJECT AND CONTENT •Subject refers to the visual focus or the image that may be extracted from examining the artwork. •Content is the meaning that is communicated by the artist or the artwork.
  • 3. TYPES OF SUBJECT • These types of art have subjects that refer to object or events occurring in the real world. Often, it is also termed figurative art, because as the name suggest, the figures depicted are easy to makes out and decipher.
  • 5. TYPES OF SUBJECT • This art does not make a reference to the real world, whether it is a person, place, thing, or even a particular event. It is stripped down to visual elements such as shapes, lines, emotion, and even concept.
  • 6. TYPES OF SUBJECT Jackson Pollock, detail of “Number 1A”
  • 7. Sources of Subject Greek and Roman Mythology
  • 8. Sources of Subject Greek and Roman Mythology Vincent van Gogh "Die Ebene von Auvers" “Discobolus” – Greek original by the sculptor Myron of 450-440 BC Battle of Waterloo
  • 9. Sources of Subject Judeo- Christian Tradition Sacred Oriental Texts “Sistine Chapel” – Michelangelo “Interior of Westminster “"Shah Jahan Receiving Dara Shikoh"
  • 11. CONTENT IN ART Levels of meaning
  • 12. CONTENT IN ART Levels of meaning Factual pertains to the most rudimentary level of meaning for it may be extracted from the identifiable or recognizable forms in the artwork and understanding how these elements relate to one another.
  • 13. CONTENT IN ART Levels of meaning Conventional meaning, on the other hand, pertains to the acknowledged interpretation of the artwork using motifs, signs, symbols and other cyphers as bases of its meaning. These conventions are established through time, strengthened by recurrent use and wide acceptance by its viewers or audience and scholars who study then.
  • 14. CONTENT IN ART Levels of meaning When subjectivities are consulted, a variety of meaning may arise when a particular work of art is read. These meanings stem from the viewer’s or audience’s circumstances that come into play when engaging with art.
  • 15. CONTENT IN ART Subjective “Creation of Adam” by Michelangelo at Sistine Chapel