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THE REAL RIGOR OF WRITING
Let’s startwith a thought experiment:
There’s been an outbreak of lice – or a caseof meningitis – in one of your district
schools. It’s your job to write the letter telling parents what happened, explaining
what’s being done, and reassuring themthat the situation is under control. You sit
down to write. What’s the firstthing you do?
No matter how you mentally answered this question, you probably did not think,
“I draw five boxes on a piece of paper and begin filling them in.” Not only is such a
graphic organizer not your firststep in writing a letter to parents. It’s likely not
your firststep in writing the rationale for purchasing a new Reading series, writing
the Welcome column for your website, or writing a letter of recommendation for
a former student or colleague. So why is picturing such a graphic organizer so
easy?
I’msurethat almost everyonereading this column – in fact, almost every member
of the profession who has ever had ELA in their job description - can see that five-
box image. The fact that these graphic organizers areas common as hashtags
illustrates the extent to which publishers, aided and abetted by hundreds of
“teacher-friendly” websites, havetaken the rigor out of teaching writing. For just
as using hashtags like #takebackthenight, #prayforparis, and
#makeamericagreatagain does not equal taking action, filling in graphic organizers
does not equal writing. Writing is an inherently rigorous cognitiveactivity.
Following a fill-in-the-blank formula is not.
Don’tget me wrong. I understand that graphic-organizer usereflects a logical,
even a kind impulse. Teachers always explain to me that
“Studentsneed structure for their writing.”
“We have to scaffold their writing because they don’tknow where to
begin.”
“Writing is so difficult. They’re intimidated by blank paper.”
It’s to address these concerns that publishers’ reading programs and teachers’
websites offer all those Hamburgers, OREOs,and Plot Skeletons, as well as the
generic five-boxes designs.
And I agree with their basic assumption: Writing is difficult. Blank paper (like
blank screens with blinking cursors) is intimidating. So writers do need ways into
their writing. But what teachers need to scaffold is students’ thinking, not their
writing. Writing is not about filling in blanks or boxes. It’s notabout having “one
of these” and “three of those.” Writing is about developing ideas, imposing order
on those ideas, and using those ideas to make a point in the most effective ways
possible. In other words, writing is abouthigher-order, truly rigorous thinking. It’s
about discovery, application, analysis, evaluation and synthesis of ideas into
something entirely new. It’s aboutmore than knowing and understanding, more
than summarizing, retelling, or reporting. It’s not aboutanything teachers can
predict or predigest, no matter what purchased programs promise. Butthat
doesn’tmean writing can’t be scaffolded. Itjustrequires scaffolds thatsupport
thinking without restricting it, scaffolds that provideways in without trapping
writers once they’rethere.
So now let’s try another thought experiment: picture a Venn diagram. Imagine
that you’reusing it to think about teaching writing. One of the circles is about the
Writing Process. Theother is about the Written Product. What goes in the over-
lapping middle section is what Process and Producthavein common, which – in
Pennsylvania terms – are Focus, Content, Organization, Style, and Conventions.
But what do those domains mean in terms of process? And how do they play out
in terms of product? Using a Venn diagramto capture and crystallizeour thinking
about how to use the domains for process and productis using a graphic
organizer to support our thinking. To help us grasp and categorizea mass of
seemingly disconnected ideas. To help us find relationships between and among
those ideas. In other words, to help us discover and think through our thoughts
about Writing so we can talk - and perhaps even write - about them.
That’s what graphic organizers arefor - to supportthinking as part of the writing
process, notto create the written product itself.
So whatother graphic organizers work likethe Venn? The simplestis actually not
a formal organizer at all. It’s separatepieces of paper. If students sort ideas onto
different pieces of paper, using each piece to collect their thinking about a
different idea, they can then put thosepieces of paper in order, trying out all the
possiblearrangements – each one potentially first, second, third, fourth, last –
without ever rewriting a word.
Or they can use an IDEA chart. This is a simple, four-quadrantpaper with each
quarter labeled as the place to put different thoughts about a topic. Ideas, Details,
Examples, and Anecdotes each go in their own box, helping writers discover and
make explicit what they know and think about a topic. Then they can circle,
underline, or highlight which idea they wantto develop and which bits of content
they can use to develop that idea.
Here’s the test these and similar graphic organizers pass thatmore formulaic
ones fail: if a writer can white-outthe lines of the graphic organizer and have an
almost finished piece of writing, using the graphic organizer substitutes for writing
instead of supporting it.
I know Pennsylvania teachers. I know how smartand creative they can be. So I
know that right now every reader of this column has thought of at least one way
teachers can do this – one graphic organizer they already use or can develop – to
truly supportthinking instead of boxing it in. I also know members of Learning
Forward. So I know they are imagining ways to structureprofessionallearning
that will scaffold teachers’ thinking aboutauthentic writing instruction not
dependent on formula or format.
Writing is the most inherently rigorous skill schools teach, requiring the kind of
higher-order thinking our Standards –and our lives - demand. The sooner we take
advantageof that inherent rigor, the sooner our students will experience writing
as the personally useful - personally relevant - skill it is.
Andrea Fishman, Ph.D.
Strategic Literacy Partners, LLC
andy@strategicliteracypartners.com

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The Real Rigor of Writing

  • 1. THE REAL RIGOR OF WRITING Let’s startwith a thought experiment: There’s been an outbreak of lice – or a caseof meningitis – in one of your district schools. It’s your job to write the letter telling parents what happened, explaining what’s being done, and reassuring themthat the situation is under control. You sit down to write. What’s the firstthing you do? No matter how you mentally answered this question, you probably did not think, “I draw five boxes on a piece of paper and begin filling them in.” Not only is such a graphic organizer not your firststep in writing a letter to parents. It’s likely not your firststep in writing the rationale for purchasing a new Reading series, writing the Welcome column for your website, or writing a letter of recommendation for a former student or colleague. So why is picturing such a graphic organizer so easy? I’msurethat almost everyonereading this column – in fact, almost every member of the profession who has ever had ELA in their job description - can see that five- box image. The fact that these graphic organizers areas common as hashtags illustrates the extent to which publishers, aided and abetted by hundreds of “teacher-friendly” websites, havetaken the rigor out of teaching writing. For just as using hashtags like #takebackthenight, #prayforparis, and #makeamericagreatagain does not equal taking action, filling in graphic organizers does not equal writing. Writing is an inherently rigorous cognitiveactivity. Following a fill-in-the-blank formula is not. Don’tget me wrong. I understand that graphic-organizer usereflects a logical, even a kind impulse. Teachers always explain to me that “Studentsneed structure for their writing.” “We have to scaffold their writing because they don’tknow where to begin.” “Writing is so difficult. They’re intimidated by blank paper.”
  • 2. It’s to address these concerns that publishers’ reading programs and teachers’ websites offer all those Hamburgers, OREOs,and Plot Skeletons, as well as the generic five-boxes designs. And I agree with their basic assumption: Writing is difficult. Blank paper (like blank screens with blinking cursors) is intimidating. So writers do need ways into their writing. But what teachers need to scaffold is students’ thinking, not their writing. Writing is not about filling in blanks or boxes. It’s notabout having “one of these” and “three of those.” Writing is about developing ideas, imposing order on those ideas, and using those ideas to make a point in the most effective ways possible. In other words, writing is abouthigher-order, truly rigorous thinking. It’s about discovery, application, analysis, evaluation and synthesis of ideas into something entirely new. It’s aboutmore than knowing and understanding, more than summarizing, retelling, or reporting. It’s not aboutanything teachers can predict or predigest, no matter what purchased programs promise. Butthat doesn’tmean writing can’t be scaffolded. Itjustrequires scaffolds thatsupport thinking without restricting it, scaffolds that provideways in without trapping writers once they’rethere. So now let’s try another thought experiment: picture a Venn diagram. Imagine that you’reusing it to think about teaching writing. One of the circles is about the Writing Process. Theother is about the Written Product. What goes in the over- lapping middle section is what Process and Producthavein common, which – in Pennsylvania terms – are Focus, Content, Organization, Style, and Conventions. But what do those domains mean in terms of process? And how do they play out in terms of product? Using a Venn diagramto capture and crystallizeour thinking about how to use the domains for process and productis using a graphic organizer to support our thinking. To help us grasp and categorizea mass of seemingly disconnected ideas. To help us find relationships between and among those ideas. In other words, to help us discover and think through our thoughts about Writing so we can talk - and perhaps even write - about them. That’s what graphic organizers arefor - to supportthinking as part of the writing process, notto create the written product itself. So whatother graphic organizers work likethe Venn? The simplestis actually not a formal organizer at all. It’s separatepieces of paper. If students sort ideas onto
  • 3. different pieces of paper, using each piece to collect their thinking about a different idea, they can then put thosepieces of paper in order, trying out all the possiblearrangements – each one potentially first, second, third, fourth, last – without ever rewriting a word. Or they can use an IDEA chart. This is a simple, four-quadrantpaper with each quarter labeled as the place to put different thoughts about a topic. Ideas, Details, Examples, and Anecdotes each go in their own box, helping writers discover and make explicit what they know and think about a topic. Then they can circle, underline, or highlight which idea they wantto develop and which bits of content they can use to develop that idea. Here’s the test these and similar graphic organizers pass thatmore formulaic ones fail: if a writer can white-outthe lines of the graphic organizer and have an almost finished piece of writing, using the graphic organizer substitutes for writing instead of supporting it. I know Pennsylvania teachers. I know how smartand creative they can be. So I know that right now every reader of this column has thought of at least one way teachers can do this – one graphic organizer they already use or can develop – to truly supportthinking instead of boxing it in. I also know members of Learning Forward. So I know they are imagining ways to structureprofessionallearning that will scaffold teachers’ thinking aboutauthentic writing instruction not dependent on formula or format. Writing is the most inherently rigorous skill schools teach, requiring the kind of higher-order thinking our Standards –and our lives - demand. The sooner we take advantageof that inherent rigor, the sooner our students will experience writing as the personally useful - personally relevant - skill it is. Andrea Fishman, Ph.D. Strategic Literacy Partners, LLC andy@strategicliteracypartners.com