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Green 1 
Allison Green 
English 103 
Charles R. Dixon 
13 October 2013 
Digital Deception 
 Dating websites have become a larger part in our society than ever before. 
Imagine meeting the “perfect” person online and going to meet them in person and it 
turns out they were lying the entire time; even worse, they are a dangerous criminal. In 
her essay “Digital Deception” Claire McIntosh writes to warn and possibly protect her 
audience, some who may have thought of online dating or are doing it already, against 
the dangers of online dating websites. She employs a didactic tone and a strong 
pathetic appeal with a hint of a logical appeal to successfully get her point across to the 
audience. 
 The didactic tone of the piece is created through a string of written out examples. 
The written out examples in the piece make the didactic tone lighter, as if the reader is 
being talked to by a mentor such as an older sister or brother instead of a professional 
teacher. The opening of the piece is a, rather extreme but pointed, representation of 
how a woman thought she was falling in love with a man she met on the Internet and 
got engaged to. He then later was found out to be a scammer and took her for about 
$12,000 of her own money thanks to fraud and larceny (229). McIntosh uses this as a 
call to action for her readers in order to warn them of the dangers of online dating and to 
be careful with meeting people online; similar to how Nev from the MTV movie/show 
used his experiences with someone he met online lying to him to help his fans find out
Green 2 
whether or not they are being lied to themselves through their own online relationships. 
Another example that was used in the piece is about a woman in Hollywood that met a 
person online. When she went to meet him in person he was found to be a sexual 
predator and he assaulted her. The man was unable to be caught because he was 
using a fake name and profile to lure his victims in. By using these examples McIntosh 
creates a didactic tone in her piece where the reader feels as if McIntosh is an older, 
wiser friend giving advice rather than a parent telling them what not to do. McIntosh also 
employs the heavy use of statistics such as “men were found more likely to lie than 
women in 13 out of 14 categories” (230). These statistics create a more didactic tone as 
if one is reading a pamphlet on the issue of people lying about themselves online. While 
the anecdotes are mostly about women being lied to, there are men who were lied to 
such as Mel a 40-year-old bachelor from Pennsylvania. He had fallen head over heels 
for a beautiful woman in her late 20s and drove to see her. When he had arrived to her 
house he thought he saw his “grandmother. She looked old and tired, moved slowly, 
wore a hair net and heavy makeup” (230); needless to say she was far from what he 
was expecting. This piece is somewhat geared towards women because men are more 
likely to lie online; however, she does include how men are also fooled.  
 The didactic tone is furthered through the repetitive use of words like “false” and 
“lie.” Much like a teacher or a parent, McIntosh repeats these words to make her point 
stronger. The stronger variations of these words are used in order to basically drill into 
the readers’ head that people have the ability to lie over the internet and no one exactly 
knows what is real or fake. McIntosh wants her readers to be safe and able to see 
through the lies other people put out there. McIntosh takes on the role of a big sister to
Green 3 
her readers telling them the dangers that they could encounter with online dating 
websites. 
 An overarching characteristic of this piece is a strong pathetic appeal to the 
audience. The examples are placed within the piece to make the reader feel 
sympathetic towards the people who have been hurt by people lying online. On the flip 
side of this Claire McIntosh is trying to also help her readers realize the pain that goes 
along when people lie online. Through doing this she is preventing her readers from 
lying to people online. Using strong diction like “sexual assault”, “disappointment”, 
“unwitting singles” and “suspicious behavior” creates an unsettling feeling in McIntosh’s 
audience. This creates a tone of warning throughout the piece. McIntosh is trying to give 
her readers a sense of urgency with the realization that it is so easy to lie online and not 
to believe everything that one reads.  
 Along with the pathetic appeal the logical appeal is also present throughout the 
piece but it becomes heavier in the closing of the piece. She states that “requests for 
personal information (address, financial info) are the number one signs of trouble” (231). 
Normally when one meets a person face to face and they ask for personal information it 
a red flag goes up but when this happens online there is a lapse in judgement. This lack 
of judgment may come from how it feels less real talking to a person online. Simply 
reading words on a screen is completely different from talking to a real person. 
McIntosh is trying to get her readers to think rationally and realize that if a person asks 
for this information online its not a good thing to do. People do not realize how 
dangerous it can be online with people trying to scam them for all of their money and 
often times getting over $10,000 scammed away from them just because they had a
Green 4 
temporary lapse in judgement thanks to the lies the person on the other side of the 
screen had put up. McIntosh also includes different things on how to catch a person that 
is overseas and trying to scam people. She states that most scammers are from Nigeria 
and Ghana but not all of them are from these countries. They mostly are people trying 
to escape the turmoil in their countries but are doing it wrong by stealing money from 
innocent people. McIntosh is like a teacher trying to get her students to think logically to 
protect themselves at this point. The logical appeal towards the end of this piece makes 
readers feel more comfortable in that they now have tools to possibly catch those that 
are lying to them over these dating websites.  
 McIntosh’s pathetic appeal, logical appeal and didactic tone are what makes her 
piece “DIgital Deception” successful in warning her audience against the dangers of 
online dating websites. While she does not deny that good does come out of them but 
at the same time there are a lot of horrible people trying to scam the lonely singles of 
the world. These problems can now be easily avoided with McIntosh’s tips or just 
avoiding online dating all together. Online dating is the new rage for singles of all ages 
these problems would have never even been thought of even ten years ago. If it keeps 
growing at the rate it is with the emergence of shows and movies like Catfish the public 
needs to learn to arm themselves against online predators and scammers.
Green 5 
Works Cited 
Jones, Cynthia. Lying, Cheating, and Virtual Relationships. Global Virtue Ethics Review 5.1 
(2004): 3-12. Proquest. Web. 7 Nov. 2013. 
McIntosh, Claire. Digital Deception. Authenticity. Southlake, TX: Fountainhead, 2012. 
229-231. Print.

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Digital deception

  • 1. Green 1 Allison Green English 103 Charles R. Dixon 13 October 2013 Digital Deception Dating websites have become a larger part in our society than ever before. Imagine meeting the “perfect” person online and going to meet them in person and it turns out they were lying the entire time; even worse, they are a dangerous criminal. In her essay “Digital Deception” Claire McIntosh writes to warn and possibly protect her audience, some who may have thought of online dating or are doing it already, against the dangers of online dating websites. She employs a didactic tone and a strong pathetic appeal with a hint of a logical appeal to successfully get her point across to the audience. The didactic tone of the piece is created through a string of written out examples. The written out examples in the piece make the didactic tone lighter, as if the reader is being talked to by a mentor such as an older sister or brother instead of a professional teacher. The opening of the piece is a, rather extreme but pointed, representation of how a woman thought she was falling in love with a man she met on the Internet and got engaged to. He then later was found out to be a scammer and took her for about $12,000 of her own money thanks to fraud and larceny (229). McIntosh uses this as a call to action for her readers in order to warn them of the dangers of online dating and to be careful with meeting people online; similar to how Nev from the MTV movie/show used his experiences with someone he met online lying to him to help his fans find out
  • 2. Green 2 whether or not they are being lied to themselves through their own online relationships. Another example that was used in the piece is about a woman in Hollywood that met a person online. When she went to meet him in person he was found to be a sexual predator and he assaulted her. The man was unable to be caught because he was using a fake name and profile to lure his victims in. By using these examples McIntosh creates a didactic tone in her piece where the reader feels as if McIntosh is an older, wiser friend giving advice rather than a parent telling them what not to do. McIntosh also employs the heavy use of statistics such as “men were found more likely to lie than women in 13 out of 14 categories” (230). These statistics create a more didactic tone as if one is reading a pamphlet on the issue of people lying about themselves online. While the anecdotes are mostly about women being lied to, there are men who were lied to such as Mel a 40-year-old bachelor from Pennsylvania. He had fallen head over heels for a beautiful woman in her late 20s and drove to see her. When he had arrived to her house he thought he saw his “grandmother. She looked old and tired, moved slowly, wore a hair net and heavy makeup” (230); needless to say she was far from what he was expecting. This piece is somewhat geared towards women because men are more likely to lie online; however, she does include how men are also fooled. The didactic tone is furthered through the repetitive use of words like “false” and “lie.” Much like a teacher or a parent, McIntosh repeats these words to make her point stronger. The stronger variations of these words are used in order to basically drill into the readers’ head that people have the ability to lie over the internet and no one exactly knows what is real or fake. McIntosh wants her readers to be safe and able to see through the lies other people put out there. McIntosh takes on the role of a big sister to
  • 3. Green 3 her readers telling them the dangers that they could encounter with online dating websites. An overarching characteristic of this piece is a strong pathetic appeal to the audience. The examples are placed within the piece to make the reader feel sympathetic towards the people who have been hurt by people lying online. On the flip side of this Claire McIntosh is trying to also help her readers realize the pain that goes along when people lie online. Through doing this she is preventing her readers from lying to people online. Using strong diction like “sexual assault”, “disappointment”, “unwitting singles” and “suspicious behavior” creates an unsettling feeling in McIntosh’s audience. This creates a tone of warning throughout the piece. McIntosh is trying to give her readers a sense of urgency with the realization that it is so easy to lie online and not to believe everything that one reads. Along with the pathetic appeal the logical appeal is also present throughout the piece but it becomes heavier in the closing of the piece. She states that “requests for personal information (address, financial info) are the number one signs of trouble” (231). Normally when one meets a person face to face and they ask for personal information it a red flag goes up but when this happens online there is a lapse in judgement. This lack of judgment may come from how it feels less real talking to a person online. Simply reading words on a screen is completely different from talking to a real person. McIntosh is trying to get her readers to think rationally and realize that if a person asks for this information online its not a good thing to do. People do not realize how dangerous it can be online with people trying to scam them for all of their money and often times getting over $10,000 scammed away from them just because they had a
  • 4. Green 4 temporary lapse in judgement thanks to the lies the person on the other side of the screen had put up. McIntosh also includes different things on how to catch a person that is overseas and trying to scam people. She states that most scammers are from Nigeria and Ghana but not all of them are from these countries. They mostly are people trying to escape the turmoil in their countries but are doing it wrong by stealing money from innocent people. McIntosh is like a teacher trying to get her students to think logically to protect themselves at this point. The logical appeal towards the end of this piece makes readers feel more comfortable in that they now have tools to possibly catch those that are lying to them over these dating websites. McIntosh’s pathetic appeal, logical appeal and didactic tone are what makes her piece “DIgital Deception” successful in warning her audience against the dangers of online dating websites. While she does not deny that good does come out of them but at the same time there are a lot of horrible people trying to scam the lonely singles of the world. These problems can now be easily avoided with McIntosh’s tips or just avoiding online dating all together. Online dating is the new rage for singles of all ages these problems would have never even been thought of even ten years ago. If it keeps growing at the rate it is with the emergence of shows and movies like Catfish the public needs to learn to arm themselves against online predators and scammers.
  • 5. Green 5 Works Cited Jones, Cynthia. Lying, Cheating, and Virtual Relationships. Global Virtue Ethics Review 5.1 (2004): 3-12. Proquest. Web. 7 Nov. 2013. McIntosh, Claire. Digital Deception. Authenticity. Southlake, TX: Fountainhead, 2012. 229-231. Print.