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7 Deadly Sins of
Travel Photography
That Degenerate a Travel Photo
into a Travel Snapshot
Making Destinations
Desirable
• Many of us make a
living out of our
travel stories
• Those who don’t,
hope to
• It is for us to ensure
the objective is
forcefully delivered
– a 1000 words at a
time
The 7 Deadly Sins
of Travel
Photography• What are these?
• How they adversely
affect a photograph
• Pro tips to avoid
these sins
Sin of Exposure (< = > ≤ ≥)
Deadly Sin #1
Of Exposure
• Correct exposure vs. under/over exposure
• Deliberate use of under/over exposure
The ‘How To’ of
Exposure
• Use metering scale
– normally found at
the bottom of the
viewfinder
• Keep an eye on the
histogram (keep
histogram switched
on in ‘review’ mode)
Sin of Multiplicity (Of Subjects)
Deadly Sin #2
The ‘How To’ of
Avoiding Multiplicity
• Pause and consider
what is going to be
your subject
• And then, sacrifice
the rest to make
your subject the
hero
Sin of Dilution (Of Visual Power)
Deadly Sin #3
The ‘How To’ of
Avoiding Dilution
• Shoot multiple
shots
• Shallow Depth of
Field
• Ensuring non-
subjects are
focussing on the
subject
• Tight frame cutting
out extraneous
elements
• Post-Process
Sin of Division (Of Focus)
Deadly Sin #4
The ‘How To’ of
Avoiding Division
• Be mindful of other
elements
• Shoot bursts if
other elements
likely to affect
• Compose the
subject to make it
most prominent
Sin of Diffusion (Of Story)
Deadly Sin #5
The ‘How To’ of
Avoiding Diffusion
• Shoot multiple
shots
• Be experimentative.
Use techniques.
• Crop
• Be mindful of the
unfolding of story
and its various
characters
Sin of Greed (Of Unnecessary
Inclusions)
Deadly Sin #6
But Sometimes, Greed is
Good!
Not a Deadly Sin Anymore!
The ‘How To’ of Not
Falling Prey to
Greed• Be clear about your
subject
• Look for distractions,
especially around the
edges and corner
• Mercilessly exculde
them by forcefully
suppressing the urge
to include them!
Sin of Satisfaction (Of Easy
Satisfaction)
Deadly Sin #7
The ‘How To’ of Not
Being Easily
Satisfied• Be critical of the
frames you shoot
• Never pack up your
camera while out
shooting
• Keep trying
different POVs,
compositions, etc.
I call it – ‘Working
the Scene’
7 Deadly Sins of Travel Photography

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7 Deadly Sins of Travel Photography

  • 1.
  • 2. 7 Deadly Sins of Travel Photography That Degenerate a Travel Photo into a Travel Snapshot
  • 3. Making Destinations Desirable • Many of us make a living out of our travel stories • Those who don’t, hope to • It is for us to ensure the objective is forcefully delivered – a 1000 words at a time
  • 4. The 7 Deadly Sins of Travel Photography• What are these? • How they adversely affect a photograph • Pro tips to avoid these sins
  • 5. Sin of Exposure (< = > ≤ ≥) Deadly Sin #1
  • 6. Of Exposure • Correct exposure vs. under/over exposure • Deliberate use of under/over exposure
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20. The ‘How To’ of Exposure • Use metering scale – normally found at the bottom of the viewfinder • Keep an eye on the histogram (keep histogram switched on in ‘review’ mode)
  • 21. Sin of Multiplicity (Of Subjects) Deadly Sin #2
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29. The ‘How To’ of Avoiding Multiplicity • Pause and consider what is going to be your subject • And then, sacrifice the rest to make your subject the hero
  • 30. Sin of Dilution (Of Visual Power) Deadly Sin #3
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. The ‘How To’ of Avoiding Dilution • Shoot multiple shots • Shallow Depth of Field • Ensuring non- subjects are focussing on the subject • Tight frame cutting out extraneous elements • Post-Process
  • 37. Sin of Division (Of Focus) Deadly Sin #4
  • 38.
  • 39.
  • 40.
  • 41.
  • 42.
  • 43.
  • 44. The ‘How To’ of Avoiding Division • Be mindful of other elements • Shoot bursts if other elements likely to affect • Compose the subject to make it most prominent
  • 45. Sin of Diffusion (Of Story) Deadly Sin #5
  • 46.
  • 47.
  • 48.
  • 49.
  • 50.
  • 51.
  • 52.
  • 53.
  • 54. The ‘How To’ of Avoiding Diffusion • Shoot multiple shots • Be experimentative. Use techniques. • Crop • Be mindful of the unfolding of story and its various characters
  • 55. Sin of Greed (Of Unnecessary Inclusions) Deadly Sin #6
  • 56.
  • 57.
  • 58.
  • 59.
  • 60.
  • 61.
  • 62.
  • 63.
  • 64.
  • 65.
  • 66. But Sometimes, Greed is Good! Not a Deadly Sin Anymore!
  • 67.
  • 68.
  • 69. The ‘How To’ of Not Falling Prey to Greed• Be clear about your subject • Look for distractions, especially around the edges and corner • Mercilessly exculde them by forcefully suppressing the urge to include them!
  • 70. Sin of Satisfaction (Of Easy Satisfaction) Deadly Sin #7
  • 71.
  • 72.
  • 73.
  • 74.
  • 75.
  • 76.
  • 77.
  • 78.
  • 79. The ‘How To’ of Not Being Easily Satisfied• Be critical of the frames you shoot • Never pack up your camera while out shooting • Keep trying different POVs, compositions, etc. I call it – ‘Working the Scene’

Editor's Notes

  1. What do these sins do? They reduce a photo into an ordinary snapshot. (Click) Let me ask a question – what do you think is the purpose of Travel Photography? (After answers, Click)
  2. Travel Photography’s sole purpose is to make destinations desirable! People should want to visit the place in your photograph.
  3. In this presentation, I’ll share what those sins are. No, I’ll not reveal them just yet. But will do so by and by. So… (Click) besides what these sins are, (Click) I’ll also demonstrate how they affect your photographs adversely, and... (Click) some pro tips to watch out for, and avoid those sins. So, here is Sin #1 (Click)
  4. Confused? Let me tell what I mean… (Click)
  5. Under/Over exposure kills an image. It isn’t pleasing for the eye. (Click) But there are times when you deliberately under or over expose an image. (Click) It could be for one of these two reasons – 1. Because your subject demands it; or 2. Because you have a clear idea that you’ll address it in post-processing. Let’s see some examples…
  6. Here is a balanced exposure in difficult light conditions. Here, you can see the girl’s joyful expression, as well as the clear outline of the sun.
  7. Another example of balanced exposure… To get such shots, blue hour is the best time. That is when the sky isn’t too bright to kill details in darker areas of the frame...
  8. Another ‘correct exposure’ shot…
  9. Yet another ‘correct exposure’ shot… Whenever the bright outdoors and relatively darker interiors appear in the same frame, your camera faces a dynamic range challenge. In such conditions, your craft of photography needs to kick in.
  10. Here is an example of deliberate use of under exposure...
  11. In such instances where silhouettes add to the drama, underexpose!
  12. Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
  13. Here, the subject is the grazing horse... So losing details of the mountains in the background is fine... (Click)
  14. Here again, the subject is the berries... So losing the sky details is not an issue... Now, let’s see when you’d deliberately under/over expose to recover details during post-processing... (Click)
  15. Here is the actual exposure...
  16. And here is the same shot after processing...
  17. Here is the actual exposure...
  18. And here is the same shot after post-processing...
  19. You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
  20. Confused? Let me tell what I mean… (Click)
  21. Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
  22. The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
  23. Despite a unique subject, the skyline takes away the attention...
  24. Like, here... What will draw your eye? The big red character? The stripes of the building coupled with the zebra crossing? The m&m signage? The Big Bus? Or the lady walking out of the frame? Multiplicity at its best. Or, worst! Now, let’s see some images with no multiplicity, or singularity of the subject! (Click)
  25. Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
  26. Here again, the subject is the berries... So losing the sky details is not an issue... Now, let’s see when you’d deliberately under/over expose to recover details during post-processing... (Click)
  27. And here is the same shot after post-processing...
  28. You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
  29. Confused? Let me tell what I mean… (Click)
  30. Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
  31. The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
  32. Like, here... What will draw your eye? The big red character? The stripes of the building coupled with the zebra crossing? The m&m signage? The Big Bus? Or the lady walking out of the frame? Multiplicity at its best. Or, worst! Now, let’s see some images with no multiplicity, or singularity of the subject! (Click)
  33. Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
  34. Here, despite the clutter, there is no multiplicity...
  35. You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
  36. Confused? Let me tell what I mean… (Click)
  37. Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
  38. Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
  39. Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
  40. The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
  41. Despite a unique subject, the skyline takes away the attention...
  42. Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
  43. You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
  44. Confused? Let me tell what I mean… (Click)
  45. Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
  46. Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
  47. Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
  48. The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
  49. Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
  50. Here, despite the clutter, there is no multiplicity...
  51. Here, despite the clutter, there is no multiplicity...
  52. Here, despite the clutter, there is no multiplicity...
  53. You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
  54. Confused? Let me tell what I mean… (Click)
  55. Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
  56. Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
  57. The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
  58. Despite a unique subject, the skyline takes away the attention...
  59. Despite a unique subject, the skyline takes away the attention...
  60. Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
  61. Here, despite the clutter, there is no multiplicity...
  62. Here, despite the clutter, there is no multiplicity...
  63. Here, despite the clutter, there is no multiplicity...
  64. Here, despite the clutter, there is no multiplicity...
  65. Confused? Let me tell what I mean… (Click)
  66. Here, despite the clutter, there is no multiplicity...
  67. Here, despite the clutter, there is no multiplicity...
  68. You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
  69. Confused? Let me tell what I mean… (Click)
  70. Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
  71. Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
  72. Here, despite the clutter, there is no multiplicity...
  73. Here, despite the clutter, there is no multiplicity...
  74. Here, despite the clutter, there is no multiplicity...
  75. Here, despite the clutter, there is no multiplicity...
  76. Here, despite the clutter, there is no multiplicity...
  77. Here, despite the clutter, there is no multiplicity...
  78. You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!