If we shoot during our travels, we are all guilty of committing these sins. This presentation will not need to be revised like you'd for an exam, but guarantees your images will become better if you go through it!
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7 Deadly Sins of Travel Photography
1.
2. 7 Deadly Sins of
Travel Photography
That Degenerate a Travel Photo
into a Travel Snapshot
3. Making Destinations
Desirable
• Many of us make a
living out of our
travel stories
• Those who don’t,
hope to
• It is for us to ensure
the objective is
forcefully delivered
– a 1000 words at a
time
4. The 7 Deadly Sins
of Travel
Photography• What are these?
• How they adversely
affect a photograph
• Pro tips to avoid
these sins
6. Of Exposure
• Correct exposure vs. under/over exposure
• Deliberate use of under/over exposure
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20. The ‘How To’ of
Exposure
• Use metering scale
– normally found at
the bottom of the
viewfinder
• Keep an eye on the
histogram (keep
histogram switched
on in ‘review’ mode)
29. The ‘How To’ of
Avoiding Multiplicity
• Pause and consider
what is going to be
your subject
• And then, sacrifice
the rest to make
your subject the
hero
36. The ‘How To’ of
Avoiding Dilution
• Shoot multiple
shots
• Shallow Depth of
Field
• Ensuring non-
subjects are
focussing on the
subject
• Tight frame cutting
out extraneous
elements
• Post-Process
44. The ‘How To’ of
Avoiding Division
• Be mindful of other
elements
• Shoot bursts if
other elements
likely to affect
• Compose the
subject to make it
most prominent
54. The ‘How To’ of
Avoiding Diffusion
• Shoot multiple
shots
• Be experimentative.
Use techniques.
• Crop
• Be mindful of the
unfolding of story
and its various
characters
55. Sin of Greed (Of Unnecessary
Inclusions)
Deadly Sin #6
69. The ‘How To’ of Not
Falling Prey to
Greed• Be clear about your
subject
• Look for distractions,
especially around the
edges and corner
• Mercilessly exculde
them by forcefully
suppressing the urge
to include them!
79. The ‘How To’ of Not
Being Easily
Satisfied• Be critical of the
frames you shoot
• Never pack up your
camera while out
shooting
• Keep trying
different POVs,
compositions, etc.
I call it – ‘Working
the Scene’
Editor's Notes
What do these sins do? They reduce a photo into an ordinary snapshot. (Click) Let me ask a question – what do you think is the purpose of Travel Photography? (After answers, Click)
Travel Photography’s sole purpose is to make destinations desirable! People should want to visit the place in your photograph.
In this presentation, I’ll share what those sins are. No, I’ll not reveal them just yet. But will do so by and by. So… (Click) besides what these sins are, (Click) I’ll also demonstrate how they affect your photographs adversely, and... (Click) some pro tips to watch out for, and avoid those sins. So, here is Sin #1 (Click)
Confused? Let me tell what I mean… (Click)
Under/Over exposure kills an image. It isn’t pleasing for the eye. (Click) But there are times when you deliberately under or over expose an image. (Click) It could be for one of these two reasons – 1. Because your subject demands it; or 2. Because you have a clear idea that you’ll address it in post-processing. Let’s see some examples…
Here is a balanced exposure in difficult light conditions. Here, you can see the girl’s joyful expression, as well as the clear outline of the sun.
Another example of balanced exposure… To get such shots, blue hour is the best time. That is when the sky isn’t too bright to kill details in darker areas of the frame...
Another ‘correct exposure’ shot…
Yet another ‘correct exposure’ shot… Whenever the bright outdoors and relatively darker interiors appear in the same frame, your camera faces a dynamic range challenge. In such conditions, your craft of photography needs to kick in.
Here is an example of deliberate use of under exposure...
In such instances where silhouettes add to the drama, underexpose!
Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
Here, the subject is the grazing horse... So losing details of the mountains in the background is fine... (Click)
Here again, the subject is the berries... So losing the sky details is not an issue... Now, let’s see when you’d deliberately under/over expose to recover details during post-processing... (Click)
Here is the actual exposure...
And here is the same shot after processing...
Here is the actual exposure...
And here is the same shot after post-processing...
You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
Confused? Let me tell what I mean… (Click)
Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
Despite a unique subject, the skyline takes away the attention...
Like, here... What will draw your eye? The big red character? The stripes of the building coupled with the zebra crossing? The m&m signage? The Big Bus? Or the lady walking out of the frame? Multiplicity at its best. Or, worst! Now, let’s see some images with no multiplicity, or singularity of the subject! (Click)
Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
Here again, the subject is the berries... So losing the sky details is not an issue... Now, let’s see when you’d deliberately under/over expose to recover details during post-processing... (Click)
And here is the same shot after post-processing...
You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
Confused? Let me tell what I mean… (Click)
Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
Like, here... What will draw your eye? The big red character? The stripes of the building coupled with the zebra crossing? The m&m signage? The Big Bus? Or the lady walking out of the frame? Multiplicity at its best. Or, worst! Now, let’s see some images with no multiplicity, or singularity of the subject! (Click)
Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
Here, despite the clutter, there is no multiplicity...
You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
Confused? Let me tell what I mean… (Click)
Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
Despite a unique subject, the skyline takes away the attention...
Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
Confused? Let me tell what I mean… (Click)
Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
Here, the vintage plane, the NatGeo theatre and the folks climbing the stairs compete for attention...
The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
Confused? Let me tell what I mean… (Click)
Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
The ultimate example of CLUTTER... Your eye is not at peace looking at this frame... It is darting around...
Despite a unique subject, the skyline takes away the attention...
Despite a unique subject, the skyline takes away the attention...
Another example of deliberate use of underexposure... Now let’s see some examples of deliberate use of overexposure... (Click)
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Confused? Let me tell what I mean… (Click)
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!
Confused? Let me tell what I mean… (Click)
Here, there are too many things happening… What will you look at? The North Pool, the Oculus or the skyline?
Same thing here... Will you look at the crowd walking through the arch, or the lady chilling on the bench?
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
Here, despite the clutter, there is no multiplicity...
You know where to find your metering scale… right? Also, histogram helps you get on top of the exposure game!