This document provides an analysis of the cinematography, lighting, and sound techniques used in the 2016 Barry Jenkins film Moonlight. It praises Jenkins' ability to effectively light and frame shots of the all-black cast. Two shots of the main character Chiron are analyzed, with one showing him found in darkness but then bathed in light, representing hope. Subtle uses of sound are also discussed, like moments where Chiron blocks out noise or the audience can infer scenes without full audio. Overall, the document examines how Jenkins skillfully used visual and audio elements to convey meaning.