1. BLACK SCREEN with the diegetic sound of a
busy crowd in town.
1. EXT. CAFE SICILIA - DAY
PANORAMA of Cafe Sicilia and the opening
credits begin to show with music in the
background.
1. INT. CAFE SICILIA - DAY
WIDE SHOT of the interior of the cafe.
MID SHOT of JENNA as she is buying coffee at
the counter.
LONG SHOT of JENNA walking away from the
counter and then her phone rings. CLOSE UP of
her face as she answers it.
JENNA
Hey! You okay? Why
did you ring?
JENNA bumps into MICHAEL as she is walking.
CLOSE UP of their faces and then a TWO SHOT
is used.
JENNA
Oh! Sorry!
MICHAEL
(smiling)
It's fine!
JENNA and MICHAEL walk away from each other.
CLOSE UP of their faces as they look over
their shoulders to look back at each other.
MID SHOT of JENNA walking away.
2. EXT. MIA AND DAVID'S HOUSE - DAY

2. ESTABLISHING SHOT of MIA and DAVID's house
with the same music as before in the
background.
2. INT. MIA AND DAVID'S HOUSE - DAY
WIDE SHOT of the living room and MIA and
DAVID are arguing. TWO SHOT of MIA sitting on
the sofa and DAVID standing in front of her.
CLOSE UP of DAVID's face.
DAVID
Oh come on, Mia.
Just listen to me.
MID SHOT of MIA.
MIA
(crosses her
arms)
Why should I listen
to you!?
LONG SHOT of MIA standing up and walking out
of the room. MID SHOT of DAVID sighing and a
PAN of him following MIA.
3. INT. AMY'S BEDROOM - NIGHT
CLOSE UP of AMY's computer screen that shows
a conversation between her and JOHN.
EXTREME CLOSE UP of the chat-box as AMY is
typing a message to JOHN.
CLOSE UP of the computer screen to show the
conversation again.
MID SHOT of AMY sitting in front of the
computer, smiling.
CLOSE UP of the computer screen again to show
JOHN's message to AMY. She closes the

3. conversation after typing out a message.
CLOSE UP of AMY's face looking miserable.
4. EXT. THE PARK - DAY
EXTREME LONG SHOT of IAN and MARY walking in
the park.
DOLLY SHOT of IAN and MARY walking.
MARY
(surprised)
She broke up with
you again!?
IAN
Why do you sound so
surprised? I
thought you'd be
used to this by
now.
MARY
(rolls eyes)
Well? What was the
reason this time?
LONG SHOT of IAN and MARY walking up to a
bench and sitting down on it.
MID SHOT of IAN.
IAN
(sighs)
Apparently I'm a
useless idiot that
doesn't understand
her feelings at
all.

4. MID SHOT of MARY.
MARY
(laughs)
That's it!?
SHOT REVERSE SHOT.
IAN
I know right! I
just find this
whole thing so
stupid...
SHOT REVERSE SHOT.
MARY
Well, to be fair, I
kind of agree with
her.
MARY'S POINT-OF-VIEW SHOT as IAN looks
straight ahead.
IAN
(laughs)
What are you
talking about?
You're supposed to
be comforting me.
CLOSE UP of MARY looking at IAN and smiling.
LONG SHOT of IAN and MARY sitting on the
bench.
END OF OPENING SEQUENCE