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Circulo das quintas

This document contains sheet music for a concert band. It lists the instrumentation including piccolo, flutes, oboes, clarinets, bass clarinet, bassoons, saxophones, trumpets, horns, trombones, euphonium, tuba, timpani, percussion, xylophone, and string instruments. The title of the piece is "Círculo das Quintas" and it is in the key of B-flat major, with tempo markings and instructions for playing various sections.

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          Copyright © Orquestra de Sopros de Jales Piccolo Flute 1, 2 Oboe 1, 2 Clarinet in Bb 1 Clarinet in Bb 2 Bass Clarinet in Bb Bassoon Alto Saxophone 1, 2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1, 2 Horn in F 1, 2 Trombone 1, 2 Euphonium Tuba Timpani Percussion 1 Xylophone Violin 1 opc. Violin 2 opc. Viola opc. Violoncello opc. Contrabass I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                 Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                                                                                                                                                                                                                                       
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L F (Fá Maior) I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          2
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L C (Dó Maior) I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II                          3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                     3
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I I II III 1/2 IV V VI VII 1/2 VIII VII VI G (Sol Maior) 24 I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L G (Sol Maior) I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI                                           3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                   4
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V IV 1/2 III II I I II III 1/2 IV V VI D (Ré Maior) 30 V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI VV IV 1/2 III II I I II III 1/2 IV V VI R L L R L L R L L R L L R L L R L L R L L R L L L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R D (Ré Maior) V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI                                                3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                     5
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. VII 1/2 VIII VII VI V IV 1/2 III II I I II A (Lá Maior) 36 VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI VV IV 1/2 III II I I II L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R A (Lá Maior) VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II                                                   3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                       6
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II42 III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II L R R L R R L R R L RR L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II                                  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                                                     7
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I I II III 1/2 IV V VI VII 1/2 VIII E (Mi Maior) Enharmonic Fb 48 I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L E (Mi Maior) Enharmonic Fb I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII                                                                                                                                                                                                                                                                                                                          8
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. VII VI V IV 1/2 III II I I II III 1/2 IV B (Sí Maior) Enharmonic Cb 53 VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI VV IV 1/2 III II I I II III 1/2 IV R L RR L R LL RR LR R L R LL R L RR L R LL RR LR R L R LL R L RR L R LL RR LRR L R LL R L RR L R LL RR LR R L R LL R L RR L R LL RR LR R L R LL B (Sí Maior) Enharmonic Cb VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV                                                                                                                                                                                                                                                                                                                                                                             9
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V VI VII 1/2 VIII VII VI V IV 1/2 III II I F# (Fá sustenido Maior) Enharmonic 59 V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI VV IV 1/2 III II I R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L F# (Fá sustenido Maior) Enharmonic V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                    10
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 11
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Db (Ré bemol Maior)-Enharmonica -C# I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                12
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Ab (Lá bemol Maior) I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II                      3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                         13
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I I II III 1/2 IV V VI VII 1/2 VIII VII VI Eb (Mí bemol Maior)88 I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Eb (Mí bemol Maior) I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI                                       3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                              14
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V IV 1/2 III II I I II III 1/2 IV Bb (Sí bemol Maior) 94 V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV VV IV 1/2 III II I I II III 1/2 IV R L L R L L R L L R L L R L L R L L R L L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L Bb (Sí bemol Maior) V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV                                     3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                          15
          Picc. Fl. 1, 2 Ob. 1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V VI VII 1/2 VIII VII VI V IV 1/2 III II I99 V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                             16
Copyright © Orquestra de Sopros de Jales Xylophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                      
Copyright © Orquestra de Sopros de Jales Alto Saxophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                             
Copyright © Orquestra de Sopros de Jales Baritone Saxophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                     
Copyright © Orquestra de Sopros de Jales Bass Clarinet in Bb I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
Copyright © Orquestra de Sopros de Jales Bassoon I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                     
Copyright © Orquestra de Sopros de Jales Clarinet in Bb 1 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior)25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                          
Copyright © Orquestra de Sopros de Jales Clarinet in Bb 2 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                       
Copyright © Orquestra de Sopros de Jales Contrabass I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                        
Copyright © Orquestra de Sopros de Jales Euphonium I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
Copyright © Orquestra de Sopros de Jales Flute I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                                 
Copyright © Orquestra de Sopros de Jales Horn in F I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
Copyright © Orquestra de Sopros de Jales Oboe I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
Copyright © Orquestra de Sopros de Jales Percussion 1 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Bb (Sí bemol Maior) Concert Maestoso q = 70 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L F (Fá Maior) 7 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L12 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L C (Dó Maior) 17 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 21 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L G (Sol Maior) 25 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 29 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R D (Ré Maior) 33 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R 37 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R A (Lá Maior) 41 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R 45 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L E (Mi Maior) Enharmonic Fb 49 V.S. R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L53   Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345    3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         
R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L B (Sí Maior) Enharmonic Cb 57 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L F# (Fá sustenido Maior) Enharmonica Gb 61 R L R RL R L L R L R RL R L L R L R R L R L L R L RR L R L L R L RR L R L L R L R R L R L L R L RR L R L L65 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Db (Ré bemol Maior)-Enharmonica -C# 73 R L R R L R L L R L R R L R L L R L R R L R L L77 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Ab (Lá bemol Maior) 81 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 85 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Eb (Mí bemol Maior) 89 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 93 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L Bb (Sí bemol Maior) 97 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L101       3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Percussion 12
Copyright © Orquestra de Sopros de Jales Piccolo I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                               
Copyright © Orquestra de Sopros de Jales Tenor Saxophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior)25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                          
Copyright © Orquestra de Sopros de Jales Timpani I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I G (Sol Maior)25 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                                       
Copyright © Orquestra de Sopros de Jales Trombone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                       
Copyright © Orquestra de Sopros de Jales Trumpet in Bb I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                          
Copyright © Orquestra de Sopros de Jales Tuba I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                 
Copyright © Orquestra de Sopros de Jales Viola opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                            
Copyright © Orquestra de Sopros de Jales Violin 1 opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                  
Copyright © Orquestra de Sopros de Jales Violin 2 opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                  
Copyright © Orquestra de Sopros de Jales Violoncello opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                              

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Circulo das quintas

  • 1.
              Copyright © Orquestrade Sopros de Jales Piccolo Flute 1, 2 Oboe 1, 2 Clarinet in Bb 1 Clarinet in Bb 2 Bass Clarinet in Bb Bassoon Alto Saxophone 1, 2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1, 2 Horn in F 1, 2 Trombone 1, 2 Euphonium Tuba Timpani Percussion 1 Xylophone Violin 1 opc. Violin 2 opc. Viola opc. Violoncello opc. Contrabass I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                 Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                                                                                                                                                                                                                                       
  • 2.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L F (Fá Maior) I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          2
  • 3.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L C (Dó Maior) I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II                          3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                     3
  • 4.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I I II III 1/2 IV V VI VII 1/2 VIII VII VI G (Sol Maior) 24 I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L G (Sol Maior) I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI                                           3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                   4
  • 5.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V IV 1/2 III II I I II III 1/2 IV V VI D (Ré Maior) 30 V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI VV IV 1/2 III II I I II III 1/2 IV V VI R L L R L L R L L R L L R L L R L L R L L R L L L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R D (Ré Maior) V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI V IV 1/2 III II I I II III 1/2 IV V VI                                                3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                     5
  • 6.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. VII 1/2 VIII VII VI V IV 1/2 III II I I II A (Lá Maior) 36 VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI VV IV 1/2 III II I I II L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R A (Lá Maior) VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II VII 1/2 VIII VII VI V IV 1/2 III II I I II                                                   3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                       6
  • 7.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II42 III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II L R R L R R L R R L RR L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II                                  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                                                     7
  • 8.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I I II III 1/2 IV V VI VII 1/2 VIII E (Mi Maior) Enharmonic Fb 48 I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L E (Mi Maior) Enharmonic Fb I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII I I II III 1/2 IV V VI VII 1/2 VIII                                                                                                                                                                                                                                                                                                                          8
  • 9.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. VII VI V IV 1/2 III II I I II III 1/2 IV B (Sí Maior) Enharmonic Cb 53 VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI VV IV 1/2 III II I I II III 1/2 IV R L RR L R LL RR LR R L R LL R L RR L R LL RR LR R L R LL R L RR L R LL RR LRR L R LL R L RR L R LL RR LR R L R LL R L RR L R LL RR LR R L R LL B (Sí Maior) Enharmonic Cb VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV VII VI V IV 1/2 III II I I II III 1/2 IV                                                                                                                                                                                                                                                                                                                                                                             9
  • 10.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V VI VII 1/2 VIII VII VI V IV 1/2 III II I F# (Fá sustenido Maior) Enharmonic 59 V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI VV IV 1/2 III II I R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L R L R R L R LL RR LR R L R L L F# (Fá sustenido Maior) Enharmonic V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                    10
  • 11.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 11
  • 12.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Db (Ré bemol Maior)-Enharmonica -C# I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                12
  • 13.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Ab (Lá bemol Maior) I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II                      3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                         13
  • 14.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. I I II III 1/2 IV V VI VII 1/2 VIII VII VI Eb (Mí bemol Maior)88 I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Eb (Mí bemol Maior) I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI I I II III 1/2 IV V VI VII 1/2 VIII VII VI                                       3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                              14
  • 15.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V IV 1/2 III II I I II III 1/2 IV Bb (Sí bemol Maior) 94 V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV VV IV 1/2 III II I I II III 1/2 IV R L L R L L R L L R L L R L L R L L R L L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L Bb (Sí bemol Maior) V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV V IV 1/2 III II I I II III 1/2 IV                                     3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                          15
  • 16.
              Picc. Fl. 1, 2 Ob.1, 2 Cl. 1 Cl. B. Cl. Bsn. Alto Sax. 1, 2 Ten. Sax. B. Sax. Tpt. 1, 2 Hn. 1, 2 Tbn. 1, 2 Euph. Tba. Timp. Perc. 1 Xyl. Vln. 1 Vln. 2 Vla. Vc. Cb. V VI VII 1/2 VIII VII VI V IV 1/2 III II I99 V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I V VI VII 1/2 VIII VII VI V IV 1/2 III II I                                                                                                                                                                                                                                                                                                                             16
  • 17.
    Copyright © Orquestrade Sopros de Jales Xylophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                      
  • 18.
    Copyright © Orquestrade Sopros de Jales Alto Saxophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                             
  • 19.
    Copyright © Orquestrade Sopros de Jales Baritone Saxophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                     
  • 20.
    Copyright © Orquestrade Sopros de Jales Bass Clarinet in Bb I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
  • 21.
    Copyright © Orquestrade Sopros de Jales Bassoon I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                     
  • 22.
    Copyright © Orquestrade Sopros de Jales Clarinet in Bb 1 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior)25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                          
  • 23.
    Copyright © Orquestrade Sopros de Jales Clarinet in Bb 2 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                       
  • 24.
    Copyright © Orquestrade Sopros de Jales Contrabass I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                        
  • 25.
    Copyright © Orquestrade Sopros de Jales Euphonium I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
  • 26.
    Copyright © Orquestrade Sopros de Jales Flute I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                                 
  • 27.
    Copyright © Orquestrade Sopros de Jales Horn in F I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
  • 28.
    Copyright © Orquestrade Sopros de Jales Oboe I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                           
  • 29.
    Copyright © Orquestrade Sopros de Jales Percussion 1 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Bb (Sí bemol Maior) Concert Maestoso q = 70 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L F (Fá Maior) 7 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L12 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L C (Dó Maior) 17 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 21 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L G (Sol Maior) 25 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 29 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R D (Ré Maior) 33 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R 37 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R A (Lá Maior) 41 L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R L R R 45 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L E (Mi Maior) Enharmonic Fb 49 V.S. R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L53   Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345    3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         
  • 30.
    R L RR L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L B (Sí Maior) Enharmonic Cb 57 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L F# (Fá sustenido Maior) Enharmonica Gb 61 R L R RL R L L R L R RL R L L R L R R L R L L R L RR L R L L R L RR L R L L R L R R L R L L R L RR L R L L65 R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L Db (Ré bemol Maior)-Enharmonica -C# 73 R L R R L R L L R L R R L R L L R L R R L R L L77 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Ab (Lá bemol Maior) 81 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 85 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L Eb (Mí bemol Maior) 89 R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L R L L 93 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L Bb (Sí bemol Maior) 97 R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L R L R R L R L L RR L R R L R L L101       3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  Percussion 12
  • 31.
    Copyright © Orquestrade Sopros de Jales Piccolo I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                               
  • 32.
    Copyright © Orquestrade Sopros de Jales Tenor Saxophone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior)25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I 65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior)97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                          
  • 33.
    Copyright © Orquestrade Sopros de Jales Timpani I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I G (Sol Maior)25 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI VV IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                                       
  • 34.
    Copyright © Orquestrade Sopros de Jales Trombone I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior)9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                       
  • 35.
    Copyright © Orquestrade Sopros de Jales Trumpet in Bb I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                          
  • 36.
    Copyright © Orquestrade Sopros de Jales Tuba I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97      Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                 
  • 37.
    Copyright © Orquestrade Sopros de Jales Viola opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                            
  • 38.
    Copyright © Orquestrade Sopros de Jales Violin 1 opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior)17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior)33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior)41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C#73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior)81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior)89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                  
  • 39.
    Copyright © Orquestrade Sopros de Jales Violin 2 opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97    Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                                  
  • 40.
    Copyright © Orquestrade Sopros de Jales Violoncello opc. I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) Concert Maestoso q = 70 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I F (Fá Maior) 9 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I C (Dó Maior) 17 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I G (Sol Maior) 25 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I D (Ré Maior) 33 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I A (Lá Maior) 41 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I E (Mi Maior) Enharmonic Fb 49 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I B (Sí Maior) Enharmonic Cb F# (Fá sustenido Maior) Enharmonica Gb 57 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I65 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Db (Ré bemol Maior)-Enharmonica -C# 73 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Ab (Lá bemol Maior) 81 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Eb (Mí bemol Maior) 89 I II III 1/2 IV V VI VII 1/2 VIII VII VI V IV 1/2 III II I Bb (Sí bemol Maior) 97     Círculo das Quintas for Concert Band-Séries Estudos Coletivos Edivaldo de Paula OMB-47.345                                                                                                                                                                                                                              