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2
School for Innovation, i.school,
 The
 University
 of
 Tokyo
Â
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consent.
3
Format of this series
Â
5 lectures
 3
 workshops
Â
Â
â âŻ
 4/16
 [FoundaAon
 and
 methodology
 in
Â
creaAng
 innovaAon]
Â
âĄâŻ
 4/23
 [Understanding
 1:
 The
 purposes
Â
and
 methods
 of
 interviews
 and
 ïŹeld
Â
work]
Â
âąâŻ
 4/30
 [Understanding
 2:
 The
 purposes
Â
and
 methods
 of
 technological
 research
Â
and
 case
 studies]
Â
âŁâŻ
 5/7
 [CreaAon:
 Divergence,
Â
convergence,
 and
 expression
 of
 ideas]
Â
â€âŻ
 5/14
 [RealizaAon:
 Methods
 of
 concept
Â
designing
 and
 user
 surveys]
Â
â„âŻ
 6/3
 [Workshop
 1:
 Learn
 from
 everyday
Â
robots
 in
 the
 future]
Â
âŠâŻ
 6/10
 [Workshop
 2:
 Learn
 from
 services
Â
in
 India]
Â
â§âŻ
 6/17
 [Workshop
 3:
 Learn
 from
 on-Ââ
Â
campus
 services]
Â
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consent.
4
Goals of this series:
Â
Understand the enAre
 process of creating innovation
Â
Learn to provide a concept idea
Â
Understand the process of coming up with a concept idea
Â
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consent.
5
Guest facilitator
Â
Jun
 Murakoshi
Â
i.lab:
Â
Product
 Designer
Â
Â
Master's degree from the Design and Science Course,
Chiba University Graduate School of Engineering.
Â
Master's degree from Royal College of Art (RCA)
 Design
Â
Products in the U.K.
Murakoshi was a specially appointed researcher at the
Graduate School of Engineering at Chiba University and
worked as a specially appointed associate professor at
the Center for International Research and Education of
the same university before joining i.lab.
He has a number of award-winning works that are
exhibited in Japan and Europe.
Â
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6
Â
6
Objectives of the 4th class:
Â
â¶âŻ Understand the processes and tips for coming up with ideas
Â
â¶âŻ Make the ideas come much easier!
Â
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7
Â
7
Review of
Â
the 3rd class
Â
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consent.
8
Â
8
Objectives
 of the 3rd class:
Â
â¶âŻ Understand the purposes, targets and methods of technology-
centered research
Â
â¶âŻ Turn everything surrounding you into hints for ideas right
 away
Â
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9
Â
9
Questions
 received
 the 3rd class:
Â
â¶âŻThank you for your participation!
Â
â¶âŻShin and Yokota responded to all of the
questions!
Â
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consent.
11
Â
11
Objectives of the 4th class:
Â
â¶âŻ Understand the processes and tips for coming up with ideas
Â
â¶âŻ Make the ideas come much easier!
Â
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12
Abstract
Detailed
Process
Â
Degree
 of
Â
Abstrac1on
Â
â Collect miscellaneous factual
Â
information
Â
âą Understand a situation
Â
structurally
Â
⣠Explore business
Â
opportunities
Â
⥠Group and abstract
Â
factual information
Â
â„ Create ideas
Â
⊠Select an idea
Â
âš Refine the idea
Â
ă»ă»ă»ă»
Â
ă»ă»ă»ă»
Â
ă»ă»ă»ă»
Â
†Establish a business opportunity
Â
⧠Put the idea into shape
Â
0
 1
Â
Understand
Create
Realize
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consent.
13
Â
13
First of all,
Â
what are your tips
Â
for coming up with ideas?
Â
Post and share your ideas!
Â
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14
Society
Â
Â
Market
Â
Â
Human
s
Â
Â
Technolog
y
Â
Â
Idea
Â
 Technology
People
I d e a
m a k e r
Idea
Â
(Product, service,
experience)
Â
IDEA
Â
i.school's
Â
integrated
 approach
Â
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15
Â
15
- Electrified wire glows
Â
The essence of creating ideas is to seek new links between existing
knowledge on ends and existing knowledge on means.
Â
Means
Â
(Function, shape, mechanism)
Â
Ends
Â
(Provided value, challenge)
Â
- Light up a dark place
Â
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16
How your brain works when coming up with ideas:
âąâŻ Brings in useful information
Â
âąâŻ Processes the information
Â
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17
Â
Â
Working memory
Â
(â mainly processing
functions)
Â
Types of memory:
1.⯠Short-term memory (â storage)
Â
2.⯠Long-term memory (â storage)
Â
3.⯠Working memory: plays an important role in processing information
Â
Long-term memory
Â
Short-
term
memory
Â
Retain
 Playback
Â
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18
Utilizing working memory
Â
âąâŻ If creating ideas means processing information to identify new relationships
between existing pieces of information, we need to focus on existing information
as raw material and pay attention to how you handle it.
Â
âąâŻ It is essential to consider what information goes into working memory for
processing and how you can help in the processing.
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Working memory
Â
â
 What?
 âĄ
 How?
Â
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19
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Working memory
Â
Research is for preparing materials for working memory
Â
âąâŻTypes of information include
 â
 information on ends and
 âĄ
information on means.
Â
âąâŻAccess or organize these pieces of information in order to induce
ideas for a domain that
 includes your intended ends or technologies
for the
 means.
Â
Means
Â
(= technolo-Ââ
gies)
Â
Ends
Â
(=People)
Â
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20
I n d a i l y l i v i n g ,
Â
w a l k i n g a i d s t r a n s f o r m
f r o m
 w e l f a r e d e v i c e t o
Â
f a s h i o n a b l e i t e m .
Â
The multifaceted nature of walking aids
Â
prompted the popularizing of this device.
Implication
Â
Walking
 sAcks
 and
 wheelchairs
 are
 oien
Â
considered
 to
 be
 mobility
 aids
 for
 the
 disabled
Â
and
 the
 elderly.
 Many
 elderly
 people
 aren't
Â
pleased
 with
 this
 associaAon
 when
 they
 use
 them.
Â
In Sugamo, you will notice a number of walking
aids that don't really fit into that category.
Multipurpose products like these have the
potential to attract the younger senior
population.
Â
Â
Objective information
You often see elderly people using walking aids
on
 the
 Sugamo shopping street. Unlike typical
welfare mobility aids like wheelchairs, sticks or
walkers, there are a number of waking aids that
also serve normal purposes or come with stylish
designs.
Â
The lady in the photo was using this suitcase as
her walking aid.
Â
While she does not seem to need a walking aid,
she is obviously using this bag for that purpose.
Â
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21
Overviewïżœ
Provided values (= ends)ïżœ
Functions and shape that create the values (=
means)ïżœ
The
 "Roomba" is a house
cleaning robot equipped
with various sensors to
detect room conditions. ïżœ
âŁâŻThe
 Roomba is a house-cleaning robot equipped with
artificial intelligence. It detects the size and shape of
the room as well as dirt and debris on the floor and
cleans the area autonomously without human
operation.
Â
âŁâŻIt has numerous sensors to detect walls, bumps, and
dirt to sense the condition of the room and clean the
area efficiently.
Â
âŁâŻhjp://www.irobot-Ââjp.com/roomba/technology.html
Â
âŁâŻCleans the floor by itself
Â
âŁâŻAttracts affection like a pet
Â
âŁâŻMoves in all directions over a flat surface
Â
âŁâŻSucks up air
Â
âŁâŻDetects dirt and makes adjustments
Â
âŁâŻDetects obstacles like walls and bumps and makes
adjustments
Â
âŁâŻMakes an emotional sound when something goes
wrong
Â
âŁâŻControllable with a remote
Â
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22
Society
Â
Â
Market
Â
Â
Human
s
Â
Â
Technology
Â
Â
Idea
Â
 Technology
People
I d e a
m a k e r
Idea
Â
(Product, service,
experience)
Â
IDEA
Â
Intentionally combine
Â
the knowledge you want to utilize
Â
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23
Divergence
 Convergence
Â
Individual
work
 Group work
Â
Formula for the creation process
âąâŻDivergence
 and
 convergence
Â
âąâŻFrom
 individual
 work
 to
 group
 work
Â
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24
Divergence
Â
Individual
work
 Group work
Â
Why individual work before group work?
Â
âąâŻGroup work should not depend on influential opinions or a quick thinker.
Â
âąâŻIt motivates you to present all of your ideas and listen to those of
others.
Â
âąâŻIt allows for understanding of the features of your ideas and those of
others in the big picture.
Â
(*Some say that you should begin with group work.)
Â
1 0 m i n
 5 0 m i n
Â
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25
Â
25
ă»ă»ă»
Â
Work individually on ideas for
Â
supporting the elderly in going out.
Â
Post and share your ideas!
Â
(The end is defined here.)
Â
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27
Divergence
 Convergence
Â
Individual
work
 Group work
Â
Formula for the creation process
âąâŻDivergence
 and
 convergence
Â
âąâŻFrom
 individual
 work
 to
 group
 work
Â
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28
It's difficult to know how individuals
 process
 their
 thinking in 10 mins.
âąâŻInformation on common ends and means are added to their working
memory.
Â
âąâŻYet, the way they process them in a 10 minute period varies
significantly.
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Working memory
Â
Means
Â
(= techno-Ââ
logies)
Â
Ends
Â
(= people)
Â
IDEA
 How?
Â
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29
Â
29
Murakoshi and Yokota are going to present
their 10 mins of thinking.
Â
Listen well and notice similarities and
differences with your process, and
Â
post what you thought.
Â
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30
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Working memory
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Working memory
Â
Yokota 1: Seek ideas comprehensively and nonverbally. It's
exploration rather than creation.
1.⯠I pick a card that got my attention from the "ends" side and simulate
situations around it comprehensively and reconstruct people's
behaviors and feelings.
Â
2.⯠Once I find a good end (= value, challenge) that's both unique and
essential, then I comprehensively seek means for it (= provision,
solution) to some extent.
Â
3.⯠If the idea is unique enough and worth writing down, which requires 30
seconds, I describe it verbally and write it down.
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Working memory
Â
Means
Â
(= techno-Ââ
logies)
Â
Ends
Â
(=People)
Â
Idea
 â
Â
â
Â
â
Â
â
Â
â
Â
â
Â
â
 â
 â
Â
â
 â
Â
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31
Â
31
31
Â
A
 B
 C
 Aâ
 Bâ
 Câ
Â
That
Other than
that
Â
D
 E
 ă»
Â
Yokota 2: When the thinking hits a wall, forcefully shift the thinking
to another area
âąâŻ By the time you come up with 3 ideas, you might be bored.
Â
âąâŻ Find commonality among them and put them together as "that." The
ideas after that are defined as "other than that."
Â
âąâŻ For example, "that" can be ideas to encourage the elderly to go out and
"other than that" can be ideas to provide the same effect of going out
while staying at home.
Â
âąâŻ I try to come up with 5 ideas in 10 minutes.
Â
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32
Murakoshi 1: Come up with ideas
 â
Â
 Write down (draw)
 â
Â
 Forget
âąâŻ I try to remember only the ends that inspired me most and mix that with
means and hints.
Â
âąâŻ I don't evaluate them as I want to leave the divergence phase
independent from the rest.
Â
âąâŻ I write down or draw ideas that I came up with so that I can remove them
from my working
 memory.
Â
âąâŻ While I'm thinking, I focus on the image I have in my head and write it
down.
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Â
Working memory
Â
Means
Â
(= techno-Ââ
logies)
Â
Ends
Â
(=People)
Â
Ă
Â
o
Â
ÂŽ
 -Ââ
 `
Â
o
Â
ÂŽ
 -Ââ
 `
Â
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33
Murakoshi 2: When I get stuck, I move the idea up and down and left
to right.
âąâŻ I try to change the essential part of the ideas I came up with. Image of
shifting to the right. (Outdoor
 â
 Indoor
 /
 Ocean
 â
 Ground) (bottom left)
Â
âąâŻ Abstract it and then actualize it. Lift it up and bring it down. You need to
understand where you stand. (Umbrella
 â
 create a loose border
 â
 hedge,
line white line) (image on the bottom right)
Â
A
 B
 C
 D
Â
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34
Â
34
What are some common tips?
Â
â ⯠Have a ground for creating ideas
(standpoint)
Â
âĄâŻ Refresh thoughts when necessary (place/
actionïŒ
Â
âąâŻ Write down or draw ideas
Â
Â
*These are put together in real time.
Â
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36
Expression style â ïŒ
Â
Prepare
 a
 piece of letter size paper, and include the title, a rough
drawing and a description.
Â
Don't forget to include the source of the idea and your name so that
you can trace it back later.
Â
Title
Â
Drawing
 Description
Â
InformaAon
 on
 ends
Â
Â
and
 means
 Name
Â
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37
Image of the deliverable:
Â
Include
 the title, a rough drawing and a description.
Â
Don't forget to include the source of the idea!
Â
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39
Divergence
 Convergence
Â
Individual
work
 Group work
Â
Formula for the creation process
âąâŻDivergence
 and
 convergence
Â
âąâŻFrom
 individual
 work
 to
 group
 work
Â
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40
Convergence
Â
Group work
Â
Meaning of convergence
Â
â âŻLimit the number
Â
âĄâŻRefine the quality
Â
*This process is actually repeated several times.
Â
â Limit the
number
Â
⥠Refine the
quality
Â
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41
Convergence
 â :
 On what grounds do you limit the
number?
Â
A.
 Novelty:
Â
- Does the idea use a method that you have never seen or heard of?
- Does the idea offer new elements of values or experiences for customers?
- Does that include an original perspective that is currently controversial?
Â
Â
B.
 Impact:
Â
- Is the expected market or sales large or growing enough for your company's
standard?
Â
- Is the qualitative change of lifestyles and values brought about by the idea
important or great?
Â
Â
C.
 Feasibility:
Â
- Is the expected condition of society or market relevant?
- Is the logic relevant enough to describe the impression, intention and demand
of the expected customer?
- Is it feasible to ensure and develop resources (technologies, people, capital,
intellectual property, etc.) to
 put the idea into shape?
Â
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42
Convergence
 âĄ
 ïŒOn what grounds do you refine the
quality?
Â
âąâŻ Don't get distracted by less important ideas (branches and leaves) but
try to identify the "trunk" idea among the selected ideas. You can talk
about the branches and leaves later.
Â
âąâŻ Naturally, finding a potential "trunk" is not easy. It requires fierce
discussion, which is also a meaningful process.
Â
Feature C
Â
Â
Feature A
 Feature B
Â
Idea
Â
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43
Expression style âĄ:
Â
âąâŻ Use
 lejer
 size
 paper divided into two parts (top and bottom).
Â
âąâŻ Include voting results and comments on the "trunk" for
sophistication.
Â
âąâŻ You can scan this and save it digitally.
Â
Title
Â
Drawing
 Description
Â
InformaAon
 on
 ends
Â
and
 means
 Name
Â
ă»ă»ă»
 ă»ă»ă»
Â
ă»ă»ă»
 ă»ă»ă»
Â
44. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
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44
Abstract
Detailed
Process
Â
Degree
 of
Â
Abstraction
â Collect miscellaneous factual
Â
information
Â
âą Understand a situation
Â
structurally
Â
⣠Explore business
Â
opportunities
Â
⥠Group and abstract
Â
factual information
Â
â„ Create ideas
Â
⊠Select an idea
Â
âš Refine the idea
Â
ă»ă»ă»ă»
Â
ă»ă»ă»ă»
Â
ă»ă»ă»ă»
Â
†Establish a business opportunity
Â
⧠Put the idea into shape
Â
0
 1
Â
Understand
Create
Realize
45. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
45
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45
Objectives of the 4th class:
Â
â¶âŻ Understand the processes and tips for coming up with ideas
Â
â¶âŻ Make the ideas come much easier!
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46. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
46
Â
46
Recommended
 readings
 for
Â
knowledge
 seekers
Â
47. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
47
Â
47
This
 is
 a classic on coming up with ideas.
Â
Â
It's a thin book. 1 hour is enough to finish this book.
Â
Â
5 steps:
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1.⯠Collect materials
Â
2.⯠Try structural organization
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3.⯠Leave problems
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4.⯠Come up with ideas
Â
5.⯠Put the ideas into shape
Â
Â
Â
A Technique for Producing Ideas
Â
(James
 W.
 Young)
Â
48. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
48
Â
48
This
 is
 a
 collection of photos of plants. The author was an
art professor that specialized in sculpture and originally
collected the photos as study material.
Â
Â
- Transform your perspective maybe
Â
- Beautiful things are right by your side
Â
- How to reinforce your ability to discover, build images
and create
Â
Unformen der Kunst (Artforms in
Nature)
Â
(Karl Blossfeldt)
Â
49. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
49
Â
49
Q&A
Â
51. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
51
Abstract
Detailed
Process
Â
Degree
 of
Â
Abstraction
â Collect miscellaneous factual
Â
information
Â
âą Understand a situation structurally
Â
⣠Explore business opportunities
Â
⥠Group and abstract
Â
factual information
Â
â„ Create ideas
Â
⊠Select an idea
Â
âš Refine the idea
Â
ă»ă»ă»ă»
Â
ă»ă»ă»ă»
Â
ă»ă»ă»ă»
Â
†Establish a business
Â
opportunity
Â
⧠Put the idea into shape
Â
0
 1
Â
Understand
Create
Realize
52. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
52
Â
52
ă»ă»ă»
Â
Bring
 the
 idea
Â
down
 to
 earth
Â
53. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
53
Â
53
ă»ă»ă»
Â
Prototyping
Â
54. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
54
Â
54
User survey
Â
55. 2014 i.school All Rights Reserved.
This material shall be the sole and exclusive property of i.school at The University of Tokyo and
shall not be used for any other purpose nor disclosed to any other party without i.schoolâs written
consent.
55
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55
Thank
 you!
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