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G322 June 2011
Examiner’s comments

Candidate A –Music Industry

Question 1

The candidate’s response is immediately focused on addressing class and status. The
candidate ranges across different technical areas with accurate terminology,
integrating analysis of mise-en-scene with the reference to camera shot and types and
the use of sound.

The analysis of class and status is developed further in relation to the female
character. This juxtaposition is central to the candidate’s response as it elucidates a
contrasting position on class and status. This analysis is cemented by the reference to
editing and the 180 degree rule and the use of the shot reverse shot. Importantly the
candidate links the technical aspects of the drama extract to class and status.

Relevant examples from each of the four technical areas are mobilised– especially on
sound and editing. The candidate is also discriminating with which parts of the
extract to address – they do not attempt to cover all of the scenes or action in the
extract but elect to illustrate the issue of representation with key examples, for
example the meeting with the female character in the castle and the duelling sequence
in the marketplace –a perfectly legitimate approach given the time available for the
question.

This response justifies low level 4 for all three aspects- explanation, analysis,
argument (EAA), Terminology (T) and use of examples (EG)

Question 2 – Music Industry

The response immediately sets about addressing the set question. Knowledge and
understanding is contemporary, factual and accurate. The candidate is clearly in
command of the issue of institution and ownership in discussion of Sony and
Bertelsmann Media group. Examples of existing artists and independent record
companies such as SugarShack records help offer contrast. The candidate develops
the EAA by exploring the significance of music in the online age and web 2.0 and the
use of iTunes and Spotify. This is subsequently linked to the methods used by
independent bands’ marketing and distribution and how the audiences are targeted.

The question is addressed throughout and there is proficient use of examples, whilst
illustrating how the music industry is being transformed with audiences moving away
from physical CD sales to downloading music. Again there is excellent use and
command of media terminology.

High level 3 for examples, level 4 for terminology and EAA.
Candidate a music industry
Candidate a music industry
Candidate a music industry
Candidate a music industry
Candidate a music industry
Candidate a music industry
Candidate a music industry
Candidate a music industry

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Candidate a music industry

  • 1. G322 June 2011 Examiner’s comments Candidate A –Music Industry Question 1 The candidate’s response is immediately focused on addressing class and status. The candidate ranges across different technical areas with accurate terminology, integrating analysis of mise-en-scene with the reference to camera shot and types and the use of sound. The analysis of class and status is developed further in relation to the female character. This juxtaposition is central to the candidate’s response as it elucidates a contrasting position on class and status. This analysis is cemented by the reference to editing and the 180 degree rule and the use of the shot reverse shot. Importantly the candidate links the technical aspects of the drama extract to class and status. Relevant examples from each of the four technical areas are mobilised– especially on sound and editing. The candidate is also discriminating with which parts of the extract to address – they do not attempt to cover all of the scenes or action in the extract but elect to illustrate the issue of representation with key examples, for example the meeting with the female character in the castle and the duelling sequence in the marketplace –a perfectly legitimate approach given the time available for the question. This response justifies low level 4 for all three aspects- explanation, analysis, argument (EAA), Terminology (T) and use of examples (EG) Question 2 – Music Industry The response immediately sets about addressing the set question. Knowledge and understanding is contemporary, factual and accurate. The candidate is clearly in command of the issue of institution and ownership in discussion of Sony and Bertelsmann Media group. Examples of existing artists and independent record companies such as SugarShack records help offer contrast. The candidate develops the EAA by exploring the significance of music in the online age and web 2.0 and the use of iTunes and Spotify. This is subsequently linked to the methods used by independent bands’ marketing and distribution and how the audiences are targeted. The question is addressed throughout and there is proficient use of examples, whilst illustrating how the music industry is being transformed with audiences moving away from physical CD sales to downloading music. Again there is excellent use and command of media terminology. High level 3 for examples, level 4 for terminology and EAA.